15th San Francisco International Lesbian & Gay Film Festival

Page 33

SHORT FILMS BY ELFI MIKESCH Inspired by the life of Mary Stuart,

EXEKUTION

is an

SNATCH

SPHINXES WITHOUT SECRETS.

"ls what we're doing here acting out?", cisks one

This hour long documentary seeks to answer the

SNATCH,

expressionistic film about pa,s sion, love, innocence

character in

and while the answer may

questions, What is performance art? Why do women

and death. Instead of portraying her as a pawn in

unfortunately be yes, there is pleasure, if not plot, to

do it? And what are the strengths of this medium for

anonymous history, Elfi Mikesch depicts her as a

be found in this 40 minute video.

putting across a political message? Many of the cur­

woman who was abused by her own fa mily. The

Lots of saturated color, and yes, saturated tam­

SNATCH a

first. Set in a lesbian whore­

rently active women performance artists speak to these questions in

SPHINXES WITHOUT SECRETS,

so

i mages a re wondrously om inous com positions of

pons, make

hatred, intrigue 'and madness, drawing attention to

house from Hell (Hell is America) a gaggle of giggling

the video should be of special inle rest to fans of

BLUE DIS­

garterbelt gargoyles let us in on their scenes and

Rachael Rosenthal, Arlene Raven, Diamanda Galas

in a train compartment. An androgynous

secrets. We watch them boss around their nerdy

and Robby McCauley whose works are featured.

woman thinks of letters a lady wrote to a gentleman

clients, women who play men with an endearing sexu­

about the' necessity of 'separation and the desire for a

al awkwardness and are more victims than victimizers.

the subjectivity that generates such drama.

TANCE is set

SNATCH features a dozen lesbians in

Many others give their opinions, including Annie Sprinkle, who does something new with her breasts.

lingerie and

. While the opinionating is less engaging than the per­

mirror image of the first, disrupts her reverie. After

the cast, in costume, turns Victoria's secret into a

formances (and be warned, these theatrical pieces are

she leaves it is unknown whether the first woman's

screaming headline. Although they bare their bosoms

not shown ·to their best advantage on video) what is

wish was about the man with whom an encounter will

with peek-a-boo provocation, these women are not

striking is the overview, shown in 30 or 40 short

never take place or about the woman with whom it

above being polemical. "Prostitution is the m.o. of the

sequences, of the range and energy of activity. Fan­

has just happened.

patriarchal capitalistic society. We sell our souls, time

tastical costumes, glimpsed briefly, compelling body­

and energy, our lives-to make a fucking livi ng,"

work, and the images of many women engaged in

casual encounter in the future. Another woman, a

THE HYENA'S BREAKFAST star1s

with se nsua l .

SNATCH

images of a woman running through the streets. A

explains a title sequence, b\Jt

man speaks to her over the phone, insisting that she

as being more rowdily ridiculous than revolutionary.

return to him. But Maria's attention is drawn ·to her

The best parts of this video are the visual jokes, a

own visions of suffering and death which are Catholic

sacraficial peace symbol and a living vagina dentate.

imagery. After experiencing the purification of self­

Some actual dialogue plus a plot could have

SNATCH into a SNATCH has

chastisement, she can laugh about herself, forget the

boosted

man and open the door to a woman.

it stands,

-AF

comes across

more satisfying video, but as a long way to go for those

waiting for a challenging sexual/political/na rrative

EXEKunON: A STUDY OF MARY

Director: Elfi

vehicle. I wouldn't put it past these women, however,

Mikesch, Cast: Lamilli, Magdalena Montezuma, Frank

to build on their experience and give us, next time,

Ripploh. West Germany, 1 979, 35mm, 28 min.

what we really want.

-Mary Wings

Director: No d i rector (collective process), USA,

BLUE DISTANCE

Director: Elfi Mikesch, Cast: Silke

Grossman. West Germany, 1 983, 35mm, 22 min.

THE HYENA'S BREAKFAST

Director: Elfi Mikesch,

Cast: Sheila McLaughlin, Heinz Emigholz. West Ger­ many, 1 983, 1 6mm, 25 min.

SPONSORED BY TH'E GOETHE- INSTITUT SAN FRANCISCO Sunday June 23

1 2: 15pm Castro

Monday June 24 2:00pm Castro

1 990, video, 40 min.

Friday June 28

1 1 :3Opm Roxie

such different ways onstage, most effectivly describes the importance of performance art. Recommended for theatre buffs, East Villagers, artist-activists and costumers.

-Mary Wings

Director: Maria Beatty, USA, 1 99 1 , video, 58 min.

FREE SCREENINGS AT EYE GAWRY 1 1 51 Mission Street

Tuesday June 25 - Saturday June 29 2:00pm and 5:00pm


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