Arkipel Twilight Zone - 8th Jakarta International Documentary and Experimental Film Festival

Page 192

Preface Keynote Speech of Forum Festival 2021: “Twilight Zone”

Complete darkness is often inser ted as a transition bet ween scenes in both cinema and theatre. In both domains, whether it is a blackout in theater or a black screen in cinema, it is used purposefully to direct the emotions of the audience, or prepare the audience's mind for the next scene. The dark situation does not immediately ta ke the audience out of the narrative space of the cinema world on the screen, but instead brings the audience into a space where the contents are not visible. So, does invisibilit y mean something doesn't exist? In the theatre, darkness a llows a transfer of proper t y and change in costumes by actors. Invisibilit y does not mean that something is not present, but rather it is the presence of something that does not reach the retina of our eyes. However, this presence is only recognized in a cer tain premise: in the rea lit y on the stage, or in the rea lit y that "should" exist outside the stage. Thus, regardless of which premise acknowledges the presence of something, the question is now: What exists in it? What happens in the dark? The introduction to A R KIPEL 2020 "Twilight Zone" explained that the Twilight Zone, a transition zone of light and dark, is “...the enlargement zone, like the camera work, which a llows our senses to frame with sensitivit y.” This possibilit y results in the existence of images that are “...simultaneously blurring and clarifying the sight that has been determined previously. This introduction ma kes us need to dismantle again by using questions: which one is the rea l one; the one on the screen before the eyes or the one in front of the lens? So, in the t wilight zone, the relationship bet ween the eye, lens, and screen is a lways a deceptive relationship.” A fter a year of ta lking about the t wilight zone, it would be appropriate for the A R KIPEL Forum Festiva l 2021 to ta lk about what happens in the zone. Perhaps, there is an incubation period. “Incubation” is a word that is often heard during this pandemic, it refers to the time inter va l that determines whether something

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Articles inside

Constructing A Network Of Knowledge

4min
pages 196-199

“Membangun Jejaring Pengetahuan”

2min
pages 194-195

Democracy, Resistance And Algorithms”

1min
pages 192-193

Landscape And Authorship

17min
pages 173-181

Demokrasi, Resistensi, Dan Algoritma”

3min
pages 190-191

Pengantar Keynote Speech Forum Festival 2021: “Twilight Zone”

2min
pages 182-183

Preface Keynote Speech Of Forum Festival 2021: “Twilight Zone”

3min
pages 184-185

The Possible Languages Of Cinema”

2min
pages 188-189

“Tableaux Vivants” In The Post- Era

1hr
pages 110-167

Lanskap Dan Kepengarangan

2min
pages 168-172

Tableaux Vivants Dalam Era Pasca

4min
pages 107-109

Shadowed Twilight Zone

3min
pages 104-106

Zona Temaram Berbayang

1min
pages 102-103

Bizzare Journey To The West Of The West

3min
pages 99-101

Sebuah Lokasi Yang Kedatangan Tamu Asing

2min
pages 91-92

A Visit By A Foreign Guest

5min
pages 93-96

Perjalanan Aneh Ke Baratnya Barat

1min
pages 97-98

Penumbral Zone

4min
pages 87-90

Zona Penumbra

3min
pages 84-86

The History Of User Culture In A Network Of Conquest

8min
pages 54-58

Watching Shadows

10min
pages 76-83

Riwayat Kultur Pengguna Dalam Jejaring Penaklukan

3min
pages 51-53

Puisi Teknologi Gambar Bergerak: Di “Antara”, “Saling”, Dan “Pakai” The Tech-Poetry Of Moving Image: In “Between”, “Relating”, And “Use” 56

14min
pages 59-72

Hantu Yang Bertransformasi Menggurita

2min
pages 44-46

The Tentacular Transforming Ghost

6min
pages 47-50

The Last Photographs Before The Apocalyptic Tinge In The Horizon

7min
pages 39-43

Refleksi Arkipel / Reflection on Arkipel Gambar-Gambar Terakhir Sebelum Semburat Apokalips Di Cakrawala

4min
pages 34-38

Cinema In Twilight Zone

4min
pages 29-31

Awards

3min
pages 32-33

CatatanDirektur Festival

2min
pages 10-11

Sinema Di Zona Temaram

4min
pages 26-28

Festival Director’s Note

2min
pages 12-13

Juri

2min
pages 22-23
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