FontBooklet No. 2

Page 14

Freight

6 Joshua Darden garagefonts, 2005

Light Book Medium Bold Black

Big

Display

Text

Micro

Aa Aa Aa Aa Sans

Aa

Freight abcdefghijklmnopqrstuvwxyz [åçèîñøüýžßfiflæœ] ABCDEFGHIJKLMNOPQRSTUVWXYZ 1234567890/1234567890 (‘.,;:”?!¿¡‹$¢€£¥@&¶§†‡»*) {ÅÇÈÎÑØÜÝŽÆŒ} 18/24pt Freight Text Book, +15‰

Freight Micro Light, Bold & Italic

Freight Micro Book, Black & Italic

Four sizes and a sans companion are available. At the small print end of the spectrum is Freight Micro, “an exercise in whispering very loudly..” Designed for use below 9 point in print and at text sizes on digital screens, Freight Micro’s angular forms result from the decision to modulate entire strokes and contours rather than to merely pare out problem areas with inktraps. Micro needn’t be used as prescribed – its unconventional voice makes for striking logotypes and d magazine headlines too. Four sizes and a sans companion are available. At the small print end of the

Four sizes and a sans companion are available. At the small print end of the spectrum is Freight Micro, “an exercise in whispering very loudly.” Designed for use below 9 point in print and at text sizes on digital screens, Freight Micro’s angular forms result from the decision to modulate entire strokes s and contours rather than to merely pare out problem areas with inktraps. Micro needn’t be used as prescribed – its unconventional voice makes for striking logotypes and magazine headlines too. Four sizes and a sans companion are available.

Freight Text Light, Bold & Italic

Freight Text Book, Black & Italic

As the primary text design in the series, Freight Text offers a variety of degrees of emphasis, from the spare, bony Lightt to the beefy Black. Designed concurrently, the romans and italics differ in texture but move with one calligraphic accord: neither is necessarily subject to the other. As the primary text design in the series, Freight Text offers a variety of degrees of emphasis, from the spare, bony Light to the beefy Black. Designed concurrently, the romans and italics differ in texture but move with one calligraphic accord: neither is necessarily subject to the other. As the primary text design in the series, Freight Text offers

As the primary text design in the series, Freight Text offers a variety of degrees of emphasis, from the spare, bony Lightt to the beefy Black. Designed concurrently, the romans and italics differ in texture but move with one calligraphic accord: neither is necessarily subject to the other. As the primary text design in the series, Freight Text offers a variety of degrees of emphasis, from the spare, bony Light to the beefy Black. Designed concurrently, the romans and italics differ in texture but move with one calligraphic accord: neither is necessarily subject to the other. As the primary text design in the

9/12pt

9/12pt

9/12pt

9/12pt


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