Colophon ISSUE #45, TALENT EDITOR-IN-CHIEF Marloes Krijnen CREATIVE DIRECTOR Pjotr de Jong (Vandejong) EDITORS Marcel Feil, Pjotr de Jong, Marloes Krijnen, Elisa Medde MANAGING EDITOR Elisa Medde EDITORIAL INTERN George H. King ART DIRECTOR Isabelle Vaverka (Vandejong) DESIGN & LAYOUT Isabelle Vaverka, Bas van Bentum (Vandejong) TYPEFACES Arial, Haarlem AM, Otik Neue, Times CONTRIBUTING PHOTOGRAPHERS AND ARTISTS Sofia Ayarzagoitia, Juno Calypso, Bubi Canal, Paolo Ciregia, Joshua Citarella, Sam Contis, Jack Davison, Nicoló Degiorgis, John Edmonds, Katinka Goldberg, Daniel Gordon, Samuel Gratacap, Andrea Grützner, Maxime Guyon, Felicity Hammond, Alexandra Hunts, Taejoong Kim, Nico Krijno, Leo Maguire, Lesley A. Martin, Yoshinori Mizutani, Stefanie Moshammer, Andrés Felipe Orjuela, Antonio Ottomanelli, Daan Paans, Louise Parker, Alice Quaresma, Ross Sawyers, Marleen Sleeuwits, Stefano Stoll, Andrejs Strokins, Ilona Szwarc, Lorenzo Vitturi, Manon Wertenbroek, Daisuke Yokota
288 FRONT COVER Eternal Beauty II (Film Still), 2014, from the series The Honeymoon © Juno Calypso, courtesy of the artist
PUBLISHING Frame Publishers BV Laan der Hesperiden 68 1076 DX Amsterdam – NL foam@frameweb.com
CONTRIBUTING WRITERS Taco Hidde Bakker, Karin Bareman, Daniel C. Blight, Jörg Colberg, Colin Pantall, Kerry Doran, Marcel Feil, Max Houghton, Kim Knoppers, Mirjam Kooiman, Jennifer Krasinski, Russet Lederman, Liz Sales, Tom Seymour, Yusuke Takahashi, Duncan Wooldridge
DIRECTORS Robert Thiemann Rudolf van Wezel
COPY EDITOR Pittwater Literary Services: Rowan Hewison TRANSLATIONS Karin Kuwahara, Iris Maher, Liz Waters SPECIAL THANKS Sawako Fukai, Urara Hatano, Darius Himes, Charlotte Terrapon PRINTING Grafisch Bedrijf Tuijtel Industriestraat 10 3371 XD HardinxveldGiessendam – NL PAPER Igepa Nederland BV Biezenwei 16 4004 MB Tiel – NL EDITORIAL ADDRESS Foam Magazine Keizersgracht 609 1017 DS Amsterdam – NL T +31 20 551 65 00 editors@foam.org
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© Photographers, authors, Foam Magazine BV, Amsterdam, 2016. All photographs and illustration material are the copyright property of the photographers and/or their estates, and the publications in which they have been published. Every effort has been made to contact copyright holders. Any copyright holders we have been unable to reach or to whom inaccurate acknowledgement has been made are invited to contact the publishers at magazine@foam.org. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or otherwise without prior written permission of the publishers. Although the highest care is taken to make the information contained in Foam Magazine as accurate as possible, neither the publishers nor the authors can accept any responsibility for damage, of any nature, resulting from the use of this information. The production of Foam Magazine has been made possible thanks to the generous support of paper supplier Igepa Netherlands BV. The annual Foam Magazine Talent Issue and the related Talent Program is supported by the Niemeijer Fund.
A NOTE FROM US This spring, the moment of the year in which we focus on the Talent Call and the production of the issue you have in your hands, we have been deeply saddened by the loss of two important people in our lives: Antonio Zambardino, a Foam Talent in 2013, and Lout Coolen, Project Manager for Vandejong and Foam Magazine. We all would like to take a moment here to remember them, and raise a glass in their memory.
Antonio Zambardino (1981-2016, Italy) was selected as Foam Talent in 2013 with his series Climate Ground Zero. A passionate and talented documentary photographer, and a gentle soul, his research focused on social and environmental issues and his images have been published worldwide.
Lout Coolen (1987 - 2016, the Netherlands) has been the project manager for Foam Magazine since 2012. During the past 4 years, her pure energy, luminous force and beautiful laugh made crazy deadlines suddenly doable, last minute problems into minor “thingies”, and bad days into better evenings. We miss her, and think of her, every single day.