ICONOCLAST
of the U.N. in Geneva. Is it possible for the viewer to ignore the crimes of the creator when he knows full well how the work came into being? Have we gotten past the anti-semitism of Wagner, or forgiven Caravaggio—painter, killer, and homoerotic depicter of young boys—his sins? The answer to that question is a subjective one, perhaps left for another debate.
CANTERBURY TALES • ERIC GILL THE WILLIAM ANDREWS CLARK MEMORIAL LIBRARY, LOS ANGELES
A special thank you to the archivists at The William Andrews Clark Library in Los Angeles, who have been working diligently on organizing its collection of sculpture, woodblock prints, engravings, drawings, sketchbooks, and copper and zinc plates by the artist. It will soon make this vast collection available for public viewing, further inviting the public to make its own conclusions.
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