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CONTRIBUTORS APARNA BAKHLE-ELLIS
MASTHEAD Publisher Chris Davies Associate Editor Peter Frank Managing Editor Aparna Bakhle-Ellis Creative Director Chris Davies Art Direction & Design Shout Design Group Paul Soady Contributing Writers Aparna Bakhle-Ellis Nicholas Forrest Peter Frank Craig Stephens Phil Tarley Dale Youngman Contributing Photographer Ted VanCleave Account Executive Dale Youngman Production Associate Salvador Avalos
Bollywood born and bred Aparna Bakhle-Ellis studied film at Emerson College in Boston before checking into Hotel California. A writer enthralled by the consonance and dissonance of being specifically in Los Angeles, she is also Fabrik’s managing editor. Her interests include modern art, l’écriture féminine and conscious parenting.
NICHOLAS FORREST Nicholas Forrest is a Sydney/London based art market analyst, art consultant and writer. He is the founder of the Art Market Blog (artmarketblog.com) which offers independent commentaries, research and analysis on the current art market.
PETER FRANK Peter Frank is Senior Curator at the Riverside Art Museum and is also the Associate Editor for Fabrik. He was born in 1950 in New York, where he served as art critic for The Village Voice and The SoHo Weekly News, and moved to Los Angeles in 1988.
CRAIG STEPHENS Craig Stephens is an Australian-born freelance writer. He has written for an absurd cross section of titles from Playboy to Personal Computer, Elle to Tokyo Journal, Dart International, Artweek, Adweek, Malibu Magazine, LA Weekly, Loaded and many more from stints in London, Tokyo, Berlin and NYC. More about him can be found at craig-stephens.com
EDITORIAL & ADVERTISING Editorial firstname.lastname@example.org Advertising email@example.com
Phil Tarley is a Fellow of The American Film Institute, a member of The Los Angeles Art Association, an artist and a filmmaker. He is currently working on a book of narrative non-fiction travel stories and an effervescent medley of art projects.
269 S. Beverly Drive, Suite 1234 Beverly Hills, CA 90212 Tel 310 360 8333 firstname.lastname@example.org http://www.fabrikmagazine.com
Dale Youngman is a freelance curator and writer who has been living in LA for 15 years. Her raison d’être is to reverse the paradigm of the starving artist, one at a time.
Fabrik is published bi-monthly by Fabrik Magazine, Inc., 269 S. Beverly Drive, Suite 1234, Beverly Hills, CA 90212. Contents cannot be reproduced in part or in full without the written permission of the copyright holder. The opinions expressed are those of the artists and writers themselves and do not necessarily reflect the opinion of Fabrik Magazine, Inc. Copyright © 2011. All rights reserved. PRINTED IN LOS ANGELES
A R T. D E S I G N . A R C H I T E C T U R E . FA S H I O N .
ON THE COVER Atomic Banana John Van Hamersveld Courtesy Robert Berman Gallery
12 Spotlight: Prescient Shapeshifters in Pacific Standard Time: Art in L.A. 1945-1980 32 Art Market: Reconsidering the L.A. vs. New York Art Market Rivalry 44 Spotlight: Steve McCurry: The Iconic Photographs at the Peter Fetterman Gallery 54 Coming In, Going Out: Craig Krull— Going Out: Sara Jane Boyers; Coming In: Don Bachardy, Malcolm Lubliner, Julius Shulman and Carlos Almaraz 58 Profile: Courtney Reid at Bleicher Gallery 64 Profile: Emma Ferreira: The Reality of Her Illusion 72 In Focus: A Call To Arms: Can LA Match Miami Beach? The Art World Comes to Los Angeles 82 Q&A: Create:Fixate Liberates Your Perception 87 Art & Design Directory 90 Art About Town: Peter Frank’s Museum Views 92 Art Galleries & Museums 105 Pacific Standard Time Guide
FREEWAY, 1966 © VIJA CELMINS OIL ON CANVAS • 17 1/2 X 26 3/8 INCHES COLLECTION OF HAROLD COOK, PH.D. IMAGE COURTESY MCKEE GALLERY, NEW YORK. © VIJA CELMINS EXHIBITION AT THE J. PAUL GETTY MUSEUM PACIFIC STANDARD TIME: CROSS CURRENTS IN L.A. PAINTING AND SCULPTURE 1950-1970 OCTOBER 1, 2011 – FEBRUARY 5, 2012
PRESCIENT SHAPESHIFTERS IN PACIFIC STANDARD TIME: ART IN L.A. 1945-1980 — WORDS APARNA BAKHLE-ELLIS
Had I really been summoned, now 16 years ago, into what people commonly designate as L.A., only to be drawn, deeply, within a spectacular journey of understanding more precisely where and how inter-dimensionality exists? This slipstream of a city where setshifting performances become de rigueur, if only to best survive, and then, if one accesses thriving, in it, there are layers stacked, upon, inside, layers, here, various slices of multiple realities to be occupied, hauntingly, flamboyantly, and with so many shades of possibility …heads and bodies spun out entirely, in wild orbit, with every seductive distraction of so much light, and accompanying this, the incessant glorious sun, its shine, too much, one might wonder, after the manifold absence of winters with snow, ice, frost, and all else these would bring. 14
Fumbling through an Equinox sweat, lodged in a suburban Pasadena backyard, one might also surmise, these states of coldness do somehow exist here, although in myriad ‘Other’ forms one must earnestly, and continually, seek to find. Returning, in all ways, towards notions of ‘home,’ a site stealthily deconstructed here, through lyric canyon cradles, teeming with wild life, quieting my ecstatic shake to the ferociously gentle pulses infusing this obscure hilly geography, where I begin to think, about possibilities, which have long since appeared most abundant here, in the oasis that is Southern California, and then write, about the upcoming and certain to be epic culmination of a long-term Getty Research Institute (GRI) initiative focusing on postwar painting and sculpture in Los Angeles. Being nobly responsive to the ever present, genuine, cultural and civic need for properly preserving art history, this October 1st (through February 5th, 2012), the Getty Foundation in concert with the Getty Research Institute at the J. Paul Getty Museum will open ‘Greetings from L.A.: Artists and Publics, 1950-1980.’ This Getty mega-survey, a result of the Pacific Standard Time
ANCHOVY, 1969 • © EDWARD RUSCHA • LITHOGRAPH • 19 1/8 X 28 1/4 IN. (48.6 X 71.8 CM) • PRINTED BY SERGE LOZINGOT, PUBLISHED BY THE TAMARIND LITHOGRAPHY WORKSHOP • NORTON SIMON MUSEUM
THE WANDERER (1990)
MURAL REMIX; UNTITLED BY ERNESTO DE LA LOZA AND RICHARD #LIL MAN# RUIZ, CA. 1972 (AFTER THE RIOTS), 2010 • SANDRA DE LA LOZA DURATRANS IN LIGHTBOX • 48 X 48 INCHES • COLLECTION OF THE ARTIST. EXHIBITION AT LOS ANGELES COUNTY MUSEUM OF ART (LACMA), WITH UCLA CHICANO STUDIES RESEARCH CENTER: MURAL REMIX: SANDRA DE LA LOZA. OCTOBER 15, 2011 – JANUARY 22, 2012.
UNTITLED • WALLACE BERMAN NEGATIVE VERIFAX COLLAGE • 10 X 8 1/2 INCHES. COURTESY ESTATE OF WALLACE BERMAN, MICHAEL KOHN GALLERY, LOS ANGELES, CA. PHOTOGRAPH COURTESY KARL PUCHLIK. EXHIBITION AT ARMORY CENTER FOR THE ARTS: SPEAKING IN TONGUES: THE ART OF WALLACE BERMAN AND ROBERT HEINECKEN. OCTOBER 1, 2011 – JANUARY 22, 2012.
A SPATIAL OCCURRENCE, THE LEVITATION OF A HUMAN BEING, 1971 • TONY DELAP • PERFORMANCE, DUCHAMP FESTIVAL, UNIVERSITY OF CALIFORNIA AT IRVINE • (PHOTOGRAPHED IN DELAP STUDIO, COSTA MESA, PRIOR TO PERFORMANCE) • COURTESY OF THE ARTIST. PHOTO: ALFRED LUCJEANS. EXHIBITION AT LAGUNA ART MUSEUM: BEST KEPT SECRET: UCI AND THE DEVELOPMENT OF CONTEMPORARY ART IN SOUTHERN CALIFORNIA, 1964-1971. OCTOBER 30, 2011 – JANUARY 22, 2012.
research project, active since 2002 with plans to continue through 2013, intends to investigate just how Southern California, and more specifically “city of quartz” Los Angeles, beginning in the 1950s, uniquely bore witness to the organic emergence of newly diverse audiences for the raw insistent works being produced here as ‘Art.’ Was it the daring energy and provocative frequency of sounding the ‘barbaric yawp,’ by living as dreadfully joyously as possible, that enticed Beat visual and assemblage artists Wallace Berman and George Herms to utilize a gift economy for self-distributing their crushingly compelling handcrafted works among friends? Others, such as Chris Burden, had their work disseminated by purposefully exploiting the ludicrous machinations of a mass media. In her
MY LAI, 1968 • HANS BURKHARDT • OIL ASSEMBLAGE WITH SKULLS ON CANVAS • 77 X 115 INCHES • IMAGE COURTESY OF JACK RUTBERG FINE ARTS, LOS ANGELES • © HANS G & THORDIS W. BURKHARDT FOUNDATION. EXHIBITION AT PASADENA MUSEUM OF CALIFORNIA ART: L.A. RAW: ABJECT EXPRESSIONISM IN LOS ANGELES, 1945-1980, FROM RICO LEBRUN TO PAUL MCCARTHY. JANUARY 22, 2012 – MAY 20, 2012.
recently published “The Art of Cruelty: A Reckoning,” the erudite Maggie Nelson sheds a helpful clarity contextualizing Burden’s oft-controversial and complex oeuvre. During this fecund period, art schools also served as the experimental social forums they still should be (but more likely aren’t) with future icons Judy Chicago and John Baldessari, challenging all norms and status quos with fierce humor, seemingly lost to the suffocating yet still irreverent seriousness demanded by these days. Taking fully to the streets to spread their messages, artists became mobilized by political and personal movements championing peace and feminism. The Getty Research Institute, drawing from its extensive archives of Los Angeles art to feature photographs, ephemera, correspondence and of course, actual artwork, many on view for the first time ever, critically reveals how these artists uniquely circulated their works to the largely unsuspecting public; thereby cultivating and formalizing a wider audience for such multifaceted art than had hitherto existed.
DIAMOND COLUMN, 1978 • DEWAIN VALENTINE POLYESTER RESIN • 91 1/2 X 44 X 12 INCHES. PHOTOGRAPHY BY PHILIPP SCHOLZ RITTERMANN. COLLECTION OF THE MUSEUM OF CONTEMPORARY ART SAN DIEGO. EXHIBITION AT MUSEUM OF CONTEMPORARY ART SAN DIEGO (MCASD): PHENOMENAL: CALIFORNIA LIGHT, SPACE, SURFACE. SEPTEMBER 25, 2011 – JANUARY 22, 2012.
EAMES STORAGE UNIT, 1951-52 • CHARLES EAMES AND RAY EAMES MANUFACTURED BY HERMAN MILLER FURNITURE COMPANY. ZINC-PLATED STEEL, BIRCH-FACED AND PLASTIC-COATED PLYWOOD, LACQUERED PARTICLE BOARD, AND RUBBER. 69 X 47 X 16 IN. GIFT OF MR. SID AVERY AND MR. JAMES CORCORAN. © 2010 MUSEUM ASSOCIATES/LACMA EXHIBITION AT LOS ANGELES COUNTY MUSEUM OF ART (LACMA): CALIFORNIA DESIGN, 1930–1965: “LIVING IN A MODERN WAY”. OCTOBER 1, 2011–MARCH 25, 2012.
In further support of their significant retrospective, Getty project organizers will conduct an extensive series of oral histories with several key Los Angeles artists, filmmakers, curators, collectors and critics, which will be supplemented by Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970 (Oct 1st, 2011-Feb. 5th, 2012), yet another concurrent exhibition at the Getty Research Institute, as well as In Focus: Los Angeles 1945-1980, an exhibit comprising of twenty-five photographs from the Museum’s permanent collection made in L.A. between 1945 and 1980, presenting even richer archival material from the seminal period being examined. Simultaneously, and in concert, over 30 additional venues citywide (yes, it really IS this huge so one really shouldn’t miss at least some of it) will present exhibitions covering practices as diverse as ceramic sculpture, postwar design, African American art, the Light and Space movement, and the history of the Los Angeles Woman’s Building, among others. The Getty, in collaboration with many of these institutions, will organize a series of public programs that include lectures, symposia, performance art, theater, concerts, readings and film screenings. By bringing together over 70 cultural institutions to celebrate the birth of the ‘first’ real L.A. art scene, the one that ‘brought new materials, visions, and technical skills to the project of radical artistic innovation,’ Pacific Standard Time: Art in L.A. 1945-1980 manifests that particularly experimental/experiential state of mind and being, that is perhaps possible only here, in Southern California, invariably hidden from not only most visitors to Los Angeles but millions of its residents as well. Oh…the wormholes of void that exist here, innumerable and all black, into which it can become possible to gain entry, for after all, to be popularly understood as an “earthly paradise” must of necessity invite all manner of temptation and sinning. And if the devil itself is here, disguised as angelic, we must appreciate the multidimensional survey as a most timely public, and even spiritual, service by the Getty, as we approach 2012 and perhaps even the ‘end of history,’ as we have known it, at least according to occult and visionary scientist Terrance McKenna’s ‘Archaic Revival’ optimism. With ‘Pacific Standard Time,’ or PST, as it is already becoming known, Los Angeles, casually criticized as the most profoundly ahistorical place in the United States, solidifies its standing as a serious contender in cultivating far more than the ability of ‘Metropolis’ to shape as well as manufacture a culture’s
AN INTERMEDIA PERFORMANCE AT CALARTS, 1983 • COURTESY OF THE CALARTS ARCHIVE. EXHIBITION AT CALIFORNIA INSTITUTE OF THE ARTS (CALARTS)/REDCAT • THE EXPERIMENTAL IMPULSE: LOS ANGELES ART FROM 1945 TO 1980 • NOVEMBER 18, 2011 – JANUARY 15, 2012.
THE GREAT WALL OF LOS ANGELES, WORK IN PROGRESS, 1980, JUDITH F. BACA • COURTESY OF THE SOCIAL & PUBLIC ART RESOURCE CENTER. © SPARC. EXHIBITION AT THE FOWLER MUSEUM AT UCLA, (WITH UCLA CHICANO STUDIES RESEARCH CENTER): MAPPING ANOTHER L.A.: THE CHICANO ART MOVEMENT. OCTOBER 16, 2011 – FEBRUARY 26, 2012.
guiding myths. With the far more being the occult, arcane, esoteric, alchemical, impenetrable, mysterious, and yes, the frequently unknowable, L.A. offers this, a kind of magic, experientially, in droves, to those open, aware and ultimately, very, very brave. It should be common knowledge that L.A.’s dynamic postwar art community, helped by the GI bill, included artists as diverse as John Baldessari, Wallace Berman, Judy Chicago, Llyn Foulkes, Fred Hammersley, Robert Heinecken, Mike Kelley, Robert Irwin, Allan Kaprow, Ed Kienhloz, John Outterbridge, Ed Ruscha, Betye Saar, Beatrice Wood, Harry Gamboa, Patssi Valdez, and many, many more. With prescient curators Henry Hopkins and Walter Hopps, fearless gallerists Irving Blum, Everett Ellin and Patricia Faure, and pioneering publishers Stanley Grinstein and Sid Felsen of the print workshop Gemini G.E.L., a highly evolved art scene emerged, one that almost certainly and evocatively blended popular culture, vernacular architecture, and visionary art forms. The Robert Berman Gallery, a participating gallery in the wider Pacific Standard Time survey, is gearing up for three shows, “Paid To Play: Illustrating LA 1945-1985” (Sep. 17th-Nov. 12th), “Transformation: Conceptual Photography by Robert Heinecken and Victor Landweber” (Oct. 8th-Nov. 12th), and “Lost & Found: Abstracting Los Angeles 1945-1980” (Nov. 19th-Dec. 31st), that engage in the PST dialogue. Of the upcoming three, “Paid To Play,” which also happens to be Robert Berman’s favorite, is unusual in its focus on the overlooked Southern California ‘airbrush’ artists rooted in illustration, whose commercial commissions created iconic imagery for record albums, magazines, advertisements, et al. Berman noted, No one has ever shown the working artists, the illustrators who were paid to play. They are the unsung heroes of the LA art scene. New York had Leo Castelli, because of him there were artists like Rosenquist and Warhol, because he represented them. Castelli took Ed Ruscha and made him Ed Ruscha. Over at Jack Rutberg Fine Arts, and also as part of The Getty’s PST initiative, intrepid gallery owner Jack Rutberg is staging “Hans Burkhardt: Within &
WATTS TOWERS • SIMON RODIA’S TOWERS, LOS ANGELES, CA, 1967 JULIUS SHULMAN. GELATIN SILVER PRINT. USED WITH PERMISSION. JULIUS SHULMAN PHOTOGRAPHY ARCHIVE, RESEARCH LIBRARY AT THE GETTY RESEARCH INSTITUTE. © J. PAUL GETTY TRUST. EXHIBITION AT THE WATTS TOWER ARTS CENTER (WTAC), (WITH CITY OF LOS ANGELES DEPARTMENT OF CULTURAL AFFAIRS): CIVIC VIRTUE: THE IMPACT OF THE LOS ANGELES MUNICIPAL ART GALLERY AND THE WATTS TOWERS ARTS CENTER. DECEMBER 17, 2011 TO FEBRUARY 12, 2012.
Beyond The Mainstream (Sep. 24th-Dec. 24th).” Burkhardt’s voluminous career and vast influence in LA are the focus of a survey exhibition of drawings and paintings, as well as the subject of a new documentary film on Burkhardt by Eric Minh Swenson. Mr. Rutberg shares his sentiments. The words ‘history’ and ‘L.A.’ aren't often used in the same sentence, so offering many exhibitions of L.A. art history should offer huge surprises following the decades of institutional neglect and myth-making surrounding the art of Los Angeles. If the years 1945 through 1980 are key, then surely the great revelation will be our exhibition “Hans Burkhardt: Within and Beyond the Mainstream.” Burkhardt had the most expansive career in L.A.’s history. He arrived in L.A. late in 1937 from New York, where he was part of the genesis of what became the N.Y. school. 1945 marked his first museum exhibition here — yes, at the Los Angeles County Museum. In spite of the then censorship of modern art here, Hans created profoundly important works. In the 50s alone, he had 23 solo exhibitions but documentation was sparse at best. Imagine, while having painted works that renowned art historians now cite among the great paintings of modern art, Burkhardt in 2011 will be a revelation to many. This illustrates the promise and challenge of Pacific Standard Time. Can we go beyond our own mythology? Generously propelled by the Getty Foundation, which has committed nearly $10 million in funding the research initiative, Pacific Standard Time is the largest, collaborative project of this nature. Having taken on the mission to uncover the largely hidden and almost lost historical record of Southern California art and present its richness and diversity to even wider audiences, the Getty research grants awarded to 120 scholars around the country who are looking at this specific period of 1945-1980 allow for unprecedented scope and breadth in examining how postwar L.A. art unleashed a universal primacy of force that still resounds, albeit mostly in depths of caves or caverns hidden beneath the ground most here choose simply to walk upon.
OXNARD MADAME, 1961 MATSUMI "MIKE" KANEMITSU. LITHOGRAPHY (PAPER & INK). 15 X 18 INCHES. GIFT OF MARGOT H. LEAVIN, JAPANESE AMERICAN NATIONAL MUSEUM. © JAPANESE AMERICAN NATIONAL MUSEUM. EXHIBITION AT THE JAPANESE AMERICAN NATIONAL MUSEUM: DRAWING THE LINE: JAPANESE AMERICAN ART, DESIGN AND ACTIVISM IN POST-WAR LOS ANGELES. OCTOBER 15, 2011 – FEBRUARY 19, 2012.
Story Links: http://www.getty.edu/pacificstandardtime/ http://pacificstandardtime.org http://www.robertbermangallery.com http://www.jackrutbergfinearts.com Note: Listings to galleries and all Pacific Standard Time exhibits can be found in this issue on pages 105-109. Complete and up to the minute listings for all galleries, art fairs, art-related exhibits, including The Getty’s Pacific Standard Time programs, special and independently organized events, VIP parties, and fringe venues can also be found through ArtConcierge (ArtConciergeApp.com), an iPhone app brought to you by Fabrik Magazine.
Catherine Opie Untitled #5 and Untitled #27 from “Freeway” series, 1994, Platinum prints, 2 ¼ x 6 ¾ in (5.7 x 17.1 cm) each Edition of 5, courtesy Regen Projects, Los Angeles © Catherine Opie
A contemporary and modern art fair for Los Angeles
Opening Preview Ė Friday Ė Sept 30 Oct 1–3 2011 L.A. Mart ® 1933 S. Broadway Ė Los Angeles ArtPlatform-LosAngeles.com
“MADAME CURIE,” 2011 • JENNIFER STEINKAMP COMPUTER ANIMATED PROJECTION, VARIABLE. COURTESY OF ACME. WORK APPEARING AT ART PLATFORM—LOS ANGELES ART FAIR
RECONSIDERING THE L.A. VS. NEW YORK ART MARKET RIVALRY — WORDS NICHOLAS FORREST IMAGES COURTESY ART PLATFORM—LOS ANGELES ART FAIR
t is no secret that in the past, major art market players have failed to make the sort of commitment to L.A. that they have to New York, with L.A. having had to settle for satellite operations and branches of major New York based dealers
such as Gagosian and L&M. Recent events, however, suggest an unprecedented commitment to the L.A. art scene that could see L.A. progress further towards an art market to rival that of New York than ever before. Earlier this year, the news that Perry Rubenstein was upping sticks and moving his entire operation from New York to Los Angeles reignited confidence in L.A.’s potential as a genuine rival to New York. Adding further fuel to the fire was the announcement by art collector and curator Kay Saatchi that, having spent the last 25 years based in London, she would be moving to L.A. in an effort to broaden artistic links between London and the West Coast. Since the infamous art market boom of the 1980’s, Los Angeles has been repeatedly identified as a major threat to the dominance of the New York art market, but has yet to successfully gain the upper hand. As Los Angeles prepares to play host to a number of art fairs, including the first edition of the highly anticipated Art Platform - Los Angeles, a major contemporary and modern art fair produced by the influential MMPI group of The Armory Show and Volta fame, as well as the first edition of PULSE Los Angeles, the question of whether L.A. can knock the Big Apple off its art market pedestal has once again reared its ugly head. Although L.A. cannot be blamed for wanting to compete with New York, one cannot help but wonder if instead of agonizing over whether they can outshine New York as a centre of art market activity, Los Angeles should perhaps be asking whether they actually want an art market to rival that of New York. Evidence would suggest that the reason L.A. is such an amazing source of artistic talent is that the county has managed to become one of the most important markets for fine art without having had to compromise the artistic/cultural integrity and identity of the art scene to anywhere near the same extent that New York has. In order to compete with New York, L.A. would have to develop an auction scene to rival that of New York, which would likely require a decision by Christie’s and Sotheby’s to introduce an L.A. based saleroom. As it currently stands, both Sotheby’s and Christie’s remain without a saleroom in Los Angeles, and apparently have no plans to introduce one in the near future. Christie’s did have a saleroom in Beverly Hills which was opened in 1997, but poor results forced Christie’s L.A. to 34
MISTY, 2005 • ALEC SOTH CHROMOGENIC PRINT • EDITION OF 10 • 30 X 24 INCHES, IMAGE SIZE • 36 X 30 INCHES, PAPER SIZE IMAGE COURTESY WEINSTEIN GALLERY FROM “NIAGARA” WORK APPEARING AT ART PLATFORM—LOS ANGELES ART FAIR
WATERTOWN, SOUTH DAKOTA, 2007 • ALEC SOTH ARCHIVAL PIGMENT PRINT • 32 X 40 INCHES, IMAGE SIZE • 40 X 48 INCHES, PAPER SIZE • EDITION OF 7 IMAGE COURTESY WEINSTEIN GALLERY FROM “LAST DAYS OF W.” WORK APPEARING AT ART PLATFORM—LOS ANGELES ART FAIR
FONDATION PIERRE BERGÉ AND YVES SAINT LAURENT, MOUJIK IV, PARIS, 2007 • ALEC SOTH ARCHIVAL PIGMENT PRINT • EDITION OF 7 • 32 X 40 INCHES, IMAGE SIZE • 40 X 48 INCHES, PAPER SIZE IMAGE COURTESY WEINSTEIN GALLERY FROM “FASHION MAGAZINE” WORK APPEARING AT ART PLATFORM—LOS ANGELES ART FAIR
PAINTING — MET, VENICE #1 • DOUG AND MIKE STARN • (BIG BAMBÚ FRAGMENT FROM METROPOLITAN ROOF AND VENICE BIENNALE), 2010-11. BAMBOO AND NYLON ROCK CLIMBER'S CORD. ARTWORK SIZE: 10 X 14 FEET APPROX. EDITION: UNIQUE. WORK APPEARING AT ART PLATFORM—LOS ANGELES ART FAIR
close the saleroom in 2008 and focus instead on acquiring works from L.A. collectors to be sold through their other salerooms. As much as the closure of Christie’s Beverly Hills saleroom may have been a bitter pill to swallow for L.A., the lack of a discernable auction scene could be viewed as being beneficial to the Los Angeles art market. It could be argued that because L.A. remains relatively untouched by secondary art market forces, and has not had to produce artists and artworks that conform to the requirements of the elite auction scene, that there is much more artistic freedom in L.A. than in New York. It could also be argued that there is less pressure on L.A. based artists to compromise the integrity of their work for the sake of the success of the elite galleries, given that the elite galleries which have a presence in L.A., such as Gagosian and L & M, are based in New York. As far as art fairs go, although the transient nature of the art fair suits that transient nature of the L.A. art market perfectly, there is the possibility of an art fair overload that could result in a reduction in the quality and perception of art fairs in
L.A. What art fairs need to do is integrate their operations with the artistic culture of L.A. which is something that both Art Platform—Los Angeles and PULSE Los Angeles have managed to do. Art Platform—Los Angeles have integrated their operations into the artistic culture of L.A. by sponsoring the Pacific Standard Time project. According to Adam Gross, native Angeleno and Executive Director of Art Platform— Los Angeles: It is a great honour for Art Platform—Los Angeles to be a sponsor of Pacific Standard Time, an unprecedented event that presents the innovative and groundbreaking spirit of the birth of the L.A. art world. We believe this initiative will mark the region indelibly as a cultural capital and we look forward to jointly welcoming the art world to Los Angeles to celebrate both the history and achievements of this important era, as well as its impact in creating one of the most vibrant art scenes today. PULSE Los Angeles will integrate their operations into the artistic culture of L.A. with exhibitions held throughout the city, including at the official hotel partner The Standard Hotel in Downtown Los Angeles and Hollywood, in conjunction with local organizations such as Artist Curated Projects (ACP) and Las Cienegas Projects. As well as introducing their long established program of multimedia art, large scale installations and performances that have been an integral part of their Miami and New York editions, PULSE has commissioned an original design for their signature PULSE VIP tote bag from the iconic Los Angeles based street artist Mr. Cartoon. At the end of the day, what no-one seems prepared to recognise is that L.A. has a much better art market system in place than New York could ever wish for. The art fairs bring the New York art market to L.A., and the major art auction houses along with the elite gallery operations take the L.A. art scene to New York, thereby limiting the infiltration of the secondary art market and preserving the integrity and artistic focus of the L.A. art scene. As it stands, L.A.’s cultural institutions and the L.A. based private galleries are able to nurture the careers of L.A. based artists on their own turf and under their own terms – something that should be considered a privilege in the current art market era.
Introducing ArtConcierge. ArtConcierge, will transform the way in which art enthusiasts experience Los Angeles and its multitude of artrelated events. The ArtConcierge app for iPhone guides Los Angeles culture enthusiasts to galleries, art fairs, art-related exhibits, including all of The Getty’s Pacific Standard Time (PST) programs, special and independently organized events, VIP parties and fringe venues with GPS navigation, a search feature and social networking buttons that encourage users to share favorite events or exhibits via email, Facebook and Twitter.
The ArtConcierge app features include: • Guides – Pacific Standard Time, Galleries, Art Fairs and Special Events – What is happening, where and when! A calendar of events with map locations. • Favorites – allows you to tag your favorite galleries, exhibits and events for future reference. • Social Networking – send favorites to both Facebook and Twitter, or email updates from Fabrik’s own live and up to date Twitter stream. • Where am I? – a fully embedded map of Los Angeles and environs allowing you to find your precise location in relation to all listed venues. The GPS function, which locates you on Google maps, helps you arrive at your chosen destination(s). • Twitter – Fabrik’s Twitter feed will keep art enthusiasts up-to-date with the latest art news, events and developments.
ArtConcierge° Free download available from ArtConciergeApp.com and iTunes.
Gertrud & Otto Natzler
Form and Glaze October 22 - November 26, 2011 As Part of the Getty Initiative
Tall Bottle 1963 19-Â˝â€? h Patina crystalline glaze 166 N La Brea Ave Los Angeles CA 90036
Steve McCurry: THE ICONIC PHOTOGRAPHS AT THE PETER FETTERMAN GALLERY AUGUST 5–NOVEMBER 30, 2011
— WORDS PHIL TARLEY IMAGES COURTESY PETER FETTERMAN GALLERY
Peter Fetterman, who showcases the most poetic and humanist photographers of the medium, opens the fall gallery season with an epic collection of McCurry’s biggest and best works. Thirty-four beefy color prints have taken over Fetterman’s space at Bergamont Station, spewing narrative and uber-McCurry color onto the gallery’s walls. Fetterman has been showing Steve McCurry’s work for the past twenty years. He is the only color photographer that has captured the eye in Fetterman’s heart and McCurry is only color photographer the dealer has ever shown. » 44
GIRL WITH GREEN SHAWL • © STEVE McCURRY
FRUIT VENDORS • © STEVE McCURRY
Famous for his encyclopedic collection of the black and white works of Henri Cartier-Bresson and Sebastião Salgado, Fetterman confesses to being a classical romantic and an unabashed lover of lyrical beauty. When the Brit immigrated to California, after a career of film producing which included Mia Farrow’s The Haunting of Julia and Luciano Pavarotti’s Yes, Giorgio, England’s loss became an L.A. treasure. Fetterman offerings mark an indelible imprint onto Los Angeles’ culturescape — presenting the world’s most elegant, numinous and evocative photography. The gallerist’s office is lined with tomes on collecting and thick photo books, by the likes of Irving Penn, Ruth Orkin, and Cornell Capa. A stunning collection of black and white prints adorn the shelves of his work area. Among them, a heroic photo of John Lennon by Ethan Russell, an Annie Leibovitz of an androgynous Mick Jagger in tights, and a print of a man’s shadow on a seaside balcony by André Kertész, one of the most compelling photographs I have ever seen. Fetterman has a highly cultivated eye. He shows off a world of decidedly potent images, works that were completely unknown to me. To that end, he generously autographed a ravishing book of pictures he edited called, Woman: A Celebration. With a forward by Whoopi Goldberg, it’s filled with classical works of the most exquisite photographers this author, caught up in the bliss and bounty of the contemporary, had never seen. Steve McCurry is an odd bird. Perennially published in National Geographic, he is first a photojournalist and almost by accident, his images break through somewhat predictable storytelling and become so much more than that. The best of his photographs make us sense the human condition in a fresh way. They make us empathize with the third world people he shoots, who are caught with their eyes telling fear, sadness, hunger and need. His pictures make us feel our own vulnerability. The best are masterworks - direct, simple and honest portraiture stripped to the essence of our basic humanity. The color palette he so adroitly commands augments the greatness of McCurry’s photography. McCurry is so about narrative and compositional color. It’s rather easier for a black and white photographer to get the tonalities of his image to har-
WOMEN ON TRAIN • © STEVE McCURRY
BOMBAY BOY, 1996 • © STEVE McCURRY
monize - it’s basically all shades of gray, black and white, mediated by highlights and shadows. But color has to be either skillfully coordinated with someone to style the fashions, sets, eye, hair and make-up colors, or in documentary photography, an artist must organically conduct the colors with his choice of where, how and when he shoots. In McCurry’s images, green eyes peer out from a haunted face shot against a matching green scarf; a field of dim, dun, purple on a train car offsets a pair of dark, startled and saddened faces and indigo walls cascade down a passageway punctuated by flowing red turbans and red fruit. McCurry has that eye. He is a man of instinctual and deliberate color. This artist strips his palette to the minimum and comes up with a clean, almost monochromatic mise-en-scene that thrusts his subjects into simple, powerful and highly dramatic relief. McCurry makes us see with new eyes.
santa monica civic auditorium january 12 - 16, 2012 the 21st annual international los angeles photographic art exposition
www.photola.com ÂŠ Anthony Friedkin, Woman by the Pool, 1975
CAMEY MCGILVRAY Smithereens
Acrylic and Wire on Wood 48" x 48" x 7"
From the Series: WIRED TAG Gallery November 29 through December 24, 2011 For more information: email@example.com â€˘ cameymcgilvray.com taggallery.net
COMING OUT, GOING IN
CRAIG KRULL Bergamot Station: 2525 Michigan Ave., Building B-3, Santa Monica WORDS PETER FRANK
Sara Jane Boyers, “Finding Chinatown,” and John Huggins, "American Landscapes" (July 30-September3) America’s oldest surviving ghettos are its Chinatowns, and they have survived in great part because they are distinctive to the point of exotic, redolent with cultural artifacture inside and out. Their photogenic otherness make them a natural for tourist and travel-bureau shots — and a challenge for an art photographer like Sara Jane Boyers, who must honor their “feel” without wallowing in the picturesque. Boyers’ approach is, first of all, to visit Chinatowns all over the country (so that she avoids specificity and sociology) and, second, to concentrate on atmosphere and form, not architecture or information — to go for a “Chinatownness” that borders on the invisible, a sense of place that is no less, or more, American than Chinese in its details. As a result, Boyers’ images are tender, subtle, and redolent, as un-reportorial as they can possibly be and yet the more immediate and curious for their vagueness of place. By contrast, John Huggins emphasizes place almost to the point of caricature, distilling images — the kind of images on which Americans rely to identify themselves nationally — down to Pop Art tropes. Huggins does this not only by working with trope-able pictures (people swimming in the surf, baseball games, Niagara Falls, the Flag) but by printing them with a granularity that turns them painterly. Huggins achieves this effect by blowing up 4 x 5-inch Polaroids eightfold, rendering these works photographs of photographs — of things that get photographed. If Boyers hones the picturesque quality in her work into a gentle overtone, Huggins aggressively exaggerates it in his to the point of dissolution.
Don Bachardy, "Portraits of L.A. Artists," Malcolm Lubliner, "Pacific Party Time," Julius Shulman, "80 Years of Photography," and Carlos Almaraz, Paintings, Pastels & Drawings (Bachardy and Lubliner to Oct. 15, Shulman to Oct. 29, Almaraz to Nov. 5) One of the first galleries in town to start advancing the cause of Los Angeles’ recent art history, Craig Krull justly plans to party hardy in PST. Having temporarily annexed the old Dan Freeman space a few doors down, the gallery goes for broke with four exhibitions documenting the “scene” in their own way. One of America’s great portraitists,
COMING OUT, GOING IN
Don Bachardy has been rendering his fellow artists since the days when they were about the only folks he had at hand to sit for him. Prints, drawings, and paintings — the paintings notably more brittle and angular than the smooth, graceful works on paper — go back to the early 1970s, so some LA artists are captured in the flush of youth while others, their exact contemporaries, settle into seniority. The one constant here is Bachardy's sensitivity to the human face, supported by his manual fluency. Malcolm Lubliner's group of black and white photos sticks to a specific time, the swinging 60s, capturing an art scene in the first flush of its creative and commercial power. The now-exotic muttonchops and miniskirts gracing artists, curators, and dealers alike do distract from the art and even the charge of human interaction in these shots — did we really dress like circus clowns once upon a time? — but Lubliner's eye does reveal a self-consciousness beneath the affectation of camaraderie, a sense of people striving to be part of a social milieu, even movement. Julius Shulman didn't have to worry about that; when he put people in JULIUS SHULMAN CASE STUDY HOUSE #22, TWO GIRLS his photos, they were props and the (PIERRE KOENIG, ARCHITECT, 1960) buildings and objects were the personal- COURTESY CRAIG KRULL GALLERY, SANTA MONICA ities. And what personalities they were — and remain! Shulman shot architecture invariably from its best profile, amplifying the rhythmic play, stolid mass, or sensuous glow of masterpiece and malt shop alike. Skilled in the employment of various color techniques, Shulman was at his best in black and white — or, more precisely, the darkroom's infinite range of grays, which could give a car or table or roof a riveting presence, almost fetishizing it, without removing it from its ordinariness. Shulman was doing portraits of buildings and things, but invested his shots with a paparazzi excitement. Carlos Almaraz's paintings and drawings responded as well to LA light, especially the artificial light of our nighttime, but everything from there was fantasy-rhapsody, an improbable elaboration on the energy of old neighborhoods and new freeways, the solidity of objects and the ephemerality of marks. Associated closely with the image-making coming out of the Barrio in the 1970s, Almaraz's once-wildly popular pictures have lost their stature of late, but their power — and their cockeyed ability to document a place and time — should return them to prominence.
American Breakbulk #13, 2011, pigment print from Polaroid original on rag paper on aluminum panel (detail)
October 19 – November 19
GEORGE LAWSON GALLERY | LOS ANGELES 8564 Washington Blvd. Culver City 90232 | 310-837-6900 | www.georgelawsongallery.com
ACROSS THE PARALLELIVERSE TWO SIMULTANEOUS EXHIBITIONS SEPTEMBER 22 - NOVEMBER 4, 2011
CLAUDIA BUCHER “OMALOGUE OF THE CLAUDDHA”
CARRIE PATERSON “PRECISIONED SPACE”
OPENING RECEPTION - THURSDAY, SEPTEMBER 22, 5-8 PM CARL BERG PROJECTS | Pacific Design Center | B266 8687 Melrose Avenue | West Hollywood, CA | 90069 GALLERY HOURS: TUESDAY - FRIDAY 1-5 PM
GEORGE LAWSON GALLERY
M ICHAEL H AYDEN “ H OT WAX ” As seen on HGTV’s “Selling LA-The Artist”
"ANGELFISH", ENCAUSTIC, MIXED MEDIA, 50 X 30.5 INCHES (FRAMED) MICHAEL HAYDEN, 2011
Opening Reception - Saturday, October 22, 7-10PM DTLA Artwalk Second Thursday, November 10, 4-10PM Closing Night, Saturday, November 19, 7-10 PM Terrell Moore Gallery 1221 S. Hope St., Los Angeles, CA 90015 www.terrellmoore.net • 213-744-1999
@ BLEICHER GALLERY â€” WORDS CRAIG STEPHENS IMAGES COURTESY OF BLEICHER GALLERY
Residing in LA for the last twelve years, Brisbane-born gallerist Om Bleicher, of Bleicher Golightly galleries in West Hollywood and Santa Monica respectively, personifies a new era for Australiaâ€™s global identity. Like many antipodeans, his path to LA was a patchwork of happenstance and adventure. Before arriving in the U.S., Om was at entry level with his visual art career in Australia. Focusing on underground art events at alternative venues, he began to achieve more success with sound art and musical projects. 58
In stark contrast to the current economy, Bleicher now has two thriving galleries in Los Angeles. “I’m not entirely sure as to how I ended up as a gallerist. Certain artists struck me when I was exhibiting and navigating the LA art scene that didn’t have strong representation. I started helping them out with business matters and it snowballed into representation and private dealing. I eventually opened my Santa Monica gallery “Bleicher/Golightly,” and more recently the “LA Bleicher La Brea Gallery.” One of Bleicher’s premier artists, painter Courtney Reid, will launch her own solo show at the space in October, comprising her first landscape series and new figurative works. Reid says her work opens worlds perhaps born from new challenges and realizations. She continues to have psychological and spiritual insights from her unique experience of motherhood and its primal instincts. A Hollywood Hills native, Courtney Reid grew up in an environment rich with art. Her Uruguayan-born British father, Kenneth A. Reid, studied at Chouinard Art Institute under Rico Lebrun and exhibited with the likes of Motherwell, de Kooning, and Pollock. Reid’s early years were centered around her father’s studio, art galleries and museums. Her father's sole pupil, she rose to the challenge of hunting down diverse painting heroes, from Goya and Francis Bacon to Nathan Oliveira and Cy Twombly.
UNTITLED, OIL ON CANVAS • © COURTNEY REID
Revealing the rudiments of her painting career, Courtney confides, “Paintings, and painting were always present in my life, so I can't speak to understanding it, it was just a part of our world, we looked at a lot of painting in galleries and museums and we'd have to sit for portraits as small children and teenagers. I grew up with the understanding that painting itself was important and, somehow, endlessly fascinating. Reid says she seeks core inspiration from an engrained instinctual response to paint and its spiritual evocations. She says she remains faithful to her father's demand that what matters is the paint. “It’s like then the work is really flowing and your left brain is - blessedly - napping. But to be there in a fully awake state, as opposed to the trance that accompanies real painting, that is something special.” Asked about people reacting to her work, Reid, says, I am always interested to hear what someone else is reading in a painting. This is why it's so difficult for me to name them. I’m loathe to define what that image means for the viewer. Great titles do enhance a painting, but a bad title can just as well disempower it. Our interpretation, our real emotional reception to painting should be visceral. Which is also why I resist ‘explaining’ pieces, or talking about them in a definitive way...They are as much a visceral experience to me as I hope they are to others. I see something in them I recognize, which is what actually forms the work itself. Beyond that, it is largely a mystery to me. Caporale/Bleicher Gallery 355 N. La Brea Ave, Los Angeles, CA 90036 http://www.CaporaleBleicher.com • (323) 545-6018 Bleicher/Golightly Gallery 1431 Ocean Ave, Santa Monica, CA 90401 http://www.bgArtDealings.com • (310) 878-2784
Linda Sue Price
“Focus on the Light”
THE REALITY OF HER ILLUSION â€”
WORDS DALE YOUNGMAN
Emma Ferreira, born in Buckinghamshire, England, is not your ordinary artist. Educated in London, then Otis College of Art & Design in LA, she also studied Photography at Santa Monica College. Not only is she highly educated, prolific with her work, and financially successful, she is a smart business woman as well as a noted philanthropist, involved in multiple charities including Operation Smile, Venice Family Clinic, Love Our Children, and Malaria No More. She has been a committee member for the annual Britweek Art event, the Art Chair for Hollywood Heart Educational Camp in Malibu, and on the board of DCCT (Dreams Can Come True) and Shakti Pictures. 64
Settling in Los Angeles was an accident â€“ she never planned to stay here, she was merely passing through in 1998, and ended up liking it. In 13 years, she has become one of LAâ€™s most collected and successful fine artists. She has had over 16 solo shows since 2007, including Frank Pictures at Bergamot, Heck Art Studio in Beverly Hills, Tribeca Cinemas Gallery in New York City, Gladstone Gallery in Toronto, Watt Don Chaing in Thailand, and one opening this October at the Factory Gallery, in the Downtown LA Art District, with a new show of dynamic work. Group exhibitions in multiple galleries from Malibu to Venice and Inglewood also provide her clientele plenty of opportunities to collect, which they do enthusiastically. Her work has been purchased for corporate collections including The Cosmopolitan In Las Vegas, The Ritz Hotel in Atlanta, NBC Corp, Korbel Company in Beverly Hills, and Nickelodeon. There is also a substantial celebrity and private collector list, including many film stars, producers and musicians.
Her busy travel schedule includes a couple trips home per year, but she is most rejuvenated and inspired by exotic locales. Her favorite place? “Thailand! The people are amazing! Being a Buddhist culture, they are incredibly giving and kind. I do however LOVE being in Paris (so sexy) and Italy (so calming).” Undoubtedly, these travel experiences enhance her perception, and show through in her sensitive yet provocative new body of work, “The Reality of My Illusion.” Emma’s work has evolved over the years, from mixed media and textured oil paint in bold, rich and dramatic colors, to her current body of work with photography. It is a much lighter, almost ethereal, airy presentation, with a unique method of printing photography on clear glass or acrylic plexi. She often layers these seethrough images on top of metal such as aluminum or steel, in a process she calls “Layerism.” Another term she has trademarked is “ Translayerism,” referring to the process of layering multiple translucent panels in a manner that allows the work to be suspended and viewed from both sides. Her current favorite topic to shoot is people, although the subjects are often layered with architectural shots or images of sculpture. “It's where I feel comfortable at this time, and what is choosing to move and create my latest vision.” The presentation is inspired, photographing the essence of her subjects in a manner that seems both bold and yet somehow reserved at the same time, allowing for energy and emotion to shine through. “There is always a story behind everything. Who are we without our story! The “Reality of My Illusion” (my brand, and indeed these works) are about just that! Our stories and how they play out in our lives.” Her direction and philosophy are simple. “Before creating my brand, I realized that my illusions had indeed become my reality, meaning I am living my dreams. My need to share this and inspire others to do the same is why I created the brand, and is also the influence for the new show.” (And the upcoming coffee-table book of her work.) When not making art, what does she do? “I love making art. There is no separation between my work and my play. My job is just part of my life, and life is about enjoyment! But I do enjoy traveling, and a really good glass of Fotinos Brothers Pinot Noir!” She explains her choice as evident, “You can only be what you are. I’m an artist, but will always look forward to creative endeavors of all kinds.” We are very fortunate that her creative endeavors are accessible for viewing and owning to enhance our own reality! To see more of Emma’s work, visit www.emmaferreira.com.
Emma Ferreira’s work will be on view at the Factory Gallery, 912 East 3rd St, Suite #204, in the downtown Arts District for two weeks only. Opening Sat., Oct. 22, 4-7pm through Nov. 5. To RSVP for opening or closing night artist receptions, or for a private appointment, please email DaleYoungman@me.com. 66
Support the arts by supporting artists
Los Angeles Art Association is proud to feature David Jang at Art Platform–Los Angeles
DAVID JANG CORRELATION CYCLES
The world is now aware of the potency of LA’s emerging artists and their voice in the trajectory of contemporary art. Come to the gallery where it all began and visit our booth at Art Platform. LAAA at Art Platform–Los Angeles WHEN: October 1–3, 2011 (Vernissage Friday, September 30) WHERE: L.A. Mart, 1933 S. Broadway, Los Angeles, CA TICKETS: Purchase online at artplatform-losangeles.com or by calling 213.763.5890. Los Angeles Art Association (LAAA) is a 501(c)(3) nonprofit organization whose mission is to provide opportunities, resources, services and exhibition venues for emerging Los Angeles artists of all media. LAAA began as a civic art institution in the 1920s, connecting elite art interests to Hollywood collectors, emerging after World War II as the center of Los Angeles modernism and finally becoming the city’s nexus for emerging artists of all media. LAAA serves as a dynamic force for contemporary ideas, outreach, and community. Gallery 825 and Los Angeles Art Association are located in the heart of La Cienega Boulevard’s Restaurant Row. Gallery hours are 10am - 5pm, Tuesday - Saturday or by appointment. Please call 310.652.8272 or visit www.laaa.org.
A Call To Arms: Can LA Match Miami Beach?
THE ART WORLD COMES TO LOS ANGELES — WORDS PHIL TARLEY
“Los Angeles is the most dynamic art scene in the world today and PULSE is thrilled to give this creative and exciting market the fair that it so deserves,” opined Cornell DeWitt, Director of PULSE Contemporary, at a private brunch during Art Basel, Switzerland, while speaking about PULSE’s upcoming Los Angeles opening. Prepare to experience the biggest contemporary art phenomenon to ever hit Los Angeles. Art Platform—Los Angeles, PULSE, and upstart Fountain, three different international fairs, are taking over downtown Los Angels on the same weekend (September 30—October 2), and planning to rock this town with the most enormous contemporary art extravaganza Los Angeles has ever experienced. 72
EMPEROR BUG OF THE NORTH • © CHRIS WILDER. COURTESY EDWARD CELLA ART +ARCHITECTURE.
Likened to a mini Art Basel Miami Beach, a widely used model where giant multi-national fairs convene at the same time, in the same city, and exert a synergistic leap of international attendance that often results in huge art sales. To amplify this effect, the Getty’s monumental Pacific Standard Time show also opens on the same weekend, a further enticement for the jetsetters to fly here. The Getty’s Pacific Standard Time: Art in L.A. 1945-1980, years in the planning and funded with millions of dollars, is a collaboration of more than 120 cultural institutions and galleries across Southern California. PST tells the story of the birth of the Los Angeles art scene and how it became a major new force in the art world. Along with PULSE — a major show at Art Basel Miami Beach, staging at LA LIVE, is Art Platform — child of New York’s The Armory Show, just a few blocks away at the LA Mart, on Broadway. Also on board is Fountain Art Fair LA Web fabrikmagazine.com
NATIONAL CITY • © JOHN BALDESSARI. COURTESY PATRICK PAINTER GALLERY. ART PLATFORM—LOS ANGELES ART FAIR
at Lot 613 Imperial Street. Fountain, which bills itself as an alternative “anything can happen” exhibition of avant-garde artwork, goes up in New York during Armory week, Miami during Art Basel Miami Beach, and now in Los Angeles, during Pacific Standard Time weekend. The Standard Hotel, which throws cool, sexy art parties, seems to be an unofficial fourth venue, adding what will hopefully be a sublime layer of artful magnificence - to those invited – and making up the fourth ring of this circus maximus - the fifth if you count the Getty. (The Getty’s posh and private opening bash closes out the weekend). Taschen – purveyor of some of the world’s best art books, and famous for their, legendary, A-list soirees, has just booked a booth at Art Platform. Other smaller satellite shows like Beyond Eden, at Barnsdall Park, are eventing on the same weekend. Plans for numerous underground pop-up galleries are percolating to open simultaneously all over downtown. Mat Gleason’s AVANT-LA, at the Rutland Hotel, is launching right next door to Art Platform. “Platform made me realize that LA had a unique opportunity to step up its game. This is a chance for LA to look at how Miami just flips on the switch and creates a major cultural movement around Art Basel. Art Platform is at the 74
epicenter, so I rented the closest space I could find to that fair. I want to be a part of something great.” Also at Art Platform, Patrick Painter Gallery is showing John Baldessari and Ed Ruscha, complimenting the conceptual through-line of all the Pacific Standard Time shows. At the antipode of Classic Last Century is Cliff Benjamin’s Western Project, proffering more difficult and unconventional fare, like Los Angeles bad boy Ron Athey art. Benjamin told me that his gallery brings, “a particularly LA sensibility to Art Platform, irascible and unconventional — tough material that can only be made here.” Not to be outdone, Pulse is also showing some of the best LA art around. Zackary Drucker’s transgender photography headlines Luis de Jesus’ booth; Fred Torres Collaborations is selling vintage David LaChapelles’ and Gretchen Ryan’s baroque, cheerleader prints. A book signing at Torres’ booth will spotlight artist-photographer Ken Gonzales-Day. Other galleries are mounting a diversity of Los Angelic shows curated against the PST backdrop like, Some City Angeles at Edward Cella Art +Architecture. Then there is The Brewery, the stalwart barnacle of the downtown scene, holding its art walk October 1 and 2. All this seems to herald a Web fabrikmagazine.com
major parallel circus minimus, resonating with a howling cacophony of artful dissonance. So many have, for so long, floated Los Angeles as a venue for an Art Basel Miami Beach-like fair. For the last eight years, we have seen Miami cashed up, t-arted out, and transformed, by world-class artists and their admirers, celebrities, international bankers, socialites, movie stars, royalty, publicists and uber party planners, into a transcendent oasis of international art splendor. The world has watched in fascination as Art Basel MB brought a sea change to the way in which contemporary art is sold and a sea change to the city of Miami as well. All the parties, all the opulence, all the red dotted art and all the private collections that open in the sumptuous homes of the Miami art elite during their show work in tandem to promote the event. And Miami does it smartly, with an eye towards international style, wealth and easy accessibility to fair-goers. Now comes Los Angeles’ turn. Can we live up to what Miami does? Our art and movie stars, our celebrity glamour machine, event planners, publicists, and our private art collections — will they too, all rise to the occasion to throw the kind of spectacular ultra-parties that make international fair-goers want to come back next year and the year after that? It is as much about the hype as it is about the art. The business of doing art business has always been about the show and tell, and celebrity. Los Angelinos have long been dim to Los Angeles’ artists. Art from LA has always sold better in New York, in Paris, and in Miami. In Fabrik’s coverage of Art Basel MB last winter, Los Angeles Takes the Show, I wrote about how creative works from LA were at the top of my picks. Brisk sales went down at Patrick Painter and at Tim Yarger’s galleries. Cherry and Martin's L.A. video, Creative Ideas for Every Season, by Brian Bress, dazzled the fair. International buyers were hungry for work from L.A. and still are. Peter Mays, Executive Director of The L.A. Art Association, an organization devoted to the promotion of emerging and mid-career artists, is energized by the onslaught of these big international fairs. “With LA now driving content internationally, it’s the opportunity and the expectation for the fairs to establish ongoing and sustainable ties to our com-
DUDE STARTS FREAKIN • © WAYNE WHITE. COURTESY WESTERN PROJECT. ART PLATFORM—LOS ANGELES ART FAIR
munity. The world is now aware of the potency of LA’s emerging artists and their voice in the trajectory of contemporary art.” It remains to be seen if Los Angeles can establish our event as a yearly art phenom where the glitterati mark LA on their social calendars, and call NetJet for their rides, like they do for Miami. If we can, not only can we expect increased sales of Los Angeles art to international fair-goers, but we can also count on a rise in the way Los Angelinos see Los Angeles art as desirable and acquirable. Our entire LA art market depends on how we do. It’s time to be more than a witness, Los Angeles. It is time to step up to the plate.
PERFORMANCE ART • RON ATHEY. COURTESY WESTERN PROJECT. ART PLATFORM—LOS ANGELES ART FAIR
LIBERATES YOUR PERCEPTION â€”
WORDS DALE YOUNGMAN
Michelle Berc is the Founder, Curator, Event Producer and Executive Director of the almost 10-year-old art and music phenomenon known as Create:Fixate. I caught up with her in-between shows to congratulate her on her success, find out what makes her events so special, and how, in these very difficult economic times, is she selling quite a bit of art! 82
Fabrik: You are coming up to your 10-year anniversary — Do you think the art scene has changed in that time — and how has Create:Fixate changed along with it? Michelle: Absolutely! The LA art community is a beautiful thing, and I think over the years, the artists themselves, and their energy, have been a major contribution to building up the LA art scene. We are living during interesting times, and creativity will lead us through this transition. After all, it is the creatives that think outside the box and this is what we need to move society forward. I believe Create:Fixate, along with other alike groups, are responsible for building up the energy around art in LA, and it’s because we make the exploration more festive. I’ve watched museums and several galleries start shifting their programming to include more festive events and I think this came from our influence and the other art events in LA. People are craving connection outside of their daily work lives as well as something beyond competitive activities such as sports or even sadly sitting in front of their televisions and computers. Bringing people together around art helps everyone relax more and opens up their minds and imagination. It is very inspirational and brings out appreciation for what others are creating. Create:Fixate has evolved quite significantly over the years. To start, our productions have become much more professional since our grass roots beginnings from my old downtown loft. We also have great structure in place with managing our large number of talent (which is huge when dealing with so many artists at once). Most importantly, we do projects and community outreach beyond our one-night exhibits. We’ve expanded over the years by hosting many educational workshops along with bringing art programming to high school kids and at-risk youth. One of my favorites is the incorporation of themes in our shows, which has become a regular in the last 5 years. I love using art and music as a catalyst to explore topics and ideas that are relevant to our times. I enjoy motivating people to think about who they are, who we are, and who we are becoming. Hence our slogan “Liberate Your Perception”. Fabrik: You always have terrific artists - how do you find them? M: Sometimes I find them, and sometimes they find me, but I think more come our way through word of mouth from our participating artists and patrons throughout the years.
Fabrik: If you could give some simple advice to an emerging artist - what would that be? M: Produce a lot of work and then edit down your selection to your strongest pieces, as well as organize your pieces into series. I think the majority of artists out there are weak in the editing process as they are emotionally connected to each piece of art and find it hard to let go of one in order to make a stronger exhibition. Fabrik: Who is your typical Create:Fixate attendee, your clientele? M: That’s hard to identify because we attract all walks of life to our shows. Our crowd is very eclectic and I think most have a trend-setting mind, and are curious about the creative energy in our city. A typical attendee wants to know what’s new and what’s next in the LA art scene. Our largest demographic falls between 25 and 45 year-olds. Fabrik: Is there anyone you admire in the LA Art scene, or anyone who has been a significant help to you and your cause? M: That’s a hard one to answer... The obvious are the leaders in the current art movement over the years, as without them nothing would happen, and the art scene would not be where it is today in Los Angeles. The other obvious answer would be the Create:Fixate Board of Directors, all of whom have given a tremendous amount of support over the years. And I would love to mention art critic/writer Shana Nys Dambrot, who has supported us since the early days and now writes an ARTicle montly series that is hosted on our website called “Urban Scrawl.” Fabrik: Who are your key people and what do they do? M: Andrea Graham is our music director and a bit of a co-founder as she has been by my side since day one. She curates and manages all the musical talent for each show. She is also a school teacher and helps drive our community outreach programs for teens and at-risk youth along with Janice Markham, from Vox Box Collective. As I mentioned, the Create:Fixate Board of Directors are very active in decision making along with collaboration on the show themes and program development. Justin Edwards who started off as an intern many years ago has now become my assistant producer / curator in crime and one awesome volunteer coordinator. It’s been amazing to see him grow over the years and become a driving force in helping us achieve each production. There are many more people I can mention but then we’ll have to write a book, as I have stories about how each has contributed.
I may be the founder and the driving force behind Create:Fixate but I certainly could not do this alone. I am very grateful for the amazing community around us. Fabrik: Where do you see Create:Fixate in 5 years? What are your goals? M: We are working hard on securing proper funding for all our programs. I would love to find us a permanent homeâ€Ś Perhaps a large building with a gallery, art studios, and a workshop area, where we can host classes and seminars on a consistent basisâ€Ś A place where the Create:Fixate community can interact with each other more often. I also have great ideas on redesigning our website to offer more online to the public. Additionally, We already have quite a few gallery owners and curators that scout talent at Create:Fixate, but I would love to see more and more attend our exhibits. I still think a handful shy away from us because we combine art and music but may not realize that our format is respectful to both mediums and the environment we produce is very much a professional gallery setting that maintains an intellectual value. Thank you Michelle Berc! I am more impressed with you than ever, and I wish you more success, more art sales, and more appreciation from the LA art scene.
Raul de la Torre www.rdelatorre.com
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PHOTO: COURTESY TED VAN CLEAVE
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ALMAR CARPETS INTERNATIONAL G277 310-859-1200 almarcarpets.com
CBS SHOWROOM B450/B464 310-652-9180
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DAVID SUTHERLAND SHOWROOM B182 310-360-1777 davidsutherland showroom.com DESIGN BATH & HARDWARE B444 310-358-9669 designbath-hardware.com DESIGN SPEC FLOOR COVERINGS B418 310-859-8861 DONGHIA G196 310-657-6060 donghia.com DURALEE FABRICS B601 310-360-0778 duraleefabrics.com EBANISTA INC. G190 310-246-9170 ebanista.com ECCOLA B211 310-360-5959 eccolaimports.com EDELMAN LEATHER G158 310-855-9355 edelmanleather.com ESPASSO B433 310-657-0020 espasso.com EUROCONCEPTS BATH B119 310-652-3472 euroconcepts.com EUROCONCEPTS KITCHEN B124 310-657-5391 euroconcepts.com
FORT STREET STUDIO B213 310-855-9832 fortstreetstudio.com GIATI DESIGNS B122 310-659-9924 giati.com HAGAN FLYNN, INC. B435 310-659-2614 haganflynn.com HANASSAB ORIENTAL RUG IMPORTS B149 310-657-3674 HBF FURNITURE / HBF TEXTILES B270 310-652-5344 hbf.com HERITAGE BOOK SHOP M46 310-659-3674 HOKANSON CARPET B613 310-657-8026 hokansoncarpet.com HOLLY HUNT B377 310-657-3776 hollyhunt.com INNOVATIONS M20 310-289-0100 innovationsusa.com INTERNATIONAL DOWN AND LINEN B368 310-657-8243 internationaldown andlinen.com ITALIAN LIVING/UMBRIA B455 310-775-8081 italianlivingumbria.com J.H. MINASSIAN & CO. B139/B147 310-657-7000 jhminassian.com
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THE MUSEUM OF CONTEMPORARY ART (MOCA) Plaza 310-289-5223 moca.org
RAOUL TEXTILE LIBRARY G160 310-657-4931 raoultextiles.com ROBERT ALLEN BEACON HILL B484/B499 310-659-6454 robertallendesign.com RODENBECK ASSOC. B200 310-659-1051 rodenbeck.com S. HARRIS /FABRICUT/ VERVAIN B470 310-358-0404 fabricut.com THE SCHEFFEY GROUP B245 310-657-8922 thescheffeygroup.com SCHUMACHER & CO. / PATTERSON, FLYNN & MARTIN, ROSECORE B489 310-652-5353 fschumacher.com SOOFER GALLERY B226 310-659-3044 STARK & DARIUS RUGS B427 310-289-5200 STARK CARPET CORPORATION B629 310-657-8275 starkcarpet.com SUMMIT FURNITURE, INC. B135 310-289-1266 summitfurniture.com SUPERVISION B120 310-652-9510 supervisionav.com
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Annie Wharton LA Another Year in LA Carl Berg Projects den contemporary Freeway Studios Gemini G.E.L. Here Is Elsewhere Industry Gallery John Houshmand & Hous Projects MOCA at the PDC Sam Lee Gallery See Line Gallery Walter Maciel Gallery Young Projects
ART ABOUT TOWN WITH PETER FRANK
MUSEUM VIEWS LOS ANGELES COUNTY MUSEUM OF ART ASCO: Elite of the Obscure, A Retrospective, 1972-1987 THROUGH DECEMBER 4 "By any means necessary," went one of the sociopolitical declarations of the late 1960s, and artists of the 1970s took it to heart. Such ends-justifies-means license, when applied to dramatic, perception-changing ends, led to street performances, guerrilla actions, extravagant humor, and, not coincidentally, the affirmation of identity, ethnic, gender, or otherwise. Los Angeles was the scene of some pretty expressive — and outrageous — art and action, in the street no less than in the studio, and ASCO could be counted on to realize some of the most pointed, and lyrical, manifestations. The most notorious action the team of four young Chicano activists — Harry Gamboa, Jr., Gronk, Willie Herron, and Patssi Valdez — undertook was its mocking assault on LACMA, a series of willynilly events and, er, poses at the museum's gates meant to bring attention to the institution's exclusion of contemporary artists of color, Latinos not least. Mocked
ASCO, INSTANT MURAL, (DETAIL) 1974, COURTESY HARRY GAMBOA, © ASCO, PHOTO © 1974 HARRY GAMBOA, JR.
ART ABOUT TOWN WITH PETER FRANK
themselves at the time, both by art-worlders and more "serious" Barrio revolutionaries, the ASCO actions obviously worked: as its first documentary contribution to Pacific Standard Time, LACMA looks at the fifteen-year history of its onetime adversary, giving ASCO a thorough, respectful, even loving going-over that reveals the group's enduring legacy no less than its historical importance. The show celebrates ASCO's cheekiness as well as its seriousness, its roots in avantgarde art as well as in its community, its personability (the artists often drew on their childhood experiences) as well as its ideology. In particular, ASCO is portrayed as a laboratory in which younger Latino artists of all stripes, from painters to conceptualists, could find mentorship and support. For more information, please visit LACMA’s website at: http://www.lacma.org
POMONA COLLEGE MUSEUM OF ART It Happened At Pomona, Part 1 THROUGH NOVEMBER 6 The first exhibition under the Pacific Standard Time rubric to get off the ground, the first part of "It Happened At Pomona" looks at a single year of exhibitions at the Pomona College Museum, a year when the museum was directed and curated by Hal Glicksman. Glicksman worked at museums around the Southland before and after, but it was at Pomona that he established himself as a champion of radical local artists — light-and-space installationists, performance-oriented filmmakers and photographers, those kinds of radicals. Reconstructions of several exhibitions from Glicksman's brief tenure combine to impart an atmosphere of adventure, surprise, and perceptual destabilization; but the show allows all the works sufficient space to work individually. The first, largest room includes early photographs — handsome and minimal in their stark treatment of banal, un-peopled subjects — by Lewis Baltz; photo-documentation of the smoky performance Judy Chicago (then Gerowitz) realized on the side of Mt. Baldy; and Ron Cooper's film, hilarious in its deadpan formalism, documenting the destruction of windshields with a metal ball — the cracked windshields mounted by the screen. Beyond, a quintessential Robert Irwin disk, exquisitely displayed so that it hovers at the edge of invisibility. And a room by Tom Eatherton, clutching the viewer in an embrace of glowing blue that ultimately overwhelms one's eyesight. Finally, a similarly transportive environment, as deeply crimson as Eatherton's is azure, by Lloyd Hamrol, one not entered but viewed through a small aperture, through which a roomful of bulbous and tendrilous forms arrange themselves into an extra-terrestrial forest. Michael Asher is listed as in the show, too, but in fact he is around the show: his situational work proposes that the show be open to the public 24/7 for its duration. So come on by at 4 am… For more information, please visit the museum’s website at: http://www.pomona.edu/museum/ Web fabrikmagazine.com
ART GALLERIES & MUSEUMS 1301PE GALLERY 6150 Wilshire Blvd., #8 Los Angeles, CA 90048 (323) 938-5822 http://www.1301pe.com
ACUNA-HANSEN GALLERY 427 Bernard St. Los Angeles, CA 90012 (323) 441-1624 http://www.ahgallery.com Weds.-Sat., 12-6pm
18TH STREET ARTS CENTER 1639 18th St. Santa Monica, CA 90404 (310) 453-3711 http://www.18thStreet.org Mon.-Fri., 10am-5pm; Saturday, 1-5pm
ALTERED SPACE GALLERY 1221 Abbot Kinney Blvd. Venice, CA 90291 (310) 452-8121 http://www.alteredspacegallery.com
57 UNDERGROUND 300 C. So. Thomas St. Pomona, CA 91766 (909) 397-0218 http://www.57underground.com Thurs. by appointment, Fri.-Sun., 12pm-4pm
AMERICAN MUSEUM OF CERAMIC ART 340 S. Garey Ave Pomona, CA 91766 (909) 865-3146 http://www.ceramicmuseum.org Weds.-Sat., 12-5pm
A+D ARCHITECTURE & DESIGN MUSEUM 6032 Wilshire Blvd. Los Angeles, CA 90036 323-932-9393 http://www.aplusd.org Tues-Fri. 10-6, Sat. & Sun. 10-5
ANDERSON GALLERIES 354 North Bedford Drive Beverly Hills, CA 90210 310-858-1644 www.andersongalleries.com
ABACOT GALLERY 970 N. Broadway, Suite 201 (Mandarin Plaza) Los Angeles, CA 90012 (213) 626-1599 http://www.abacotgallery.com ABORIGINAL DREAM TIME GALLERY 9011 Melrose Ave. West Hollywood, CA 90069 310-278-4278 http://www.aboriginaldreamtimegallery.com ACE GALLERY LA INSTITUTE OF CONTEMPORARY ART @ The Wilshire Tower 5514 Wilshire Blvd. Los Angeles, CA 90036 http://www.acegallery.net Tues.-Sat., 10am-6pm ACE GALLERY BEVERLY HILLS INSTITUTE OF CONTEMPORARY ART 9430 Wilshire Blvd. Beverly Hils, CA 90212 (310) 858-9090 http://www.acegallery.net ACME 6150 Wilshire Blvd. Los Angeles, CA 90048 (323) 857-5942 http://www.acmelosangeles.com
ANDREW SHIRE GALLERY 3850 Wilshire Blvd., #107 Los Angeles, CA 90010 (213) 389-2601 http://www.andrewshiregallery.com ANGELS GATE CULTURAL CENTER 3601 S. Gaffey St San Pedro, CA 90731 (310) 519-0936 http://angelsgateart.org Tues.-Sun., 11am-4pm ANGLES GALLERY 2222 & 2230 Main St. Santa Monica, CA 90405 (310) 396-5019 http://www.anglesgallery.com ANNIE WHARTON LOS ANGELES Pacific Design Center, Suite B275 8687 Melrose, West Hollywood 90069 (305) 905-9304 http://www.anniewhartonlosangeles.com ANN 330 GALLERY ART 170 Bldg. 170 South La Brea Los Angeles, 90036 http://www.ANN330Gallery.com (323) 954-9900 ARC 2529 W. Magnolia, Burbank, CA 91505 (818) 848-9998 http://www.czappa.com Tues.-Fri., 9am-5:30pm; Sat., 9am-3pm Twitter twitter.com/fabrikmag
ARMORY CENTER FOR THE ARTS 145 N. Raymond Ave Pasadena, CA 91103 (626) 792-5101 http://www.armoryarts.org ARMSTRONG'S 150 E. Thrid St Pomona, CA 91766 (909) 623-6464 http://www.armstronggallery.net Tues.-Sat. 9am-4:30pm ART CENTER COLLEGE OF DESIGN 1700 Lida St. Pasadena, CA 91103 (626) 396-2446 http://www.artcenter.edu/williamson Tues-Sun., 12-5pm; Fri., 12-9pm ARTIST STUDIO 742 N. Broadway 2nd Flr.(Chinatown) LA, CA 90012 www.tree-axis.com ART FOR HUMANS GALLERY 945 Chung King Road (Chinatown) LA, CA 90012 www.artforhumans.com ART PIC 6826 Troost Ave. No. Hollywood, CA 91605 (818) 503-5999 http://www.artpic2000.com Mon.-Fri., 9am-5pm ARTPEACE GALLERY 2317 W. Magnolia Blvd. Burbank, CA 91506 (818) 846-8688 http://www.artpeacegallery.com Thurs.-Sat., 12-5pm ARTY 634 S. Main St. Los Angeles CA 90014 213-213-7829 AUTRY NATIONAL CENTER -MUSEUM OF THE AMERICAN WEST 4700 Western Heritage Way (in Griffith Park adjacent to L.A. Zoo) Los Angeles, CA 90027 (323) 667-2000 http://www.autrynationalcenter.org AUTRY NATIONAL CENTER: SOUTHWEST MUSEUM OF THE AMERICAN INDIAN Corner of Marmion Way and Museum Dr Los Angeles, CA 90065 (323) 221-2164 http://www.southwestmuseum.org
ART GALLERIES & MUSEUMS AUTOMAT 936 Chung King Road (Chinatown) LA, CA 90012 (213) 617-0422 AVENUE 50 STUDIO 131 N. Avenue 50 Los Angeles, CA 90042 (323) 258-1435 http://www.avenue50studio.com BARNSDALL ART PARK EXHIBITIONS 4800 Hollywood Blvd Los Angeles, CA 90027 (323) 644-6275 Thurs.-Sun., 12-5pm; First Fridays, 12-9pm BILLY SHIRE FINE ARTS 5790 Washington Blvd Culver City, CA 90232 (323) 297-0600 www.billyshirefinearts.com BLEICHER/GOLIGHTLY GALLERY 1431 Ocean Avenue Santa Monica, CA 90401 310-237-6423 www.BGshowrom.com BLK/MRKT GALLERY 6009 Washington Blvd. Culver City, CA 90232 (310) 837-1989 http://www.blkmrktgallery.com Tues.-Fri., 11am-6pm; Sat., 12-6pm BLUE FIVE ART SPACE 2935 S. Sepulveda Blvd. Los Angeles, CA 90064 (310) 478-8500 http://bluefivedesign.com BLYTHE PROJECTS 5797 Washington Boulevard Culver City, CA 90232 310.990.3501 www.blytheprojects.net BOB POE PHOTOGRAPHIC ART Bergamot Station 2525 Michigan Ave. G8A Santa Monica, CA 90404 (310) 582-2278 BLUEBIRD ART HOUSE 6747 Bright Ave Whittier, CA 90601 (562) 696-9493 http://www.bluebirdarthouse.com BLUM & POE GALLERY 2754 S. La Cienega Blvd Los Angeles, CA 90034 (310) 836-2062 http://www.blumandpoe.com
BONELLI CONTEMPORARY 943 North Hill St. (Chinatown) Los Angeles, CA 90012 213-617-8180 www.bonellicontemporaryla.com
CARDWELL JIMMERSON CONTEMPORARY ART 8658 Washington Blvd. Culver City, CA 90232 310-815-1100 www.cardwelljimmerson.com
BOWERS MUSEUM 2002 N. Main St Santa Ana, CA 92706 (714) 567-3643 http://www.bowers.org Tues.-Sun., 10am-4pm; fourth Thursday of each month, 10am-8pm BRAND LIBRARY ART GALLERY 1601 West Mountain St. Glendale, CA 91201 (818) 548-2051 http://www.brandlibrary.org Tues. & Thurs., 12-9pm; Weds., 10am6pm; Fri., Sat., 10am-5pm CACTUS GALLERY 4534 Eagle Rock Blvd. Eagle Rock, CA 90041 323-256-6117 http://www.eclecticcactus.com
CAL POLY POMONA KEITH & JANET KELLOGG 3801 W. Temple Ave Pomona, CA 91768 (909) 869-4302 http://www.csupomona.edu/~kellogg_gallery Tues.-Fri., 11am-4pm; Sat., 12-4pm CAL STATE L.A. â€“ LUCKMAN GALLERY 5151 State University Dr Los Angeles, CA 90032 (323) 343-6604 http://www.luckmanfineartscomplex.org Mon.-Thurs., Sat., 12-5pm
CARMICHAEL GALLERY OF CONTEMPORARY ART 5795 Washington Boulevard Culver City, CA 90232 (323) 969-0600 http://www.carmichaelgallery.com Weds.-Sun., 2-7pm CB1 GALLERY 207 W. 5th St. Downtown LA, CA 213-806-7889 www.cb1gallery.com
CAL POLY POMONA DOWNTOWN CENTER 300 W. Second St Pomona, CA 91766 (909) 469-0080 http://www.class.csupomona.edu/dow ntowncenter Tues.-Sat., 11am-8pm; 2nd Saturdays., 1-9pm
CALIFORNIA HERITAGE MUSEUM 2612 Main St. Santa Monica, CA 90405 (310) 392-8537 http://www.californiaheritagemuseum.org Weds.-Sun., 11am-4pm
CARL BERG PROJECTS Pacific Design Center, Suites #B315 & B380 8687 Melrose Ave. West Hollywood, CA 90069 323-286-9059 www.carlbergprojects.com
CENTER FOR THE ARTS, EAGLE ROCK 2225 Colorado Blvd Los Angeles, CA 90041 (323) 226-0949 http://www.centerartseaglerock.org CHARLIE JAMES GALLERY 975 Chung King Road Los Angeles, CA 90012 (213) 687-0844 http://www.cjamesgallery.com CHERRY AND MARTIN 2712 South LA Cienga Blvd. Los Angeles, CA 310-559-0010 http://www.cherryandmartin.com CHINA ART OBJECTS GALLERIES 933 Chung King Rd. (in Chinatown) Los Angeles, CA 90012 (213) 613-0384 http://www.chinaartobjects.com CHINESE AMERICAN MUSEUM 125 Paseo de la Plaza Los Angeles, CA 90012 (213) 626-5240 CHRISTOPHER GRIMES GALLERY 916 Colorado Ave. Santa Monica, CA 90401 (310) 587-3373 http://www.cgrimes.com Tues-Sat. 10-5:30
ART GALLERIES & MUSEUMS CHUNG KING PROJECT 945 Chung King Rd. (Chinatown) Los Angeles, CA 90012 (213) 625-1802 http://www.chungkingproject.com
COUTURIER GALLERY 166 N. La Brea Ave. Los Angeles, CA 90036 323-933-5557 http://www.couturiergallery.com/
CIRRUS GALLERY 542 S. Alameda Los Angeles, CA 90013 (213) 680-3473 http://www.cirrusgallery.com Tues.-Sat., 10am-5pm
CRACK GALLERY 204 W. 6th St. Downtown LA, CA 213-622-3493 http://crackgallery.com/
CITY OF BREA GALLERY #1 Civic Center Circle Brea, CA 92821 (714) 990-7730 http://www.breagallery.com Weds., Thurs., Sun., 12-5pm, Fri., Sat., 12-8pm CLAREMONT MUSEUM OF ART The Packing House, 536 W. First St. Claremont, CA 91711 (909) 621-3200 http://www.claremontmuseum.org Tues.-Sun., 11am-7pm CLASSIC ARTFORMS 9009 Beverly Blvd West Hollywood, CA 90069 (310) 273-6306 COLLEGE OF THE CANYONS ART GALLERY 26455 Rockwell Canyon Rd Santa Clarita, CA 91355 (661) 362-3612 http://www.canyons.edu/offices/artgallery Tues.-Thurs., 11am-3pm; Sat., 10am-2pm COPRO/NASON GALLERY 2525 Michingan Ave., T-5 Santa Monica, CA 90404 (310) 398-2643 www.copronason.com COREY HELFORD GALLERY 8522 Washington Blvd. Culver City, CA 90232 (310) 287-2340 http://www.coreyhelfordgallery.com Tues.-Sat., 12-6pm COTRUTZA GALLERY 446 S. Main St. Los Angeles, CA 90013 Tel: 213-622-0121 http://www.cotrutza.com
CRAIG GALLERY 5723 Venice Blvd Los Angeles, CA 90019 (323) 939-0351 http://www.craiggallery.com Fri., Sat., 12-6pm; & by app't. CRAIG KRULL GALLERY 2525 Michigan Ave., Building B-3 Santa Monica, CA 90404 (310) 828-6410 http:// www.artnet.com/ckrull.html Tues.-Fri., 10am-5:30pm; Sat., 11am-5:30pm
CSU LONG BEACH UNIVERSITY ART MUSEUM 1250 Bellflower Blvd. Long Beach, CA 90840 (562) 985-5761 http://www.csulb.edu/uam Tues.-Sun., 12-5pm, Thurs., 12-8pm CSU NORTHRIDGE UNIVERSITY ART GALLERY 18111 Nordhoff St. Northridge, CA 91330 (818) 677-2156 http://www.csun.edu/artgalleries/ Mon.-Sat., 12-4pm; Thurs., 12-8pm D.E.N. CONTEMPORARY ART Pacific Design Center 8687 Melrose Avenue, #B275, 2nd Floor West Hollywood, CA 90069 323-422-6340 www.dencontemporaryart.com DA CENTER FOR THE ARTS 252 D S. Main St Pomona, CA 91766 (909) 397-9716 http://www.dacenter.org
CREATIVE ARTS CENTER GALLERY 1100 W. Clark Ave Burbank, CA 91506 (818) 238-5397 www.burbankusa.com Mon.-Thurs., 9am-8pm; Fri., 9am-4pm; Sat., hours vary
DANIEL SAXON GALLERY 552 Norwich Dr West Hollywood, CA 90069 (310) 657-6033
CREWEST 110 Winston Street Los Angeles, CA 90013 213-627-8272 www.crewest.com
DANIEL WEINBERG GALLERY 6148 Wilshire Blvd. Los Angeles, CA 90048 (323) 954-8425 http://www.danielweinberggallery.com
CROSSROADS SCHOOL FOR ARTS AND SCIENCES 1714 21st St. Santa Monica, CA 90404 (310) 829-7391 Mon.-Fri., 1-3pm; & by app't.
DRKRM/GALLERY 727 S. Spring Street Los Angeles, CA 90014 Hours: Wed.-Sun., 12-6 pm http://www.drkrm.com (323) 271-5635
CSU CHANNEL ISLANDS ART GALLERY 92 Palm Dr. Camarillo, CA 93010 (805) 437-8863 http://art.csuci.edu/gallery Mon.-Fri., 10am-4pm
DAVID GALLERY 5797 Washington Blvd. Culver City, CA 90232 323-939-9069 www.ddavidgallery.net
CSU FULLERTON ART GALLERY 800 N. State College Blvd. Fullerton, CA 92634 (714) 278-3262 http://www.arts.fullerton.edu/events Tues.-Fri., 12-4pm; Sat., 12-2pm
DAVID KORDANSKY GALLERY 3143 S. La Cienega Blvd. Los Angeles, CA 90012 310-558-3030 http://www.davidkordanskygallery.com DAVID LAWRENCE GALLERY 8969 A Sunset Blvd. West Hollywood, CA 90069 310-278-0882 www.DavidLawrenceGallery.com
ART GALLERIES & MUSEUMS DAVID SALOW GALLERY 977 N. Hill St. Los Angeles, CA 90012 (213) 620-0240 http://www.davidsalowgallery.com Tues.-Sat., 11am-6pm DBA256 GALLERY 256 S. Main St Pomona, CA 91766 (909) 623-7600 http://www.dba256.com Mon.-Thurs., 8am-10pm; Fri., Sat., 10am-midnight DCA FINE ART 3107 Pico Blvd Santa Monica, CA 90405 (310) 770-2525 http://www.dcafineart.com By Appt. only DE SOTO GALLERY 2635 Fairfax Avenue Culver City, CA 90232 (323) 253-2255 http://www.desotogallery.com Wed.-Sat., 12-6pm & by app't DEL MANO GALLERY 11981 San Vicente Blvd West Los Angeles, CA 90049 (310) 476-8508 http://www.delmano.com Tues.-Sat., 10am-6pm; Sun., 12-5pm DENENBERG FINE ARTS 417 North San Vicente Blvd West Hollywood, CA 90048 (310) 360-9360 http://www.fada.com DIALECT 215 W. 6th St. #111 Downtown LA, CA 213-627-7599 firstname.lastname@example.org DNJ GALLERY Bergamot Station 2525 Michigan Avenue, Suite J1 Santa Monica, California 90404 (323) 931-1311 or (310) 315-3551 http://www.dnjgallery.net Tues.-Sat., 10am-6pm DOWNEY MUSEUM OF ART 10419 So. Rives Ave Downey, CA 90241 (562) 861-0419 http://www.thedmoa.org Weds., 3-7pm; Thurs.Fri., 1-5pm;
DOWNTOWN ART CENTER GALLERY 828 S Main Street Los Angeles, CA 90014 213-627-7374 http://www.dacgallery.com
EL NOPAL PRESS 109 W. 5th St. Downtown LA, CA 213-239-0417 EXPOSITION PARK MUSEUMS 900 Exposition Blvd Los Angeles, CA 90007 (213) 763-3515 http://www.nhm.org
DOWNTOWN ART GALLERY 1611 So. Hope St. Los Angeles, CA 90015 (213) 255-2067 http://www.downtownag.com Tues.-Sat., 11am-7pm DRKRM/ GALLERY Capitol Studios Building 2121 San Fernando Rd., #3 Los Angeles, CA 90065 (323) 223-6867 http://www.drkrm.com Tues.-Sat., 11am-5pm Sun., 1pm-4pm and by appointment DRKRM/ GALLERY WEST 729 Montana Ave. Santa Monica, CA 90403 323-271-5635 DUNCAN MILLER GALLERY 10959 Venice Blvd Los Angeles, CA 90034 (310) 838-2440 http://www.duncanmillergallery.com EARL MCGRATH GALLERY 454 N. Robertson Blvd. Los Angeles, CA 90048 (310) 657-4257 http://www.earlmcgrathgallery.com Tues- Sat. 10-6
FAHEY/KLEIN GALLERY 148 N. La Brea Ave. Los Angeles, CA 90036 (323) 934-2250 http://www.faheykleingallery.com Tues.-Sat., 10am-6pm FARMLAB 1745 N. Spring St. Los Angeles, CA 90012 (323) 226-1158 http://www.farmlab.org Tues.-Sat., 10am-5pm FELLOWS OF CONTEMPORARY ART 970 N. Broadway # 208 (Chinatown) LA, CA 90012 (213) 808-1008 www.focala.org FIFTH FLOOR GALLERY 502 Chung King Court (Chinatown) LA, CA 90012 (213) 687- 8443 www.fifthfloorgallery.com
EDGAR VARELA FINE ARTS (EVFA) 727 S. Spring Street, LA 90014
FIFTY/24 LA GALLERY 125 E. 6th St. Los Angeles, CA 213-623-4300 http://www.fifty24sf.com
EDGEMAR CENTER FOR THE ARTS 2437 Main St Santa Monica, CA 90405 (310) 399-3666 http://www.edgemarcenter.org Mon.-Fri., 11am-5:30pm
FIG 2525 Michigan Ave. # G6 Santa Monica, CA 90404 (310) 829-0345 http://www.figgallery.com Weds.-Sat., 11am-5pm
EDWARD CELLA ART + ARCHITECTURE 6018 Wilshire Blvd. Los Angeles, CA 90036 (323) 525-0053 http://www.edwardcella.com Tues.-Sun, 11am-5pm
FOUND GALLERY 1903 Hyperion Ave Los Angeles, CA 90027 www.foundla.com Sat - Sun 1-5 or by appt. email@example.com
EL CAMINO COLLEGE ART GALLERY 16007 Crenshaw Blvd Torrance, CA 90506 (310) 660-3010 http://www.elcamino.edu/commadv/ar tgallery Mon., Tues., 10am-3pm; Weds., Thurs., 10am-8pm; Fri., 10am-2pm
FOWLER MUSEUM AT UCLA 405 Hilgard Ave Los Angeles, CA 90024 (310) 825-4361 http://www.fowler.ucla.edu Weds.-Sun., 12-5pm; Thurs. 12-8pm
ART GALLERIES & MUSEUMS FRANK LLOYD GALLERY 2525 Michigan Ave., B5b Santa Monica, CA 90404 (310) 264-3866 http://www.franklloyd.com Tues.-Sat., 11am-6pm FRANK PICTURES GALLERY 2525 Michigan Ave., Building A-5 Santa Monica, CA 90404 (310) 828-0211 http://www.frankpicturesgallery.com FREDERICK R. WEISMAN MUSEUM AT PEPPERDINE UNIVERSITY 24255 Pacific Coast Highway Malibu, CA 90265 (310) 506-4851 http://arts.pepperdine.edu/museum FRESH PAINT 9355 Culver Blvd., Suite B Culver City, CA 90232 (310) 558-9355 http://www.freshpaintart.com Mon.-Thurs., 9am-6pm; Fri., 8am-12 noon; & by app't FULLERTON COLLEGE ART GALLERY 321 E. Chapman Ave., Building 1000 Fullerton, CA 92832 (714) 992-7434 http://art.fullcoll.edu Mon.-Thurs., Sat., 10am-2pm; Weds, 5-7pm
GALLERY 825 / LA ART ASSOCIATION 825 N. La Cienega Blvd. Los Angeles, CA 90069 310-652-8272 http://www.laaa.org GALLERY 1927 Fine Arts Building 811 West Seventh St. Los Angeles, CA 90017 661-816-1136 http://www.gallery1927.com/ GALERIE ANAIS 2525 Michigan Ave., Building D-2 Santa Monica, CA 90404 (310) 449-4433 www.galerieanaisla.com GALLERY BROWN 140 S. Orlando Ave. Los Angeles, CA 90036 323-651-1956 www,gallerybrown.com GALLERY AT 1000 VAN NESS SAN FRANCISCO GALLERY AT EASTERN COLUMBIA LOS ANGELES 849 S. Broadway Unit 905 Los Angeles, Ca. 90014 http://www.artmeetsarchitecture.com GALLERY AT REDCAT 631 W. Second St. Los Angeles, CA 90012 (213) 237-2800 http://www.redcat.org
FULLERTON MUSEUM CENTER 301 N. Pomona Ave Fullerton, CA 92832 (714) 738-6545 http://www.cityoffullerton.com/depts/ museum Tues.-Sun., 12-4; Thurs., 12-8pm
GALLERY LUISOTTI 2525 Michigan Ave., Building A-2 Santa Monica, CA 90404 (310) 453-0043
GAGOSIAN GALLERY 456 N. Camden Dr. Beverly Hills, CA 90210 (310) 271-9400 http://www.gagosian.com
GALLERY NUCLEUS 210 East Main St. Alhambra, CA 91801 (626) 458-7477 http://www.gallerynucleus.com
GALERIE MICHAEL 260 N. Rodeo Dr. Beverly Hills, CA 90210 (310) 273-3377 www.galeriemichael.com
GARY LEONARD TAKE MY PICTURE 860 S. Broadway Los Angeles, CA 90014 213-622-2256 http://takemypicture.com
GALLERY 9 6101 Washington Boulevard Culver City, CA 90232 310.836.4601 www.thegallery9.com
GEMINI G.E.L. 8365 Melrose Ave Los Angeles, CA 90069 (323) 651-0513 http://www.geminigel.com Mon.-Fri., 9am-5:30pm; Sat. by app't.
GEORGE BILLIS GALLERY L.A. 2716 S. La Cienega Blvd Los Angeles, CA 90034 (310) 838-3685 http://www.georgebillis.com Tues.-Sat., 11am-6pm; & by app't. GEORGE J. DOIZAKI GALLERY Japanese Cultural & Community Center 244 S. San Pedro St. Los Angeles, CA 90012 (213) 628-2725 http://www.jaccc.org Tues.-Fri., 12-5pm; Sat. & Sun., 11am-4pm GEORGE STERN FINE ARTS 8920 Melrose Ave. Los Angeles, CA 276-2600 http://www.sternfinearts.com Tues.-Fri., 10am-6pm; Sat., 11am-6pm GLORIA DELSON CONTEMPORARY ART 215 West 6th St. # 115 Los Angeles, CA 323-805-9363 www.artla.biz GLASS GARAGE FINE ART 414 N. Robertson Blvd. West Hollywood, CA 90048 (310) 659-5228 http://www.glassgaragegallery.com GLENDALE COLLEGE GALLERY 1500 Verdugo Rd Glendale, CA 91208 (818) 240-1000 http://www.glendale.edu/artgallery GP DEVA 9601 Wilshire Blvd., Suite 125 Beverly Hills, CA 90210 310-858-6545 www.gpdeva.com GRAMMY MUSEUM 800 W. Olympic Blvd. Los Angeles, CA 213-765-6800 www.grammymuseum.org GR2 2062 Sawtelle Blvd Los Angeles, CA 90025 (310) 445-9276 http://www.gr2.net GREENFIELD SACKS GALLERY 2525 Michigan Ave., #B6 Santa Monica, CA 90404 (310) 264-0640 http://www.greenfieldsacks.com
ART GALLERIES & MUSEUMS GREGG FLEISHMAN STUDIO 3850 Main Street Culver City, CA 90232 310.202.6108 www.greggfleishman.com
H. KAZAN FINE ARTS 11456 Washington Boulevard Los Angeles, CA 90066 310.398.0090 www.hkazanfinearts.com
GREY MCGEAR GALLERY Bergamot Station 2525 Michigan Ave G7 Santa Monica, CA 90404 (310) 315-0925
HONOR FRASER 2622 S. La Cienega Blvd Los Angeles, CA 90034 (310) 837-0191 http://www.honorfraser.com
GROUNDFLOOR GALLERY 433 Spring Street Los Angeles, CA 90013 213-624-3010
HUNTINGTON BEACH ART CENTER 538 Main Street Huntington Beach, CA 92647 (714) 374-1650 http://www.surfcityhb.org/Visitors/art_center Weds.-Sat., 12-6pm; Thurs., 12-8pm; Sun., 12-4pm
GUY HEPNER GALLERY 300 North Robertson Blvd. West Hollywood, CA 90048 310-979-0011 www.guyhepner.com HAMILTON GALLERIES 1431 Ocean Ave. Santa Monica, CA 90401 (310) 451-9983 http://www.hamiltongalleries.com Tues.-Sun., 12-7pm HAMILTON-SELWAY FINE ART 8678 Melrose Ave. Los Angeles, CA 90069 (310) 657-1711 http://www.hamiltonselway.com HARO GALLERY 3825 Main Street Culver City, CA 90232 310.558.4276 www.theharogallery.com HENKEN GALLERY Kyoto Grand Hotel 120 S. Los Angeles St. Los Angeles, CA 90012 (213) 626-2505 http://www.thehenkengallery.com Mon.-Fri., 10am-10pm; Sun. by app't. HERITAGE GALLERY 1300 Chautauqua Blvd Pacific Palisades, CA 90272 (310) 230-4340 http://www.heritagegallery.com HIGH PROFILE PRODUCTIONS 5886 Smiley Drive Culver City, CA 90232 310.253.2255 www.highprofileproductions.com
JAMES GRAY GALLERY Bergamot Station 2525 Michigan Ave., D-4 Santa Monica, CA 90404 (310) 315-9502 http://www.jamesgraygallery.com JAN KESNER GALLERY 164 N. La Brea Ave. Los Angeles, CA 90036 (323) 938-6834 http: //www.jankesnergallery.com By appt. only JANCAR GALLERY 961 Chung King Road Los Angeles, CA 90012 (213) 625-2522 http://www.jancargallery.com Wed.-Sat 12- 5pm and by app't.
HUNTINGTON LIBRARY 1151 Oxford Rd San Marino, CA 91108 (626) 405-2100 http://www.huntington.org
JAPANESE AMERICAN NATIONAL MUSEUM 369 E. 1st St Los Angeles, CA 90012 (213) 625-0414 http://www.janm.org
ICON GALLERY & INTERIORS 8899 Beverly Blvd. Los Angeles, CA 90048 310-246-1495 www.icon-interiors.com
JEFFREY WINTER FINE ARTS 8576 Melrose Ave. West Hollywood, CA 90069 310-657-4278 www,jeffreywinter.com
IKON LIMITED/K. RICHARDS GALLERY 2525 Michigan Ave., G-4 Santa Monica, CA 90404 (310) 828-6629 http://www.ikonltd.com
JK GALLERY 2632 S. La Cienega Blvd. Los Angeles, CA 90034 (310) 837-3330 http://www.jkgallery.net Tues.-Sat., 11am-5pm
IRON GALLERY 725 S. Los Angeles St. Los Angeles, CA 90014 213-627-7149 http://www.ironartgallery.net/ By appointment only
JONATHAN NOVAK CONTEMPORARY ART 1880 Century Park East # 100 Century City, CA 90067 310-277-4997 www.novakart.com
ITALIAN CULTURAL INSTITUTE SPAZIO ITALIA 1023 Hilgard Ave Los Angeles, CA 90024 (310) 443-3250 http://www.iiclosangeles.esteri.it/IIC_L osangeles Mon.-Fri., 9:30am-5pm JACK RUTBERG FINE ARTS 357 N. La Brea Ave. Los Angeles, CA 90036 (323) 938-5222 http://www.jackrutbergfinearts.com Tues.-Fri., 10am-6pm; Sat., 10am-5pm
KANTOR ART 427 N. Canon Drive Suite 106. Beverly Hills, CA 90210 (310) 274-6499 http://www.kantorart.com Mon-Fri 10-5 KINKEAD CONTEMPORARY 6029 Washington Blvd. Culver City, CA 90232 (310) 838-7400 http://www.kinkeadcontemporary.com KOPEIKIN GALLERY 8810 Melrose Avenue West Hollywood, CA 90069 (310) 385-5894 http://www.kopeikingallery.com Tues.-Sat., 11am-6pm; & by app't
ART GALLERIES & MUSEUMS KOPLIN DEL RIO GALLERY 6031 Washington Blvd. Culver City, CA 90232 (310) 836-9055 http://www.koplindelrio.com Tues.-Fri., 10am-5:30pm; Sat., 11am-5:30pm
LACE (LA CONTEMPORARY EXHIBITIONS) 6522 Hollywood Blvd. Los Angeles, CA 90028 (323) 957-1777 http://www.welcometolace.org Weds.-Sun., 12-6pm; Fri., 12-9pm
KRISTI ENGLE GALLERY 5002 York Blvd Los Angeles, CA 90042 323-472-6237 www.kristienglegallery.com
LACMA (LOS ANGELES CONTEMPORARY MUSEUM OF ART) 5905 Wilshire Blvd. Los Angeles, CA 90036 (323) 857-6111 http://www.lacma.org/ Mon., Tues., Thurs., 12-8pm; Fri., 129pm; Sat., Sun., 11am-8pm
L.A. ARTCORE UNION CENTER FOR THE ARTS 120 N. Judge John Aiso St. Los Angeles, CA 90012 (213) 617-3274 http://www.laartcore.org Weds.-Sun., 12-5pm
LATINO ART MUSEUM 281 S. Thomas St., Suite 105 Pomona, CA 91766 (909) 620-6009 http://www.lamoa.net
LA ART HOUSE 8825 Beverly Blvd., West Hollywood, CA 90048 (310) 205-0480 http://www.laarthouse.net Mon.-Fri., 10am-6pm; Sat.-Sun. by app't
THE LATINO MUSEUM OF HISTORY, ART & CULTURE 514 S. Spring St. Los Angeles, CA 90013 213-626-7600
LA CENTER FOR DIGITAL ART (LACDA) 102 West Fifth St. Los Angeles, CA 90013 213-629-1102 http://www.lacda.com
LATIN AMERICAN MASTERS 2525 Michigan Ave., Building E-2 Santa Monica, CA 90404 (310) 829-4455 http://www.latinamericamasters.com
LA CONTEMPORARY 2634 S. La Cienega Blvd. Los Angeles, CA 90034 (310) 559-6200 http://www.lacontemporary.com
LAXART 2640 S. La Cienega Culver City, CA 90232 (310) 559-0166 http://www.laxart.org
L.A. COUNTY ARBORETUM 301 N. Baldwin Ave Arcadia, CA 91007 (626) 821-3232 http://www.arboretum.org
LEBASSE PROJECTS 6023 Washington Blvd. Culver City, CA 90232 (310) 558-0200 http://www.lebasseprojects.com Weds.-Sat., 11am-6pm
L.A. LOUVER GALLERY 45 N. Venice Blvd. Venice, CA 90291 (310) 822-4955 http://www.lalouver.com Tues.-Sat., 10am-6pm L2 KONTEMPORARY 990 N. Hill St., #205 Los Angeles, CA 90012 (323) 225-1288 http://www.L2kontemporary.com Thurs.-Sun., 1-6pm; & by app't. LA LUZ DE JESUS 4633 Hollywood Blvd Los Angeles, CA 90027 (323) 666-7667 http://www.laluzdejesus.com 98
LEFT COAST GALLERIES 12324 Ventura Blvd Studio City, CA 91604 (818) 760-7010 http://www.leftcoastgalleries.com Mon.-Sat., 11am-6pm; Sun., 12-6pm; & by appointment LESLIE SACKS FINE ART 11640 San Vicente Blvd Los Angeles, CA 90049 (310) 820-9448 http://www.lesliesacks.com Mon.-Sat., 10am-6pm
LIGHTBOX GALLERY 2680 S. La Cienega Blvd Los Angeles, CA 90034 (310) 559-1111 http://www.kimlightgallery.com LILI BERNARD ART STUDIO 935 Chung King Road (Chinatown) LA, CA 90012 (323) 936-3607 www.lilibernard.com LM PROJECTS 125 W. 4th St., LA, CA 90014 213-621-4055 LOIS LAMBERT GALLERY OF FUNCTIONAL ART Bergamot Station 2525 Michigan Ave.,E-3 Santa Monica, CA 90404 (310) 829-6990 www.Galleryoffunctionalart.net LONG BEACH CITY COLLEGE ART GALLERY 4901 E. Carson St. Long Beach, CA 90808 (562) 938-4817 LONG BEACH MUSEUM OF ART 2300 E. Ocean Blvd. Long Beach, CA 90803 (562) 439-2119 http://www.lbma.org Tues.-Sun., 11am-5pm LORA SCHLESINGER GALLERY 2525 Michigan Ave., Building T-3 Santa Monica, CA 90404 (310) 828-1133 http://www.loraschlesinger.com Tues.-Sat., 10am-5:30pm LOS ANGELES CENTER FOR DIGITAL ART (LACDA) 107 W. Fifth St. Los Angeles, CA 90013 (323) 646-9427 http://www.lacda.com Weds.-Sat., 12-5pm LOUIS STERN FINE ARTS 9002 Melrose Ave. Los Angeles, CA 90069 (310) 276-0147 http://www.louissternfinearts.com Tues.-Fri., 10am-6pm; Sat., 11am-5pm LOUWE GALLERY 306 Hawthorne St. So. Pasadena, CA 91030 (626) 799-5551 http://www.louwegallery.com
ART GALLERIES & MUSEUMS LUIS DE JESUS LA Bergamot Station 2525 Michigan Ave. F-2 Santa Monica, CA 90404 (310) 453-7773 www.luisdejesus.com M. HANKS GALLERY 3008 Main St. Santa Monica, CA 90405 (310) 392-8820 http://mhanksgallery.com Weds.-Sat., 12-6pm; & by app't. M+B GALLERY 612 N. Almont Dr. West Hollywood, CA 90069 (310) 550-0050 http://www.mbfala.com MACHINE PROJECT 1200 D North Alvarado St. Los Angeles, CA 90026 (213) 483-8761 http://www.machineproject.com Irregular hours - call ahead MADISON GALLERY 1020 Prospect Suite 130 LaJolla, California 92037 (858) 459-0836 http://www.madisongalleries.com MAK CENTER FOR ART AND ARCHITECTURE L.A. 835 N. Kings Rd. Los Angeles, CA 90069 (323) 651-1510 http://www.makcenter.org Weds.-Sun., 11am-6pm MARK MOORE GALLERY Bergamot Station 2525 Michigan Ave. #A1 SM,CA 90404 310-453-3031 www.MarkMooreGallery.com MANNY SILVERMAN GALLERY 619 Almont Dr. West Hollywood, CA 90069 (310) 659-8256 www.mannysilvermangallery.com MARCEL SITCOSKE GALLERY 7829 Torreyson Dr. LA, CA 90046 323-650-0238 www.marcelsitcoske.com MARC FOXX GALLERY 6150 Wilshire Blvd Los Angeles, CA 90048 (323) 857-5571 http://www.marcfoxx.com
MARC SELWYN FINE ART 6222 Wilshire Blvd Los Angeles, CA 90048 (323) 933-9911 http://www.marcselwynfineart.com
MICHAEL KOHN GALLERY 8071 Beverly Blvd Los Angeles, CA 90048 (323) 658-8088 http://www.kohngallery.com
MARINE CONTEMPORARY 1733-A Abbot Kinney Blvd Venice, CA 90291 T: (310) 399-0294 http://www.marinecontemporary.com
MIHAI NICODIM GALLERY 3143 S. La Cienega Blvd. Unit B Los Angekes, VCA 90016 310-838-8884 www.nicodimgallery.com
MARK MOORE GALLERY 5790 Washington Blvd. Culver City, CA 90232 310-453-3031 http://www.markmooregallery.com
MIXOGRAFIA 1419 E. Adams Blvd Los Angeles, CA 90011 (323) 232-1158 http://www.mixografia.com Mon.-Fri., 11am- 5pm; & by app't.
MARTIN & LOZANO GALLERY 302 N. Robertson Blvd. West Hollywood, CA www.martinlozano.com 310-358-0617
MOCA (MUSEUM OF CONTEMPORARY ART) 250 S. Grand Ave. Los Angeles, CA 90012 (213) 62-MOCA-2 http://www.moca.org/ Mon., Fri., 11am-5pm; Thursday, 11am-8pm; Sat., Sun., 11am-6pm; Closed Tues.-Wed.
MARTIN LAWRENCE GALLERY 1000 Universal Studios Blvd. #171 Burbank, CA 91608 818-508-7867 www.martinlawrence.com
MOCA - THE GEFFEN CONTEMPORARY 152 North Central Ave. Los Angeles, CA 90013 (213) 621-1745 http://www.moca.org/ Mon., Fri., 11am-5pm; Thurs., 11am8pm; Sat., Sun., 11am-6pm; Closed Tues.-Wed.
MATIN GALLERY 9905 South Santa Monica Blvd. LA, CA 90212 310-788-0055 www.matin-gallery.com MERRY KARNOWSKY GALLERY 170 S. LA Brea LA, CA 90036 323-933-4408 www.mkgallery.com
MOCA PACIFIC DESIGN CENTER 8687 Melrose Ave. West Hollywood, CA 90069 (310) 289-5223 http://www.moca.org
MESLER & HUG GALLERY 510 Bernard St. (Chinatown) LA, CA 90012 (3232) 221-0016 www.meslerandhug.com MICHAEL DAWSON GALLERY 535 N. Larchmont Blvd Los Angeles, CA 90004 (323) 469-2186 http://www.michaeldawsongallery.com Weds.-Sat., 9am-5pm MICHAEL HITTLEMAN GALLERY FINE ISRAELI ART 8797 Beverly Blvd., #302 Los Angeles, CA 90048 (323) 655-5364 http://www.michaelhittlemangallery.com Mon.-Fri., 11am-5pm; Sunday, 1-5pm
MORONO KIANG GALLERY 218 W. 3rd St. Los Angeles, CA 90013 (213) 628-8208 http://www.moronokiang.com Weds.-Sat., 12-6pm MOUNT ST. MARY'S COLLEGE JOSE DRUDIS-BIADA GALLERY 12001 Chalon Rd. Los Angeles, CA 90049 (310) 954-4360 http://www.msmc.la.edu/pages/1897.asp Tues.-Sat., 12-5pm MUCKENTHALER CULTURAL CENTER 1201 W. Malvern Ave Fullerton, CA 92633 (714) 738-6595 http://www.muckenthaler.org
ART GALLERIES & MUSEUMS MUSEUM OF JURASSIC TECHNOLOGY 9341 Venice Blvd. Los Angeles, CA 90034 (310) 836-6131 http://www.mjt.org MUSEUM OF LATIN AMERICAN ART 628 Alamitos Ave Long Beach, CA 90802 (562) 437-1689 http://www.molaa.com Tues.-Sat., 11:30am-7:30pm; Sun., 12-6pm MUSEUM OF NEON ART 114 W. 4th St. Downtown LA, CA 213-489-9918 http://www.neonmona.org/ MUSEUM OF PHOTOGRAPHIC ARTS 1649 El Prado San Diego, CA 92101 (619) 238-7559 http://www.mopa.org Tues.-Sun., 10am-5pm; Thurs. 10am-9pm MUSEUM OF TOLERANCE 9786 W. Pico Blvd. Los Angeles, CA 90035 (310) 553-8403 http://www.museumoftolerance.com NEUARTIG GALLERY & ART CONSULTING 366 West 7th Street San Pedro, CA 90731 (213) 973-8223 http:www.galleryneuartig.com Wed – Fri 1:00 p.m. to 7:00 p.m. Sat 1:00 p.m. to 4:00 p.m. and by appointment 1st Thursday artwalk: 6pm - 9pm NEW HIGH (M)ART 741 New High Str. LA, CA 90012 213-621-7822 www.newhighmart.com NORBERTELLEN GALLERY 215 West 6th St. Los Angeles, CA 90014 818-662-5041 http://www.norbertellengallery.com NORTH HILL EXHIBITIONS 945 North Hill St. (Chinatown) Los Angeles, CA 90012 213-626-2020 www.northhillexhibitions.com
NORTON SIMON MUSEUM 411 W. Colorado Blvd. Pasadena, CA 91105 (626) 449-6840 http://www.nortonsimon.org Weds.-Mon., 12-6pm; Fri., 12-9pm
PALOS VERDES ART CENTER 5504 W. Crestridge Rd. Rancho Palos Verdes, CA 90275 (310) 541-2479 http://www.pvartcenter.org Mon.-Sat., 10am-4pm; Sun., 1-4pm
OFF-ROSE, THE SECRET GALLERY 841 Flower Ave. Venice, CA 90291 (310) 664-8977 Sat., 1-5pm; & by appt.
PARKER JONES GALLERY 510 Bernard St. (Chinatown) LA, CA 90012 (213) 227-0102 www.parkerjonesgallery.com
OPTICAL ALLUSION GALLERY 2414 West 7th St. Los Angeles, CA 90057 (310) 309-7473
PAPILLON GALLERY 8272 Melrose Ave. Los Angeles, CA 90046 323-655-2205 http://www.papillongallery.com
ORANGE COUNTY CENTER FOR CONTEMPORARY ART 117 N. Sycamore Santa Ana, CA 92701 (714) 667-1517 http://www.occca.org Thurs.-Sun., 12-5pm; Fri., Sat., 12-9pm ORLANDO GALLERY 17037 Ventura Blvd. Tarzana, CA 91356 (818) 705-5368 www.orlando2.com OTIS COLLEGE OF ART AND DESIGN BEN MALTZ GALLERY 9045 Lincoln Blvd. Los Angeles, CA 90045 (310) 665-6905 http://www.otis.edu Tues.-Sat., 10am-5pm; Thurs., 10am-7pm OVERDUIN AND KITE 6693 Sunset Blvd. Los Angeles, CA 90020 (323) 464-3600 http://www.overduinandkite.com PACIFIC ASIA MUSEUM 46 N. Los Robles Ave Pasadena, CA 91101 (626) 449-2742 http://www.pacificasiamuseum.org Weds.-Sun., 10am-6pm PALM SPRINGS ART MUSEUM 101 Museum Dr Palm Springs, CA 92262 (619) 325-7186 http://www.psmuseum.org Tues.-Sun., 10am-5pm; Fri., 10am-8pm
PASADENA CITY COLLEGE ART GALLERY 1570 E. Colorado Blvd Pasadena, CA 91106 (626) 585-3285 http://www.pasadena.edu/artgallery Mon.-Thurs., 12-8pm; Fri., Sat., 12-4pm PASADENA MUSEUM OF CALIFORNIA ART 490 E. Union St. Pasadena, CA 91101 (626) 568-3665 http://www.pmcaonline.org PATRICK PAINTER, INC. 2525 Michigan Ave. # A-8 & B-2 Santa Monica, CA 90404 (310) 254-6953 http://www.patrickpainter.com PEACE YOGA GALLERY 903 South Main St. Los Angeles, CA 90015 213-500-5007 www.peaceyogagallery.com PERES PROJECTS 2766 La Cienega Blvd. Los Angeles, CA 90034 (310) 559-6100 http://www.peresprojects.com PETER FETTERMAN GALLERY 2525 Michigan Ave., Building A-7 Santa Monica, CA 90404 (310) 453-6463 http://www.peterfetterman.com PETER MENDENHALL GALLERY 6150 Wilshire Blvd. # 8 Los Angeles, CA 90048 323-936-0061 www.PeterMendenhallGallery.com
ART GALLERIES & MUSEUMS PHOTO-EYE GALLERY 376-A Garcia Street Santa Fe NM 87505 Tel/Fax: (505) 988-5152, x116 http://www.photoeye.com PITZER CAMPUS GALLERIES 1050 North Mills Ave. Claremont, CA 91711 (909) 607-3143 http://www.pitzer.edu/artgalleries PLAZA DE LA RAZA 3540 N. Mission Rd. Los Angeles, CA 90031 (323) 223-2475 POMONA COLLEGE MUSEUM OF ART 330 N. College Ave. Claremont, CA 91711 (909) 621-8283 http://www.pomona.edu/museum Tues.-Fri., 12-5pm; Sat., Sun., 1-5pm POV EVOLVING GALLERY & PRINT STUDIO 939 Chung King Road LA, CA 90012 (213) 594-3036 www.povevolving.com PYO GALLERY LA 1100 Hope St., Suite 105 Los Angeles, CA 213-405-1488 http://www.pyogalleryla.com RAID PROJECTS GALLERY The Brewery Art Complex 602 Moulton St. Los Angeles, CA 90031 (323) 441-9593 http://www.raidprojects.com Sat., Sun., 12-5pm; & by app't. REBECCA MOLAYEM GALLERY 306 N. Robertson West Hollywood, CA90048 310-652-2620 www.rebeccamolayemarts.com REDLING FINE ART 990 North Hill St. #210 (Chinatown) Los Angeles, CA 90012 323-230-7415 www.redlingfineart.com REGEN PROJECTS 633 N. Almont Drive Los Angeles, CA 90069 (310) 276-5424 http://www.regenprojects.com
REGEN PROJECTS II 9016 Santa Monica Blvd (at Almont Drive) Los Angeles, CA 90069 (310) 276-5424 http://www.regenprojects.com
ROUGE GALERIE 548 S. Spring St. Los Angeles, CA 90013 213-489-7309 www.rougegalerie.com ROYAL/T 8910 Washington Boulevard Culver City, CA 90232 310.559.6300 www.royal-t.org
RICHARD HELLER GALLERY 2525 Michigan Ave., Building B-5A Santa Monica, CA 90404 (310) 453-9191 http://www.richardhellergallery.com
RUTH BACHOFNER GALLERY 2525 Michigan Ave. (Bergamot Station), G-2 Santa Monica, CA 90404 (310) 829-3300 http://www.ruthbachofnergallery.com Tues.-Sat., 10am-6pm
RICHARD TELLES FINE ART 7380 Beverly Blvd Los Angeles, CA 90036 (323) 965-5578 http://www.tellesfineart.com RIO HONDO COLLEGE ART GALLERY 3600 Workman Mill Rd., B-13 Whittier, CA 90601 (562) 908-3471 Mon.-Thurs., 9am-3pm; Mon.-Weds., 6-9pm
SABINA LEE GALLERY 971 Chung King Road LA, CA 90012 213-620-9404 www.sabinaleegallery.com
RIVERA & RIVERA 454 N. Robertson West Hollywood, CA 90069 310.713.1635 http://www.riveraandrivera.com
SAM LEE GALLERY 990 N. Hill St., #190 Los Angeles, CA 90012 (323) 227-0275 http://www.samleegallery.com Wed. - Sun, 12-6pm
RIVERSIDE ART MUSEUM 3425 Mission Inn Ave. Riverside, CA 92501 (951) 684-7111 http://www.riversideartmuseum.org Mon.-Sat., 10am-4pm; Thurs., 10am-9pm
SAM LEE GALLERY @ the Pacific Design Center 8687 Melrose Avenue, Suite B267 W. Hollywood, CA 90069 323-788-3535 www.samleegallery.com Monday - Friday, 12 - 5 pm & by appâ€™t
ROBERT BERMAN GALLERY 2525 Michigan Ave., D-5, & C-2 Santa Monica, CA 90404 (310) 315-1937 http://www.robertbermangallery.com Tues.-Sat., 11am-6pm
SAMUEL FREEMAN GALLERY 2525 Michigan Ave., Building B-7 Santa Monica, CA 90404 (310) 449-1479 http://www.samuelfreeman.com
ROBERTS & TILTON GALLERY 5801 Washington Blvd. Culver City, CA 90232 (323) 549-0223 http://www.robertsandtilton.com
SANDRONI REY GALLERY 2762 S. La Cienega Blvd Los Angeles, CA 90034 (310) 280-0111 http://www.sandronirey.com
ROSAMUND FELSEN GALLERY 2525 Michigan Ave. B-4 Santa Monica, CA 90404 (310) 828-8488 http://www.rosamundfelsen.com Tues.-Sat., 10am-5:30pm
SANTA FE ART COLONY 2401 S. Santa Fe Ave Los Angeles, CA 90058 (213) 587-6381
ROSE GALLERY 2525 Michigan Ave., Building G-5 Santa Monica, CA 90404 (310) 264-8440 http://www.rosegallery.net Web fabrikmagazine.com
SANTA MONICA ART STUDIOS AND ARENA 1 GALLERY 3026 Airport Ave Santa Monica, CA 90405 (310) 397-7449 http://www.santamonicaartstudios.com Tues.-Sat., 12-6pm Twitter twitter.com/fabrikmag
ART GALLERIES & MUSEUMS SANTA MONICA COLLEGE - PETE & SUSAN BARRETT ART GALLERY 1310 11th St. Santa Monica, CA 90401 (310) 434-3434 http://events.smc.edu/art_gallery.html SANTA MONICA MUSEUM OF ART Bergamot Station 2525 Michigan Ave. G-1 Santa Monica, CA 90403 (310) 586-6488 http://www.smmoa.org Tues.-Sat., 11am-6pm SARAH LEE ARTWORKS & PROJECTS Bergamot Station 2525Michigan Ave. Santa Monica, CA 90404 (310) 829-4938 www.sarahleeartworks.com SCA PROJECT GALLERY 101 & 281 So. Thomas St., Unit 104 Pomona, CA 91766 (909) 620-5481 http://www.scagallery.com Thurs.-Sat., 12-4pm SCHOMBURG GALLERY 2525 Michigan Ave. E-3a Santa Monica, CA 90404 (310) 453-5757 http://www.schomburggallery.com SCI-ARC GALLERY 960 E. Third St Los Angeles, CA 90013 (213) 473-8432 SCION INSTALLATION L.A. 3521 Helms Ave [at National] Culver City, CA 90232 310.815.8840 www.scion.com/space SEA AND SPACE EXPLORATIONS 4755 York Blvd. Los Angeles, CA 90042 (323) 445-4015 http://www.seaandspace.org Sundays 1-5 or by appt. firstname.lastname@example.org SEE LINE GALLERY Pacific Design Center 8687 Melrose Avenue Suite B274 West Hollywood, CA 90069 818-604-3114 http://www.seelinegallery.com
SEYHOUN GALLERY 9007 Melrose Ave. West Hollywood, CA 90069 (310) 858-5984 http://www.seyhoungallery.com SHERRY FRUMKIN GALLERY 3026 Airport Ave., Suite 21 Santa Monica, CA 90405 (310) 397-7493 http://www.frumkingallery.com Weds.-Sat., 12-6pm SHOSHANA WAYNE GALLERY 2525 Michigan Ave., Building B-1 Santa Monica, CA 90404 (310) 453-7535 http://www.shoshanawayne.com SISTER 955 Chung King Road LA, CA 90012 (213) 628-7000 http://www.sisterla.com SKIDMORE CONTEMPORARY ART Bergamot Station 2525 Michigan Ave. B5 Santa Monica, CA (310)-828-5070 www.skidmorecontemporaryart.com SKIRBALL CULTURAL CENTER 2701 N. Sepulveda Blvd Los Angeles, CA 90049 (310) 440-4500 http://www.skirball.org Tues.-Fri.12-5pm; Thurs.12-9pm; Sat.& Sun. 10am-5pm GALLERY SOHO 300 A. South Thomas St Pomona, CA 91766 (909) 469-1599 www.pvaa.net Thurs.-Sun., 11am-4pm; second Sats., 11am-10pm SOLWAY JONES 990 N. Hill Street # 180 Los Angeles, CA 90012 (323) 223-0224 http://www.solwayjonesgallery.com Tues.-Sat., 11am-6pm SPF:A GALLERY 8609 Washington Boulevard Culver City, CA 90232 310.558.0902 www.spfagallery.com
SPARC ART GALLERY 685 Venice Blvd. Venice, CA 90291 (310) 822-9560 http://www.sparcmurals.org Mon.-Fri., 10am-6pm (Closed at Noon-1pm) SPENCER JON HELFEN FINE ARTS 9200 West Olympic Blvd. Ste 200, Los Angeles, CA 310-273-8838 www.helfenfinearts.com STEPHEN COHEN GALLERY 7358 Beverly Blvd Los Angeles, CA 90036 (323) 937-5525 http://www.stephencohengallery.com Tues.-Sat., 11am-5pm STG (STEVE TURNER CONTEMPORARY) 6026 Wilshire Blvd. Los Angeles, CA 90036 (323) 931-3721 http://www.steveturnergallery.com SUMI INK CLUB 970 N. Broadway #212 (Chinatown) LA, CA 90012 www.sumiinkclub.com SUSANNE VIELMETTER LOS ANGELES PROJECTS 6006 W. Washington Blvd Culver City, CA 90232 310-837-2117 www.vielmetter.com SYLVIA WHITE GALLERY 1783 East Main Street Ventura, CA 93001 805-643-8300 http://www.artadvice.com TAG, THE ARTISTS' GALLERY 2525 Michigan Ave., #D-3 Santa Monica, CA 90404 (310) 829-9556 http://www.TAGgallery.net Tues.-Sat., 11am-5pm TAKE MY PICTURE GARY LEONARD 860 S. Broadway @ 9th Los Angeles, CA 90014 213-622-2256 http://takemypicture.com TASENDE GALLERY 820 Prospect St. La Jolla, CA 92037 (858) 454-3691 www.tasendegallery.com Tues.-Fri., 10am-6pm; Sat., 11am-5pm;
ART GALLERIES & MUSEUMS TAYLOR DE CORDOBA 2660 S. La Cienega Blvd Los Angeles, CA 90034 (310) 559-9156 http://www.taylordecordoba.com TELIC ARTS EXCHANGE 972B Chung King Road LA, CA 90012 213-344-6137 ww.telic.info TEMPLE OF VISIONS 719 S. Spring St. Los Angeles CA 213-537-0139 http://templeofvisions.com TERRENCE ROGERS FINE ART 1231 Fifth St. Santa Monica, CA 90401 (310) 394-4999 http://www.trogart.com Thurs-Sat., 12-5; & by app't. TERRELL MOORE GALLERY 1221 S Hope Street LA CA 90015 (213) 744-1999 www.terrellmoore.net THE ART FORM STUDIO 716 North Figueroa St. (Chinatown) LA, CA 90012 213-613-1050 www.theartformstudio.com THE BREWERY ARTS COLONY 2100 N. Main St. at Avenue 21 Los Angeles, CA 90031 http://www.breweryart.com THE BOX 977 Chung King Road (Chinatown) LA, CA 90012 (213) 625-1747 www.theboxla.com THE CLAYHOUSE 2909 Santa Monica Blvd. (near Yale St.) Santa Monica, CA 90404 (310) 828-7071 THE COMPANY 946 Yale Street (Chinatown) LA, CA 90012 213-221-7082 THE FOLK TREE 217 S. Fair Oaks Ave Pasadena, CA 91105 (626) 795-8733 http://www.folktree.com Mon.-Weds., 11am-6pm; Thurs.-Sat., 10am-6pm; Sun., 12-5pm
THE GETTY CENTER 1200 Getty Center Dr Los Angeles, CA 90049 (310) 440-7300 http://www.getty.edu Tues.-Thurs., Sun., 10am-6pm; Fri., Sat., 10am-9pm 213-955-9091
TOBEY C. MOSS GALLERY 7321 Beverly Blvd Los Angeles, CA 90036 (323) 933-5523 http://www.tobeycmossgallery.com
THE GETTY VILLA 17985 Pacific Coast Highway Pacific Palisades, CA 90272 (310) 440-7300 http://www.getty.edu Thurs.-Mon., 10am-5pm; closed Tues. Weds. and major holidays THE HAMMER MUSUEM AT UCLA 10899 Wilshire Blvd. LA, CA 90024 310-443-7000 www.hammer.ucla.edu
TRACY PARK GALLERY The Malibu Country Mart 3835 Cross Creek Road Malibu, CA 90265 310-456-7505 http://www.tracyparkgallery.com
THE HIVE GALLERY 729 S. Sping St. Los Angeles, CA 90014 (213) 955-9051 http://hivegallery.com THE LOFT AT LIZ'S 453 S. La Brea Ave. (Enter through back alley) Los Angeles, CA 90036 323-939-4403 www.theloftatlizs.com
TRIGG ISON FINE ART 511 N. Robertson Blvd Los Angeles, CA 90069 (310) 274-8047 http://www.triggison.com
THE PERFECT EXPOSURE GALLERY 3519 West 6th St. Los Angeles, CA 90020 (213) 381-1137 http://theperfectexposuregallery.com
THOMAS SOLOMON GALLERY 410 Cottage Home St. (Chinatown) LA, CA 90012 310-428-2964 www.thomassolomongallery.com TINLARK GALLERY 6671 Sunset Blvd., #1516 Hollywood, CA 90028 (323) 463-0039 http://www.tinlark.com Web fabrikmagazine.com
TORRANCE ART MUSEUM 3320 Civic Center Dr Torrance, CA 90503 (310) 618-6340 http://www.torranceartmuseum.com Tues.-Sat., 12-6pm TRACK 16 GALLERY 2525 Michigan Ave., Building C-1 Santa Monica, CA 90404 (310) 264-4678 http://www.track16.com Tues.-Sat., 11am-6pm
THE HAPPY LION 963 Chung King Road (Chinatown) LA, CA 90012 (213) 625-1360 www.thehappylion.com
THINKSPACE ART GALLERY 6009 Washington Blvd. Culver City, CA 90232 310.558.3375 www.thinkspacegallery.com Thurs.-Sun., 1-6pm
TOPANGA CANYON GALLERY 120 N. Topanga Canyon Blvd., Suite 109 Topanga, CA 90290 (310) 455-7909 http://www.topangacanyongallery.com Tues.-Sun., 10am-6pm
TROPICO DE NOPAL GALLERY 1665 Beverly Blvd. Los Angeles, CA 90026 (213) 481-8112 http://www.tropicodenopal.com UCR/CALIFORNIA MUSEUM OF PHOTOGRAPHY 3824 Main St Riverside, CA 92501 (951) 784-FOTO http://www.cmp.ucr.edu Tues.-Sat., 12-5pm USC FISHER GALLERY 823 Exposition Blvd Los Angeles, CA 90089 (213) 740-4561 http://fishergallery.org Tues.-Sat. 12-5pm
ART GALLERIES & MUSEUMS VINCENT PRICE ART MUSEUM EAST LOS ANGELES COLLEGE 1301 Avenida Cesar Chavez Monterey Park, CA 91754 (323) 265-8841 http://elac.edu/collegeservices/ vincentprice/ Mon.-Weds., Sat., 12-4pm; Thurs., 12-7pm VIVA (VALLEY INSTITUTE OF VISUAL ART) 13261 Moorpark St., Sherman Oaks, CA 91423 (818) 385-0080 Weds.-Fri., 11am-4pm; Satu., 12-4pm VOILA! ART FOR THE MODERN EYE 518 N. La Brea Ave. Los Angeles, CA 90036 323-954-0418 www.voilagallery.com WAL ART 1639 S. La Cienega Los Angeles, CA 90035 310-274-9055 www.walartinc.com WALTER MACIEL GALLERY 2642 S. La Cienega Blvd. LA, CA 90034 310-839-1840 www.waltermacielgallery.com
WATTS TOWERS ART CENTER NOAH SYLVESTER PURIFOY GALLERY 1727 E. 107th St Los Angeles, CA 90002 (213) 847-4646 Weds.-Sun., 10am-4pm
WILLIAM TURNER GALLERY 2525 Michigan Ave. E-1 Santa Monica, CA 90404 (310) 453-0909 http://www.williamturnergallery.com Mon.-Sat.,11am-6pm
WESTERN PROJECT 2762 S. La Cienega Los Angeles, CA 90034 (310) 838-0609 http://western-project.com
WONDERLAND GALLERY 1257 North La Brea Ave West Hollywood, CA 90038 323-645-6920
WHITTIER MUSEUM 6755 Newlin Ave Whittier, CA 90601 (310) 945-3871 WILIAM GRIFFIN GALLERY 2902 Nebraska Ave Santa Monica, CA 90404 (310) 586-6886 http://www.griffinla.com Tues.-Sat., 10am-6pm; & by app't. WILLIAM A. KARGES FINE ART 427 Canon Dr., Suite 101 Beverly Hills, CA 90210 (310) 276-8551 http://www.kargesfineart.com Mon.-Sat., 10am-5pm
WONDERFUL WORLD ART GALLERY 9517 Culver Boulevard Culver City, CA 90232 310.836.4992 www.wwagallery.com XIEM CLAY CENTER AND GALLERY 1563 N. Lake Ave. Pasadena, CA 91104 (626) 794-5833 http://www.xiemclaycenter.com YOUNG ART GALLERY The Women's building 1727 North Spring St. Los Angeles, CA 90012 (323) 226-1230 http://www.youngartgallery.com By appt. only
WATTS TOWERS • SIMON RODIA’S TOWERS, LOS ANGELES, CA, 1967. ©J. PAUL GETTY TRUST.
PACIFIC STANDARD TIME GUIDE
PACIFIC STANDARD TIME GUIDE 18TH STREET ARTS CENTER Collaboration Labs: Southern California Artists and the Artists Space Movement 09/24/2011 - 12/17/2011 1639 18th Street Santa Monica, CA 90404 (310) 453-3711 http://18thstreet.org/ A+D ARCHITECTURE AND DESIGN MUSEUM Eames Designs: The Guest-Host Relationship 10/01/2011 - 01/16/2012 6032 Wilshire Blvd. Los Angeles, CA 90036 (323) 932-9393 http://www.aplusd.org/ AMERICAN MUSEUM OF CERAMIC ART (AMOCA) Common Ground: Ceramics in Southern California 1945-1975 11/12/2011 - 03/31/2012 340 South Garey Ave. Pomona, CA 91766 (909) 865-3146 http://www.ceramicmuseum.org/ ARMORY CENTER FOR THE ARTS Speaking in Tongues: The Art of Wallace Berman and Robert Heinecken 10/01/2011 - 01/22/2012 145 North Raymond Avenue Pasadena, CA 91103 (626) 792-5101 http://www.armoryarts.org/ AUTRY NATIONAL CENTER (WITH UCLA CHICANO STUDIES RESEARCH CENTER) Art Along the Hyphen: The MexicanAmerican Generation 10/14/2011 - 01/08/2012 4700 Western Heritage Way Los Angeles, CA 90027 (323) 667-2000 http://theautry.org/ CALIFORNIA AFRICAN AMERICAN MUSEUM (CAAM) Places of Validation, Art, and Progression 09/29/2011 - 04/12/2012 600 State Drive Los Angeles, CA 90037 (213) 744-7432 http://www.caamuseum.org/
CALIFORNIA INSTITUTE OF THE ARTS (CALARTS) / REDCAT The Experimental Impulse 11/18/2011 - 01/15/2012 631 West 2nd Street Los Angeles, CA 90012 (213) 237-2800 http://www.redcat.org/ CALIFORNIA MUSEUM OF PHOTOGRAPHY, UNIVERSITY OF CALIFORNIA, RIVERSIDE Seismic Shift: Lewis Baltz, Joe Deal and California Landscape Photography, 1944 - 1984 10/01/2011 - 12/31/2011 3824 Main Street Riverside, CA 92501 (951) 827-4787 http://www.cmp.ucr.edu/ CALIFORNIA STATE UNIVERSITY NORTHRIDGE ART GALLERIES (WITH THE INSTITUTE FOR ARTS AND MEDIA) Identity and Affirmation: Post War African-American Photography 10/23/2011 - 12/10/2011 18111 Nordhoff Street Northridge, CA 91330 (818) 677-2226 http://www.csun.edu/artgalleries/ CHAPMAN UNIVERSITY, GUGGENHEIM GALLERY Everymanâ€™s Infinite Art 11/28/2011 - 01/14/2012 One University Drive Orange, CA 92866 (714) 997-6815 http://www.chapman.edu/art/guggenheim.asp
CRAFT AND FOLK ART MUSEUM (CAFAM), (WITH CRAFT IN AMERICA) The Golden State of Craft: California 1960 - 1985 09/25/2011 - 01/08/2012 5814 Wilshire Boulevard Los Angeles, CA 90036 (323) 937-4230 http://www.cafam.org/ CROSSROADS SCHOOL, SAM FRANCIS GALLERY She Accepts the Proposition: Six Women Gallerists and the Redefinition of Art in Los Angeles, 1967-1977 10/01/2011 - 11/23/2011 1714 21st Street Santa Monica, CA 90404 (310)-829-7391 http://www.xrds.org/samfrancisgallery EAMES HOUSE FOUNDATION Indoor Ecologies: The Evolution of the Eames House Living Room 10/01/2011 - 04/30/2012 203 Chautauqua Blvd. Pacific Palisades, CA 90272 (310) 459-9663 http://eamesfoundation.org/ FISHER MUSEUM OF ART, UNIVERSITY OF SOUTHERN CALIFORNIA Sight Specific: LACPS and the Politics of Community 01/11/2012 - 04/07/2012 823 Exposition Blvd Los Angeles, CA 90089 (213) 740-4561 http://fisher.usc.edu/
CHINESE AMERICAN MUSEUM Breaking Ground: Chinese American Architects in Los Angeles (1945-1980) 01/19/2012 - 06/03/2012 425 North Los Angeles Street Los Angeles, CA 90012 (213) 485-8567 http://www.camla.org/
FOWLER MUSEUM AT UCLA (WITH UCLA CHICANO STUDIES RESEARCH CENTER) Mapping Another L.A.: The Chicano Art Movement 10/16/2011 - 02/26/2012 308 Charles E. Young Drive North Los Angeles, CA 90095 (310) 825-4361 http://www.fowler.ucla.edu/
CRAFT AND FOLK ART MUSEUM The Alchemy of June Schwarcz: Enamel Vessels from the Forrest L. Merrill Collection 09/25/2011 - 01/08/2012 5814 Wilshire Boulevard Los Angeles, CA 90036 (323) 937-4230 http://www.cafam.org/
FOWLER MUSEUM AT UCLA (WITH UCLA CHICANO STUDIES RESEARCH CENTER) Icons of the Invisible: Oscar Castillo 09/25/2011 - 02/26/2012 308 Charles E. Young Drive North Los Angeles, CA 90095 (310) 825-4361 http://www.fowler.ucla.edu/
PACIFIC STANDARD TIME GUIDE GEORGE BILLIS GALLERY LA Maddy LeMel’s exhibition Suspended States, in conjunction with Pacific Standard Time Opening Reception for the Artist, Saturday, November 19, 2011, 5-8pm The show runs through January 2 (Dec. 24-Jan. 2 by appointment only, call the gallery at 310-838-3685). 11/19/2011 - 01/02/2012 2716 S. La Cienega Blvd. Los Angeles, CA 90034 (310) 838-3685 www.georgebillis.com/galleryLA.html http://www.maddylemel.com J. PAUL GETTY MUSEUM From Start to Finish: De Wain Valentine’s Gray Column 09/13/2011 - 03/11/2012 1200 Getty Center Drive Los Angeles, CA 90049 (310) 440-7300 www.getty.edu/pacificstandardtime/ J. PAUL GETTY MUSEUM In Focus: Los Angeles, 1945-1980 12/20/2011 - 05/06/2012 1200 Getty Center Drive Los Angeles, CA 90049 (310) 440-7300 www.getty.edu/pacificstandardtime/ J. PAUL GETTY MUSEUM Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture 19501970 10/01/2011 - 02/05/2012 1200 Getty Center Drive Los Angeles, CA 90049 (310) 440-7300 www.getty.edu/pacificstandardtime/ THE GETTY RESEARCH INSTITUTE Greetings from L.A.: Artists and Publics 1945-1980 10/01/2011 - 02/05/2012 1200 Getty Center Drive Los Angeles, CA 90049 (310) 440-7300 www.getty.edu/pacificstandardtime/ THE GRAMMY MUSEUM Trouble In Paradise: Music and Los Angeles 1945-1975 02/15/2012 - 04/30/2012 800 W. Olympic Blvd. Los Angeles, CA 90015 (213) 765-6800 http://grammymuseum.org/
HAMMER MUSEUM, UCLA Now Dig This! Art and Black Los Angeles 1960-1980 10/02/2011 - 01/08/2012 10899 Wilshire Blvd. Los Angeles, CA 90024 (310) 443-7000 http://hammer.ucla.edu/
LONG BEACH MUSEUM OF ART (LBMA) Exchange and Evolution: World Wide Video Long Beach 1974-1999 10/07/2011 - 02/12/2012 2300 East Ocean Boulevard Long Beach, CA 90803-2442 (562) 439-2119 http://www.lbma.org/
HUNTINGTON LIBRARY, ART COLLECTIONS, AND BOTANICAL GARDENS The House That Sam Built: Sam Maloof and Art in the Pomona Valley, 19451985 09/24/2011 - 01/30/2012 1151 Oxford Road San Marino, CA 91108 (626) 405-2100 http://www.huntington.org/
LOS ANGELES CONTEMPORARY EXHIBITIONS (LACE) Los Angeles Goes Live: Performance Art in Southern California 1970-1983 09/27/2011 - 01/29/2012 6522 Hollywood Boulevard Los Angeles, CA 90028 (323) 957-1777 http://www.welcometolace.org/
JAPANESE AMERICAN NATIONAL MUSEUM Drawing the Line: Japanese American Art, Design and Activism in Post-War Los Angeles 10/08/2011 - 02/19/2012 369 E 1st Street Los Angeles, CA 90012 (213) 625-0414 http://www.janm.org/ LA><ART John Outterbridge 09/10/2011 - 10/22/2011 2640 S. La Cienega Blvd. Los Angeles, CA 90034 (310) 559-0166 http://www.laxart.org/ LAGUNA ART MUSEUM Best Kept Secret: UCI and the Development of Contemporary Art in Southern California, 1964-1971 10/30/2011 - 01/22/2012 307 Cliff Drive Laguna Beach, CA 92651 (949) 494-8971 http://lagunaartmuseum.org/ LAND (LOS ANGELES NOMADIC DIVISION) Perpetual Conceptual: Echoes of Eugenia Butler 01/06/2012 - 03/04/2012 8033 Sunset Blvd., #455 Los Angeles, CA 90046 (646) 620-8289 http://www.nomadicdivision.org/
LOS ANGELES COUNTY MUSEUM OF ART (LACMA) Asco: Elite of the Obscure, A Retrospective, 1972-1987 09/04/2011 - 12/04/2011 5905 Wilshire Boulevard Los Angeles, CA 90036 (323) 857-6000 http://www.lacma.org/ LOS ANGELES COUNTY MUSEUM OF ART (LACMA) California Design, 1930-1965: ‘Living in a Modern Way’ 10/01/2011 - 03/25/2012 5905 Wilshire Boulevard Los Angeles, CA 90036 (323) 857-6000 http://www.lacma.org/ LOS ANGELES COUNTY MUSEUM OF ART (LACMA) Kienholz: Five Car Stud 1969-1972, Revisited 09/04/2011 - 01/15/2012 5905 Wilshire Boulevard Los Angeles, CA 90036 (323) 857-6000 http://www.lacma.org/ LOS ANGELES COUNTY MUSEUM OF ART (LACMA) Maria Nordman Filmroom: Smoke 1967 – Present 09/04/2011 - 01/15/2012 5905 Wilshire Boulevard Los Angeles, CA 90036 (323) 857-6000 http://www.lacma.org/
PACIFIC STANDARD TIME GUIDE LOS ANGELES COUNTY MUSEUM OF ART (LACMA), (WITH UCLA CHICANO STUDIES RESEARCH CENTER) Mural Remix: Sandra de la Loza 10/15/2011 - 01/22/2012 5905 Wilshire Boulevard Los Angeles, CA 90036 (323) 857-6000 http://www.lacma.org/ LOS ANGELES FILMFORUM Alternative Projections: Experimental Film in Los Angeles 1945-1980 10/09/2011 - 05/12/2012 Various locations throughout LA http://www.lafilmforum.org LOS ANGELES MUNICIPAL ART GALLERY (WITH CITY OF LOS ANGELES DEPARTMENT OF CULTURAL AFFAIRS) Civic Virtue: The Impact of the Los Angeles Municipal Art Gallery and the Watts Towers Arts Center 12/15/2011 - 02/12/2012 4800 Hollywood Boulevard Los Angeles, CA 90027 (323) 644-6269 www.ci.la.ca.us/cad/lamag/Home.html MAK CENTER FOR ART & ARCHITECTURE AT THE SCHINDLER HOUSE Sympathetic Seeing: Esther McCoy and the Heart of American Modernist Architecture and Design 09/28/2011 - 01/08/2012 835 North Kings Road West Hollywood, CA 90069 (323) 651-1510 http://www.makcenter.org/ SAM AND ALFREDA MALOOF FOUNDATION FOR ARTS AND CRAFTS In Words and Wood: Sam Maloof, Bob Stocksdale, and Ed Moulthrop 10/01/2011 - 01/28/2012 5131 Carnelian Street Alta Loma, CA 91701 (909) 980-0412 http://www.malooffoundation.org/ MINGEI INTERNATIONAL MUSEUM, SAN DIEGO San Diego, California San Diego’s Craft Revolution – From Post-War Modern to California Design 10/16/2011 - 04/15/2012 1439 El Prado San Diego, CA 92101 (619) 239-0003 http://www.mingei.org/ 108
MUSEUM OF CONTEMPORARY ART (MOCA) / THE GEFFEN CONTEMPORARY Under the Big Black Sun: California Art 1974-1981 10/02/2011 - 02/13/2012 152 North Central Avenue Los Angeles, CA 90013 (213) 626-6222 http://www.moca.org/
ONE NATIONAL GAY AND LESBIAN ARCHIVES Cruising the Archive: Queer Art and Culture in Los Angeles,1945-1980: Wink Wink 10/01/2011 - 04/01/2012 626 N. Robertson Blvd. West Hollywood, CA 90069 (213) 741-0094 http://www.onearchives.org/
MUSEUM OF CONTEMPORARY ART (MOCA) Naked Hollywood: Weegee in Los Angeles 11/13/2011 - 02/27/2012 250 South Grand Avenue Los Angeles, CA 90012 (213) 626-6222 http://www.moca.org/
ONE NATIONAL GAY AND LESBIAN ARCHIVES Cruising the Archive: Queer Art and Culture in Los Angeles,1945-1980: Rare Looks 10/01/2011 - 05/31/2012 909 West Adams Blvd. Los Angeles, CA 90007 (213) 741-0094 http://www.onearchives.org/
MUSEUM OF CONTEMPORARY ART SAN DIEGO (MCASD) Phenomenal: California Light, Space, Surface 09/25/2011 - 01/22/2012 1100 Kettner Boulevard San Diego, CA 92101 (858) 454-3541 http://www.mcasd.org/index.php MUSEUM OF LATIN AMERICAN ART (MOLAA) MEX/LA: ‘Mexican’ Modernism(s) in Los Angeles 1930-1985 09/18/2011 - 01/29/2012 628 Alamitos Ave. Long Beach, CA 90802 (562) 437-1689 http://www.molaa.com/ NATURAL HISTORY MUSEUM OF LOS ANGELES COUNTY Artistic Evolution: Southern California Artists at the Natural History Museum of Los Angeles County, 1945-1963 10/02/2011 - 01/15/2012 900 Exposition Boulevard Los Angeles, CA 90007 (213) 763-3466 http://www.nhm.org/site/ NORTON SIMON MUSEUM OF ART Proof: The Rise of Printmaking in Southern California 10/01/2011 - 04/02/2012 411 West Colorado Boulevard Pasadena, CA 91103 (626) 449-6840 http://www.nortonsimon.org/ Twitter twitter.com/fabrikmag
ORANGE COUNTY MUSEUM OF ART (WITH UNIVERSITY OF CALIFORNIA BERKELEY ART MUSEUM AND PACIFIC FILM ARCHIVE) State of Mind: New California Art Circa 1970 10/09/2011 - 01/22/2012 850 San Clemente Drive Newport Beach, CA 92660 (949) 759-1122 http://www.ocma.net/ OTIS COLLEGE OF ART AND DESIGN, BEN MALTZ GALLERY Doin’ It in Public: Feminism and Art at the Woman’s Building 10/01/2011 - 01/28/2012 9045 Lincoln Blvd. Los Angeles, CA 90045 (310) 665-6905 http://www.otis.edu/public_programs/ben_maltz_gallery/womansbuilding.html PACIFIC ASIA MUSEUM 46 N. Los Robles: A History of the Pasadena Art Museum 11/18/2011 - 04/08/2012 46 North Los Robles Avenue Pasadena, CA 91101 (626) 449-2742 http://www.pacificasiamuseum.org/
PACIFIC STANDARD TIME GUIDE PALM SPRINGS ART MUSEUM Backyard Oasis: The Swimming Pool in Southern California Photography, 1945 - 1982 01/21/2012 - 05/27/2012 101 North Museum Drive Palm Springs, CA 92262 (760) 322-4800 http://www.psmuseum.org/index.php
SANTA MONICA MUSEUM OF ART Beatrice Wood: Career WomanDrawings, Paintings, Vessels and Objects 09/10/2011 - 03/03/2012 2525 Michigan Avenue Santa Monica, CA 90404 (310) 586-6488 http://smmoa.org/
PASADENA MUSEUM OF CALIFORNIA ART L.A. Raw: Abject Expressionism in Los Angeles, 1945-1980, From Rico Lebrun to Paul McCarthy 01/22/2012 - 05/20/2012 490 East Union Street Pasadena, CA 91101 (626) 568-3665 http://www.pmcaonline.org/
SCRIPPS COLLEGE, RUTH CHANDLER WILLIAMSON GALLERY Clay’s Tectonic Shift: John Mason, Ken Price and Peter Voulkos, 1956-1968 01/21/2012 - 04/08/2012 1030 Columbia Avenue Claremont, CA 91711 (909) 621-8000 http://www.scrippscollege.edu/william son-gallery/
POMONA COLLEGE MUSEUM OF ART It Happened at Pomona: Art at the Edge of Los Angeles, 1969-1973, Part 1: Hal Glicksman at Pomona 08/30/2011 - 11/06/2011 333 North College Avenue Claremont, CA 91711 (909) 621-8283 http://www.pomona.edu/museum/
UCLA FILM & TELEVISION ARCHIVE L.A. Rebellion: Creating a New Black Cinema 10/07/2011 - 12/17/2011 102 East Melnitz Hall Los Angeles, CA 90095 (310) 206-8013 http://www.cinema.ucla.edu/
POMONA COLLEGE MUSEUM OF ART It Happened at Pomona: Art at the Edge of Los Angeles, 1969-1973, Part 2: Helene Winer at Pomona 12/03/2011 - 02/19/2012 333 North College Avenue Claremont, CA 91711 (909) 621-8283 http://www.pomona.edu/museum/ POMONA COLLEGE MUSEUM OF ART It Happened at Pomona: Art at the Edge of Los Angeles, 1969-1973, Part 3: At Pomona 03/10/2012 - 05/13/2012 333 North College Avenue Claremont, CA 91711 (909) 621-8283 http://www.pomona.edu/museum/ SANTA BARBARA MUSEUM OF ART Pasadena to Santa Barbara: A Selected History of Art in Southern California 1951-1969 02/11/2012 - 05/06/2012 1130 State Street Santa Barbara, CA 93101 (805) 963-4364 http://www.sbmuseart.org/
UNIVERSITY ART GALLERY, UNIVERSITY OF CALIFORNIA, IRVINE Custom Carucha: A Solo Project by Gilbert Magu Luján 01/12/2012 - 03/11/2012 712 Arts Plaza Irvine, CA 92697 (949) 824-9854 http://studioart.arts.uci.edu/gallery/in dex.html UNIVERSITY ART GALLERY, UNIVERSITY OF CALIFORNIA, IRVINE The Radicalization of a ‘50s housewife: A Solo Project by Barbara T. Smith 10/06/2011 - 12/03/2011 712 Arts Plaza Irvine, CA 92697 (949) 824-9854 http://studioart.arts.uci.edu/gallery/in dex.html
UNIVERSITY ART MUSEUM, CALIFORNIA STATE UNIVERSITY, LONG BEACH (CSULB) (WITH THE CENTER FOR THE STUDY OF POLITICAL GRAPHICS) (WITH THE CENTER FOR THE STUDY OF POLITICAL GRAPHICS) Peace Press Graphics 1967-1987: Art in the Pursuit of Social Change 09/10/2011 - 12/11/2011 1250 Bellflower Boulevard Long Beach, CA 90840 (562) 985-5761 http://www.csulb.edu/org/uam/ UNIVERSITY ART MUSEUM, UNIVERSITY OF CALIFORNIA, SANTA BARBARA Carefree California: Cliff May and the Romance of the Ranch 02/26/2012 - 06/30/2012 UC Santa Barbara Santa Barbara, CA 93106 (805) 893-2951 http://www.uam.ucsb.edu/ VINCENT PRICE ART MUSEUM, EAST LOS ANGELES COLLEGE ‘Round the Clock: Chinese American Artists Working in Los Angeles 01/21/2012 - 04/21/2012 1301 Avenida Cesar Chavez Monterey Park, CA 91754 (323) 265-8841 http://vincentpriceartmuseum.org/ FREDERICK R. WEISMAN MUSEUM OF ART, PEPPERDINE UNIVERSITY California Art: Selections from the Frederick R. Weisman Art Foundation 08/27/2011 - 12/04/2011 24255 Pacific Coast Highway Malibu, CA 90263 (310) 506-4522 http://arts.pepperdine.edu/ WATTS TOWERS ARTS CENTER (WTAC), NOAH PURIFOY GALLERY (WITH CITY OF LOS ANGELES DEPARTMENT OF CULTURAL AFFAIRS) Civic Virtue: the Impact of the Los Angeles Municipal Art Gallery and the Watts Towers Art Center 12/17/2011 - 02/12/2012 1727 East 107th Street Los Angeles, CA 90002 (213) 847-4646 http://www.wattstowers.org/
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This issue of Fabrik covers the opening of The Getty's Pacific Standard Time initiative, three art Fairs (PULSE, Art Platform-Los Angeles an...
Published on Sep 23, 2011
This issue of Fabrik covers the opening of The Getty's Pacific Standard Time initiative, three art Fairs (PULSE, Art Platform-Los Angeles an...