F8Magazine #1 January - 2011

Page 13

Portfolio

In this story, the photographer was also the boyfriend. When I had to return to my job during the weekdays, it was always a sad moment

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Chris Case

Hi Chris. Tell us a little bit about yourself. I was born in Connecticut and grew up along the New England coast. I received a degree in neuroscience and worked for a number of years as a researcher in that field, first with patients with schizophrenia and then, literally, slicing monkey brains in a study of Parkinson’s disease. It was in that basement laboratory, under fluorescent lights, slicing frozen monkey brains eight hours a day, that I decided to pursue photography. It was not a terribly difficult choice. Of course, it has been a bit more difficult to succeed as a photographer than it was to take that first step and apply to graduate school for photography.

our life together. I had only known her for eight weeks, and we spent the next four years together. The camera became a part of both of our lives, as much a method for dealing with the circumstances as it was a tool for documenting our shared experience; I documented as many intimate moments as I could. (FUNNY-BLOODLove-and-Leukemia) It wasn’t until later that I discovered Eugene Richards’ work “Exploding Into Life.” Still, time spent slicing brains ultimately led me to seek a degree in the field. That’s how I ended up at the University of Texas at Austin for their master’s program in photojournalism. There, I became devoted to environmental issues, particularly >

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It was in that basement laboratory, under fluorescent lights, slicing frozen monkey brains eight hours a day, that I decided to pursue photography. It was not a terribly difficult choice

What or who got you started in photography? Is there any formal training in your background? I’m not entirely sure what my initial attachment to photography was. In college I was interested in art and photography, as a way to balance my life while studying neuroscience. I ended up with a second degree in art and art history, of which two photography classes were a requirement. The professor I had for that initial photography class would become a great mentor, friend, and influence on my work. But, most important to my development as a visual storyteller, and the most influential and lifechanging work I’ve been a part of came from one of my first “projects.” While I was still working in the neuroscience field, I was in a relationship with someone who was diagnosed with leukemia. I immediately started documenting her life, treatment, and recovery, and Instead of the then-standard bone marrow transplant, Karin received an experimental stem-cell transplant--and a new life

#1

JANUARY 2011


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