Riverfront Times - November 11, 2015

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NOVEMBER 11–17, 2015 I VOLUME 39 I NUMBER 45

The Nerd Who Took Off His Clothes

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It’s not just women performing burlesque. Meet Bryce Bordello — and the fine art of boylesque. by Carlos Restrepo


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To listen to a complete performance playlist


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“I like space travel, I like to write, I like watching science-fiction movies. I’m into clown-sex-making. I like surgery and stitch work. Put that all down. They’ll think I’m completely nuts, but I don’t care.” –WALTER EMANUEL GORG III AKA “SCRUFFY”, JUGGLING AT THE CORNER OF CHEROKEE AND CALIFORNIA ON NOVEMBER 7.

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TABLE OF CONTENTS FEATURE

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The Nerd Who Took Off His Clothes It’s not just women performing burlesque. Meet Bryce Bordello — and the fine art of boylesque. Written by

CARLOS RESTREPO Cover by

STEVE TRUESDELL

NEWS

CULTURE

DINING

MUSIC

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23

33

45

The Lede

Calendar

Your friend or neighbor, captured on camera

Seven days worth of great stuff to see and do

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A Man with a Plan

A veteran with an idea for a food truck, only weapons

Return of the SLIFF

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Spy Hard

Food News

A Hitchcock classic becomes a madcap caper

Doughocracy opens in the Delmar Loop

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First Look

The Brain Electric charts the disappearing border between mind and machine

Brickyard Tavern replaces Absolutli Goosed on South Grand

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Dining Guide

Galleries

Art on display in St. Louis this week

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Chef Chat

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Head Games

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How Restituo’s Nicole Mccormack found her calling

Picasso on Your iPhone tech, is straight out of St. Louis

Cheryl Baehr checks out that ranch-dressing-themed restaurant everyone’s talking about

A closer look at four of the St. Louis International Film Festival’s offerings this week

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Pikazo, the next big thing in

Dude, Ranch!

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Where to eat right now in the Gateway City

Bound and Determined

Kevin Gordon’s uniquely restless creativity knows no limits

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Perpetual Motion

Austin’s Mike and the Moonpies keep pushing

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Homespun

Obviously Offbeat: Sound Sketches

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Out Every Night

The best concerts in St. Louis every night of the week

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This Just In

This week’s new concert announcements


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NEWS

A Man with a Plan for Gun Storage Downtown

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n the weeks following the September 28 shooting outside Busch Stadium that left a veteran paralyzed, St. Louis residents and officials found themselves grappling with tragically familiar questions about their city’s safety. Many wondered about the factors behind the spike in violent crime. Others pondered strategies to stop the bloodshed. But one proposed solution attracted immediate attention. After learning of the Busch Stadium shooting, Tim Fitch, former police chief of the St. Louis County Police Department, tweeted a suggestion for a “business start-up idea” inspired by food trucks. For Fitch, the business model that brings tacos to outdoor events seems uniquely suited to bringing “gun-check trucks” to stadiums and other gun-free venues. The trucks would allow gun owners to deposit their weapons at the entrance to a stadium. After the game, as Fitch told KMOX’s Charlie Brennan, they could retrieve their guns, allowing them to carry them for protection while walking back and forth to their vehicles. As it turns out, Fitch wasn’t the only person thinking along those lines. Justin Hulsey, a 32-year-old veteran who works at a lighting supply warehouse, had also watched news coverage of the shooting. He too wondered if the spread of violence downtown could be abated by helping lawfully armed citizens store their guns near sporting venues or other businesses. “The idea just came to me. I had no idea who Tim Fitch was,” says Hulsey, who upon completing a sixyear stint with the National Guard settled in Herculaneum last year. “I went about it as a logistics problem: How can we do this?” Hulsey says he bounced the idea off a few of his fellow veterans, Continued on pg 12

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Justin Hulsey has a plan to keep sports fans safe — even as sporting venues remain gun-free zones. | Nata Lia

Born on Cherokee, Pikazo Could Take Over the Internet

H

ow would your dog look if he were painted by Picasso? Pikazo, a new app invented in the basement of a Cherokee Street coworking space, has cracked the code of how to answer that question — and can spit out a charming version of your favorite snapshot as if it were painted by the Spaniard himself in not much longer than it takes to choose a filter on Instagram. If the beta version is any indication, this thing is going to be huge. And that’s because Picasso is only the starting point. Take the same snapshot and pair it with The Kiss, by Gustav Klimt. Pikazo can do that, too. You can even pair your dog’s photo with a photo of a tree, or a fireplace, or bacon. Any two images that go into the app can come out as a fascinating mashup. Some of them even look like art.

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To answer what’s certain to be your next question, no, you can’t download Pikazo, not yet. But you don’t have long to wait. Karl Stiefvater, the app’s St. Louis-based inventor, says he hopes to make it available on iTunes by week’s end. In the meantime, a group of 300 people — most with some connection to Stiefvater or his business partner, Noah Rosenberg — are having a blast exploring the app and all its capabilities. The core of the technology is based on developments that came out of GooContinued on pg 12


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Guns Continued from pg 10

Pikazo Continued from pg 10

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With Weapon Safe Armory, Justin Hulsey wants to give Cardinals fans the ability to retrieve their guns after leaving the stadium. | Danny Wicentowski and he eventually settled on outfitting a truck with heavy armor and side ports. He also decided to staff his business with veterans. “There’s crime down here, so who’s working on that? I just want to address public safety and put veterans to work,” he says. “Is it going to be a long mission? Yeah. Is there going to be some kickback? Absolutely.” Indeed, there are challenges to tackle before Hulsey’s company, Weapon Safe Armory, can get rolling. While his partners work on upgrading the truck, Hulsey says he’s been calling up city, state and federal officials. Their instructions haven’t always been consistent. Nobody seems to know how the law will treat Hulsey’s business. “I want to work with the city, I want to work with the state. But if I keep getting resistance, where they’re tell me that they don’t know if I can do it or I can’t do it, then I’ll just have to keep going,” he says. Hulsey wants to officially launch the Weapon Safe Armory service by January. He’s also planning on splitting the company 12

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into a two sections: one to handle gun storage and one to handle other valuables such as laptops. The young entrepreneur even connected with Fitch by phone. The former police chief says he was impressed with Hulsey’s ambition and the work he’s already put in. “Most of the people I’ve spoken to want me to run the business for them, and I have no interest in that,” Fitch says. “Justin is a little different. Of all the people I’ve talked to about this idea, he’s certainly farther along than anyone else. He seems like he’s headed in the right direction.” The success or failure of Weapon Safe Aronry may come down to pricing and convenience, says Fitch. But if the kinks can be ironed out, he thinks the business could go nationwide. “If this takes off in St. Louis, I could see it expanding to other cities,” Fitch says. “I can’t find anybody else doing something like this, but St. Louis isn’t the only downtown that has a crime issue. I have to think there’s a need out there.” – DANNY WICENTOWSKI

gle in recent months — artificial neural networks that basically mimic the human eye. But it’s Stiefvater’s idea of how to apply them that may prove genius. Who doesn’t want a new toy for transforming their endless series of iPhone photos into something much, well, artsier? Even Pikazo’s inventor is a bit overwhelmed by its capabilities. “We don’t even totally understand how it works,” Stiefvater admits. “A big part of what makes it fun is that we have to experiment with it, and we’re learning as we go.” A St. Louis native who graduated from SLU High and Washington University before moving to California, Stiefvater knows what it’s like to hit the big time. He worked on Myst and Second Life; he got gigs working for the big Hollywood studios, and the code he wrote for Matrix 2 blew up Neo’s spaceship. When that guy got pushed into the pit in 300, well, “I built the pit,” he says. He adds, “My day job really has been to play with projects that I love. I was able to pick the fun jobs.” But this one, he admits, feels like something bigger — something with huge commercial prospects. Even that app that turns your profile pic into a cartoon, after all, starts at $5 an image. And unlike that one, Pikazo’s options are basically limitless. Already, even with that tightly controlled group of users, word is getting out. You can see the excitement build if you watch the #Pikazo hashtag on Twitter and Instagram. And while Stiefvater is not seeking venture capital (“I was in Silicon Valley; I have friends who are well-off”), he admits, “It’s interesting to see them calling.” “I normally get one phone call a week,” he says. “Today I got twenty.” Stiefvater moved back to St. Louis in 2011, and since January, he’s been based at Nebula on Cherokee Street. But while the coworking space is home to some tech startups, it isn’t a tech space by any means (Alderwoman Cara Spencer has her offices there; so does Kakao Chocolate). He likes being surrounded by creativity, not just programmers. “One of the things I really like about St. Louis is the City Museum,” he says. “That wouldn’t be possible in many other cities. In other places, the warehouses are in use — so someone couldn’t just co-opt one and turn it into a wonderland. Here, I’m able to build this fantasy world I wouldn’t have been able to build in the Bay Area.” And a pretty extraordinary app, too. – Sarah Fenske


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The Nerd Who Took Off His Clothes IT’S NOT JUST WOMEN PERFORMING BURLESQUE. MEET BRYCE BORDELLO — AND THE FINE ART OF BOYLESQUE BY C ARLOS RESTREPO

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ace Jones remembers the first time he appeared onstage wearing nothing but his underwear. Not only had he never previously been naked in front of a crowd, but he had never performed on a stage. Ever. He was skinny and bald — the latter by choice. At the suggestion of a hairstylist friend, Jones had decided that shaving his receding hairline was better than the bowl cut he sported as a redheaded kid, or the fauxhawk he tried in his twenties. He also stuttered, and he had been picked on in school. It left him with low self-confidence. Yet Jones, a forklift operator for an alcohol distributor, decided to take off his pants in front of an audience for a musical adaptation of the movie Natural Born Killers. “I had never been depended on in my life,” Jones says. “I had an average life. This was the first time in my life people wanted me to be the focus of something, and I didn’t want to let them down.” When his pants came down, a new Jace Jones was born. Today, under the stage name of Bryce Bordello, he seeks to inspire other men to get in to the art of male burlesque dancing — boylesque — in St. Louis.

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rowing up in Joliet, Illinois, a city 40 miles southwest of Chicago, Jones was a normal kid who liked the Cubs, playing baseball and collecting cards. His life turned upside-down when he was fourteen and his parents moved to the southern Illinois town of Jerseyville, population 8,000. When he says “Jerseyville,” a sigh follows. “It was your typical high school experience with the kid that gets picked on,” says Jones. “That kid was me. It was very subtle, but annoying. I didn’t really fit into any group. I was this city kid. That was a problem to some kids.” He was into comic books, but he was never an artist. He was into sports, but he was never a star athlete. He got bored. Continued on pg 16

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Jace Jones readies for a performance as Bryce Bordello. | Steve Truesdell

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Boylesque Continued from pg 15

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Jones in high school — “the kid that gets picked on,” he says. | Courtesy of Cookie Jones After high school Jones attempted college, but two years into studying computer science at Lewis and Clark Community College, he realized it was not for him. He wanted more out of life. Jones didn’t know where to find it, but he knew Jerseyville wasn’t the place. With the help of his sister and future brother-in-law who lived in west county, Jones moved to St. Louis. “There wasn’t really a plan,” says Jones, now 34. “I just wanted to get out. I needed to be in the city.”

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ones celebrated his thirtieth birthday at Just John Nightclub: “St. Louis’ Premier Gay and Lesbian Bar located in the heart of The Grove.” Jones is not gay. However, he credits St. Louis’ LGBT community for welcoming him and making him feel at home. “I hooked up with an old friend of mine who took me to a bar called Attitudes for the first time,” Jones

Download a walk today at www.cmt-stl.org, click on Ten Toe Express under programs. 16

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says. “I started meeting people and making new friends. This whole world had been right there the entire time, and I didn’t know of it.” Although rainbow flags and gayfriendly clubs are fixtures in the Grove, the mile-wide stretch of Manchester Road between Kingshighway and Vandeventer is home to an even broader eclectic community. On any given weekend night, blacks, Hispanics, whites, hipsters, cyclists, punks, burlesque performers, hippies, gays, straights, drag kings and queens, and any other number of others can be found walking (and stumbling) from club to club. The people he met — at Attitudes, and then at other bars in the neighborhood — expanded Jones’ universe. He made new friends. He even had a girlfriend, an old friend he reconnected with. She wanted to try burlesque. Jones paid for her classes. He loved seeing her perform. “She was Continued on pg 18


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Boylesque Continued from pg 16

Jones in character as his Comic-Kazi alter ego — before the transformation to stud. | Steve Truesdell so confident and happy,” Jones says. The relationship only lasted about a year, but Jones remained friends with her and several burlesque performers. He offered to help backstage, but never thought to get involved as a performer himself. “I never wanted to be looked on like that. I was still coming to terms with who I was, and the confidence wasn’t really there yet.” At one of those shows, Jones met Bam Bam Bambi, a doe-eyed performer who enchanted him with her self-assurance. “Her personality was everything I wanted to be,” Jones recalls. “She was confident yet sweet in the way she interacted with people.” Both his ex and Bambi encouraged Jones to get onstage. At first, it was only for a play; Jones’ ex connected him with his first show, an adaptation of Natural Born Killers, three years ago. It was Bambi who hooked him up for his second performance — a burlesque adaptation of the musical Chicago. “My ex unlocked the doors of burlesque for me,” Jones says. “Bambi kept them open.” In Natural Born Killers, Jones played Mickey Knox, a psycho18

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“It was outside the box — more risqué, more vulgar, and at times, more awkward. I never thought I would do something like that.” pathic killer who, along with his wife Mallory, goes on a murdering spree. During one of the scenes, the killer couple has wild sex after murdering someone — and that meant Jones was “90 percent naked,” he says. The play’s adaptation, produced by Tya King, relied more on comedy than its big-screen counterpart. “Still, it wasn’t for the faint of heart,” Jones says. “It was outside the box — more risqué, more vulgar, and at times, more awkward. I never thought I would do something like that.”


Jones as Bryce Bordello. | Carlos Restrepo About a month after Natural Born Killers, Bambi invited Jones to perform in Chicago. “It was a burlesque show, but I actually did not have to take off my clothes,” Jones recalls. “I had to dance while other performers undressed me during the ‘Cell Block Tango’ scene.” A career of getting naked onstage was born. “Apparently I did it well enough that other people wanted me to do it.”

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side from the corsets and makeup, modern burlesque is a far cry from the days of Paris’ Moulin Rouge, or the vaudeville performances of the 1920s. Although sensual dances and skits are still at its center, burlesque in St. Louis is less about seduction and more about being an all-inclusive affair, according to Charlotte Sumtimes, a St. Louis burlesque producer. In modern burlesque, Sumtimes explains, everyone is beautiful. “I have received letters from women thanking me because coming to these shows showed them that people of all sizes and all shapes can be beautiful — with the right attitude,” says Sumtimes.

“They tell me that the shows transformed them, and that is beautiful. My motto has always been: all shapes, all sizes, all sexes, all colors.” And burlesque shows are frequent occurrences in St. Louis. From the R Bar in the Grove to the Way Out Club on Jefferson Avenue and the new burlesque-focused Seven Zero Eight on Laclede’s Landing, business owners increasingly see burlesque as a way to bring in customers. Sumtimes has even developed a partnership with Rumors and Ice, a bar nearly an hour south of St. Louis in Crystal City. “Somehow, she brings all these people together and convinces them to strip,” Jones marvels. It was after meeting Sumtimes that Jones’ career as Bryce Bordello

Jace Jones. | Steve Truesdell exploded. “I was looking for some male talent for my show, The Last Saturday Strip [at R Bar], and I really wanted to see a man on that stage,” Sumtimes says. Sumtimes Continued on pg 20 riverfronttimes.com

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Boylesque Continued from pg 19

Onstage at the R Bar. | Steve Truesdell

“He has what I call an accessibility factor. When you have that accessibility, men love you and women love you.”

is always looking for new material — and performers. “She doesn’t stick to the basics,” Jones observes. “Every single performance is a variety show. Typically, for example, drag kings and queens do not perform burlesque, because their art is not in getting naked, but wearing clothes and makeup to maintain an illusion. Charlotte will get them to strip. I’ve seen circus performers, singers, dancers, fire throwers — all of them got naked for Charlotte.” And what could be more unusual than male burlesque? But for all of the variety in her shows, before “Wow. Holy crap. This is aweJace Jones became Bryce Bordello, some,” he thought. Sumtimes didn’t have any straight He adds, “I got onstage, and the men willing to strip, dance and crowd is going crazy. It was the learn the art. crowd that made me fell in love “Boylesque is not Chippendales,” with it. I become someone I had Sumtimes says. “A man has to sell never been.” more than sex on stage. He can“I think what the audience loves not be some jerk guy taking his about Bryce is that they can see clothes off. He has to charm the how much he loves to perform,” audience. He has to be confident Sumtimes says. “He is a sexy guy, House ==== of Fashion & Beauty++++ yet humble, and you have to be a but he is friendly. He is the kind of man who is willing to perform in guy who you think, ‘I’d love to have Website: www.domimorestore.com front of any type of audience, be it a beer with him.’ He has what I call Email: domimorestore@gmail.com gay, or straight, or both. an accessibility factor. When you For Customer Service call “A man like that is hard to come have that accessibility, men love 314-282-0135 for any questions or concerns. by.” you and women love you.” Even his mother has come to A few months after Jones’ first @domi more nude onstage appearances, he had watch Jones perform — a testa@domi more his first solo boylesque gig at the ment to his ability to make the aufacebook.com/domimorestore Gray Fox, where he did a hip-hop dience feel comfortable. “I never expected I would one breakdance routine. Showroom: 1925 Washington Ave St. St. Louis, MO 63103 day go to a burlesque show to see He was hooked. Hours: Tuesday - Saturday 11am-8pm / Sunday 12-5pm

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Comic-Kazi was Jones’ first show as producer, not just performer. | Steve Truesdell my boy strip,” Cookie Jones says. “But they weren’t stripping, they were teasing you; they are interacting with you. It was beautiful to see the artistic side. When I saw Jace having fun and getting all of this attention, I was very proud of him.”

J

ones only knows of a few other straight men who perform boylesque regularly in St. Louis. “A lot of them will get started, learn the dance, the moves, and then I don’t know what happens,” Jones says. “Maybe they just realize it was not for them.” Dick Nail-Em is one of the few who has stuck to boylesque. An engineering student who declines to give his real name, he is also under the tutelage of Sumtimes. “I’m a heavier guy, and I never thought in a million years I would do this,” Nail-Em says. Prior to finding boylesque, Nail-Em was having a rough time. His mom was battling diabetes, kidney failure and heart disease; his studies were stressful. “Burlesque saved me. It gave me purpose,” Nail-Em explains. “To be on a stage and in front of a crowd makes me happy. I’ve learned a lot about myself and have made so many friends in the last two years that I’ll always be happy for the chance that I got.” Both Jones and Nail-Em say they hope to inspire more men to give boylesque a try.

“In places like New York or Chicago, boylesque is much, much bigger,” Jones says. “In St. Louis, we are a rarity. It’s sad.” Jones still loves his Cubs, and still obsesses over comic books and sci-fi. From time to time, such as when he’s speaking too fast, a mild stutter develops. It all goes away when he is onstage. There, he says, “I am not the goofy nerd anymore. My voice drops a little bit. Bryce Bordello is everything I wanted to be when I was younger. He is that person in high school you kind of envy, because they were confident, suave, smooth.”

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n late September Sumtimes gave Jones the lead to produce his first show, Comic-Kazi — a ComicCon-style burlesque event at the R Bar. During its run, Jones was able to show off both his offstage persona and his boylesque alter ego. Before an audience brimming with Marvel and DC character costumes, Jones played “The Nerd.” He took the stage stumbling and stuttering, wearing glasses, and carrying a backpack full of his favorite comic magazines. This performance was an homage to all Jones was, and all he is, both under the red lights of the clubs and the dawn of his mornings as an average guy. His two worlds collided: He took off his clothes to reveal loose Superman shorts. The audience went wild. n

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CALENDAR

23

NOVEMBER 11—17

C O U R T E S Y C I N E M A S T. L O U I S

Joan Crawford and Lon Chaney in The Unknown, part of Cinema St. Louis' Tod Browning tribute.

THURSDAY 11/12 [FILM]

Sea Fog (Haemoo) South Korean director Joon-ho Bong is best known to American audiences for his monster movie The Host and his sci-fi thriller Snowpiercer. He returns to the real world with Sea Fog (Haemoo), a drama he cowrote and produced. Based on an actual incident, the film follows the crew of the commercial fishing boat Junjin as they enter the murky world of human trafficking because of dire financial straits. The Junjin is hired to bring migrant workers from China to Korea, but is stalled on the sea by a storm that eventually engulfs the ship in thick fog. The friction between the crew and the human cargo rises to a breaking point as they all float hopelessly on the sea. Sea Fog screens at 2:20 p.m. today at the Landmark Plaza Frontenac Cinema

(1701 South Lindbergh Boulevard, Frontenac; 314-995-6285 or www. cinemastlouis.org) as part of the St. Louis International Film Festival. Admission is $10 to $12.— Rob Levy

FRIDAY 11/13 [SOCCER]

Men’s National Soccer Team The 2018 World Cup is closer than you think; qualifying games are already being played. Today at 5:30 p.m. at Busch Stadium (Broadway and Poplar streets; www.stlcardinals.com), the United States Men’s National Soccer Team challenges St. Vincent and the Grenadines in one of those qualifying games. St. Vincent is an island nation in the eastern Caribbean Sea, if you’re wondering, and the small nation is ranked 129th on the FIFA table. The U.S. currently

sits at 33 on that same table, but with a string of losses against Costa Rica, Mexico and Brazil, the men’s team is in need of a win. The game is preceded by a host of fan-friendly activities including concerts and giveaways starting at 1:30 p.m. There will even be a soccer field set up on Locust Street between Eighth and Ninth streets. Pre-game festivities are free, and tickets for the game are $65 to $195. — Paul Friswold [FILM]

Tod Browning Tribute Film history is riddled with iconic director/actor pairings, but one of the earliest and most extraordinary collaborations was between director Tod Browning and actor Lon Chaney, who made ten films together between 1919 and 1929. Together the duo made the bizarre thriller The Unknown, in which former circus worker Brown-

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ing guided Chaney in the role of Alonzo the Armless, a sideshow performer who would go to any length to woo young Nanon (Joan Crawford), daughter of the circus owner. After Chaney passed away, Browning returned to the circus for another twisted love story in 1932’s Freaks, which starred actual sideshow veterans in the lead roles. Here it’s a beautiful trapeze artist who consents to marry Hans, a little person, for her own dubious reasons. Early test screenings were so horrifying that one woman threatened to sue the studio, claiming the film caused her to suffer a miscarriage. Even after 30 minutes were cut and a happy ending was added, the film was universally reviled, nearly ending Browning’s career. Tonight at 7:30 p.m. both The Unknown and Freaks will screen as part of Cinema St. Louis’ Tribute to Tod Browning at Webster University’s Moore Auditorium (470 East Lockwood Avenue; www.cinemastlouis.org ). Tickets are $15. — Mark Fischer Continued on pg 24

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The Randy Dandies present their Firefly Burlesque.

[ T H E AT E R ]

Rapture, Blister, Burn “Third wave feminism” implies a further honing of ideas refined and reconfigured once already. So, what’s changed, other than some of the language used? That elusive question — “What has changed for women since our grandmothers' day?” — is the core idea at work in Gina Gionfriddo’s play Rapture, Blister, Burn. Catherine is a feminist academic who regularly appears on TV as an expert on the cause. When she returns home to care for her mother, Caroline rekindles her relationship with her college friend, Gwen, a sister-in-arms who married and now has kids with Caroline's college flame, Don. Caroline is soon tormented by the idea that she could have been the one to start a family with Don — what did she miss out on? How would she feel if she knew Gwen has the same envy as she looks at Caroline’s life — could she be the queen of TV feminists? West End Players Guild presents the thought-provoking and funny Rapture, Blister, Burn at 8 p.m. Friday and Saturday and 2 p.m. Sunday (November 13 through 22) at the Union Avenue Christian Church (733 North Union Boulevard; 314-667-5686 or

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NOVEMBER 11-17, 2015

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www.westendplayers.org). Tickets are $20 to $25. — Paul Friswold

SATURDAY 11/14 [BURLESQUE]

The Randy Dandies The crew of the Serentitty is at a loss. Their show has been canceled, the ship is in bad shape and even Captain Mal is openly thinking about chucking it all. And then, someone offers the crew the chance they’ve been dreaming of: the sequel. But will the network that kicked them to the curb come back to stomp on their necks if they do it? The Randy Dandies close out their 2015 season with Serentitty 2: The Search for More Money. The burlesque crew that mixes puns with buns and quips with, ah, breasts mounts another scifi thriller inspired by the adventures of the cult TV show Firefly. Special guests include the band Browncoats, Indiana’s Wookie Cellist and Ami Amore, as well as several other surprises. The performance starts at 8:30 p.m. at the Ready Room (4195 Manchester Avenue; www.thereadyroom.com). Tickets are $15 to $20.

— Paul Friswold


by-seven-foot-platform — that’s how minimal we're talking. The actors create the sights and sounds of Metropolis in the year 2050, where Superman fights his old foe Lex Luthor. Superman 2050 is performed at 2 and 5 p.m. Saturday and 1 and 4 p.m. Sunday (November 14 and 15) at the Center of Creative Arts (524 Trinity Avenue, University City; 314-725-6555 or www.cocastl.org). The show is suitable for all ages, and tickets are $14 to $18.

— Mark Fischer

TUESDAY 11/17 [ T H E AT E R ]

The Saint Louis Old School Tattoo Expo welcomes you. | Theo Welling

[TATTOOS]

Old School Tattoo Expo With more than a decade of success behind it, the Saint Louis Old School Tattoo Expo is renowned for its friendly and intimate nature. Organizer and host Lyle Tuttle has kept the focus on the artists, which is only right. These are the men and women who run the shops and create the tattoos, and if they’re happy, the show will be that much more fun. You can get new work done at the convention — take your pick of the more than 80 tattoo artists who are scheduled to attend — or admire other people’s body art at the daily tattoo contests. This year’s expo takes place from 1 to 10 p.m. Friday, noon to 10 p.m. Saturday, and noon to 8 p.m. Sunday (November 13 through 15) at the Holiday Inn St. Louis Downtown hotel (811 North Ninth Street; www. old-school.com). Admission is $20 for a day pass or $50 for all three days.

the romantic fancy of the sun. The two are wed, but Surya soon suffers from the sun’s blazing heat and runs away. She attempts to change for her husband’s benefit, but it’s not enough, and the relationship seems doomed. Despondent, the sun approaches Surya’s father for advice and receives some tough love: Maybe the sun has to make some changes to himself before their love can fully blossom? Nartana Premachandra adapted the story into a dance piece called Incandescent, which Dances of India performs at 7 p.m. Friday and Saturday and at 3 p.m. Sunday (November 13 through 15) at the Skip Viragh Center for the Arts (425 South Lindbergh Boulevard; 314997-0911 or www.dancesofindiastlouis.org). The show is is in honor of Dr. Premachandra, Dances of India’s founder and Nartana’s father, who passed away last year. It is a loving tribute to the good advice fathers have shared for generations, even if we don’t always listen. Tickets are $15 to $20. — Paul Friswold

White Christmas The musical Irving Berlin’s White Christmas is based on the 1954 film White Christmas, which was itself loosely adapted from the 1942 movie Holiday Inn. While its origin is convoluted, the plot is fairly straightforward. Bob and Phil are army buddies who team up to become a successful song-and-dance team. The duo is currently working on expanding the act to a quartet by putting the moves on the beautiful Haynes Sisters, another set of singers. Those plans are only slightly altered when Bob and Phil learn that their former C.O., General Waverly, owns a failing Vermont inn. The boys convince the girls that together they can put on a show that will again drum up public interest in the inn. Will it work? Well, it is a Christmas story. Irving Berlin’s White Christmas is performed at 7:30 p.m. Tuesday through Friday, 2 and 7:30 p.m. Saturday and 1 p.m. Sunday (November 17 to 22) at the Fox Theatre (527 North Grand Boulevard; 314-534-1111 or www.fabulousfox.com). Tickets are $25 to $100. — Rob Levy

— Paul Friswold

[DANCE]

Dances of India: Incandescent Everybody wants to be loved, but not everybody can keep a relationship together. In the Indian myth of Surya, even a celestial being must learn to adapt to hold on to his partner. Surya is the daughter of the cosmic architect, and she catches

SUNDAY 11/15 [ T H E AT E R ]

Superman 2050 Chicago’s Theater Unspeakable ensemble devises one-of-a-kind stage shows that emphasize innovation, physicality and minimalism. Its Superman 2050 is an original Superman story enacted by seven performers decked out in blue tights on a diminutive three-foot-

Planning an event, exhibiting your art or putting on a play? Let us know and we’ll include it in the Night & Day section or publish a listing in the online calendar — for free! Send details via e-mail (calendar@ riverfronttimes.com), fax (314-754-6416) or mail (6358 Delmar Boulevard, Suite 200, St. Louis, MO 63130, attn: Calendar). Include the date, time, price, contact information and location (including ZIP code). Please submit information three weeks prior to the date of your event. No telephone submissions will be accepted. Find more events online at www.riverfronttimes.com.

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IN THEATERS FRIDAY, NOVEMBER 20

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26

FILM

The Search. | Courtesy of SLIFF

[ F E S T I VA L ]

Return of the SLIFF Week two of the St. Louis International Film Festival brings a range of work

The Search Directed by Michel Hazanavicius 8 p.m. Wed., Nov. 11, and 8:30 p.m. Sun., Nov. 15 Landmark Tivoli Theatre 6350 Delmar Boulevard

A

lthough Michel Hazanavicius’ The Search is based on Fred Zinnemann’s 1948 film of the same name, the sheer historical distance between between the two makes any comparison unnecessary. The earlier film took place in Berlin after World War II and concerned a young boy who survived Auschwitz and is looking for his mother. Hazanavicius’ film retains the story of a lost child as

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one of its narrative threads, but takes place 1999 in Chechnya, as Russian troops invade in retaliation for a terrorist attack. The boy, Hadji, watches as his parents are killed by soldiers, then struggles to carry his baby brother to safety. Traumatized and speechless, he leaves his brother on a doorstep and moves on. Carole (Bérénice Bejo), a young woman working for the EU Human Rights Commission, takes Hadji in but is soon frustrated by her inability to communicate with him. Meanwhile, in a parallel but seemingly unrelated story, we see Kolia, a young Russian forced into the army by a fake drug charge and subjected to a brutal training program. Hazanavicius, whose previous films have been comedies (this is his first feature since winning an Academy Award for The Artist), has created an ambitious film with multiple story lines and a circular structure, showing the Second Chechen War from many positions: through the eyes of the refugees, the humanitarian aid teams and even the invading troops.

NOVEMBER 11-17, 2015

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The Search might seem like an example of a comedy director feeling the pressure to do something serious, and it is overlong and messy. Some of the stylistic mannerisms that worked for The Artist — The Search has desaturated cinematography that is almost black-and-white — occasionally create a mood of misplaced nostalgia. Some of the plot threads go nowhere: Annette Bening, as a Red Cross worker, shows up every 30 minutes or so complaining about how tired and busy she is, but we never really see her do anything. In spite of its many flaws, though, The Search is an admirable piece of work. Though it has been criticized for not simplifying the Chechen conflict, the film shows much of the horror of war and even questions the indifference with which most of the rest of the world responded. The scenes with Kolia and the Russian army (clearly inspired by Full Metal Jacket, but bleaker) are disturbing in their simplicity. The big emotional climaxes are predictable, but moving nonetheless. The Search shows

that Hazanavicius is a significant and promising filmmaker: He may overreach, but he does so without embarrassment. —Robert Hunt

Orion: The Man Who Would Be King Directed by Jeanie Finlay 7:30 p.m. Thu., Nov. 12 Webster University’s Moore Auditorium 470 East Lockwood Avenue, balh

L

ook below the glamour and excess of the entertainment industry and you will find, if you scrape down far enough, a world of no-class bookings in rural American Legion halls and school auditoriums, a world of stale beer, seedy motels and broken-down tour buses. Jeanie Finlay’s fascinating documentary Orion: the Man Who Would Be King stares into that world, telling the not-much-success story of an entertainer who dreamed of the big time but never quite made it through the looking glass. Jimmy Ellis was an ambitious country boy whose greatest talent was


“It packs a punch. An Oscar -worthy performance from Carey Mulligan.” ®

Anne Thompson, IndieWire.com

ARTWORK © 2015 FOCUS FEATURES LLC. ALL RIGHTS RESERVED. MOTION PICTURE © 2015 PATHE PRODUCTIONS LIMITED, CHANNEL FOUR TELEVISION CORPORATION AND THE BRITISH FILM INSTITUTE LIMITED. ALL RIGHTS RESERVED.

www.SuffragetteTheMovie.com

EXCLUSIVE ENGAGEMENT

The Assassin. | Courtesy of SLIFF always his biggest drawback: He sang and spoke exactly like Elvis Presley. Determined to break into a musical career in the early ‘70s, he found that there was no interest in his Elvis-like act (which included a failed single “I’m Not Trying to Be Like Elvis”) as long as the real King was still filling arenas. Ellis’ luck changed (though not, the film argues, necessarily for the better) after the 1977 death of his more famous doppelganger. First, he signed with what little remained of Sun Records, where he recorded new vocal “duets” over old tracks by Sun legends, which were coyly credited to Jerry Lee Lewis or Carl Perkins and their new “partner.” After meeting the author of a novel in which a Elvis-like star fakes his own death, Ellis adopted the name of the fictional character (no one in the film seems to agree whose idea this was) and became Orion, the Lone Ranger-masked singer whose promoters were more than happy to hint that he might just be the still-living you-know-who. That he was noticeably taller and younger than the King seemed unimportant to the true believers. But despite the full exploitation of his record label (seven albums in three years), Orion was never more than a novelty, a Faustian freak show. How could it have been otherwise? What makes Finlay’s film so poignant is that she sees past the ludicrousness of her subject and understands Ellis’ rural roots and his urge to escape them. Orion is the story of a uniquely American dream doomed to failure. It’s the Elvis

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myth (country boy rises from dirtpoor roots to white-suited glory, through sheer charisma!) turned inside out and given an almost inevitably tragic conclusion. In the 38 years since his death, the Elvis legend and its imitators have become a cartoonish cliché; In Orion, Finlay gives them humanity. —Robert Hunt

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The Assassin Directed by Hsiao-Hsien Hou 7:30 p.m. Fri., Nov. 13 Landmark Tivoli Theatre

I

n The Assassin, Taiwanese director Hou Hsiao-Hsien finally turns to wuxia, the complex genre that is part fairy-tale and part history, and is too often dismissed in the West with the generic label “kung-fu movies.” Fans of wire-work and martial arts will be disappointed; the fight scenes are few and often kept offscreen. The Assassin is more historical drama than action film, and more about a broken family than about flying daggers. Based on a short story written during the Tang dynasty (twelve centuries ago), the film deals with ancient political intrigue that even audiences well-versed in Asian history reportedly find confusing. The heroine, Nie Yinniang (played by Qi Shu), is abducted as a child by Jiaxin, a princess/nun who trains her to be an assassin. After failing to finish an assignment, Yinniang is accused of being too soft-hearted. As punishment she is sent to her hometown in the province of Weibo to execute the

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governor Tian Ji’an (Chen Chan) — who also happens to be her cousin and former fiancé. Once those points have been established, The Assassin becomes more of a chamber drama as Yinniang tries to return to family life while Tian’s family — including a jealous wife and a concubine — become aware of a threat living under their own roof. The film’s twisting, elusive plot is secondary to the sheer beauty of Ping Bin Lee’s photography and Hou’s stunning multilayered compositions. Shot in a compact 1:33 ratio, it’s a slow, graceful film of powerful images, from vast landscapes (the exteriors were shot in Mongolia) to smoky, voyeuristic interior scenes that reflect the emotional and political intrigue surrounding the characters. Every shot seems carefully considered; every transition subtly informative. Hou has composed a visually overpowering work which doesn’t just encourage, but almost certainly demands, multiple viewings. —Robert Hunt

Get in the Way: The Journey of John Lewis 1:30 p.m. Sat., Nov. 14 Missouri History Museum Lindell Boulevard and DeBaliviere Avenue (free admission)

P

lenty of people knew that segregation was wrong, but very, very few people went as far as John Lewis in fighting it. Now a congressman, forever

a civil-rights icon, Lewis was arrested more than 40 times, beginning with a sit-in at a Nashville lunch counter in 1960, and beaten repeatedly, most famously during the march to Selma in 1965, when state troopers shattered his skull. If Lewis was ever afraid, he didn’t show it. When others pulled back, he charged ahead — inviting the violence of bigots and enduring it without fighting back. He also never shows it in Get in the Way, Kathleen Dowdey’s documentary about his life. It’s both a strength of the film and its biggest weakness. The Lewis we meet is more saintly than Gandhi, a true heir of Martin Luther King Jr. But he’s also not particularly introspective, leaving a film that is more inspiring than thoughtprovoking. It will be excellent viewing for school students in need of a hero. People looking for answers to the more complicated racial politics in St. Louis today, though, will be out of luck. — Sarah Fenske

The 24th Annual Whitaker St. Louis International Film Festival continues through Sunday, November 15. Tickets for individual films are $12 to $15 and can be purchased through each theater’s box office in advance or the day of show. Festival passes good for six tickets ($65) or ten tickets ($100) are available through the Hi-Pointe, Landmark Plaza Frontenac and Landmark Tivoli Theatre box offices in advance. An all-access pass good for two tickets to every film in the festival is available through Cinema St. Louis at 314-289-4153. For more information and the complete schedule, visit www. cinemastlouis.org.


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THE ARTS [ S TA G E ]

[ L I T E R AT U R E ]

Spy Hard

Head Games

A Hitchcock classic becomes a madcap caper in the latest from Slightly Askew

In The Brain Electric, journalist Malcolm Gay charts the disappearing border between mind and machine

Written by

PAUL FRISWOLD

Written by

EVIE HEMPHILL The 39 Steps Presented by Slightly Askew Theatre Ensemble through November 14 at the Chapel, 6238 Alexander Drive. Tickets are $15 to $20. Call 314-827-5760 or visit www. slightlyoff.org.

S

o, how much of an Alfred Hitchcock fan are you? The answer might determine your ability to enjoy The 39 Steps, Slightly Askew Theatre Ensemble’s season-ending comedy. It’s a spy spoof adapted by Patrick Barlow from Alfred Hitchcock’s film The 39 Steps, which was itself adapted from John Buchan’s 1915 novel. But the driving force of the play is Hitchcock and his body of work. If you recognize the Bates Motel or know why Jimmy Stewart is holding binoculars, you’ll have no problems keeping up. Even if you’re unfamiliar with Hitchcock’s oeuvre, though, you’ll probably be fine. I’ve never sat through an entire Hitchcock film, and somehow I caught these references; Hitch is as much a part of popular culture as he is film history at this point. Besides, there’s so much happening onstage that, even if you don’t pick up on the Hitchcock references, you’ll be laughing at something else. Director Kirsten Wylder maintains the speedy pace a comedy requires, but allows room to laugh at the jokes, which range from Hitchcockian sight gags, wordplay, rapid-fire costume changes and even the show’s extremely tiny budget. There are boxes doubling as cars and trains, a pair of chairs that serve as every interior scene, a wall pierced by three doors and a magnificent plane crash depicted by — you know, words won’t do it justice. You really have to see it to believe it.

Pete Winfrey and Annabelle Schmidt in The 39 Steps. | Joey Rumpell Pete Winfrey plays Richard Hannay, a 37-year-old man-about-London who is bored with life. His ennui is dispelled by his chance meeting with the mysterious Annabelle Schmidt (Rachel Tibbetts), a German national who disrupts a stage performance by discharging her revolver. In short order they’re back at Hannay’s flat where an unseen intruder fatally stabs Schmidt, but not before she tells Hannay about a vast conspiracy to smuggle state secrets out of the country in the next few days. Schmidt pins the blame on a shadowy organization called “The 39 Steps” and warns Hannay that his life is now in danger. From here on out, he’s on the run. Winfrey has an excellent English accent and a gift for physical comedy, whether he’s wriggling out from underneath a fresh corpse or striking a series of catalog-model poses every time a radio announcer describes him as “handsome.” And while Annabel Schmidt dies in the first ten minutes, actress Tibbetts lives on as two more characters: the prim and proper Englishwoman Pamela and the Glaswegian farmer’s wife Margaret. She, too, has excellent accent discipline and does a bang-up job slithering out from

under a sleeping Hannay later in the play. Ellie Schwetye and Carl Overly, Jr. play a couple dozen supporting roles each, often in the same scene. Schwetye continues the fine accent work on display in this show with her train conductors, police officers and hired thugs, but she really shines as the menacing but charming Professor Jordan, head of the 39 Steps. Overly hams it up (in a good way) as Mr. Memory, a theatrical performer who claims to know all, but he destroyed me as a farmer with the single worst Scottish brogue I’ve ever heard in my life. Every time it got away from him Overly shouted his lines with increasing fervor, which only made it funnier. It’s that running-along-the-edge sensibility that makes The 39 Steps so entertaining. There are moments when the production seems to be falling apart — a phone rings after it’s picked up, or an actor continues to open and shut a door to see if the sound board operator can keep up with the appropriate sound effect — but it never collapses. It drives forward in a pell-mell fury, and if something’s not working, it just gets n louder. riverfronttimes.com

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hat if humans could interact with the world and communicate with each other just by thinking about it? The question is far more than a hypothetical one for journalist Malcolm Gay, whose interest in the frontiers of brain science originated inside a St. Louis hospital in 2011. In the years since, he has traced the competing efforts to turn such science fiction into real life, closely observing several astounding breakthroughs. “It was fascinating,” Gay says, recalling the research process for his new book The Brain Electric: The Dramatic High-Tech Race to Merge Minds and Machines (Farrar, Straus and Giroux, 2015). Early on in his investigation, he watched a handful of complex epilepsy surgeries conducted by a young, determined neuroscientist named Eric Leuthardt at Barnes-Jewish Hospital — a memorable experience, to say the least. “While brain surgery is in some respects quite sophisticated technologically, it remains a fairly gruesome affair, sawing and drilling through bone before cutting into the brain,” notes Gay, a former Riverfront Times staff

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Head Games In The Brain Electric, journalist Malcolm Gay charts the disappearing border between mind and machine Written by

EVIE HEMPHILL

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hat if humans could interact with the world and communicate with each other just by thinking about it? The question is far more than a hypothetical one for journalist Malcolm Gay, whose interest in the frontiers of brain science originated inside a St. Louis hospital in 2011. In the years since, he has traced the competing efforts to turn such science fiction into real life, closely observing several astounding breakthroughs. “It was fascinating,” Gay says, recalling the research process for his new book The Brain Electric: The Dramatic High-Tech Race to Merge Minds and Machines (Farrar, Straus and Giroux, 2015). Early on in his investigation, he watched a handful of complex epilepsy surgeries conducted by a young, determined neuroscientist named Eric Leuthardt at Barnes-Jewish Hospital — a memorable experience, to say the least. “While brain surgery is in some respects quite sophisticated technologically, it remains a fairly gruesome affair, sawing and drilling through bone before cutting into the brain,” notes Gay, a former Riverfront Times staff Continued on pg 30

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Head Games Continued from pg 29 writer who now covers art for The Boston Globe. That’s especially palpable in one of The Brain Electric’s earliest scenes, where electrodes, computer algorithms and cutting-edge science coexist with the pins, clamps and screws required to penetrate a fellow human’s skull. Gay’s densely crafted narrative — which he initially envisioned as a magazine feature — starts with a focus on Leuthardt’s novel way of digitally accessing the brain. Confident that he’ll eventually see his patented neuroprostheses become as commonplace as today’s cell phones, the entrepreneurial surgeon envisions a commercially viable implant that would augment human ability. But he’s not alone in his ambitions, and Gay’s interconnected tale puts the reader inside a scattering of leading labs, operating rooms and startups over the course of twelve riveting chapters. From the University of Pittsburgh to a company called Cyberkinetics to a multimillion-dollar U.S. Department of Defense-funded project, The Brain Electric follows a brilliant cast of real-life characters as they seek to solve the elusive mystery of movement. “These guys are always the smartest guy in the room, and they’re all competing for the same thing,” Gay says. “You have these incredibly ambitious, incredibly intelligent, driven researchers who in a lot of ways are doing what humans have been trying to do for the past 200,000 years: harness technology to make us better.” Alongside these top scientists, and serving as indispensable partners in their efforts to decode brain signals, are the monkeys that develop control over cursors sans use of limbs, the rats temporarily endowed with infrared vision and the courageous human subjects who choose to put their minds and bodies to the test in the name of discovery. The willing participation of individuals who suffer from paralysis, epilepsy and other debilitating conditions looms especially large throughout the book. One such patient-volunteer is quadriplegic Jan Scheuermann, who learns to move a highly advanced, military-funded prosthetic limb gracefully enough to pick up objects and even feed herself chocolate — all while maintaining a striking sense of humor. “Jan is, I think, one of the highlights of the book,” the author says. “She was beating me at rock, paper, scissors — it was quite something.” Perhaps even more compelling is Scheuermann’s ability throughout many months of intense lab work to look beyond what she herself stands to gain from the experiments. “Brain-computer interface research is in its infancy, and while it’s unlikely that Jan will ever derive any direct physical benefit

Author Malcolm Gay. | Durb Curlee from the technology, her participation in the research has really restored meaning to her life,” Gay says. “She’s a pioneer, and she believes her contribution will help future generations. Personally, I find Jan’s story magnificently inspiring.” With much of the funding for projects like that $70 million robotic arm coming from the federal government, a major thrust of the work is attempting to make wounded veterans whole. But Gay adds that are there are other projects too, such as efforts to link soldiers’ bodies to weapons. Peppered with fierce rivalries, fascinating devices and inspiring people, The Brain Electric gives insights into past and present understandings of the brain and asks big and sobering questions along the way. “It’s really the beginning of this field, but eventually it’s going to make the jump into the consumer market,” says Gay. And that’s where some of the deepest challenges will surely crop up for braincomputer interface, or BCI. “It brings up a whole host of ethical questions: If BCI implants can enhance cognition, does that give implantees an unfair advantage? What’s more, BCI is a two-way mode of communication: not only can it enable a user to telegraph her intentions, but those same electrodes can also deliver information to the brain.... Could you be hacked? Can your neural predilections be tracked and anticipated online much the way our browsing history is today? And if two or three brains are connected into a neural network, what sort of consciousness might arise?” Gay returns to a region that shaped his early interest in these topics, not to mention his writing career as a whole, to give a reading at Left Bank Books at 7 p.m. on Thursday, November 19. “I’m thrilled to return to St. Louis,” he says. “Some of my best friends are there, and I’m excited to visit some of the old n haunts.”


FIND ANY SHOW IN TOWN...

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GALLERIES

Works on Paper 2015 is on display at the Philip Slein Gallery until December 19.

Christopher Burch: One Who Sings With No Tongue Is Either Danmed or Divine

Works on Paper 2015

Hoffman LaChance Contemporary

If you’re interested in the latest New York art but have neither the time nor the money to make the trip, Philip Slein Gallery makes it easy for you with Works on Paper 2015. The group show features new drawings by eight artists, all of whom pursue their own agenda in their work. Ron Gorchov (who showed his large-scale sculptures at CAMSTL not long ago) here shows you his smaller watercolors. Philip Taaffe keeps it big with his large-scale paintings, while Wardell Milan’s most recent work blends graphite human figures, collaged nude photos and vibrant color in dizzying layers.

FIND ANY SHOW IN TOWN...

2713 Sutton Boulevard | www.hoffmanlachancefineart.com Opening 7-11 p.m. Fri., Nov. 13. Continues through Nov. 28.

In folklore and mythology, trickster figures are both admired and feared because of their intelligence. It’s a double-edged sword that allows them to cut through the obstacles that hold them back, but it’s also a weapon that makes them dangerous. In African American folklore, Br’er Rabbit is the prime example of the hero who you respect but keep at arms length — too much trouble follows that guy around. Artist Christopher Burch celebrates this dichotomy in his ongoing graphic narrative, The Missed Adventures of Br’er Rabbit and Br’er Death in the Land of Shadows. For the new installment of the project, One Who Sings With No Tongue Is Either Damned or Divine, Burch combines fine-art illustration techniques and the looser style of comic-book art with his own “afro-surreal” aesthetics to recast Br’er Rabbit and his own creation Br’er Death as active fighters in a war of resistance against the hostile lands they find themselves in.

The Philip Slein Gallery 4735 McPherson Avenue | www.philipsleingallery.com Opening 5-8 p.m. Fri., Nov. 13. Continues through Dec. 19.

O.U.R. City

With our new and improved Vino Gallery concert calendar! RFT’s online 4701 McPherson Avenue | www.thevinogallery.com music listings are now sortable Nov. 13 through Jan. 30, 2016 by artist, venue and price. You The acronym stands for “operation urban renewal,” can even buy tickets directly which is the name of a St. Louis grafitti collective that creates pop-culture murals that are beautiful from our website—with and serve to beautify the city. The group shows inside work at Vino Gallery with a selection of loThemore Paintings optionsof on the way! cal artists working in abstract painting (Anthony

Sir Winston Churchill

Mildred Lane Kemper Art Museum 1 Brookings Drive | www.kemperartmuseum.wustl.edu

With our new and improved concert calendar! RFT’s online music listings are now sortable by artist, venue and price. You can even buy tickets directly from our website—with more options on the way!

Schnitzmeier), printmaking (Adrienne Sandusky) and oil painting (Jennifer Bock Nelson). While the styles may differ, all the artists involved draw inspiration from St. Louis — whether good, bad or just hopeful.

Opening 7-9 p.m. Fri., Nov. 13 Continues through Feb. 14, 2016.

Carlos Reyes White Flag Projects 4568 Manchester Avenue | www.whiteflagprojects.org Opening 7-9 p.m. Sat., Nov. 14. Continues through Dec. 19.

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Carlos Reyes comes to St. Louis for his first solo institutional exhibition. Reyes’ past works include a lovingly rendered piece of popcorn in pencil and crayon; an installation of partially completed, 3-D printed milk crates held together with zip ties and also on fire; and a mirror attached to a hammer and fixed to a piece of birch wonderfully named Yet to be Titled. No matter what form his work takes, there’s always an element of humor and a sense of the novel at play.

www.riverfronttimes.com/concerts/

PHOTOGRAPHER: TODD OWYOUNG BAND: SLEEPY KITTY

PHOTOGRAPHER: TODD OWYOUNG BAND: SLEEPY KITTY

Sir Winston Churchill famously held England together during the Battle of Britain, and he was also a successful historian, an old soldier and perhaps the world’s first motivational speaker. But his greatest love was painting, because he was able to do it without the weight of a nation on his back. Churchill’s oil paintings were his solace in peacetime and in war, but he always downplayed his talent. In fact he was a creditable draftsman, turning out landscapes that reveal a keen understanding of light and composition. The Paintings of Sir Winston Churchill, a joint exhibition presented by Fulton’s National Churchill Museum at Westminster College and Washington University, showcase 47 of the British Bulldog’s paintings to commemorate the 50th anniversary of his death. It’s a show that will please historians and inspire amateur artists, and vice versa.

www.riverfronttimes.com/concerts/

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ST. LOUIS’ ULTIMATE SPORTS BAR NOW OPEN IN SOULARD AT MENARD & ALLEN

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CAFE

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A selection of ranch-infused dishes at Soulard’s Twisted Ranch. | Mabel Suen [REVIEW]

Dude, Ranch! Everyone loved the idea of a ranch dressing-themed restaurant — or at least loved to mock it. So how’s the execution? Written by

CHERYL BAEHR Twisted Ranch 1730 South Eighth Street; 314-833-3450. Tues.-Sat. 11 a.m.-3 p.m. and 5-9 p.m.; Sun. 11 a.m.-3 p.m. (Closed Mondays)

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don’t have a problem with a ranch-dressing-themed restaurant. In fact, I actually kind of like the idea — not from some deep-rooted love of the condiment (I’m a blue cheese kind of gal), but because it speaks to the current zeitgeist of hyper-specialization. We can visit toast shops and cafes

serving only Belgian fries. There’s even a place in New York dedicated exclusively to rice pudding. In this sense, Twisted Ranch is an anti-hipster mirror: We can peer at our penchant for the particular even as we get a glimpse of just how far this trend could go. Which is why Twisted Ranch, as it stands, is a missed opportunity. Instead of embracing its punchline status, the folks behind the threemonth-old Soulard restaurant, Chad Allen and Jim Hayden, insist it isn’t a joke. Inundated with media attention and mockery, the first-time restaurateurs laughed, but insisted that they were a “real” restaurant. There would be no bubbling pots of ranch-dressing fondue, they assured us — just a creative use of the seasoning blend on real-deal dishes, crafted by a legitimate chef. But that’s the thing: If you’re going to open a ranch-dressing restaurant, open a Ranch Dressing Restaurant, goddammit. Give us the

theater of the absurd and drench us in ranch-covered irony. Greet us with ranch-filled Champagne flutes and let us refill them in a ranch fountain. Dress your staff as cowboys and cowgirls, and have them shoot ranch-filled Super Soakers all over our ranch-seasoned fries. Allen and Hayden could have really gone for it, but they refrained — and that is Twisted Ranch’s downfall. It’s not bad. It’s just boring — a gimmick that refuses to be gimmicky. The restaurant sits on the corner of Eighth and Lafayette in the spot that formerly housed Sassy Jac’s. Aside from the dark-green walls (evocative of dill or parsley, perhaps), there is little obvious thematic décor. Tables, a mix of half-banquettes and high-tops, are stainless steel, and an old-fashioned wooden bar takes up a large portion of the restaurant’s real estate. Behind the bar, letters spell out the word “Ranch” against a wooden wall. So does a maze-like 3-D mural made from PVC pipes that looks like riverfronttimes.com

it might transport dressing from some Hidden Valley mothership into the kitchen. Allen and Hayden enlisted chef Johnathan Tinker to help execute Twisted Ranch’s menu. Every single item on offer involves the condiment in some form, though the dishes coming out of the kitchen are no longer Tinker’s handiwork. The chef walked out twenty minutes into the restaurant’s soft opening. He later claimed the owners had no idea what they were doing. (Apparently, one fryer at a ranchthemed restaurant was not enough. Go figure.) A chef’s touch remains in the form of thoughtful condiment and seasoning use, though dishes rarely rise above average bar food. It’s hard to see how it could be otherwise, considering that the concept is dedicated to an unremarkable spice blend that barely rises above seasoned salt in mayonnaise (which, let’s be honest, is why we guiltlessly smother it Continued on pg 34

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might transport dressing from me Hidden Valley mothership St. Louis to the kitchen. Cheese Steak Allen and Hayden enlisted SHREDDED chef BLACKENED STEAK, SAUTEED PEPPERS, hnathan Tinker to help execute ONIONS & BANANA PEPPERS, CHEDDAR & A wisted Ranch’s menu. EveryW/WHITE sinJALAPENO AIOLI. e item on offer involves the conment in some the 255 U n iform, o n B l v d .though Do w n t o w n L o c at io n St. L o u i s,out MO 63108 shes coming of the kitchen Op e n i ng S o o n! 314.454.1551 e no longer Tinker’s handiwork. he chef walked out twenty mines into the restaurant’s soft openg. He later claimed the owners d no idea what they were doing. pparently, one fryer at a ranchemed restaurant was not enough. o figure.) A chef’s touch remains in the rm of thoughtful condiment and asoning use, though dishes rarely se above average bar food. It’s rd to see how it could be otherse, considering that the concept is dicated to an unremarkable spice end that barely rises above seaned salt in mayonnaise (which, 106ismain il ’s be honest, whyst. we• edwardsville, guiltlessly 618.307.4830 mother it Continued on pg 34

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Twisted Ranch

Continued from pg 33

on our fries). And so the ranch bloody mary was nothing more than a salty bloody mary. To the disappointment of my colleague, the drink did not contain a lava-lamp-style dollop of ranch dressing suspended in tomato juice. Instead, Twisted Ranch infuses its spice blend into vodka much like the garlic- or pepper-infused versions. It makes a fine enough base for the hangover drink, but the novelty element exists only in theory. Some dishes worked. Fried green beans impressed. The vegetables are dusted with ranch-seasoned cornmeal and fried so that they retain a snappy texture. The recommended dipping sauce — the “Kemowasabi” ranch — may have a ridiculous name, but it makes an excellent, piquant accompaniment. Buffalo chicken dip is exactly what you’d want in the midst of a booze-fueled night. The creamy, Louisiana hot-sauce-spiked dip is flecked with pulled chicken and topped with molten cheddar-jack cheese. No, it’s not haute cuisine, but there is something satisfying about dipping a jumbo corn chip into this bubbling crock of coronary-inducing comfort. Similarly, the “Loaded Tots” could have been concocted by Cheech and Chong. The deep-fried potato nuggets are smothered in bacon bits, cheddar-jack cheese and scallions — the quintessential trashy bar food. And I must admit that I liked them even more covered in zesty, housemade buttermilk ranch. I give Twisted Ranch credit for making its own flatbread dough rather than simply buying frozen

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To the disappointment of my colleague, the ranch bloody mary did not contain a lava lamp-style dollop of ranch dressing suspended in tomato juice. shells. The result is a thick, pillowy crust that serves as a sturdy base for a variety of toppings. The “Veggie Pesto,” smothered with sun-dried tomatoes, broccoli, fresh spinach and feta cheese, is a delightful Mediterranean-style pie, though the basil from the pesto sauce and pesto ranch drowns out the other flavors. The “BBQ Pork” is equally respectable. Granted, the sweet and barely smoky “smoked” pork is reminiscent of at-home Crock-Pot pulled pork, but it’s adequate for a bar pizza topping. Unfortunately, the kitchen was heavy-handed with the ranch coleslaw topping, leaving the flatbread soggy. “Cheesy Bacon Ranch” sauce spikes an otherwise traditional béchamel on the “Big Kid Mac and Cheese.” It would have been good on its own, but the kitchen decided to line the bottom of the dish with flavorless beef brisket. It added nothing. And the St. Louis classic Gerber sandwich is a misfire. The mayonnaise-based condiment

that’s used instead of butter fails to soak into the bread. The result is a sandwich that lacks the original’s all-important goo factor. These issues are minor compared to the “Twisted Ranch Burger.” My expectations sank when I asked for a temperature and the server informed me it would be served “somewhere around medium or medium well.” What arrived was a leaden, well-done puck that was like eating a fast-food burger rewarmed in the microwave. Ranch seasoning on the patty and the paprika-spiked dressing did little to salvage this disaster. I’d say the reason it took over an hour to get my food was because they were basically tanning my burger into shoe leather, but alas, it was equally slow on a second visit. Apparently, Tinker was right — one fryer isn’t enough at a ranch-dressing restaurant, though from what I could see of the kitchen a second one wouldn’t fit. My glimpse through an open window revealed a space that is no larger than a galley kitchen you’d find in a 400-square-foot Manhattan apartment. It’s difficult to see how Allen and Hayden can do anything more than add some ranch enhancements to ready-made fare that comes out of a Sysco truck. For their sake, I hope the restaurateurs can figure out a way to execute their menu in a manner that doesn’t cause patrons to anxiously watch the clock. But do I really see myself going back to find out? Perhaps if Twisted Ranch were more of a joke I’d be inclined to take outof-towners or ranch-loving friends for the novelty factor the same way I’d ironically go to, say, Medieval Times dinner theater. When the pair announced they were opening the place last March, it seemed like it might be just that. They had a sense of humor about the place, after all — acknowledging, and even laughing, at the fact that they were being ridiculed by national media for their concept. However, in its effort to prove that it’s not a laughingstock, Twisted Ranch has lost its sense of humor. In its place is a subpar Soulard bar that’s trying to be serious. Instead of a ranch-dressing restaurant, Twisted Ranch is a restaurant that uses ranch dressing — and there is nothing novel about that. n Twisted Ranch Fried green beans ......... ............. $9 Rotisserie chicken salad ............ $8 “Big Kid Mac and Cheese” ....... $13



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SHORT ORDERS [FIRST LOOK]

[ C H E F C H AT ]

DOUGHOCRACY OPENS IN THE DELMAR LOOP

How Restituo’s Nicole McCormack Found Her Calling

Written by

CHERYL BAEHR

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Written by

CHERYL BAEHR

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icole Mccormack sees her coffeehouse Restituo (4100 Shenandoah Avenue) as an extension of herself. “It’s like I’ve combined all of my skills into one thing,” she says. “I make all of the food from scratch and serve it on plates that I’ve made on my kiln. You get to drink the coffee out of mugs I’ve fired and sit on furniture I’ve refinished.” It’s clear that Mccormack loves working with her hands — in fact, that’s what attracted her to cooking in the first place. At the age of fourteen, the south St. Louis native was taken under the wings of Doc and Micci Parmley, the original owners of Mangia Italiano. She started as a dishwasher but was quickly given prep duties. Before she knew it, she was making pasta from scratch and cooking the restaurant’s Italian specialties. “It was like I was doing an apprenticeship without actually knowing it,” Mccormack recalls. Mccormack worked in and out of the restaurant industry but didn’t think of it as a career path until an unfortunate event gave her pause. While living in New York City, she fell gravely ill and looked to nutrition as a way of healing. “I was anemic and had to restore myself, so I began looking into herbs, spices and healthy eating,” Mccormack explains. “It took my cooking to a 36

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Restituo’s Nicole Mccormack. | Lynn Terry Photography different level. I began looking into ways to turn the fatty food I made into non-fatty versions while still making it taste good.” After returning to St. Louis from a stint in London, Mccormack found herself testing recipes on her family while trying to figure out her next step. Though she appreciated the coffee shops the city had to offer, she found herself pining for the places she would frequent in New York and London — cozy cafes where she could sip coffee all day and grab healthy sandwiches. When the corner storefront at Thurman and Shenandoah in Shaw came up for rent, she signed a lease and began developing recipes for Restituo. “I started out slowly,” says Mccormack. “I just did breakfast at first, then added a small sandwich menu. I kept it small so I could play around with specials. It’s just simple, healthy food.” Mccormack has been busy salvaging Restituo after a devastating water-main break to the building, but she took a few minutes to share her thoughts on the St. Louis food and beverage scene and her morning coffee ritual that doesn’t involved drinking it.

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What is one thing people don’t know about you that you wish they did? That I don’t use recipes for anything I do. It’s all off the top of my head, and flavor profiles are based on what I think might taste good together. I’m not formally trained; everything I know is from working around and with master chefs and watching way too many cooking shows. I just guess and take chances and often come up with things that have had my foodie friends asking where i got the recipe. What daily ritual is non-negotiable for you? Smelling fresh ground coffee beans before I put them in the filter. On the rare days I don’t drink a morning coffee, I still have to take a few deep breaths of the beans. If you could have any superpower, what would it be? The ability to flash freeze. I do so many soups and having to ice bath them after cooking in order to get them to proper temperature and food-safety standards of time and temperature in order to store them. With that ability I would surely gain enough time per week Continued on pg 38 to actually

The presidential election may be a year away, but Doughocracy (6394 Delmar Boulevard, University City) is encouraging St. Louisans to participate in the democratic process early, at least when it comes to their pizza. Life, liberty and the pursuit of pizza — that’s the slogan of Doughocracy, the area’s latest fast-casual pizzeria. The St. Louis location is located in the Delmar Loop in what was formerly the Ziezo clothing boutique. Operated by Christa McGraw, Mimi Hurwitz and Josh Vehovic, the restaurant aims to be the Chipotle of pizza, allowing patrons to customize their pies from a variety of sauces and ingredients. When they found out about the Chicago-based Doughocracy concept, they knew they had found pizza gold. “We were just blown away by the energy and the product,” says McGraw. “As soon as we tasted it we loved it, and knew we had to open one in St. Louis.” The concept is simple: Begin with a twelve-inch housemade shell that is hand-stretched and tossed to order, then make your way down a line of ingredients. The entire process takes less than five minutes, three of which are devoted to cook time. McGraw emphasizes that all of Doughocracy’s ingredients are made in house daily. “We make the pizza dough from scratch every day. All of the sauces are homemade, and the vegetables are freshly cut daily,” she explains. “We are especially proud of a large selection of unusual toppings, like red and yellow peppadew peppers.” In addition to pizzas, Doughocracy offers customizable salads, craft beers and wine. And McGraw insists that you save room for what is sure to be the restaurant’s signature dessert: “We have a Nutella bomb, which is basically like a calzone filled with Nutella,” she tempts. Doughocracy will be open from 11 a.m. until 10 p.m. seven days a week. — Cheryl Baehr


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CHEF CHAT Continued from pg 35 BRUNCH Sat. & Sun. 10am-3pm

Hampton

Ave

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[FIRST LOOK] ve rA

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Thank you,St. Louis! DOUGHOCRACY OPENS BEST IN THE DELMARBRUNCH LOOP

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by

- RFT Editor’s Pick 2015

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threeflagstavern.com • 4940 Southwest Ave • (314) 669-9222

Z ETN T h a i &

The presidential election may be a year away, but Doughocracy (6394 Delmar Boulevard, University City) is encouraging St. Louisans to participate in the democratic process early, at least when it comes to their pizza. Life, liberty and the pursuit of pizza 9250 Watson • Crestwood • MO 63126 — that’sRoad the slogan of Doughocracy, the area’s latest fast-casual pizzeria. located D i n e - i n The • CSt. a rLouis r y - Olocation u t • 3is1 4 - 8 4 2in - 0 3 07 the Delmar Loop in what was formerly the Ziezo clothing boutique. Operated by Christa McGraw, Mimi Hurwitz and Josh Vehovic, the restaurant aims be the Chipotle US of pizza, allowing THANKStoFOR VOTING Shrimpfrom & Lobster Curry patrons to customize their pies a variety of sauces and ingredients. When they found out about the Chicago-based Doughocracy concept, they knew they had found pizza gold. “We were just blown away by the 288 en-Golden Pint Winners Will ergy and the product,” says McGraw. Receive: “As soon as we tasted it we loved it, 1/2 Price and knew we had to open one in St. Draughts, $2 Goose Island Louis.” The concept is simple: Begin with Pints a twelve-inch housemade shell that ALL OF 2016! 8-10 Pints Awarded Daily is hand-stretched and tossed to order, Throughout December then make your way down a line of ingredients. The entire process takes 2 SEASONAL less than five minutes, three of which GOOSE ISLA ND are devoted to cook time. BREWS ON TA P McGraw emphasizes that all of @TwinOakSTL Doughocracy’s ingredients are made in house daily. “We •make the pizza 1201 Strassner Dr, Brentwood, MO 63144 • 314.644.2772 twinoakwoodfired.com dough from scratch every day. All of the sauces are homemade, and the vegetables are freshly cut daily,” she explains. “We are especially proud of a large selection of unusual toppings, like red and yellow peppadew peppers.” In addition to pizzas, Doughocracy offers customizable salads, craft beers and wine. And McGraw insists that you save room for what sure to Ford Largest Patio on isMorgan be the restaurant’s signature dessert: Mon - Industry Night $2 Pints “We have a Nutella bomb, which is baLadiesfilled Night sicallyWed like a -calzone with NutelThursla,” she tempts.Tenacious Trivia 8-10 We are now Non-Smoking!Doughocracy will beMon-Sat open from3-7pm 11 Happy Hour a.m. until 10 p.m. seven days a week. — Cheryl Baehr 4 Blocks South of Tower Grove Park 3234 Morganford • 314-771-7979

Japanese Cuisine

Basil Lamb Pad Thai Tempura

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B E ST T H A I

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watch a movie or two. What is the most positive thing in food, wine or cocktails that you’ve noticed in St. Louis over the past year? A larger surge in risk-taking, and greater emphasis on pairings. Who is your St. Louis food crush? Honestly, I don’t get the opportunity to get out a lot at the moment. My days start at 6:30 a.m. and go well into 10, 11 or 12 a.m., so I can only answer this based on posts I see from friends that get out. I have a list of six places I have yet to get to, but based on pictures, I would have to say the Capitalist Pig. Which ingredient is most representative of your personality? Basil. There isn’t much I won’t do or try — food or otherwise. You can put basil on anything and everything from eggs, to curry, to chicken, to tofu and on and on. I guess I’m kind of a basil chick. If you weren’t working in the restaurant business, what would you be doing? One of my other crafts — that I still do, just not as often as I like — is that I am a licensed hairdresser. I still love to cut and color hair. If i could really do anything, I would be a full time potter and would love to dedicate myself to glaze development. Name an ingredient never allowed in your kitchen. I Fish. I have allergies, and since I can’t eat it, I can’t cook it. Also the smell can slightly make me nauseous — and not because I hate it. No! I want to eat fish. I just really can’t handle it. What is your after-work hangout? I’m a rock & roll girl, so you will find me on my laptop at CBGB or Silver Ballroom, or out catching a band when I can. What’s your food or beverage guilty pleasure? Hank’s Cheesecake. I have contacted them several times to start ordering from them to sell at Restituo, and without fail, each time I can’t seem to place an order because I will eat the whole damn thing! As soon as I can procure some horse blinders, you’ll see Hank’s Cheesecake show up in my deli case. What would be your last meal on earth? A slow-cooked stew made from several cuts of steak with a ginormous side of heavily buttered wide egg noodles. — Cheryl Baehr

Kebob House & Taverna

Voted #1 Greek Restaurant in St. Louis!

1999-2015 Riverfront Times Restaurant Polls

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Brickyard’s flatbread (Left). Brickyard’s chicken-and-waffles slider (right). | Samantha Dever

INVITES YOU AND A GUEST TO AN ADVANCE SCREENING OF

WEDNESDAY, NOVEMBER 18 AT 7P.M. PLEASE VISIT WBTICKETS.COM/RSVP AND ENTER THE CODE CREEDRFT TO DOWNLOAD YOUR COMPLIMENTARY PASSES! THIS FILM IS RATED PG-13 FOR VIOLENCE, LANGUAGE AND SOME SENSUALITY. Please note: Passes are limited and will be distributed on a first come, first served basis while supplies last. No phone calls, please. Limit one pass per person. Each pass admits two. Seating is not guaranteed. Arrive early. Theater is not responsible for overbooking. This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio or video recording device into the theater (audio recording devices for credentialed press excepted) and consent to a physical search of your belongings and person. Any attempted use of recording devices will result in immediate removal from the theater, forfeiture, and may subject you to criminal and civil liability. Please allow additional time for heightened security. You can assist us by leaving all nonessential bags at home or in your vehicle.

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Brickyard Tavern Brings a Low-Key Neighborhood Spot to South Grand

ost wild penguins reside in the Southern Hemisphere, but some miniature varieties can be found in St. Louis, more specifically at the newly opened Brickyard Tavern (3196 South Grand Boulevard; 314-771-9300). Granted, the penguins at Brickyard are made of olives, carrots and goat cheese, but it’s such touches of whimsy that set Brickyard Tavern apart from your average neighborhood sports bar. John Homer, the chef of Brickyard, solemnly expressed his regret that the penguin perched on our plate was missing its pickled-onion scarf. We worried for a minute, but apparently, penguins don’t actually need scarves — though they look adorable. Brickyard Tavern is the new restaurant concept from Robin Schubert, Staci Stift and Joe Thele. The trio previously owned Absolutli Goosed, which was located in the same South Grand storefront that now holds Brickyard Tavern. But even fans of the martini bar might not recognize it today, as the interior has been completely updated to reflect the new theme. Like a penguin molting in order to grow new, pristine plumage, Schubert says it was time to turn over a new feather. “We felt that the Goose had a good run. Back in 2002, when it originally opened, it was the only place of its kind, but the cocktail culture has boomed so much and we felt like we just got a little bit stagnant,”

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Schubert says. “After doing this for thirteen years, we felt like doing something a little more laidback and a little more neighborhood as opposed to destination.” And in that endeavor, they have certainly succeeded. Brickyard is the sort of place where the owners prop open the door when the weather is nice, pass out candy on Halloween and banter good-naturedly with customers. Despite a complete turnabout in their direction, plenty of their former clientele remain. “We have seen a lot of old faces. Some people are curious who were regulars of Absolutli Goosed, curious to see what we did, what we’ve improved on, what we’ve changed,” Schubert says. One of the most drastic changes has been evolving from a martini bar with only a few small items on the menu to a bar with a full — if compact — menu. The kitchen is small; there is no deep fryer or grill, but Homer hasn’t let that stop his creativity. “I think we’ve hit all our bases as far as the menu goes,” Homer says. “It’s a small menu, but it’s very large.” Brickyard’s menu has several groupings of ingredients that work in different contexts. Take the “Brickyard BLT,” for example, with its thick-cut bacon, lettuce, tomatoes and sweet tahini dressing. It’s a sandwich, but those componets are also present in the “Brickyard BLT”

flatbread, wrap or salad. The menu also offers sliders, including a chicken & waffles one that might just be the perfect brunch item, and wings. “We’ve been open for about two weeks now and we’ve sold out of wings almost every day,” Homer says. Brickyard Tavern’s tender wings come in a variety of sauces with one monthly special sauce. Right now it’s pumpkin spice, which seems both weird and basic, but proves to be just plain delicious. To create his pumpkin-spice wings, Homer reduces an Irish ale to a syrup and then adds a few spices. The resulting flavor has just a hint of pumpkin and a hint of sweet. Don’t worry: It does not taste anything like a chicken-wing version of a pumpkin-spice latte, which is what we’d fearfully imagined. If that doesn’t intrigue you, get a load of next month’s offering: chocolate-covered-cherry balsamic wings. As for Brickyard’s name, it’s not an nod to NASCAR, Schubert explains, but rather it pays homage to St. Louis’ brick-making industry in the 1800s (note the trowel in the logo). “We have so much in this area that represents different nationalities and ethnicities. We wanted to bring something that was very St. Louis to the area,” Schubert says. —Samantha Dever


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DINING GUIDE

The Dining Guide lists only restaurants recommended by RFT food critics. The print listings below rotate regularly, as space allows. Our complete Dining Guide is available online; view menus and search local restaurants by name or neighborhood.

Price Guide (based on a three-course meal for one, excluding tax, tip and beverages): $ up to $15 per person $$ $15 - $25 $$$ $25 - $40 $$$$ more than $40

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[CENTRAL WEST END]

The BBQ Saloon

4900 Laclede Avenue; 314-833-6666 The BBQ Saloon’s Phil and Tracy Czarnec may seem like the new kids on the block when it comes to St. Louis’ barbecue scene, but they’ve actually been doing it for decades. Every Fourth of July, the Czarnecs would fire up the grill on the patio of their Wild Flower Restaurant, and turn it into a holiday barbecue. Now they’ve opened a smokehouse directly across the street from where it all began -- on the Central West End Corner that used to house The Majestic. The Czarnecs gutted the old diner and turned it into a restaurant that sets itself apart from the crowd in two ways. First, it offers the largest whiskey selection -- 520 bottles -- in the region. Second, The BBQ Saloon grills up exotic game in addition to the traditional offerings. Alligator, emu, kangaroo and ostrich are served alongside the more traditional pork and beef ribs. The restaurant’s signature item is the pulled pork. It’s the best you’ll find in town.

Evangeline’s

512 N Euclid Avenue; 314-367-3644

7344 Manchester Boogaloostl.com 314-645-4803 ADDITIONAL OUTDOOR SEATING 10% off all tapas and cocktails from 2-10pm

Evangeline’s Bistro & Music House comes from the mind of a musician. Don Bailey, who got his start in the food business while running a concert venue named Three1-Three in Belleville, Illinois, brings his latest venture to the Central West End. There, he presents Southern-style dishes alongside live blues, jazz and singer-songwriters. Eats include appetizers like the “Crawfish Carolyn” made with Louisiana crawfish tails, Brandy cream sauce and Parmesan cheese. For a more filling meal, supplement that with entrée options including gumbo, red beans and rice, chicken and sausage jambalaya, Louisiana shrimp creole and etouffée. A drink menu features wine by the glass or bottle, several beer options, classic cocktails and Champagne cocktails to drink the night away New Orleans style. $$

Gamlin Whiskey House 236 North Euclid Avenue; 314-875-9500

Gamlin is unapologetically masculine with rustic décor, a hearty menu and what seems like every brown liquor under the sun. The spirits list includes selections from every major whiskey producer as part of a flight or in a craft cocktail. Signature drinks like the “Bees Knees,” a delicious blend of Knob Creek Rye and ginger ale over honey-laced ice cubes, showcase Gamlin’s cocktail creativity.

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Ask one of the expert bartenders for a quick lesson on the nuances between Kentucky Bourbon, Tennessee whiskey, and Irish and Scotish whiskey, single-barrel bourbon, 12-year single malt Scotch, 20-year old bourbon, smallbatch whiskey and rye, or just dive in solo. Whiskey may be the theme, but Gamlin does not skimp on the food. The menu is unfussy, with items like rib eye, pork steak and bourbon-brined chicken providing hearty comfort. The “Moon Dance Farm Pot Pie” is especially noteworthy, its beef-laden tomato broth made rich with tender meat, vegetables and creamy mashed potatoes. Sure, Gamlin is a little indulgent, but after a few Manhattans, we don’t really care. $$$

Juniper

360 North Boyle Avenue; 314-329-7696 Pop-up and underground-dining star John Perkins puts down some roots at Juniper: A Southern Table and Bar. Juniper’s menu draws its down-home, Americana dishes from Appalachia to Louisiana, with such dishes as Zapp’s potato-chip-crusted fried catfish, “pork-n-beans” and Southern fried chicken. Juniper’s signature is its fried chicken and waffles, with each season bringing a different iteration. Appetizers, or “Snackies,” include standouts such as pimento grilled cheese with bacon and Brussels sprouts jam and a Mason jar of smoked trout and country ham rillettes. The cocktail menu keeps with the Southern theme and leans heavily on rum and bourbon, and the thoughtfully crafted highballs, such as the hibiscus liquor with Mexican Coke, should not be overlooked. The cozy, refurbished-barn-like interior makes this an ideal spot to eat some unapologetically fried food and sip a stiff drink. $$$

Mary Ann’s Tea Room

4732 McPherson Avenue; 314-361-5303 Located in the large greenhouse in the back of the boutique Enchanting Embellishments, Mary Ann’s Tea Room is an ostentatious scene — think Scarlett O’Hara meets Marie Antoinette. The Central West End lunchtime eatery is named after Mary Ann Allison, the late socialite and building’s former owner who tragically passed away in 2009 while trying to save her pets from a house fire. Mary Ann’s Tea Room serves classic “ladies who lunch” fare, such as chicken salad with grapes on a croissant, quiche and smoked salmon. The restaurant excels at soups, including the must-try crab bisque that is loaded with lump crabmeat and garnished with caviar. The savory chicken pie and smoked-salmon duo are also noteworthy options, as are the boozy tea infusions. Take your mom and grandmother on a lunch date, and they will be impressed. $$


Come See Our Newly Remodeled Dining Room!

Homemade Authentic Lebanese Food

Kafta Kabab

Patrick Ahearn opened Bottle Cellars in Oakville back in 2010 with the idea of bringing worldly yet accessible wine to those who might otherwise be wary of the whole wine-buying process – one he concedes can be complicated and confusing. “My hope is that people can learn a little something. An educated customer is a good customer,” he says. With a laid-back approach and thoughtful touches – such as organizing the nearly 300 wines from light to full-bodied, complete with food pairings and detailed tasting notes for each – Ahearn and his friendly staff have succeeded mightily. He particularly enjoys carrying lesser-known wines that are hidden gems in their own right; he estimates that 75 percent of the wines he sells are under $25. In May, he opened the adjacent Cellar House, a sleek yet inviting wine bar. For a $10 corkage fee, patrons can enjoy their just-purchased bottle, as well as small plates (think cheese and charcuterie boards, flatbreads and sliders) from head chef Scott Monteith. But the best way to explore the constantly rotating selection is through wine flights: Build your own by choosing from among several three-ounce pours, and you’ll find a new favorite in no time. If wine’s not your thing, delve into Cellar House’s classic and house cocktails (sixteen in total) developed by bar manager Shawn Sullivan: The “Leo’s Lair,” with Lion’s Tooth dandelion liqueur and Rally Point rye that’s been infused with dried apricot and vanilla bean, is a popular one. There’s also a full spirits list, five beers on tap and another couple dozen in cans and bottles. Ahearn is fond of quoting vintner Charles Smith — “It’s just booze. Drink it!” — and Bottle Cellars and Cellar House are charming places to do just that. And, yes, maybe even learn a little something.

African food at it’s finest

6039 Telegraph road • 314-846-5100 • boTTlecellars.com

Chicken Shawarma 2015

WINNER

2010 & 2012 Best of St. Louis Winner Best Middle Eastern Restaurant 2013 Best French Fry

8615 Olive Blvd.

2013 Favorite Lebanese RFT Restaurants

University City, MO

3171 South Grand

314 -9 4 2 -8 7 30

thevinestl.com (314) 776-0991

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MUSIC Bound and Determined Kevin Gordon’s uniquely restless creativity knows no limits Written by

ROY KASTEN Kevin Gordon 8 p.m. Friday, November 13. Off Broadway, 3509 Lemp Avenue. $12 to $15. 314-773-3363.

T

he town of Monroe, Louisiana, sits in the northwestern part of the state on Interstate 20, halfway between Vicksburg and Shreveport, not far from the Arkansas and Mississippi borders. The Ouachita River flows through the western edge of the town — population around 49,000 — and though it’s not strictly Cajun country, it’s a rich melting pot of Southern cultures all the same. Northern Louisiana is the world that suffuses Long Gone Time, the new album by Kevin Gordon, an East Nashville, Tennessee-based songwriter who for three decades has been wrestling with the forms of rockabilly, blues and country-folk — and making them his own. Gordon has left a personal and poetic mark on those genres, somehow infusing them with fresh imagery, characters and insights that are as tough as they are tender. Anyone who has heard his duet with Lucinda Williams on “Down to the Well,” his classic rocker “Deuce and a Quarter” (which Keith Richards, Scotty Moore and members of the Band covered) and his ten-minute-long American epic “Colfax/Step in Time” know just how wide-ranging and wide-open rock & roll songwriting can be. It was in Monroe where he first learned to play Buddy Holly songs on the guitar and fronted a proto-punk band that covered the Ramones and the Sex Pistols to the shock and awe of high school gatherings. He studied in the Iowa Writers’ Workshop under Marvin Bell and Jorie Graham, but eventually learned that it wasn’t exactly poetry he was after, but songs and music that could connect with an

Kevin Gordon has been making rockabilly and blues all his own for three decades. | Heather LeRoy audience and still capture something only he could express. “Marvin Bell told me, ‘Always write from a young person’s perspective,’” Gordon says on the phone from his East Nashville home. “‘Try to retain that outlook.’ Just because you’re older, you’re not banking on your experience. You’re still curious about the world. I always took that to heart.” As much as Gordon learned as a student of poetry, it was becoming a student of blues and rock & roll that left the deepest impression. In Iowa he met one of the godfathers of Midwestern blues, Bo Ramsey, who remains best known as producer and sideman to folk hero Greg Brown. “He encouraged me to write more,” Gordon says of Ramsey. “He was the first guy that I had a lot of respect for that said, ‘Yeah, that’s good. Let’s work this up with a band.’ That gave me a lot of needed self-confidence. At the

time I was in grad school, which is a wacky zone to be in, especially poetry school. It can be a pretty precious environment. Ramsey was great because I got to escape from all that and jump in a van and play music God knows where. We never traveled more than a couple hundred miles, but it was a great reconnection with something that resembled reality.” Gordon recorded his new album Long Gone Time in the East Nashville studio of friend and collaborator Joe McMahan. Two years prior to the sessions, a fire wrecked the home-based studio; McMahan rebuilt and redesigned what was left of it. The tracking was live, with Gordon going for keeper vocal takes every time, as his mentor Ramsey and steady-on bass player Lex Price guided the rhythms and feel. The songs on Long Gone Time, Gordon’s sixth full-length, move from an opening blues march about the mys-

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tery of music and the honky-tonk life to a spare, shotgun-backed prayer, from an encounter with legendary Native American cowboy singer Brownie Ford to an embittered (but still loving) letter to the whole of his native land. “I’m on the outside now, can’t get a line back through,” Gordon sings on “Letter to Shreveport.” But in every song he makes a connection to the music, the stories and the people who yet remain inside him. “Living in Nashville gives me some distance to write about Louisiana,” he explains. “I’ve been going back more in the last few years, maybe just to figure it out, I don’t know. I have places where I can stay, gigs where I can survive. And I can just listen to people talk, and I get to eat well. I wanted to reconnect. I’ve seen some of my family pass away; my favorite great aunt died a few years ago of cancer. You feel that generation going, and then you also feel yourself getting closer to that place.” When Gordon is not consumed by songwriting and making music, he pursues his passion for visual art, specifically “contemporary self-taught/ folk/outsider/vernacular” art, as he describes it on the Gordon Gallery website. It’s a cumbersome expression, but Gordon is careful when talking about that work, especially when it comes to making connections between his life as a musician and the life of an outsider artist. The men and women who have made this “outsider art” have lived lives far different from and far more demanding than his own. The work he collects and curates by artists such as Howard Finster, Mose Tolliver, Joe Light, Jim Sudduth and Sarah Mary Taylor is astonishingly beautiful, and it is so because it arises from their utterly unique and singular experiences. “When I started out, artists like Mose Tolliver and Jimmy Sudduth were still alive, and a half day’s drive from here,” he says. “For me that’s where the fun was. Just visiting with those people, but not because they were eccentric. Seeing and being there helped me understand the art that they made. In the case of Joe Light and the song [Gordon wrote about him], it was meeting him and his family that cast a harsh light on what it means to be an artist or a creative person in this time. I don’t compare myself to those people. But to live a creative life requires some determination.” n

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46

B-SIDES

“We’ve been doing the dive-bar thing for years now, so it’s nice to actually feel like we’re accomplishing something new.” | Dave Creaney

Perpetual Motion Austin’s Mike and the Moonpies keep pushing Written by

AARON DAVIDOFF Mike and the Moonpies 8 p.m. Wednesday, November 18. Off Broadway, 3509 Lemp Avenue. $18 to $30. 314-773-3363.

M

ike Harmeier doesn’t stop. Except that one time when he got married and those other times when he needed to record an album. Matrimony and records aside, the Austin-based singer-songwriter has been on the road with his band, Mike and the Moonpies, since 2007. “We’ve been perpetually touring for over five years,” Harmeier says. “We haven’t taken a Thursday

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through Sunday off in three or four years. Whether we’re working in Texas or Oklahoma, or headed out on longer runs, this is all we do. We just stay on the road. And there’s no end in sight for this tour we’re on now.” For most people, a never-ending stretch of work is a tall price to pay for a career. For Harmeier, it’s a gift. “I enjoy every aspect of it,” he says. “I’ve always wanted to be in the music business. There’s nothing about it I don’t like. I enjoy being on the road, I enjoy playing shows, I enjoy the bar scene. I can’t get enough.” Lucky for Harmeier, 2015 is shaping up to be the biggest year yet for his group, and an abundance of shows hang in the horizon. Part of the reason for the Moonpies’ growing success is their close ties with larger groups such as Jason Boland & the Stragglers — both bands will perform together in St. Louis at Off Broadway on November 18. “It’s nice to be able to go on the road with acts that are doing the same kind of thing that we are and already drawing crowds,” Harmeier says. “We’ve been doing the dive-bar thing for years now, so it’s nice to actually feel like we’re accomplishing

NOVEMBER 11-17, 2015

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something new.” Another recent notch in the Moonpies’ collective belt this year was the release of a new album, Mockingbird, in early October. Harmeier speaks with excitement when describing his artistic vision for the new music. “Every time I make a record, I learn something new,” he says. “With this one, I think I figured out how I wanted to push it to the public. Mockingbird is the first time I’ve really had an idea, front to back, and knew exactly how I wanted everything to sound. “I’m a very nostalgic dude, and I grew up a lot with my grandfather,” he continues. “I remember that’s kind of how I got started: hanging out with him at the bars and listening to music. When I was six or seven years old, I would sit at the bar and drink soda while he would talk with his friends. The jukebox in those bars is really what molded my musical tastes. So I wanted to make Mockingbird sound like something that would come out of that jukebox. The album is strongly influenced by what I was listening to at that time: ’90s country, Allman Brothers and some Bob Seger kind of stuff too.” Harmeier describes the group of

people who created Mockingbird as a tight collective of close friends. His co-producer was the best man at his wedding. His drummer has been a friend since high school. “I’m from the Tomball, north Houston area,” he says. “The drummer’s been in every band that I’ve ever played in. He’s the oldest friend I have in the band. The bass player, Preston, was the next addition after him. The steel player and the guitar player came as a package deal. They were in another band in 2008, and we were playing a lot of shows together. The steel player wasn’t even playing steel at the time, but he really wanted to be in the band, so he picked up steel just to be in the Moonpies. It’s pretty impressive. I couldn’t believe he actually accomplished it. And now he’s actually a pretty good steel player.” With no end in sight for the tour, Harmeier buckles up for an exciting new year on the road. During his exceedingly rare moments of rest, though, he’ll be with his family and some good Southern cooking. “I have to hang out with the wife,” he says. “I have to eat some chicken-fried steak.” n


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NOVEMBER 11-17, 2015

RIVERFRONT TIMES

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48

HOMESPUN

O B V IO U S LY OFFBEAT

Sound Sketches (2010-2015) obviouslyoffbeat.bandcamp.com

G

novemBER 12

10PM

Aaron Kamm and the One Drops

novemBER 13

10PM

Jakes Leg

novemBER 14

10PM

Uncle Lucius (from Austin)

december 18 Voodoo Players

9:30PM

Tribute to Talking Heads

736 S Broadway St. Louis, MO 63102 (314) 621-8811 48

RIVERFRONT TIMES

iven his relative ubiquity on stages around St. Louis, it’s surprisingly hard to put a label on guitarist Kevin Koehler. He initially made his mark as a member of the live hip-hop ensemble Illphonics and, more recently, as an apt purveyor of twang and roots music as part of the Defeated County. In his spare time, though, the 31-year-old has been tinkering with his own set of songs, recently compiled in Sound Sketches (2010-2015). As the title suggests, this is less of an album and more of a clip reel for Koehler’s talents as a songwriter, instrumentalist and recording engineer. In conversation, Koehler says that “there’s no actual underlying concept of an album at all. I even hesitate to call it an album for that reason; it’s more of a recording of my experiments over the past five years.” The concept may be loosely defined, but we learn a few things about Koehler on this recording: He’s an optimist, a believer in the power of song, and a respectable singer/songwriter in his own right. His genre-fluidity is still an important aspect of Koehler’s make-up — you’ll hear traces of reggae, hip-hop and soul across these sixteen tracks. But guitar-based rock, especially a rich vein of ’90s-derived grunge/ metal/shoegaze amalgam, comes through most prominently. Koehler credits his older brother for hipping him to bands like Nine Inch Nails, Metallica and Nirvana at an impressionable age. “He had a license and a car with a badass sound system and he took his little eight-year old brother around,” Koehler explains. “I sat there in some sort of euphoria – that style of music is what ignited my love for music.” Those influences have been filtered through a short lifetime of absorbing various strands of musical tradition, but the guitar’s prominence in these tracks, from the Wilco-esque opener “Heaven Ain’t All That Far” to the power-pop pomp of the next track “Are We Home?” show fluency with the sweeter side of rock and pop forms. As a guitarist, Koehler is as comfortable laying down sharp rhythmic patterns as he is turning out a nuanced, raucous solo. These tracks have their roots in sessions dating from 2010, when Koehler, bassist Simon Chervitz (also of Illphonics and the Defeated County) and drummer Mike Schurk (Jon Hardy & the Public) laid down basic tracks at Schurk’s parents’ house in Webster Groves. In the intervening few years, Koehler has added layers of overdubs, stripping out everything but the rhythm section. To his credit, Koehler chose not to overstuff the songs but used a relatively modest home recording set-up to embellish

NOVEMBER 11-17, 2015

riverfronttimes.com

and burnish them until their true character shone through. That meant ramping up the chunky riffs in set-closer “We All Go Thru the Same Thing” and effecting his vocals to match, creating a song that wouldn’t sound out of place on late-’90s alternative radio. He’s a fair singer and a searching, big-hearted songwriter — songs like “Their Song” seek shared humanity through shared art and music. The album’s few instrumental passages perhaps bear the strongest sense of the “sketches” indicated in the title, but they show Koehler’s dexterity and experimental strains. “Argentina” rides on a gentle, loping acoustic guitar pattern, but it’s the encroaching, almost discordant ambient noise behind it that offers depth — or at least the threat of malice. Earlier in the album, “Tierra de la Nada” comes off as more of a genre exercise in both desert-noir scene setting and sand-blasted riff rock. Koehler is unsure where Obviously Offbeat will go from here; whether it becomes a working concern with Chervitz and Schurk (who played last week’s release show) or evolves with other players is an open question. For now, though, it’s enough to have these songs out in the world after such a long gestation period. “To me it’s more or less been about everything outside of the other projects I’ve been doing, and jobs and family,” says Koehler. “It’s the truest depiction of who I am and what my beliefs are.” –Christian Schaeffer Want your CD to be considered for a review in this space? Send music c/o Riverfront Times, Attn: Homespun, 6358 Delmar Boulevard, Suite 200, St. Louis, Missouri, 63130. Email music@riverfronttimes.com for more information.


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RIVERFRONT TIMES

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50

OUT EVERY NIGHT

T H U R S D AY ALESANA: W/ IWRESTLEDABEARONCE, ENTHEOS, ARTIFEX PEREO, CABARET RUNAWAY 6 p.m., $16-$18. The Firebird, 2706 Olive St., St. Louis, 314-535-0353. BILLY BARNETT BAND: 10 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314436-5222. Chris Webby: 8 p.m., $18-$20. Cicero’s, 6691 Delmar Blvd., University City, 314-862-0009. DEAR ROUGE: W/ RAH RAH 8 p.m., $10. The Demo, 4191 Manchester Ave, St. Louis, 314833-5532. DIABASE: W/ STAGHORN, MISS MASSIVE SNOWFLAKE 9 p.m., free. Schlafly Tap Room, 2100 Locust St., St. Louis, 314-241-2337. EVERCLEAR 20TH ANNIVERSARY: SPARKLE AND FADE TOUR: 7 p.m., $25-$125. Mile 277 Tap & Grill, 10701 Watson Road, St. Louis, 314-6453277. JOE METZKA BAND: 7 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-4365222. JUSTIN ADAMS: 8 p.m., $10. Off Broadway, 3509 Lemp Ave., St. Louis, 314-773-3363. OAK, STEEL & LIGHTNING: W/ COOTER & HOSS, WOODSHINE, MOUNTAIN SPROUT 8 p.m., $10. The Bootleg, 4140 Manchester Ave., St. Louis, 314-775-0775. RYAN MARTIN: W/ SIOUX CITY KID, DUTCH COURAGE 9 p.m., $7. The Heavy Anchor, 5226 Gravois Ave., St. Louis, 314-352-5226. SOULFLY: W/ SHATTERED SUN, INCITE, ARTICLE III, GRAYS DIVIDE 7 p.m., $20-$22. Fubar, 3108 Locust St, St. Louis, 314-289-9050. VIDEO: W/ BLACK PANTIES, CAL & THE CALORIES 8 p.m., $5. Foam Coffee & Beer, 3359 Jefferson Ave., St. Louis, 314-772-2100.

Locust St., St. Louis, 314-241-2337. THE LONELY WILD: W/ YOUNG BUFFALO, HOLY POSERS 10 p.m., $8. The Bootleg, 4140 Manchester Ave., St. Louis, 314-775-0775. MASON JENNINGS: 8 p.m., $20-$22.50. Blueberry Hill, 6504 Delmar Blvd., University City, 314727-4444. PRAIRIE REHAB: W/ CARA LOUISE BAND, MARIE AND THE AMERICANS 9 p.m., $7. The Heavy Anchor, 5226 Gravois Ave., St. Louis, 314-3525226. STRANGLED DARLINGS: 6 p.m., Free. The Heavy Anchor, 5226 Gravois Ave., St. Louis, 314-3525226. TOMMY HALLORAN’S GUERRILLA SWING LIVE CD RECORDING: 7:30 & 9:30 p.m.; Nov. 14, 7:30 & 9:30 p.m., $20. Ferring Jazz Bistro, 3536 Washington Ave, St. Louis, 314-571-6000. TOMMY HALLORAN’S GUERRILLA SWING LIVE CD RECORDING: 7:30 & 9:30 p.m.; Nov. 14, 7:30 & 9:30 p.m., $20. Ferring Jazz Bistro, 3536 Wash-

ington Ave, St. Louis, 314-571-6000. THE TRAVELIN’ MCCOURYS: W/ DREW EMMITT AND ANDY THORN 8 p.m., $25-$28. Old Rock House, 1200 S. 7th St., St. Louis, 314-588-0505. WE THE VICTIM: W/ VALLEY, THE ENGINEERED, NOTHING SET IN STONE 8 p.m., $8-$10. The Firebird, 2706 Olive St., St. Louis, 314-535-0353.

S AT U R D AY BABY BABY, DANCE WITH ME: W/ RED MOUTH, PECK OF DIRT, SOLE LOAN 9 p.m., free. Schlafly Tap Room, 2100 Locust St., St. Louis, 314-2412337. BIG RICH & THE RHYTHM RENEGADES: 7 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222. CAS HALEY: 8:30 p.m., $12-$14. The Firebird, 2706 Olive St., St. Louis, 314-535-0353. CASEY VEGGIES: 9 p.m., $22-$25. Fubar, 3108 Locust St, St. Louis, 314-289-9050.

[CRITICS PICKS}

F R I D AY

S U N D AY

THE ACACIA STRAIN: W/ COUNTERPARTS, GLASS CLOUD, FIT FOR AN AUTOPSY, KUBLAI KHAN 6:30 p.m., $16-$18. Fubar, 3108 Locust St, St. Louis, 314-289-9050. ANDREA GIBSON: 8 p.m., $15-$17. The Ready Room, 4195 Manchester Ave, St. Louis, 314833-3929. J.W. JONES BAND: 7 p.m., $10. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-4365222. BIG FREEDIA: W/ BOYFRIEND 8:30 p.m., $20$22.50. The Pageant, 6161 Delmar Blvd., St. Louis, 314-726-6161. CARTER HULSEY: W/ THE MILLENNIUM, KIERNAN MCMULLAN 8 p.m., $10-$12. The Demo, 4191 Manchester Ave, St. Louis, 314-833-5532. DARLING DOWN: W/ BAREWIRE, AND JETLINER GYPSIES 8 p.m., $7. Cicero’s, 6691 Delmar Blvd., University City, 314-862-0009. DAVID DEE & THE HOT TRACKS BAND: 10 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222. EILEN JEWELL: W/ KEVIN GORDON 8 p.m., $12$15. Off Broadway, 3509 Lemp Ave., St. Louis, 314-773-3363. FREE PIZZA: 8 p.m., $5. Foam Coffee & Beer, 3359 Jefferson Ave., St. Louis, 314-772-2100. GLADYS KNIGHT: W/ THE O’JAYS 7 p.m., $55-$150. The Fox Theatre, 527 N. Grand Blvd., St. Louis, 314-534-1111. J.D. HUGHES: 8 p.m., Free. Cicero’s, 6691 Delmar Blvd., University City, 314-862-0009. JOSH TURNER: 8 p.m., $37.50-$67.50. River City Casino & Hotel, 777 River City Casino Blvd., St. Louis, 314-388-7777. JW JONES BAND: 7 p.m., $10. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-4365222. KSHE-95 48TH BIRTHDAY PARTY: W/ REO SPEEDWAGON 8 p.m., $26-$116. Peabody Opera House, 1400 Market St, St. Louis, 314-241-1888. THE LANGALEERS: W/ NONE THE WISER, APEX SHRINE 9 p.m., free. Schlafly Tap Room, 2100

50

RIVERFRONT TIMES

DEATH AND MEMPHIS: W/ BLACK TAR HEROINES, GUY MORGAN, BAD TASTE 7 p.m., $8. Fubar, 3108 Locust St, St. Louis, 314-289-9050. DREAMING IN COLOR: 7 p.m., $10. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314436-5222. JC BROOKS: 9 p.m., $15-$28. Off Broadway, 3509 Lemp Ave., St. Louis, 314-773-3363. JELLYROLL: W/ P.R.E.A.C.H, MAK 9 & TRENTON P 7 p.m., $15-$18. Pop’s Nightclub, 401 Monsanto Ave., East St. Louis, 618-274-6720. PEPPERLAND: A BEATLES REVUE: W/ ANDREW JOHN 8 p.m., $10. Cicero’s, 6691 Delmar Blvd., University City, 314-862-0009. SCOTTIE MILLER BAND: 10 p.m., $10. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314436-5222. SCOTTIE MILLER BAND: 10 p.m., $10. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314436-5222. TEF POE: 10 p.m., $7. The Bootleg, 4140 Manchester Ave., St. Louis, 314-775-0775. THUNDER/DREAMER: W/ ISH, HANDS & FEET, ANGELHEAD 8 p.m., $5. Foam Coffee & Beer, 3359 Jefferson Ave., St. Louis, 314-772-2100. TOMMY HALLORAN’S GUERRILLA SWING LIVE CD RECORDING: Nov. 13, 7:30 & 9:30 p.m.; 7:30 & 9:30 p.m., $20. Ferring Jazz Bistro, 3536 Washington Ave, St. Louis, 314-571-6000. TOMMY HALLORAN’S GUERRILLA SWING LIVE CD RECORDING: Nov. 13, 7:30 & 9:30 p.m.; 7:30 & 9:30 p.m., $20. Ferring Jazz Bistro, 3536 Washington Ave, St. Louis, 314-571-6000. TRACING WIRES: W/ PEEKABOOS, I ACTUALLY, CACODYL 9 p.m., $7. The Heavy Anchor, 5226 Gravois Ave., St. Louis, 314-352-5226. THE WONDER YEARS: W/ MOTION CITY SOUNDTRACK, STATE CHAMPS, YOU BLEW IT! 7 p.m., $22.50-$25. The Pageant, 6161 Delmar Blvd., St. Louis, 314-726-6161.

Eilen Jewell. | Otto Kitsinger

EILEN JEWELL 8 p.m. Friday, November 13. Off Broadway, 3509 Lemp Avenue. $12 to $15. 314773-3363

If there’s one thing you never say on Jeopardy!, it’s “Alex, I’ll take Idaho musicians for $500.” If you’re a songwriter obsessive, Josh Ritter and Rosalie Sorrels might come to mind, but you’d likely miss Eilen Jewell, a country-folk musician who grew up in Boise and then got the hell out to find her own voice, somewhere between Loretta Lynn, Billie Holiday and Kate

NOVEMBER 11-17, 2015

riverfronttimes.com

Wolf. Recently, Jewell returned to her native turf to raise a family and record a new album, Sundown Over Ghost Town. It’s Jewell’s finest distillation of hillbilly swing, honky-tonk and folk balladry that’s less forsaken than it is purely, confidently beautiful. Unheralded Guitar Hero: Jerry Miller, long-time guitarist for Jewell, may be the greatest rockabilly, jazz and surf guitarist without his own hall of fame exhibit. Anyone who has seen him strafe a six-string knows he deserves one. –Roy Kasten

AMERICA’S GOT TALENT LIVE! ALL-STARS TOUR: W/ TAYLOR WILLIAMSON, EMIL WEST, THE KRISTEF BROTHERS, RECYCLED PERCUSSION. 7 p.m., TBA. Peabody Opera House, 1400 Market St, St. Louis, 314-241-1888. BLOOD ON THE DANCE FLOOR: W/ ANOTHER DAY DROWNING, WILL F.M. 6 p.m., $15. Fubar, 3108 Locust St, St. Louis, 314-289-9050. BUNGLER: W/ GREAT GRIEF, HANDFUL OF ZYGOTES, CLAIM YOUR KINGDOM 6 p.m., $10. Fubar, 3108 Locust St, St. Louis, 314-289-9050. GUITAR MASTERS: 6:30 p.m., $10. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314436-5222. HANDS LIKE HOUSES: W/ I THE MIGHTY, LOWER THAN ATLANTIS, BRIGADES, TOO CLOSE TO TOUCH 6 p.m., $15-$17. The Firebird, 2706 Olive St., St. Louis, 314-535-0353. IAN MCGOWAN AND THE GOOD DEEDS: RUTH ACUFF, LETTERS TO MEMPHIS 8 p.m., free. Off Broadway, 3509 Lemp Ave., St. Louis, 314-773-3363. KINGDOM BROTHERS BAND: 4 p.m., $10. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222. KY-MANI MARLEY: 9 p.m., $20-$25. 2720 Cherokee Performing Arts Center, 2720 Cherokee St, St. Louis, 314-276-2700.

M O N D AY VALISE: 7 p.m., $10. The Demo, 4191 Manchester Ave, St. Louis, 314-833-5532. ANGEL: 8 p.m., $10. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222. INTRONAUT: W/ THE GORGE, ALAN SMITHEE 8 p.m., $12. The Demo, 4191 Manchester Ave, St. Louis, 314-833-5532. P.O.D.: W/ HOLLOW POINT HEROES 8 p.m., $20. The Ready Room, 4195 Manchester Ave, St. Louis, 314-833-3929. SOULARD BLUES BAND: 9 p.m., $5. Broadway Oyster Bar, 736 S. Broadway, St. Louis, 314621-8811.


T U E S D AY AMARANTHE: W/ BUTCHER BABIES, LULLWATER 6 p.m., $18-$20. Pop’s Nightclub, 401 Monsanto Ave., East St. Louis, 618-274-6720. BEN FOLDS: W/ Y MUSIC, DOTAN 8 p.m., $32.50$37.50. The Pageant, 6161 Delmar Blvd., St. Louis, 314-726-6161. THE BLACK LILLIES: 8 p.m., $12-$15. Off Broadway, 3509 Lemp Ave., St. Louis, 314-773-3363. GUTTERMOUTH: W/ BLACKLIST ROYALS, THE FUCK OFF AND DIES 8 p.m., $15. Fubar, 3108 Locust St, St. Louis, 314-289-9050. ICE NINE KILLS: W/ WAGE WAR, WHITE NOISE, TORN AT THE SEAMS, THIS IS ME BREATHING 6 p.m., $15-$17. The Firebird, 2706 Olive St., St. Louis, 314-535-0353. JAMAICA LIVE TUESDAYS: W/ ITAL K, MR. ROOTS, DJ WITZ, $5/$10. Elmo’s Love Lounge, 7828 Olive Blvd, University City, 314-282-5561. JOJO: 8 p.m., $20-$25. Old Rock House, 1200 S. 7th St., St. Louis, 314-588-0505. ST. LOUIS SOCIAL CLUB: 8 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314436-5222.

W E D N E S D AY

THE ALLEY TONES: 10 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222. BIG RICH & THE RHYTHM RENEGADES: 7 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222. BOB “BUMBLE BEE” KAMOSKE: 8 p.m. Beale on Broadway, 701 S. Broadway, St. Louis, 314-621-7880.

HOLLYWOOD UNDEAD: 8 p.m., $25-$27.50. The Pageant, 6161 Delmar Blvd., St. Louis, 314-7266161. JASON BOLAND & THE STRAGGLERS: W/ MIKE AND THE MOONPIES 8 p.m., $18-$30. Off Broadway, 3509 Lemp Ave., St. Louis, 314773-3363. OMAHA DINER: W/ CHARLIE HUNTER, BOBBY PREVITE, SKERIK, ERIC BROWN 7:30 & 9:30 p.m.; Nov. 19, 7:30 & 9:30 p.m.; Nov. 20, 7:30 & 9:30 p.m.; Nov. 21, 7:30 & 9:30 p.m., $35. Ferring Jazz Bistro, 3536 Washington Ave, St. Louis, 314-571-6000. OMAHA DINER: W/ CHARLIE HUNTER, BOBBY PREVITE, SKERIK, ERIC BROWN 7:30 & 9:30 p.m.; Nov. 19, 7:30 & 9:30 p.m.; Nov. 20, 7:30 & 9:30 p.m.; Nov. 21, 7:30 & 9:30 p.m., $35. Ferring Jazz Bistro, 3536 Washington Ave, St. Louis, 314-571-6000. SKINBOUND: W/ MURDER MACHINE, ACID ERA 7 p.m., $10. The Firebird, 2706 Olive St., St. Louis, 314-535-0353. SPIRIT CARAVAN: W/ ELDER, PATH OF MIGHT, VAN BUREN 8 p.m., $12. Fubar, 3108 Locust St, St. Louis, 314-289-9050. SYDNEY STREET SHAKERS: 8 p.m., $5. Foam Coffee & Beer, 3359 Jefferson Ave., St. Louis, 314-772-2100. TEXAS BLVD: W/ SKYLINE IN RUINS, SHAFT, THE GREAT EXPECTATIONS, KEVIN KOEHLER 6 p.m., $10. Fubar, 3108 Locust St, St. Louis, 314-2899050. THE NIGHTMARE POLICE: GET AT ME, STRUCK DOWN BY SOUND 7 p.m., $8. The Demo, 4191 Manchester Ave, St. Louis, 314-833-5532.

[CRITICS PICKS]

Tommy Halloran’s Guerrilla Swing 7:30 and 9:30 p.m. Friday, November 13, and Saturday, November 14. Jazz at the Bistro, 3536 Washington Avenue. $20. 314-571-6000.

Like many local artists, Tommy Halloran wants to hear his latest album on the warmth and sonic richness of vinyl. In fact, it might be closer to the spirit of his music were he to go truly old school and issue his songs on 78 RPM discs. For years Halloran has been this city’s most charming practitioner of guitar-led jazz and swing music, and his songs are rooted in tradition while sounding ethereally timeless. With his group Guerilla

THIS JUST IN AMERICAN WRESTLERS: W/ Bo and the Locomotive, Fri., Jan. 15, 8 p.m., $8-$10. Off Broadway, 3509 Lemp Ave., St. Louis, 314-773-3363, offbroadwaystl.com. ZACH & THE HEART ATTACKS: W/ Bottoms Up Blues Gang, Wed., Dec. 9, 9:30 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222, bbsjazzbluessoups.com. BIG RICH & THE RHYTHM RENEGADES: Wed., Dec. 2, 7 p.m., $5. Wed., Dec. 9, 7 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314436-5222, bbsjazzbluessoups.com. BILLY BARNETT BAND: Thu., Dec. 3, 7 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222, bbsjazzbluessoups.com. EXPERIENCE HENDRIX TOUR: W/ Buddy Guy, Zakk Wylde, Jonny Lang, Kenny Wayne Shepherd, Eric Johnson, Dweezil Zappa, Billy Cox, Tue., March 8, 8 p.m., $30-$100. The Fox Theatre, 527 N. Grand Blvd., St. Louis, 314-5341111, fabulousfox.com. THE FEW: W/ Inner Outlines, the Winks, Little

Swing, Halloran will be releasing State Streets on vinyl early in 2016, but for this weekend’s gig at Jazz at the Bistro, attendees will receive a free download code to hear the tracks. As a preview, Halloran has leaked a version of the title track, and it shows he and his band in a grittier, blues-derived vein, with rusty strings and bari sax leading the rumble through those titular south-city streets. Brunch is a Competitive Sport: Alongside his more traditional evening gigs at the Bistro, Halloran and company will provide the musical mimosas alongside your Sunday brunch at the midtown venue. Brunch service runs from 10 a.m. to 2 p.m.

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–Christian Schaeffer Falcon, Fri., Dec. 18, 6 p.m., $6. Fubar, 3108 Locust St, St. Louis, 314-289-9050, fubarstl.com. FOREVER AT LAST: W/ Hail Your Highness, Sat., Nov. 28, 6 p.m., $10. Fubar, 3108 Locust St, St. Louis, 314-289-9050, fubarstl.com. G HERBO: W/ Bempy Madd, Imaginary Friends, FTO JMB, Sun., Dec. 6, 8 p.m., $15-$55. Fubar, 3108 Locust St, St. Louis, 314-289-9050, fubarstl.com. G-EAZY: W/ A$AP Ferg, Marc E. Bassey, Nef the Pharaoh, Fri., Jan. 15, 7 p.m., $36.50. The Fox Theatre, 527 N. Grand Blvd., St. Louis, 314-5341111, fabulousfox.com. GET AT ME: W/ the Former Me, Equal Squeeze, the Cinema Story, Wed., Dec. 30, 6 p.m., $7. The Demo, 4191 Manchester Ave, St. Louis, 314-8335532, thedemostl.com. GOOD FOR THE SOUL: Sun., Dec. 6, 6 p.m., $10. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222, bbsjazzbluessoups.com. HEARTIST: W/ XXI, Lo and Behold, From Myth and Legend, Tue., Dec. 15, 6 p.m., $12. Fubar, 3108 Locust St, St. Louis, 314-289-9050, fubarstl.com. HELL NIGHT: W/ Carousel, the Maness Brothers,

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Bowling the way it is now – FUN!

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Common Jones, Cold Hearted Strangers, Muddy River Ramblers - FunkRockGrass - 8:30pm - $7

SATURDAY, NOVEMBER 21 ST

New American Classic, Captain’s Couragous, Inner Outlines, Equal Squeeze, Forgetting January 8pm - $10 ADV/$12 DOS

MONDAY, NOVEMBER 23 RD

Aqueous and Hazard To Ya Booty - JamRockFunk 8pm - $7

EVERY Beer of the month: Free glass with every TUESDAY SUDWERK Sudwerk purchase.

6691 Delmar

In the University City Loop

314.862.0009 • www.ciceros-stl.com 52

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Delmar Loop

sUN. 11/29

ON SALE 11.13 AT 10AM

TUe. 2/09

Saint Louis

wedNesday 11/11

ON SALE 11.13 AT 10AM

friday 11/13

saTUrday 11/14

MONday 11/16

TUesday 11/17

wedNesday 11/18

fri. 11/20 & saT. 11/21

UPCOMING SHOWS 11.23 GLEN HANSARD 11.25 JAKE’S LEG 11.27 DR. ZHIVEGAS 11.28 STEVIE RAY VAUGHAN TRIBUTE 12.1 X AMBASSADORS 12.2 DEATH CAB FOR CUTIE 12.2 SANTA JAM W/ BIG AND RICH 12.4 PUNCH BROTHERS 12.5 ELI YOUNG BAND 12.7 GREEK FIRE 12.10 THE NEIGHBOURHOOD 12.12 CHARLES KELLEY 12.15 STEEL PANTHER 12.18,23,25,26 EL MONSTERO 12.31 POKEY LAFARGE

1.8 PATTON OSWALT 1.9 MEMORIES OF ELVIS 1.16 STORY OF THE YEAR 1.26 CITY AND COLOUR 1.28 CARNAGE 1.30 RAILROAD EARTH 2.4 BIG HEAD TODD & THE MONSTERS 2.12 STS9 2.13 MIKE STUD 2.17 GAELIC STORM 2.21 BULLET FOR MY VALENTINE 2.25 DARK STAR ORCHESTRA 2.28 GARY CLARK JR. 3.24 EXCISION 4.10 UNDEROATH

visit us online for complete show information facebook.com/ThePageantSTL

@ThePageantSTL

thepageantstl.tumblr.com

thepageant.com // 6161 delmar blvd. / St. Louis, MO 63112 // 314.726.6161

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TNT Glass

Designs

All-American

Smoke Shop

Maximum Effort, Thu., Dec. 17, 8 p.m., $10. Fubar, 3108 Locust St, St. Louis, 314-289-9050, fubarstl.com. IL DIVO: Wed., Oct. 26, 7 p.m., $36.95-$176.95. Peabody Opera House, 1400 Market St, St. Louis, 314-241-1888, peabodyoperahouse.com. JAKE’S LEG 40TH ANNIVERSARY NEW YEAR’S EVE CELEBRATION: Thu., Dec. 31, 9 p.m., $15-$20. Old Rock House, 1200 S. 7th St., St. Louis, 314588-0505, oldrockhouse.com. KATT WILLIAMS: Fri., Feb. 26, 7 p.m., $52-$125. Chaifetz Arena, 1 S. Compton Ave., St. Louis, 314-977-5000, thechaifetzarena.com.

5532, thedemostl.com. QUIEF QUOTA REUNION SHOW: W/ Eric Hall, Zak M., Sugar Rags, Wed., Nov. 25, 8 p.m., $5. The Firebird, 2706 Olive St., St. Louis, 314-535-0353, firebirdstl.com. RUDE FESTIVAL DAY 1: W/ Peter & the Test Tube Babies, Lower Class Brats, Ultraman, the Supermen, Scene of Irony, the Bad Engrish, We Bite!, Brutally Frank, Benedict Arnold, Balsall Heathens, Find the Sound, Fri., April 1, 6 p.m., $25-$65. Fubar, 3108 Locust St, St. Louis, 314289-9050, fubarstl.com. RUDE FESTIVAL DAY 2: W/ the Casualties,

2015

Thank You for Voting Us

Best Smoke Shop

[CRITICS PICKS]

St. Louis!

6163 Delmar Blvd. • 63112 Next to The Pageant on Delmar

314.863.8860

Guttermouth. | Courtesy Atomic Music Group.

Huntington Beach, California’s Guttermouth has been steadily churning out punk-as-fuck tunes for over 25 years now, inciting controversy every step of the way. Snotty and irreverent in its approach, the band has no time for sacred cows or, sometimes, even simple manners. Guttermouth was infamously booted from the Warped Tour in 2004 for making fun of the other acts from the stage (Yellowcard and My Chemical Romance, in particular,

were subjected to singer Mark Adkins’ disdain), and even found itself banned from Canada for a full year in the late ‘90s after Adkins performed onstage in the nude. Couple this behavior with lyrics about donkey shows, slaughtering household pets and how “everyone’s an asshole,” and it becomes clear that the band’s moniker is not just a clever name. Round Two: Guttermouth performed at Fubar in April 2014 as well, and put on an absolutely killer set featuring songs from throughout its career. Fans should expect more of the same this time around. –Daniel Hill

MACABRE MESSENGER: W/ Love Kingsford, Banks and Cathedrals, Davis Wilton, Fri., Dec. 11, 8 p.m., $10. The Firebird, 2706 Olive St., St. Louis, 314-535-0353, firebirdstl.com. MAROON 5: W/ Tove Lo, R. City, Mon., Oct. 3, 7 p.m., $27.50-$123. Scottrade Center, 1401 Clark Ave., St. Louis, 314-241-1888, scottradecenter. com. MONTANA OF 300: W/ Crook Costello, Dijon Lavell, JSkillz, Cosmiic, Adeum, Sun., Dec. 13, 8 p.m., $20-$25. Fubar, 3108 Locust St, St. Louis, 314-289-9050, fubarstl.com. MUMFORD & SONS: Sat., April 16, 7 p.m., $59.50. Scottrade Center, 1401 Clark Ave., St. Louis, 314-241-1888, scottradecenter.com. NEKROGOBLIKON: Wed., Dec. 9, 7 p.m., $15. The Firebird, 2706 Olive St., St. Louis, 314-535-0353, firebirdstl.com. NEW YEARS EVE METAL BASH: W/ Article III, Awaiting the Gallows, Nethersphere, Thu., Dec. 31, 8 p.m., $10-$12. Fubar, 3108 Locust St, St. Louis, 314-289-9050, fubarstl.com. NIGHT RIOTS: W/ Sugar Rags, Sun., Dec. 6, 7 p.m., $10-$12. The Demo, 4191 Manchester Ave, St. Louis, 314-833-5532, thedemostl.com. PASADENA: W/ Bumpin Uglies, Your New Favorite T-Shirt, Mon., Nov. 23, 8 p.m., $10. The Demo, 4191 Manchester Ave, St. Louis, 314-833-

Flatfoot 56, the Bollweevils, Sniper 66, Virgin Whores, Bent, Opposites Attack, Stinkbomb, the Timmys, Everything Went Black, the DUIs, Equinox, American Dischord, the Winks, Rage Cult, Missfire, Sat., April 2, 2 p.m., $25-$65. Fubar, 3108 Locust St, St. Louis, 314-289-9050, fubarstl.com. RUDE FESTIVAL DAY 3: W/ Agnostic Front, Victory, Soul Radics, Dogfight, the Bad Assets, Brick Assassin, Hard Evidence, 1918, Sun., April 3, 2 p.m., $25-$65. Fubar, 3108 Locust St, St. Louis, 314-289-9050, fubarstl.com. SAMANTHA FISH: Wed., Dec. 30, 8 p.m., $12-$15. Old Rock House, 1200 S. 7th St., St. Louis, 314588-0505, oldrockhouse.com. SKALIDAYS: Fri., Dec. 18, 9 p.m., $10-$15. The Ready Room, 4195 Manchester Ave, St. Louis, 314-833-3929, thereadyroom.com. TERRAFORM: W/ By the Thousands, Noesis, Ends of Infinity, Sun., Dec. 20, 6 p.m., $10. Fubar, 3108 Locust St, St. Louis, 314-289-9050, fubarstl.com. TORN AT THE SEAMS EP RELEASE: W/ Caducus, Hazer, Sun., Jan. 17, 6 p.m., $10. Fubar, 3108 Locust St, St. Louis, 314-289-9050, fubarstl.com. YO LA TENGO: Sun., Jan. 31, 8 p.m., $22-$25. The Ready Room, 4195 Manchester Ave, St. Louis, 314-833-3929, thereadyroom.com.

GUTTERMOUTH 8 p.m. Tuesday, November 17. Fubar, 3108 Locust Street. $15. 314-289-9050.

BLACK LACE WEDNESDAY November 25TH (The Day Before Thanksgiving)

South City

3552 Gravois at Grand

314-664-4040

Open until Midnight Fri & Sat

Mid County

10210 Page Ave. (3 miles East of Westport Plaza)

314-423-8422

Open until Midnight Fri & Sat

St. Peters

Come in and SHOP, then POP a condom at the checkout for your special discount or prize! Everyone Wins at Patricia’s!

54

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1034 Venture Dr. (70 & Cave Springs, S. Outer Rd.)

NOVEMBER 11-17, 2015

636-928-2144

Open until Midnight Thurs-Sat

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SLIDESHOW

800 S HWY DR, FENTON, MO 63026 (636) 343-5757

MON.-SAT. 3PM--1:30AM SUN. 3PM-12AM

DAILY SPECIALS MONDAY

-industry night -bucket night -all you can eat wings

TUESDAY

---> $7.99

-free poker @ 7pm -tooseday booseday -$2 well & domestic longnecks ---> 3PM-1:30AM

-open acoustic JAM

WEDNESDAY

---> 7PM-1:30AM

-beer pong @ 7pm

THURSDAY

-live music - hungarians ---> NO COVER

S

St. Louis Seasonal Beers

-free poker @ 7pm -ladies night -live music - dr zhivegas

t. Louis has no shortage of excellent beers. But come fall, many people think the seasonal ones come in only a couple of varieties: pumpkin and Oktoberfests. This isn’t to say that these aren’t good beers — many are excellent. (Excel Brewery’s Bruja, we’re looking at you.) Still, local breweries have many more interesting autumnal styles and flavors on offer right now. Here are eleven places with intriguing possibilities. Try something new! All photos by Robert Rohe. See the rest at photos.riverfronttimes.com.

FRIDAY

---> NO COVER

-ladies night

---> $2 CALLS & $3 WELLS

SATURDAY

-live music 9pm-1am -no cover

-live music 9pm-1am ---> NO COVER

-$2 domestic pints -bomb night - $3 bombs ---> ALL NIGHT LONG

-every saturday

---> 2 PERSON TEAM BAGS TOURNAMENT

SUNDAY

-live jam session ---> 7-11PM

-guys night

---> $2 PINTS & $8 PITCHERS WITH $5 REFILLS

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#S P I R I T S R F T

A S WI R L OF S PIRITS , S PE C IA

2015

MER RI D N A , S LT Y CO C K TAI L

M EN T

A C R A F T S P I R I T S TA S T I N G E V E N T

T H U R S D AY

DecEMBER 17th 6PM-10PM • VIP

7 PM-10PM • GA

T I C K E TS AVA I L A B L E S O O N! AT THE

THIRD Degree Glass Factory 5200 De lmar B lvd • S t Lo ui s, MO 63108

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SAVAGE LOVE Broadway, Babies Hey Dan: I’m a hetero guy in need of advice. Back in college, I met this girl. Suffice it to say she was into me but I had some shit to work through. So we ended up being a missed connection, romantically. Despite that, we still became fast friends. I’m less awkward now, in large part because our friendship changed my life. We each married other people, and everything worked out great. Except I still love her. I think about her often, want to share things about my life with her, find myself wanting to rely on her when things are tough. I don’t know what to do with it. On one hand, she means an awful lot to me — she is the kind of friend that comes along once in a lifetime — and I know that I mean a lot to her. So this is a relationship worth protecting, even as asymmetrical as it is. On the other hand, these feelings are starting to seem kind of pathetic. We are barely part of each other’s lives anymore — do I even have a right to feel the way I do? I see three options, each of which is shit. (1) Keep my feelings to myself and endure/enjoy a painful but deeply meaningful friendship.

(2) Disappear, either abruptly or gradually, with no explanation. Or (3) damn the torpedoes and bare my soul, which might painfully explode the relationship. After years of option 1, I am strongly leaning toward option 3 — just blowing shit wide open and dealing with whatever happens. No Good At Acronyms You’re going to need a gay dude to act on the advice I’m about to give you — and not just any gay dude, NGAA, but the kind of gay dude who obsesses about Broadway musicals. And not just any gay dude who obsesses about Broadway musicals, but the kind of Broadway-musical-obsessed gay dude who has good taste. (Look through his record collection: If Joseph and the Amazing Technicolor Dreamcoat is in there and Mame isn’t, he does not have good taste.) OK, here’s my advice: Listen to the original Broadway cast recordings of Company, Follies, and A Little Night Music — music and lyrics, in all three cases, by Stephen Sondheim (peace be upon him). Yes, you can get all three recordings on iTunes, NGAA, but you need to listen to them on vinyl, and you need to discuss these shows, and three songs in particular, with someone who already knows them by heart. Hence the need for a gay dude with good taste in Broadway

musicals and an extensive collection of original Broadway cast recordings — on vinyl. As any Broadway-musical-obsessed gay man will tell you: Epiphanies, insights, and breakthroughs come most reliably in moments of silence, i.e., when you have to flip the record over. Here are the songs you need to pay close attention to: “Sorry-Grateful” from Company, “The Road You Didn’t Take” from Follies, and “Send in the Clowns” from A Little Night Music. (You might be a little too fragile for “Too Many Mornings” and “Losing My Mind,” both from Follies.) Listen over and over again — until you know the lyrics of all three songs by heart. Discuss what these songs mean with your new gay friend. Then you’ll know what to do. Hey Dan: I was stroking my partner and went for the lube, when he informed me that he prefers to have his handjobs sans lube. He says that lube is messy. For the past three years, he has raved about my handjobs and said my skills are professional level, and never once did he complain about the lube. I attempted to follow through, but all my old techniques didn’t work. I asked him to show me how, what he likes, and he said just do the same as I’ve always done. The sliding, gliding, twisting motions that I

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57

usually use, all with a reasonable amount of squeezing, just DO NOT WORK without lube. My hand stuck to the dampish skin and would not slide. He says I am making a big deal out of nothing, but I am upset. One of the best tools in my sexual toolbox has just been rendered unusable. Sincerely Laments Obstructed Wanking You need to listen to the original Broadway cast recording of Wicked, music and lyrics by Stephen Schwartz (PBUH). When Idina Menzel sings “Defying Gravity,” pretend she’s singing “defying aridity.” Apparently that’s your boyfriend’s superpower, or his cock’s superpower: aridity — “being without moisture, extremely dry, parched” — is no impediment to pleasure. And it’s not an uncommon superpower, SLOW. Lots of guys prefer lubeless handjobs. So have your boyfriend jack himself off while you listen to Wicked, see what works for him, and then try not to make a big deal — try not to make any sort of deal — out of his handjob preferences going forward. On the Lovecast, Salon writer Debra Soh on the tricky subject of pedophiles: Listen at savagelovecast.com. mail@savagelove.net @fakedansavage on Twitter

NOVEMBER 11-17, 2015

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Adult Entertainment 930 Adult Services

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800 Health & Wellness 805 Registered Massage

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810 Health & Wellness General Viagra!! 52 Pills for Only $99.00. Your #1 trusted provider for 10 years. Insured and Guaranteed Delivery. Call today 1-888-403-9028 ARE YOU ADDICTED TO PAIN MEDICATIONS OR HEROIN? Suboxone can help. Covered by most insurance. Free & confidential assessments. Outpatient Services. Center Pointe Hospital 314-292-7323 or 800-3455407 763 S. New Ballas Rd, Ste. 310 Viagra!! 52 Pills for Only $99.00. Your #1 trusted provider for 10 years. Insured and Guaranteed Delivery. Call today 1-888-403-9028

100 Employment 105 Career/Training/Schools

314-467-0766

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AIRLINE CAREERS begin here – Get started by training as FAA certified Aviation Technician. Financial aid for qualified students. Job placement assistance. Call Aviation Institute of Maintenance 800-725-1563 (AAN CAN)

THE OCEAN CORP. 10840 Rockley Road, Houston, Texas 77099. Train for a new career. *Underwater Welder. Commercial Diver. *NDT/Weld Inspector. Job Placement Assistance. Financial Aid avail for those who qualify 1.800.321.0298

AIRLINE CAREERS begin here – Get started by training as FAA certified Aviation Technician. Financial aid for qualified students. Job placement assistance. Call Aviation Institute of Maintenance 800-725-1563 (AAN CAN)

120 Drivers/Delivery/Courier ! Drivers Needed ASAP ! Requires Class E, B or A License. S Endorsement Helpful. Must be 25 yrs or older. Will Train. ABC/Checker Cab Co CALL NOW 314-725-9550

185 Miscellaneous Pastor (Job Site: Bridgeton, MO), Woori Korean Presbyterian Church, M.A. req’d. Send resume to 12567 Natural Bridge Rd. Bridgeton, MO 63044

190 Business Opportunities Avon Full Time/Part Time, $15 Fee. Call Carla: 314-665-4585 For Appointment or Details Independent Avon Rep. PAID IN ADVANCE! Make $1000 A Week Mailing Brochures From Home! No Experience Required. Helping home workers since 2001! Genuine Opportunity. Start Immediately! www. MailingHelp.com (AAN CAN)

193 Employment Information CDL- A DRIVERS and Owner Operators: $1,000.00 sign on, Company/ Safety Bonuses. Home daily/ weekly. Regional runs. Great Benefits. 1-888-300-9935

400 Buy-Sell-Trade 420 Auto-Truck

BUYING JUNK CARS, TRUCKS & VANS 314-968-6555

CASH FOR CARS: Any Car/ Truck. Running or Not! Top Dollar Paid. We Come To You! Call For Instant Offer: 1-888-420-3808 www. cash4car.com (AAN CAN)

500 Services 520 Financial Services Are you in BIG trouble with the IRS? Stop wage & bank levies, liens & audits, unfiled tax returns, payroll issues, & resolve tax debt FAST. Call 844-753-1317 (AAN CAN)

525 Legal Services

File Bankruptcy Now!

Call Angela Jansen 314-645-5900 Bankruptcyshopstl.com The choice of a lawyer is an important decision and should not be based solely on advertising.

Personal Injury, Workers Comp, DWI, Traffic 314-621-0500

ATTORNEY BRUCE E. HOPSON

The choice of a lawyer is an important decision & should not be based solely on advertising.

530 Misc. Services DISH TV Starting at $19.99/ month (for 12 mos.) SAVE! Regular Price $34.99 Call Today and Ask About FREE SAME DAY Installation! CALL Now! 888-992-1957 (AAN CAN) WANTS TO purchase minerals and other oil & gas interests. Send details to P.O. Box 13557, Denver, Co 80201 DISH TV Starting at $19.99/ month (for 12 mos.) SAVE! Regular Price $34.99 Call Today and Ask About FREE SAME DAY Installation! CALL Now! 888-992-1957 (AAN CAN) WANTS TO purchase minerals and other oil & gas interests. Send details to P.O. Box 13557, Denver, Co 80201

537 Adoptions PREGNANT? THINKING OF ADOPTION? Talk with caring agency specializing in matching Birthmothers with Families Nationwide. LIVING EXPENSES PAID. Call 24/7 Abby’s One True Gift Adoptions. 866-4136293. Void in Illinois/New Mexico/Indiana (AAN CAN)

600 Music 610 Musicians Services MUSICIANS Do you have a band? We have bookings. Call (314)781-6612 for information Mon-Fri, 10:00-4:30 MUSICIANS AVAILABLE Do you need musicians? A Band? A String Quartet? Call the Musicians Association of St. Louis (314)781-6612, M-F, 10:00-4:30 MUSICIANS Do you have a band? We have bookings. Call (314)781-6612 for information Mon-Fri, 10:00-4:30 MUSICIANS AVAILABLE Do you need musicians? A Band? A String Quartet? Call the Musicians Association of St. Louis (314)781-6612, M-F, 10:00-4:30

300 Rentals

ST. CHARLES COUNTY

314-579-1201 or 636-9393808 1 & 2 BR apts for rent. www.eatonproperties.com. Sec. 8 welcome

385 Room for Rent

ST. JOHN $495-$595 314-423-3106 Special! 1BR.$495 & 2BR.$595. Near 170 & St.Charles Rock Rd

MIDTOWN $125-$135/Wk 314-306-3716 Fully furn, all utils inc.+extras, near Metro. Singles. Leave message SOUTH-CITY $160/wkor$640/mo 314-707-6889or314-277-8117 3 Rooms, Private Bath, A/C, Cable, Everything Furnished.

310 Roommate Services ALL AREAS ROOMMATES.COM. Lonely? Bored? Broke? Find the perfect roommate to complement your personality and lifestyle at Roommates.com! (AAN CAN)

315 Condos/Townhomes/Duplexes for Rent SOUTH-CITY $695 314-223-8067 1/2 Off Nov. Rent! Spacious 2BR, 2BA townhouse, spiral staircase, ceiling fans, D/W, disposal, fridge & stove , full bsmnt, W/D hkups, off st prkg

317 Apartments for Rent BROADWAY! $550 314-309-2043 Month to month lease! 3 bed house, walk-out basement, large yard for kids & pets, plenty of storage, only $250 deposit! rs-stl. com RG1VR CENTRAL-WEST-END! $500 314-309-2043 Handicapped accessible apartment, all appliances, central heat/ air, pets welcome, on site laundry! rs-stl.comm RG1U0 DOWNTOWN Cityside-Apts 314-231-6806 Bring in ad & application fee waived! Gated prkng, onsite laundry. Controlled access bldgs, pool, fitness, business ctr. Pets welcome HAMPTON! $515 314-309-2043 All-electric 1 bedroom, central heat/air, kitchen appliances, newer carpet, close to shop & dine, off street parking! rs-stl. com RG1U7 LAFAYETTE-SQUARE $685 314-968-5035 2030 Lafayette: 2BR/1BA, appls, C/A, Hdwd Fl MAPLEWOOD! $475 314-309-2043 All Utilities Paid! 1 bedroom apartment, all appliances, cold a/c, plenty of storage, newer carpet. recent updates! rs-stl.com RG1U3 NORMANDY $425 314-395-8800 Studio with C/A & Heat, all appliances. Near UMSL, Close to MetroLink OVERLAND/ST-ANN $535-$575 314-995-1912 Near 170, 64, 70, 270. Great loc. Clean, safe, quiet 1 & 2BRs, garage PAGE! $550 314-309-2043 Remodeled 2 bedroom, hardwood floors, fenced yard, frosty a/c, appliances, walk-in closets, lawn care included, available now! rs-stl.com RG1U1 RICHMOND-HEIGHTS $515-$555 (Special) 314-995-1912 1 MONTH FREE! 1BR, all elec off Big Bend, Metrolink, 40, 44, Clayton SHAW! $475 314-309-2043 Nice apartment, all appliances, hardwood floors, cold a/c, 24hr fitness, pets, walk-in closets, recently remodeled! rs-stl.com RG1U5 SKINKER! $525 314-309-2043 All-electric 2 bedroom, 1.5 bath, hardwood floors, garden style, central air, loaded kitchen w/dishwasher, ready to rent! rs-stl. com RG1U2 SOULARD $800 314-724-8842 Spacious 2nd flr 2BR, old world charm, hdwd flrs, yard, frplcs, off st prk, no C/A, nonsmoking bldg, storage. nprent@aol.com

SOUTHERN MISSOURI TRUCK DRIVING SCHOOL P.O. Box 545 • Malden, MO 63863 • 1.888.276.3860 • www.smtds.com

SOULARD! $585 314-309-2043 Newly Updated! 1 bedroom townhouse, nice kitchen with dishwasher, newer carpet, central heat/air, pets allowed, off street parking! rs-stl.com RG1U6 SOUTH CITY

$400-$850 314-7714222 Many different units www.stlrr.com 1-3 BR, no credit no problem SOUTH ST. LOUIS CITY 314-579-1201 or 636-939-3808 1, 2 & 3 BR apts for rent. www.eatonproperties.com. Sec. 8 welcome

SOUTH-CITY

$435-$465

$45-$50 thousand the 1st year, great benefits, call SMTDS, Financial assistance available if you qualify. Free living quarters. 6 students max per class. 4 wks. 192 hours. • More driving time than any other school in the state •

UNIVERSITY-CITY $895 314-727-1444 2BR, new kitch, bath & carpet, C/A & heat. No pets UNIVERSITY-CITY! $500 314-309-2043 Neat & Clean 1 bedroom duplex, central heat/air, fenced yard, hardwood floors, kitchen appliances, walk-in closets! rs-stl.com RG1U4 WESTPORT/LINDBERGH/PAGE $525-$575 314-995-1912 1 mo FREE! 1BR ($525) & 2BR ($575 specials) Clean, safe, quiet. Patio, laundry, great landlord! Nice Area near I-64, 270, 170, 70 or Clayton

www.LiveInTheGrove.com 320 Houses for Rent MAPLEWOOD! $595 314-309-2043 Private 2 bedroom house, full basement, central heat/air, all appliances, nice deck, large back yard, washer/dryer included! rs-stl.com RG1VM NATURAL-BRIDGE! $600 314-309-2043 Large 2-3 bed, 2 bath house, central air, hardwood floors, walkout finished basement, garage, fenced yard, washer/dryer included! rs-stl.com RG1VQ NORTH ST. LOUIS COUNTY 314-579-1201 or 636-939-3808 2, 3 & 4BR homes for rent. eatonproperties.com. Sec. 8 welcome NORTH-COUNTY! $725 314-309-2043 Recently updated brick 3 bed house, full basement, toasty fireplace, central air, fenced yard for pets & kids, washer/dryer included!! RG1VO SOUTH COUNTY $850 314-221-9568 938 Regina: 3BR, 2BA, C/A, fenced yard, new paint. $850 dep, $25 app fee SOUTH-CITY! $725 314-309-2043 Custom 2-3 bed house, finished walkout basement, hardwood floors, fenced yard, all appliances, pets, many upgrades! rs-stl. com RG1VY SOUTH-COUNTY! $600 314-309-2043 Ready now! 2 bedroom house, full basement, all kitchen appliances, redone hardwood floors, nice back patio, Must see! rs-stl. com RG1VP ST-ANN! $700 314-309-2043 Updated 2 bedroom house, large garage, newer carpet, fenced yard, plenty of storage, off street parking, available now! rs-stl. com RG1VN NORTH-COUNTY! $725 314-309-2043 Recently updated brick 3 bed house, full basement, toasty fireplace, central air, fenced yard for pets & kids, washer/dryer included!! RG1VO SOUTH COUNTY $850 314-221-9568 938 Regina: 3BR, 2BA, C/A, fenced yard, new paint. $850 dep, $25 app fee SOUTH-CITY! $725 314-309-2043 Custom 2-3 bed house, finished walkout basement, hardwood floors, fenced yard, all appliances, pets, many upgrades! rs-stl. com RG1VY SOUTH-COUNTY! $600 314-309-2043 Ready now! 2 bedroom house, full basement, all kitchen appliances, redone hardwood floors, nice back patio, Must see! rs-stl. com RG1VP ST-ANN!

$700

314-309-2043

Updated 2 bedroom house, large garage, newer carpet, fenced yard, plenty of storage, off street parking, available now! rs-stl.com RG1VN

200 Real Estate for Sale 210 Houses for Sale WEST FORK OF BLACK RIVER-(Reynolds-Co) 98K 573-648-2280 4 br secluded-perfect vacation home! 618-656-0696 for more info.

314-277-0204

38XX Gustine 1BR; $40 Per Adult App Fee.

IF YOU DESIRE TO MAKE MORE MONEY AND NEED A NEW JOB EARNING

TOWER-GROVE-EAST $525 314-223-8067 1/2 Off Nov. Rent! Spacious 1BRs, Oak Floors, Stove & Refrigerator, A/C, W/D Hook-Up, Nice area

575

SOUTH-CITY $575 314-968-5035 Newly Renovated, 1BR 1BA, 3850 Park Ave Located directly behind Cardinal Glennon Children’s Hospital. Less than 1 mile from SLU. New Kit. Appls & Cabinets, C/A, Coin Lndry, Off-St. Pkg, CATV wired & carpet. Park Property Developers LLC SOUTH-CITY 314-504-6797 37XX Chippewa: 3 rms, 1BR. all elec exc. heat. C/A, appls, at bus stop SOUTHTOWN $750 314-351-9001 5050 B Lindenwood, 1st Flr, 2BR, C/A, W/D Hkp, Hwd Flrs, All Appls. MUST SEE!

riverfronttimes.com

NOVEMBER 11-17, 2015

RIVERFRONT TIMES

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Are you interested in making a difference? Washington University sSchool of Medicine is asking you to join their Research Participant Registry (RPR). This registry is a database that helps to match individuals interested in participating in clinical research studies such as:

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Personal Injury, Workers Comp, DWI, Traffic 314-621-0500

ATTORNEY BRUCE E. HOPSON

The choice of a lawyer is an important decision and should not be based solely on advertising.

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Earth Circle’s mission is to creatively assist businesses and residents with their recycling efforts while providing the friendliest and most reliable service in the area. Call Today!

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Made You Look!

PAINLESS TATTOO REMOVAL SEE OUR AD ON PAGE 8 OR CALL 866-626-8346

Get the Attention of our 461,000+ Readers Call 314-754-5940 for More Info

CAMPS, WINERIES, SPORTING EVENTS, WEDDINGS, PARTIES, GROUP OUTINGS

Call First Student to pick you up! Charter & School Bus Rental. 866.514.TRIP or www.firstcharterbus.com

Have you or someone you know been diagnosed with schizophrenia? If so, please contact us about participating in a clinical research study of an investigational medication for schizophrenia.

DATING MADE EASY... LOCAL SINGLES! Listen & Reply FREE! 314-739-7777 FREE PROMO CODE: 9512 Telemates

EarthCircleRecycling.com - 314-664-1450

Earth Circle’s mission is to creatively assist businesses and residents with their recycling efforts while providing the friendliest and most reliable service in the area. Call Today!

Want to find a good Happy Hour? Download the RFT’s Free Happy Hour Phone app - search “Happy Hour”

MUSIC RECORD SHOP

Looking to sell or trade your metal, punk, rap or rock LP collection. Call us.

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• Have a diagnosis of schizophrenia • Be a male or female age 18 or older

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There is no charge to participate in our study and those who qualify will be compensated for time and travel. Transportation is provided. To learn more call us or visit our website.

314.802.8822 joinaresearchstudy.com www.facebook.com/ St-Louis-Clinical-Trials 60

RIVERFRONT TIMES

NOVEMBER 11-17, 2015

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