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been transferred from Hungary to Romania after the First World War, and was therefore reproached with anti-nationalism. Our performance of his famous Romanian Folk Dances employs additional sixteenth and seventeenth-century instruments, such as the Renaissance flute (traversa) and the chalumeau, whose evocative timbres have something in common with their counterparts in the popular A sort of experiment in the culture of Eastern Europe and the Middle East. form of a return trip through the ancestral roots of ‘learned’ and ‘popular’ music.