PORTFOLIO Elisabeth Heinz
Curriculum Vitae Education Toolbox Work Experience Selected projects Wooden Pavilion Art Museum Green Housing Budapest Housing Urban Transformation Experimental Design
Contact Elisabeth Heinz Orivedenkatu 8 D82 33720 Tampere Finland E.heinz90@googlemail. com
CONTENTS
+358 449236994
Education
Toolbox/Skills
Work Experience
07/2008 Abitur (German university etrance qualification) with emphasis on mathematics and science
ArchiCad Sketchup Grasshopper (Rhinoceros)
08-09/2008 Internship Tamm&Heppner Construction Firm GmbH Jena, Germany
10/2008 Dresden University of Technology, Germany Studies of Architecture 08/2012-05/2013 Tampere University of Technology, School of Architecture, Finland Studies of Architecture Exchange
MS Word Excel Powerpoint Adobe Photoshop Illustrator Indesign Artlantis 3DS MAX modell making hand drafting, sketching Languages: German (mothertongue) English (excellent) French (advanced) Finnish (basic) Special Interests: Lifelong musician (Violin, Piano, several Orchestras, current: Tampereen akateeminen sinfoniaorkesteri), all kind of sports
08-10/2009 Internship Historic Preservation & Restoration Eric Schieke GmbH Worms Cathedral Germany 10/2009-06/2012 Tutor in Descriptive Geometry and CAD for Architects Departement of Geometry Prof. Daniel Lordick Dresden University of Technology, Germany 02/2012-04/2012 Internship Albert+Guccione AG Ausstellung Exhibition and Interior Design Dresden, Germany
CURRICULUM VITAE
FLOATING ESKER - A PAVILLON FOR KANGASALA The municipality Kangasala is known for its spiritual landscapes, which are also formed by the remainder of glacial times –the Esker. These long winding earthworks provide perfect observation points. Hence nature has created what helps us enjoy itself. The idea for the pavilion in Germany, which should represent Kangasala for the Garden Exhibition in Zuelpich, takes the Esker as a starting point. The aim of the design is to integrate characteristics of the Esker in the shaping process and to connect them with side specific problem solving. The visitors are catched from two important directions: the neighbor French whine garden and the direction of the city center, which is represented by the Weiertor. So the moving curve catches the visitor and leads him back into the middle of the exhibition.
The basic shape takes reference to the hilly character of the esker. The different height levels create a sloping roofshape. The typical side slope of the esker that reminds slightly of railroad embankment is archetype for the facade elements that are coming out of their “normal order� to create a slope shaped space that can be used to grow plants that entwine the laths and use the advantage of a better orientation towards the sun (for example tomatoes).
Esker
different height levels, facade elements, walking direction
Conceptual drawings outdoorspace/Terrace
viewing connections
Weiertor
Esker
SELECTED PROJECTS
different height levels, facade elements, walking direction
outdoorspace/Terrace
viewing connections
facade elements french theme garden
Weiertor
different height levels, facade elements, walking direction
Wooden Pavilion March 2013 University of Technology School of Architecture Tampere, Finland Satu Huuhka
For the wooden construction a simple frame structur is used. The frames connect in the corners with collumns that are also needed to carry the roof structur. The construction was supposed to be as simple as possible, since the pavilion is built by pupils of the arts and crafts vocational school in Tampere.
Roof Bitumen Sealing membrane Cullis: Fixing angled facade elements: screw hook, stainless steel
Wall Wooden Frame Battens Facade Elements: spruce laths
Floor Timber piling Woodenframe Screw pile
Section
Detail 1:10
Elevation
Axonometric Drawing: load bearing structure
Roof
Walls
Floor
Model without Roof
EXTENSION FOR TAMPERE ART MUSEUM - A Center for Temporary Exhibitions The footprint of the building is developed according to the viewing connections and the traffic in the urban situation. Especially the pedestrian ways are kept or modified in favour of the public space defining area. A new public space is created bounded from both - the new and the old elevation of the museum. The existing Pynikkintori which is an important public space as well, is clarified in his urban form through the street and place facing elevation of the museum. Designing the volume focuses also on viewing connections and the sun situation. The question of being an Eye-catcher and View-Point while preventing other buildings from too much shadows found its answer in a sloping shape of the museum or from another point of view - a rising one. Inspired by the occurence of huge stones arising from the ground all over finnish nature and urban areas as well, the design of the new building wants the museum to be present just like a rock on the pathside.
9
8
3 6
5
2
1
4
7
6
Underground Floor -2 1:200
10 7
Underground Floor -1 1:200
SELECTED PROJECTS Extension for the Museum of Contemporary Art Tampere December 2012 University of Technology School of Architecture Tampere, Finland Hannu Tikka
3
2 1
4
6
5
7
8
7 9
10
12
11
13
14
15
Legend Floorplan Groundfloor 1 2
3 4 5 6 7 8 9 10 11 12 13 14 15
Open Office for Terminable Workers Office Space for Friends of Tampere Art Museum Trust Exhibition Supervisors Coffee Room / Kittchen Copy Space Work Shop Museum Director Negotiation Room Dressing Room Archive Auditorium / Multifunctional Hall Storage Reference Library Museum Shop Box Office / Info Point
16
Cloak Room
16
3
2 1
4
6
5
7
8
7 9
10
12
11
13
14
15
16
viewing point
Construction Facade Concret wall with Insulation: 40 cm Metal Grid Openings in Glass (covered with Metal Grid or without)
Existing Volume
Subtraction of Building Structure and Replacement with Winter Gardens
Addition of Functional Wall
A GREEN SPACE FOR THE COMMUNITY The renovation task is related to a housing block from the seventies located in Oulu, Finland. Creating a sustainable renovation concept starts with the idea of developing a new social component within the apartment building. The space that is commonly used during the whole year increases the community atmosphere. Therefore one quarter part of the repeating unit of the building is removed. Thus three-storey high free spaces are generated, which offer enough space to add an elevator next to the existing staircases. The Solution brings light in the dark staircases and creates community winter gardens. In addition every unit of the block structure gets a common used sauna on the rooftop connected to an outside roof terrace.
Concept: Existing Structure and Modification
Winter Garden Winter Garden
Engine Room Sauna
Engine Room Sauna
Terrace
Terrace
Functional Wall
Functional Wall
Floorplan after Modification
Elevation after Modification
SELECTED PROJECTS Sustainable Renovation Apartement Building Oulu October 2012 University of Technology School of Architecture Tampere, Finland Harri Hagan gr端nfried 2/3
Regarding the apartment design the existing load bearing structure is kept and used to create presentday floor plan solutions for 1-3 room apartments. On the south-west orientated side of the building balconies are added in order that every apartment has one. The existing concrete balustrades of the balconies are replaced with light, translucent polycarbonate elements. In cause of present day fire-protection the basement area gets two fire exit ramps, which lead the resident to the backyard of the building. A playground and a barbecue place for the whole community of the building are also situated in the backyard. The parking space in the front courtyard is bulked and a bicycle storage is placed in front of the building. Wheelchair accessibility for the building and the whole area is guaranteed. 2 rooms 45 sqm
3 rooms 90 sqm
2 rooms 60 sqm
2 rooms 55 sqm
workshop
laundry
1:100 storage
laundry
laundry
laundry
exit
storage
2 rooms 45 sqm
3 rooms 90 sqm
3 rooms 80 sqm
3 rooms 90 sqm
3 rooms 90 sqm
storage
laundry
garden maintenance
2 rooms 45 sqm
3 rooms 60 sqm
workshop
2 rooms 55 sqm
storage
storage
laundry
laundry
exit
storage
workshop
Section 1:100 storage laundry
laundry
garden maintenance
storage
storage
garden maintenance
storage
garden maintenance
3 rooms 80 sqm
2 rooms 55 sqm
workshop
laundry
laundry
laundry
laundry
exit
storage
garden maintenance
storage
storage
storage
laundry
laundry
exit
storage
garden maintenance
storage
laundry
storage
Section 1:100 storage
laundry
storage
garden maintenance
Section 1:100
gr端nfried 3/3
The ‘Green Box’ concept goes accompany with improving the energy efficiency of the building. Functional walls are added to the existing exterior walls.Construction materials for the functional walls are supposed to be recycling materials (for instance polycarbonate made of recycled plastic). Using the greenhouse effect warm air is produced within the functional walls and the winter gardens. The air is conducted to an engine room above the sauna in which a heating collector and a rainwater collector is situated. The energetic system collects the energy of the warm air and provides it for hot water supply and heating.
Engine Room / Semi Warm Space
Rainwater Collector for Draining Toilets
Water Tank
Warm Air Collector
Facade · Concrete · Insolation · Concrete · Insolation · Barrier Layer · Particle Board with reflecting elements · Air Layer · Polycarbonate
7,5 cm 7,5 cm 5,0 cm 10,0 cm 2,0 cm 10,0 cm 3,0 cm
BUDAPEST COURTYARD-HOUSE-COURTYARD The dense city structure of small courthouses is characteristic of the seventh quarter (also called Jewish quarter) in Budapest. The local private infrastructure for these buildings is located in the courtyards in the shape of access balconies, which are connected through inner staircases. Since the courtyards are quite small it causes light and space problems in the flats that are located in the lower floors. In addition most of the residential unities are only exposed from one side, which is at the same time facing the access balconies. Hence it is very difficult to differ between public, semipublic and private areas and this makes a remarkable damage to the residential quality. The concept of the design rethinks the existing system of private infrastructure. The access balconies are removed and transformed to a corridor system, which meanders between existing firewall and new structure and opens to semipublic and private spaces. Thus the courtyard is defined as a clearly public space and it is easier to bring light in the flats.
Sections: Northwest-Southeast view towards the public courtyard entrance
view towards opposite direction
Concept drawings: Corridor Transformation axonometric illustration
and
Courtyard perspective
SELECTED PROJECTS Residential Building Budapest February 2012 University of Technology Dresden, Germany Prof. Carsten Lorenzen
Ground Floor
Maisonettwohnung 73 m² 2 Individualräume einseitig orientiert Maisonettwohnung 67 m² 3 Individualräume einseitig orientiert
Maisonettwohnung 54 m² 1 Individualraum einseitig orientiert
1st Floor
2nd Floor
38 m² 1 Individualraum zweiseitig orientiert
37 m² 1 Individualraum einseitig orientiert
150 m² 4 Individualräume dreiseitig orientiert Dachterrasse
3rd Floor
Maisonette 133 m² 4 Individualräume dreiseitig orientiert Maisonette 166 m² 4 Individualräume vierseitig orientiert
4th Floor
5th Floor
Elevation, Facade Detail and construction
S(2) W(2)
S(3)
M(2)
S(3)
W(2)
Halböffentliches Grün
Öffentliches Grün W(3)
M(5)
W(4)
M(5)
W(4)
M(5) M(5)
Stadtplatz
M(5) W(4)
M(4)
M(5)
W(3)
W(3) M(5)
W(4)
Harbaum, Bearbeiter: Wilhelm Drechsler, Frithjof Hamacher, Elisabeth Heinz, Toni F. Petermann
LIFE AT THE RAILWAY EMBANKMENT
Since the design area as a former gas works site is surrounded by buildings from the promoterism period and crossed by the railway area like a swath, the urban design intends to create a fluent transformation from this existing structure to a free moving form that converges the railway embankment. Because the actually used part of the railway area gets smaller and smaller, living with and around the embankment should integrate it more into urban context.In addition the project aims to create new public spaces with and cafés around a typischen small square, but also spacious green spaces that are continuing on the roofs of the buildings. löst shops sich der Entwurf von der gründerzeitlich
ormen er Conradstraße in Richtung des städtebaulich einschneidenden Bahnch in seinem weiteren Verlauf an. Erzielt wird damit eine Konverße, die sich durch jede Großstadt zieht und somit auch eine gewisse bedeutet somit auch wohnen mit dem Bahndamm und stellt völlig neue werpunkt lag hier dabei, eine Verbindung zu schaffen und stadtpla%HLVSLHO GHU 0DQJHO DQ |IIHQWOLFKHQ 3DUNDQODJHQ XQG UXKLJHUHQ $XVSomit bietet das ehemalige Gaswerkareal kleine um einen zentralen
s dris Grun
Perspective
Model
Schnitt
Wohnen/Gewerbe
Parkanlage
Wohnen/Gewerbe Tiefgarage
Section Ansicht 1:500
Archetype Floorplan
SELECTED PROJECTS Urban Design Drewag Areal Dresden Juni 2010 University of Technology Dresden, Germany Dipl. Ing. Manuel Bäumler
TU Dresden, Fakultät Architektur, Lehrstuhl Städtebau, Dipl. Ing. Manuel Bäumler, Städtebau I. Sommersemester2010, Betreuer: Boris Harbaum, Bearbeiter: Wilhelm Drechsler, Frithjof Hamacher, Elisabeth Heinz, Toni F. Petermann
ESMERALDA - THE CITY OF THOUSAND WAYS - SCENIC DESIGN Basic design studies in Space and fine arts The aim of this early project was to develope a scenographic space according to an abstract of the novel „Le città invisibili“ (The invisible cities) by the italian writer Italo Calvino. Esmeralda is a city with an infinite amount of streets and ways to take. The design implements this dense concentration in a compact knot that is always present and seems unreachable - like a small universe.
DIRTY PROJECT - THE BLUE BANANA - BORDERS BETWEEN VIRTUALITY AND REALITY The project was a conceptual collaboration between the architecture faculty (Spatial Design Department) and the computer science faculty (Institute for Software and Multimedia Technology) and is centered around an analysis of digital media and the examination of its interaction with space. Space is understood here as a free realm of action on the one hand and a technical requirement the other. The installation examines the range of different reality and virtuality levels using the example of the banana and combines them in the context of an exhibition. The levels are considered in terms of perception, bastardization and contextual interpretation. Each individual analysis was shown on a television screen during the exhibition, giving the distinct medias a ÂťbodyÂŤ and at the same time allowing the group of studies be read as a collage. More information and the videomaterial can be found on the website of the project. http://dreckigesprojekt.blogspot.fi/2011/10/elisabeth-heinz-martin-mundt.html
SELECTED PROJECTS
Abb. 3.1.1.3.:
Gerendertes Bild ohne Textur
Abb. 3.1.1.4.:
Gerendertes Bild mit Textur
left - Szenic/Stage Design February 2010 right - Installation Design July 2011 University of Technology Dresden, Germany Prof. Ralf Weber