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OF A PATHWAY

Eleonora Polotti INTERIOR DESIGNER

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ABOUT me

I was born the 2nd May 1988 in Brescia (Italy). I have a “base� and a family in Gardone Riviera on the Lake Garda, a very charming place. By the way I am an Interior Designer, graduated at the

European Design Institute in Milan on 21 of July 2011.

People say I lose everything, and actually this is quite true, but I somehow think that I might find whatever I am looking for while searching for something else.

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INDEX

pag.11

pag.24

LIGHT DESIGN Moving shadows

URBAN ARTIST HOTEL

H35

URBAN GATE Energy Flow

SLOW FOOD itHOME

PHOTOGRAPHY Touché

pag.3

pag.16

pag.43

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BRIEF

URBAN GATE Energy Flow

T

he goal of the project is finding and creating a urban ritual to buy and sell a new illy product and in sorting out all its spatial and temporal implications. The product is a Ready To Drink Coffee on-the-go

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CONCEPT URBAN GATE Energy Flow

POWER “From the master of italian espresso great taste to go�

RENEWABLE and SUSTAINABLE ENERGY

TECHNOLOGY and COMMUNICATION

A

ccording to the eco-friendly philosophy of the Company, a connection between the designing of accommodation facilities which can supplu energy to the IT communication technologies has been developed... ...and the selling, through the same structures, of a high quality energy drink such as illyissimo coffee. The concept is mainly linking the consumers to the product, taking advantage of their needs of making business and communication. For this reason the space is provided with solar panel and so that thanks to the solar power the customers can recharge their own technologies and theimselves with the products on sale.

recharge

PRODUCT

CUSTOMERS

BENEFITS and TARGET

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CONCEPT

I

n order to reach most properly the suitable target, which concerns everyone whose job is directly connected with the ITC tools, the project takes place during

fairs. The main and biggest one is meant to be placed in the expo hub (e.g. Milano Rho Fiera) and its most important peculiarity is the modular-

-ity of the whole structure. According to this Ener-gy Flow is composed of two parts.

VM

VM

KEY: tree with immobile computer tree with plug in to charge personal technologies tree-vending machine illyissimo coffee

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CONCEPT On the other hand the satellites are designed to stay in smaller locations such as narrow streets in the city center and they are all modules from the main

combination 1

combination 3

unit. They are modular as well and are supposed to be arranged in different ways in order to construct more complex structures.

Every single module is provided with three differet “trees� whose energy comes directly from the solar power. As we can see from the legend they are

linked to each other by the same concept: rechargeable points. The green ones for the personal stuff (computer, iphone, ipad), the blue ones are a spot

for fixed technology which belongs to the space itself, whilst the red ones are provided with vending machine full of cans to be sold.

combination 2

combination 4

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PROJECT

Milano Rho Fiera

1. master plan

expo hub

2. hub structure

cross view

1.

2.

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PROJECT

T

he Energy Flow hub structure is located in the main aisle of the fair spot which is the most crowded area and the product can be better seen. As we can see in picture 3. all the trees are quite distant one from another and their structure is almost spare in order to allow people enjoy the space in its best, being a “confortable place on the go�. The frame is modular (W 1500cm ,L1500cm) and it is a massive

area provided with the facilities that should be useful in a business meeting (computer and power plug-in) or during a break to recharge the energy (Illyissimo coffee) and then keep going throughout the working sightseeing. The avarage height of the trees is between 600cm and 700cm (picture 2.) and the Illy logo on the top of some of them can be spotted from quite along distanceamong the crowds of people. 3. 4.

rendering and 3. photomontage of the hub at Milano Rho Fiera hub view from the east side pavillon

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PROJECT

1. 2. 1. satellite structures

zona tortonafuorisalone 2. modular combinations 3. cross view

A

s a very part of the same phylosophy as 3. the hub in the main fair, even the satellite structures have the same slender features and they offer the same facilities. The shape of the structures is similar to a tree to convey the idea of ecologic sustainability and to strenghten the idea explained in the concept.

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PROJECT Visual communication

Rotating solar panels on the strenght of the sun position

200

Visual communication: screening of the main spots of the Company and either the product

The surface of all the vending machines is transparent glass so that the products can be seen and increase their sale.

Digital communication and plug in for charging whatever personal belonging Rotating arm into the refrigerating vending machine that holds up the cans. Door to pick the product up from the vending machine

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BRIEF

LIGHT DESIGN Moving shadows

Designing a production of a protype in 1:1 scale size of a lightning installation. Following values such as modularity and sustainability the project deals with waste products.

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CONCEPT LIGHT DESIGN Moving shadows

s

“ hadow is presence of light� Material modelling joins the light projection to create shadows which tell a story.

Moving Shadows is a project out of any time,it is made of cheap material such as iron and copper wire. They are all shaped in a handcraft method.

The modelling is indeed unlinked from any industrial or mechanical processing.

The intrinsic dutictility and melleability of the material used allow a complete and free warpage in any dimensions and directions, making the project at least totally customizable and achieving plenty of different shapes.

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CONCEPT FUNCTIONAL “25 modules”

The spotlight movement across the track allows a progessive reading of the installation, creating at the same time a story to understand and involving the target in a personal sense pathway.

1.

2.

3.

5.

4.

6. 1. step 1 “a very”

“A very short story with a lot of fiction in the middle and something real in the end”.

2. step 2 “short” 3. step 3 “story” 4. spot light (1st unit)

Thanks to the ductility of the wire and the possibility to choose any sentence this project is completely customizable.

5. spot light move-

ment across the electrified track (2nd unit) 6. lettering (3rd unit)

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PROJECT

moving shadows “expect the best fuck what others think and do your own things” 1. lettering choosen for the installation

A

s far as the layout beside the installation is concerned, it consist basically in a craft modelled wire attached at the wall through proper hooks. A spotlight on the floor, located in an electric track, lights the wire which has been already modelled on the sentende choosen, in this case “expect the best fuck what others think and do your own things” 1. . The light, thanks to its movement, generates a shadows on the wall trhough the wire, telling a story to the beholders.

sentence

spot light tilt angle 52° spot light

2.

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cross section of the whole installation

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PROJECT 3.

3. usual light effect 4. distortion light effect 5. top view of the whole installation

4.

T

he straordinary simplicity of this project is basically its own peculiarity. The target is sensorial-

-ly and either emotionally involved through the installation which is moving and telling a story.

The boundaries between art and design are here very close each other. 5.

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BRIEF

SLOW FOOD itHOME EXPO2015 main features about food: • educate people on how to have a healthy diet • promote new and better dietary habits, respecting the environment and either traditions and cultural range. • preserve the traditional food yield

The project is a concept food store located in the urban frame of Milan thoughout the EXPO2015 event. According to the event’s main features the whole project is structured on the main idea of selling healthy and traditional italian food. Furthermore in the space there are some others concept areas such as tasting and educational at the same time.

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CONCEPT

I

taly is famous for its food as much as for its huge artistic and historical assets. Even if times are changing and life is more and more frenetic, Italians still find a great pleasure in sitting at a table, in a home or restaurant and sharing a good meal together. It is fascinating discovering new foods and new way of preparing familiar dishes. Every year there’s more and more interest in the traditional cuisine of the various regions and in biological, environment friendly food.

1.

L O C A L F O O D CONVIVIALITY G

R

E

E

N

O R G A N I C PRODUCTS INFORMATION

Italy

s

FAST-GOOD

2.

o that the main aim in this project is creating a “gastronomic tour” among the urban frame in Milan to spread the traditional food from all the italian regions.

Milan 3.

T

he strucuture concerns a HUB A , which is a steady spot located in the central areas of the city centre and in some SATELLITE ELEMENTS B , which are diman parts and they move around the most crowded zones and best heritages.

1. map and all regions 2. masterplan of Milan

with all the regions shared through the 8 main zones of the urban frame 3. masterplan of Milan

System 17

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with the main system structure of the project.


CONCEPT

Roots A

s a pathway the system has its base in a steady place (as a trunk) from which the satellite modules branch off thorughout the city (as the leafs). 4.

Hub / Trunk 4.

satellites / leafs

philosophy conviviality

tradition

green

fast-good

comfortable location and friendly food environment.

local menu and traditional cooking methods

sensitize public awareness of global environment

efficient service and healthy food

HERITAGES

PARKS AND GREEN AREAS

PUBLIC TRANSPORT SPOTS AND CROWDED SPACES

T

he hub is composed while the satellite eleby three different parts: ment are supposed to be small electric vehicles. eating zone Their aim is going round the city centre green zone connecting the hub’s kitchen with the most i cuisine zone

interesting zones of the city and providing the target’s meal-on-thego with healthy food.

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PROJECT FURNITURE “The green on the table”

eating T

he eating zone is provided with comfortable seats made of bench wood,as well as the floor finishing, which is actually raw. Natural ropes are used as séparé trough the tables in order to creat more privacy between the open space of itHOME.

enamelled ceramic pot beech wood structure

4 seats - stools 8 seats - chairs

“ THE GREEN ON THE TABLE” is one of the most important custom-made furnishing in the space. It is endowed with a central hole in which all the clients can sow the seeds which are put in the place mats and so that leave in the space a memory of themself.

cuisine

Fresh fruit

Trays Flatware Bread

T

he second main furniture is the self-service desk, it is made as well of beench wood and, according to the sustanability of the whole project, it is furnished with secon hand wicker baskets and crates.

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Hors d’oeuvres

First course

Second course

At the beginning of the desk there is a wall that shows the menu of the day, shared amoung the region, and it is possible to take the post it with related descriptions of nutritional values and product s’ origin.

Dessert and water

Counter

front

back


PROJECT

F

“where can we take the culture? just from the kitchen, where the tradition is still alive”

rom the table to the space. The customers are allowed to sow the seeds from the place mats to the green wall. However, through the space it is clear how the use of green elements helps the feeling of being in a natural and healthy athmosphere.

green

1. green pathway

visual

communication A ll the space is interaction and information. Different type of walls help the customers to go deeply in the itHOME phylosophy, learning and taking proper advice about food, diet and recipes.

2.

2. “recipes” panel:

3.

to create a personal italian and traditional cookbook.

3. “post it” panel:

to leave messages, personal evalutations and memories

4.

4. “how is it?” panel:

to rise the customers’ awarness

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PROJECT A

T

1.

he plan shows the surface of the all areas into the space. They have different destination of use. The most extensive part is the eating one with a highest capacity for 60 seats. The hub is located in front of the central train station in Milan mainly because it is the most important place for the travellers and the tourists either. B

food stock point 120 mq

outside space 250 mq

services 25 mq

self service area 45 mq

kitchen 57 mq

eating area 140 mq

B’

T

A’

he strucutre is basic and clear, in order to intergate itselft in the urban environment. It is clear the large use of the glass and high windows to eliminate the bouderies between in and out. As the elevation AA’ shows the on west side wall there are visual signs related to the itHOME’s logo and phylosophy. The food stock point is just outside the building and it allowed the satellite cehicles to be stocked.

2.

3.

1. masterplan

itHOME 2.

AA’ elevation

3.

BB’ elevation

4. itHOME

4.

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hub view at Milan central train station


PROJECT

satellite vehicles

5.

6.

T

he satellite vehicles are three-wheelers and their technoogy is simply sustainable. They are both a mean of transport and a retail kiosk. Once they arrive at the destination B in the city centre they become a useful structure to sell the food along the street. The back opens and, as we can can see in the picture n. 6, there are some drawers

which contain the food shared for type and temperature. The power for the fridges come directly from the movement’s mechanism, which is basically only cycling. They concept go perfectly with the main idea of sustainablity of the whole project and

5.

front perspective view

6.

back perspective view

views front

lateral

back

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BRIEF

URBAN ARTIST HOTEL H35

A “urban artist hotel” into the contemporary art gallery “Fondazione Arnaldo Pomodoro” in Milan. The project is an accommodation facility and either a lab art and a birthplace for artists’ exhibitions and ideas. It must provide an accommodation from three till six months, for a maximum of six artists.

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LOCATION

N

URBAN ARTIST HOTEL H35

MILANO Zone 6 Fondazione Arnaldo Pomodoro Via Solari 35, Zona Tortona 3.200 square meters in total

interior

T

1.

industrial architectural language

2.

roomy interior space

he project is set in a typical industrial building, which was a mechanic industry in 1900. It has been refurbished recently and it is now a famous contemporary art gallery owned by the italian sculptur Arnarldo Pomodoro. The whole surface of the gallery is 3.200 mq and the project can occupy no more than 800 mq. As it is clear in the pictures, the architects had decided to mantaine the industrial architecture language which was there already. The main feauture in this structural range are the platforms (pic. 1) which are 120 mq each and they can move from the main height (800cm) to the ground floor through a mechanical workings. The second focus (pic.2) is indeed on the spacious interiors, which allow the project to a wide range of possibilities.

According to the brief the hotel must include different kinds of areas where to host properly to the artists during their lodging in the gallery. This specific target concerns specific and uncommon kind of needs and, because of that, there are in the space: • a reception / press area / studio visit • a public / lounge area • a private area with flats • a working area • a zone for the exhibitions of their works However, the hotel is totally separeted from the public space in the gallery to provide the artists with the right privacy and quietness although it is actually in the same building.

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CONCEPT “A pathway throughout the all levels of the gallery”.

poetic and material invisible ceilings

direct light to illuminate the ideas light

interactive surfaces

creation to spread freely the artists’ personal creative thinking

free post

comfort

nature and intellectual well being green

health

nature

meeting to compare a personal idea with a different one of someone else

visual permeability

urban frame as the artists’ place of their own experience urban

way finding

urban elements

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lifestyle the urban frame and the cityscape as the best burst of inspiration


CONCEPT “A pathway throughout the all levels of the gallery”.

functional

working

break-area

sharing

inside - out

The last level is the one of the creation and the working areas. On this floor the pathway finds its final destination with the real conclusion of the ideas which have been developed throughout the previous levels.

The second level is related to the private flats and the “public” shared space. Due to this the main idea which has been developed is “sharing”. Through the transformability of the flats the artists would be share their places as well as their ideas. The green is the element which links this two planets.

The street and the urban frame have always been the most suitable places for the artists to get inspiration and widen their creative thinking. For this reason the cityscape has been imported into the building as environment and atmosphere in order to give to the guests a more confortable location for their stay.

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PROJECT

1.

2.

The entrance is on between the indoor space and the street to highlight the idea of the urban frame that comes into the building making H35 a kind of “art district into the gallery�.

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PROJECT 1.

front view of the whole building

2. rendering of the

main entrance of H35 hotel

T

he main entrance of H35 is completely independent from the entrance of the gallery. It is highly visible from the road firstly for the bright colours of the building and secondly because of the peculiar

type of objects that have been used as a part of the project. From the attitude of the target to the choice of the structures to use. The container is intended here as a metaphoric box that con

tains experiences and journey. As well as an artist is, this kind of structure is related even with the idea of urban frame and feeling and it goes with the industrial architectural language of the

Fondazione Pomodoro. Because of that the project is stylistically integrated with the pre existent environment.

THIRD LEVEL 8.80 creation and light

FIRST LEVEL 5.90 sharing and green

GROUND LEVEL 0.00 lifestyle and urban

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PROJECT 1.

Reception entrance : 26 mq bike spot : 9 mq lounge room : 9 mq press offices /studios visit : 27 mq 1. KEY PLAN RECEPTION GROUND LEVEL

2. FRONT VIEW OF THE DESK FROM THE MAIN ENTRANCE

T

he first place the guest come across into the hotel is the reception at the ground level (0.00). As we can clearly see from the key plan, the main feauture of this space is the bright and 2. colourful directions on the floor. Every room as well as every artists is linked with a colour which identify, throughout the whole structure, their own pathway. In order to connect the urban frame from the outside with the indoor space, a bike spot has been placed just next to the main desk. A sustainable means of transport such as a bycicle can directly get into the structure. The cycles belong to each artist during their lodging in H35. The finishing material for the floor has been choosen to remind the target of the urban feeling. It is a particular king of resin. The colour is similar to that one of the road surface and its finish is raw.

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urban

inside - out GROUND LEVEL 0.00


PROJECT

3. 3. PERSPECTIVE VIEW OF THE LOUNGE ROOM.

visaul permeability

VISUAL PERMEABILITY WITH THE STUDIOS VISIT.

4. PERSPETIVE VIEW OF ONE STUDIO VISIT.

way finding

(privacy)

Sharing

5. PERSPECTIVE VIEW OF ALL STUDIOS VISIT. WALLS OPENED. (sharing)

urban elements

4.

5.

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PROJECT

Living room lounge room : 52 mq cafeteria : 24 mq shared kitchen : 19 mq dining area : 30 mq shared laundry : 13,7 mq restrooms : 13,7 mq

1.

meeting sharing

FIRST LEVEL 5.90 m

O

2.

n the first level a lounge room to be shared only by the artists has been developed. The main part consists in a relax area with a confortable seats (“Lib(e)ro� design by Setsu e Shinobu Ito) whose composition is mainly modular to create different places and to manage the spacesuitable to different needs. Even in this place we can notice the colourful lines that tells the precence of the guests and which connect the kitchen to the laundry as a kind of path. The materials used are natural as the floor ( birch wood Plank 140 by Listone Giordano) and the wall which is faced by a vertical green. The dining space (pic. 3) is completely sharedand the target can freely use the facilities whenenver they feel like. Furthermore the kitchen itself is provided with interactive material such as the slate, to encourage the relationships and the exchanges of ideas between the artists during a pleasant moment such as cooking a meal.

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PROJECT

3.

comfort

health

4.

KEY PLAN LOUNGE ROOM FIRST LEVEL

2.

LOUNGE ROOM WITH TWO DIFFERENT COMBINATIONS OF “LIB(E)RO”

3.

DINING ROOM

4.

CUSTOM DESIGN KITCHEN

nature

4.

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PROJECT

Flats 6 private flats : 31 mq each shared concept garden: 30 mq

1. KEY PLAN 2. CONCEPT SHARED GARDEN

meeting sharing

FIRST LEVEL 5.90 m

3. FLATS BLOCK 1.

ELEVATION

concept garden

2.

3.

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PROJECT

4.

T

he trip across this space continues on the flats platform. It houses six different flats and the main element of the projects is here impressive again. Each CONTAINER, indeed, has the same colour displayed in the directions, marking ideally differet souls and personalities. In the middle of the platform a concept garden takes place. It is an ideal type of space in which the artists can spend their spare time meeting each others or staying in contact with a natural and peaceful atmosphere as they were in a public park. Each flat is made of two containers and they are connected each other with a outer stair which has been enclosed in a glass structure in order to simplify the severe stracture of the container itself. Every flat faces directly the garder and its structure is designed to give to the guests the possibility to open completely their private space to the others to share space, time and ideas.

5.

4. FLATS BLOCKB STRUCTURE

5. VIEW OF THE FLATS BLOCK FROM THE GALLERY

6. VIEW FROM THE SECOND LEVEL

7. MASTERPLAN OF THE FLAT PLATFORM

6.

7.

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PROJECT

Flats blockA Pink flat : 13,7 mq Yellow flat : 13,7 mq Pink-Yellow flat : 35 mq (SHARING)

1.

LIVING SPACE 2.

1. KEY PLAN 2. INSIDE VIEW OF THE YELLOW FLAT’S LIVING ROOM

3. “PRIVACY” IN A SINGLE FLAT, “SHARING” IF THE GUEST WOULD SHARE HIS TIME WITH THE NEIGHBOUR. THE WALL WHICH DIVIDE THE TWO FLATS IS MADE OF AN INTERACTIVE MATERIAL TO ENCOURAGE THE ARTIST IN THEIR PROJECT EVEN INTO THE QUIETNESS OF THEIR OWN SPACE..

privacy

sharing 3.

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PROJECT

Pink flat : 13,7 mq Yellow flat : 13,7 mq

SLEEPING SPACE

4.

5.

A

s the others areas in H35 even the flats have the same main feature: transformation. Pictures 3 shows clearly how this concept has been developed. An artist can decide to share his space: he can open the door , doubling the living room and sharing his lodging with another artist. On the way of this idea even the kitchen is a particular one (‘Minikitchen’ designed by Joe Colombo for BOFFI) : it is indeed movable and it allows the space to change its use from a living room to a kitchen . More over the interaction between space and target continues even in the sleeping space, upstairs (pic. 6).

Behind the bed ( “Air” designed by Daniele Lago) there is a wall where the artists can draw directly their ideas 6. as well as downstaris. Furthermore, in the 7. bedroom, we can see a combination of elements with opposite feautures. Infact the natual birch wood which is used for the floor finishing faces pieces of furniture whose feature is a strong industrial and raw style language (‘Tolix C armchair’ designed by Xavier Pauchard, custom made wardrobe designed by Jérôme Lepert). A balcony faces the concept garden linking the sleeping space with the lively space out there (pic.7).

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PROJECT 1.

Working area Shared room : 81 mq Private studios : 9 mq each Tools and machinery room : 16 mq Lift : 9 mq

SECOND LEVEL 8.80 m

2.

2. SHARED CREATIVE LAB

3. PRIVATE STUDIO FOR DIGITAL ARTS

4. PRIVATE STUDIO FOR FINE ARTS

invisible ceilings interactive surfaces free post

3.

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4.


PROJECT 5.

Room for oversized work : 54 Tools and machinery room : 10 Room for temporary exhibitions : 33 Lift : 9

mq mq mq mq

creation

working

break-area

GROUND LEVEL 8.80 m

6.

H35

is provided with suitable spaces where to work in. The artists can freely use the labs whenever they feel the need and they can also use all the tools and machines which are in the space. The working area on the second level is designated for medium size work of art. There is a large space to share which is mainly illuminated by the solar light 7. though the invisible ceilings. Next to the main room the are 4 private studios, equipped with the suitable technologies and facilities that the artists might need for their work. We can notice in the keyplan (pic.1) that the directions lines comes together, they cross, in the shared space to highlight the importance of the community into the hotel. The working area on the second level is connected with the groud by a lift (9 mq).

The other working area is located at the ground floor because the artists might need a bigger space to create an oversize project. Because of that the space is equipped with rails hooked onto the ceiling (pic. 6). Next to this room, a show room takes place . It designated for temporary exhibitions or perfomances which need a big stage or specific king of light (pic.7).

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PROJECT

Linking platform Cafeteria : 15 mq Realx area : 100 mq

1.

2nd level 2.

1. KEY PLAN 2. PERSPECTIVE VIEW OF THE BREAK AREA

3. PERSPECTIVE VIEWOF

THE CAFETERIA FROM THE LAB ENTRANCE.

3.

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PROJECT 4.

Linking platoform

ground level

marketing

event

5. 6.

A

s it has been shown describing locations and interiors spaces of the Gallery, there are three mobile platforms between the levels. One of them has made part of H35, linking this way the hotel with the public space. It mechanically moves from the second level (8.80 m) to the ground (0.00) changing, thorughouth this path, its utility. On the second level, which is related to creation, there is a coffeebreak area and the container is a kind of cafeteria that can be use directly from the guests. One side of it is useful for films or video pro-

jections and the area is mainly designated to be a relax spot, useful for a break from the work in the lab behind. On the other hand, when the platform is at the ground floor the container on it changes completely. It opens its sides, becoming a meeting point for artists and public. The roof hosts a consolle and it can be used whether there are events or exhibiotions to promote the artists themselves and their work into the gallery.

KEY PLAN 4. PERSPECTIVE VIEW 5. OF THE PLATFORM AT GROUND LEVEL CONTAINER IN THE 6. “EVENT SHAPE�

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PHOTOGRAPHY Touché

“I’m used to staying in a world of my own. This is just a bit of what I’m talking about. This is what I come across daily. All this pictures are supposed to be a burst of inspiration and a fresh suggestion. Anyway, this is just my point of view, just sothing to nibble.”

somethingtonibble.blogspot.com

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GLOBETROTTING

DROP Location: Shanghai 2009

PORTRAIT Location: Shanghai M50 art district 2009

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GLOBETROTTING

LIFE IN SUBURBS Location: Shanghai 2009

THROUGH SOMETHING TO SOMEWHERE ELSE Location: Shanghai 2010

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GLOBETROTTING

CHOICE Location: Shanghai M50 art district 2009

INSTANT Location: Miami 2011

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GLOBETROTTING

TAXI DRIVER Location: Shanghai M50 art district 2009

VENICE Location: Los Angeles 2011

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GLOBETROTTING

ME Location: Canterbury 2012

33, 33 1/2, 32 Location: Canterbury UK 2012

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GLOBETROTTING

THE MORNING. Location: Lake Garda 2011

TAKEOVER Location: Miami 2011 PORTFOLIO of a pathway

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50

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PROTOTYPE H35

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PROTOTYPE 1:100 scale size

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PROTOTYPE Project: H35 Scalle size : 1:100 Mixed techniques Materials: •acetate paper •poliplat •lightweight wood •modellism objects •forex

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PROTOTYPE 1:20 scale size

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PROTOTYPE

Project: H35 Scalle size : 1:20 Focus: mobile platform Mixed techniques Materials: •acetate paper •poliplat •lightweight wood •modellism objects •forex

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Eleonora Polotti INTERIOR DESIGNER

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