The Courier 1218

Page 27

THE COURIER Monday Novermber 8 2010

27

Film Culture

film

Film Editor: Adam Williams - courier.culture-film@ncl.ac.uk

film of the week

Let Me In Director: Matt Reeves &DVW .RGL 6PLW 0F3KHH &KORH 0RUHW] 5LFKDUG -HQNLQV 5XQWLPH PLQV

In the age of Twilight, True Blood and Vampire Diaries LW¡V KDUG WR Ă€ QG D vampire story with an element of romance which isn’t entirely based DURXQG OXVW Let Me In, Matt Reeves’ UHPDNH RI 7RPDV $OIUHGVRQ¡V DG DSWDWLRQ RI -RKQ $MYLGH/LQGTYLVW¡V 6ZHGLVK QRYHO Let The Right One In, LV DQ\WKLQJ EXW OXVWIXO ,W IRFXVHV RQ WKH LQQRFHQW DQG WR VRPH H[ tent, more intense romance between 2ZHQ D \HDU ROG ER\ ZKR OLYHV D EURNHQ OLIH DQG WKH XQGHDG $EE\ ZKR PRYHV LQ QH[W GRRU WR 2ZHQ Whereas Twilight was all about the VH[XDO DWWUDFWLRQ RU ODFN WKHUHRI GXH to wooden performances, Let Me In is focused on the loneliness of the WZR FKDUDFWHUV 2ZHQ LV ZHDN DQG living in a shattered family and so LV DQ REYLRXV WDUJHW IRU EXOOLHV +LV isolation within his school leads him to follow a life of eating sweets, ZDWFKLQJ SHRSOH WKURXJK KLV WHO escope and acting out Taxi Driver HVTXH PLUURU IDQWDVLHV $EE\ RQ

the other hand, is a vampire so isn’t H[DFWO\ XVHG WR KDYLQJ IULHQGV %XW their mutual isolation leads them to IRUP DQ XQOLNHO\ ERQG 7KH Ă€ OP Ă LFNV RIWHQ EHWZHHQ tender moments between the WZR VWDUV .RGL 6PLW 0F3KHH DQG &KORH 0RUHW] DQG JUXHVRPH PXU GHUV FRPPLWWHG E\ $EE\¡V ÂśIDWKHU¡ (played fantastically by Richard -HQNLQV LQ RUGHU WR VDWLDWH KHU QHHG IRU EORRG :KHQHYHU KH PHVVHV XS $EE\ KHUVHOI PXVW KXQW GRZQ KHU prey, allowing Reeves to pull out LQWHQVHO\ JRU\ DQG IULJKWHQLQJ DW WDFNV RQ SRRU YLFWLPV :KDW WKH Ă€ OP GRHV EHVW KRZHYHU is that it is more interested in the relationship between Owen and $EE\ WKDQ LW LV ZLWK WKH VFDUHV WKDW \RX ZRXOG H[SHFW ,W¡V VR HDV\ IRU a director to get carried away with just pulling out all the gory stops to IULJKWHQ WKH DXGLHQFH %XW 5HHYHV¡ SUHYLRXV Ă€ OP &ORYHUĂ€ HOG GLG H[ DFWO\ WKDW IRFXVLQJ RQ WKH FKDUDF ters more than the scares, but was overshadowed by what some would WKH JLPPLFNLQHVV RI ÂśIRXQG FDPHUD IRRWDJH¡ EURXJKW DERXW E\ WKH OLNHV of Blair Witch Project 7KDQNV WR 5HHYHV DQG KLV FLQHPD WRJUDSKHU *UHJ )UDVHU WKH Ă€ OP VL PXOWDQHRXVO\ WDNHV RQ D ZDUP IHHO due to the glow of lights against the

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VQRZ ZKLOVW DOVR IHHOLQJ H[WUHPHO\ HHULH &RXSOLQJ WKH LVRODWHG IHHO RI the characters when alone with the ZDUPWK WKH\ IHHO WRJHWKHU 0LFKDHO Giacchino’s score manages to suit the tone of each scene perfectly; with melodramatic strings and loud EUDVV LW ZRUNV SHUIHFWO\ If there is one complaint, it’s that WKH À OP VHHPV XQQHFHVVDU\ DV D UH PDNH Let The Right One In is only a few years old and, whilst Let Me In

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URU 0RVW MXVW JR IRU FKHDS VFDUHV DQG LQ VRPH FDVHV WKH Evil Dead WULORJ\ LW ZRUNV SHUIHFWO\ EXW KHUH WKH UHODWLRQVKLS EHWZHHQ 2ZHQ DQG $EE\ LV WKH PDLQ IRFXV RI WKH À OP HYHQ LI LW LV XQGHU XQXVXDO FLU FXPVWDQFHV Let Me In is a shining JHP LQ WKH ZRUOG RI YDPSLUHV

Verdict: Let Me In does what few KRUURU À OPV GR PDQDJHV WR PL[ DF WXDO KXPDQ HPRWLRQ ZLWK WKH KRU

Chris Taylor

comment &RXQWLQJ WKH FRVW RI FXUVLQJ The BBFC’s decision to give Made in Dagenham D FHUWLĂ€ FDWH KDV SURPRSWHG PXFK FULWLFLVP &KDUORWWH /RIWXV takes a closer look at why. 7KH %ULWLVK %RDUG RI )LOP &ODVVLĂ€ cation has faced criticism recently, following their dubious decision to designate Made in Dagenham D KHDUW ZDUPLQJ DQG VRFLDOO\ DZDUH Ă€ OP DERXW WKH VWULNH RI )RUG 'DJHQKDP¡V IHPDOH ZRUNHUV IRU HTXDO SD\ ² DV D FODVVLĂ€ FDWLRQ UDWKHU WKDQ WKH $ WKDW WKH Ă€ OP PDNHU¡V KDG KRSHG IRU 7KH UHDVRQ FLWHG LV WKH KDOI GR]HQ XVHV RI ÂśI N¡ VFDWWHUHG WKURXJKRXW WKH Ă€ OP It should be noted at this junction that there is no violence, horror or QXGLW\ ZKDWVRHYHU LQ WKLV Ă€ OP ² barring Jaime Winstone’s hotpants ² DQG LQ RWKHU Ă€ OPV LW WDNHV H[DP ples of one or all of the above to ZDUUDQW D FODVVLĂ€ FDWLRQ 7R SXW that in perspective, Made in Dagenham LV FRQVLGHUHG HTXDOO\ GDPDJ LQJ WR WKH SUH WHHQV RI WKH 8. DV WKLV VXPPHU¡V  EHU YLROHQW EORFNEXVWHU The Expendables 7KH KLJKHU UDWLQJ was also seen as a major reason for WKH Ă€ OP¡V GLVDSSRLQWLQJ WDNH DW WKH 8. ER[ RIĂ€ FH Perhaps the problem is all in the name – the British Board of Film &ODVVLĂ€ FDWLRQ $ ORRN DW WKH SDQHO LV OLNH D ZKR¡V ZKR RI VWHUHRW\SLFDOO\ UHVHUYHG Ă€ JXUHV RI %ULWLVK DXWKRULW\ Recently appointed members to the SDQHO LQFOXGH D EDUULVWHU DQG )DP

ily Division Judge, the former Head of a large Welsh secondary school, DQG D &DQRQ RI WKH &KXUFK RI (QJ land who was also a member of The $GYHUWLVLQJ 6WDQGDUGV $XWKRULW\ 3HUVRQDOO\ , Ă€ QG P\VHOI VOLJKWO\ confused by this last appointment; with all due respect, I cannot help WKLQNLQJ WKDW WKH %%)& LV QRW WKH SODFH IRU D PDQ RI WKH FORWK Recently, the BBFC have made WHQWDWLYH HIIRUWV WR VHHN IHHGEDFN from the public, organising various ÂśFRQVXOWDWLRQV¡ DQG ÂśLQ GHSWK GLV FXVVLRQV¡ ZKLFK UHDFKHG WKH VXU prising conclusion that the British SHRSOH DUH Ă€ QH ZLWK JUDWXLWRXV DQG unrelenting violence, but a spot of FXUVLQJ LV DEVROXWHO\ RXW , UHPDLQ GXELRXV 7KH XVHV RI ÂśI N¡ LQ WKH Ă€ OP DUH QRQ VH[XDO DQG UHDOLVWLF LQ FRQWH[W WKDW DQG ZRUVH ZHUH ZLWK RXW GRXEW EDQGLHG DERXW WKH IDF WRU\ Ă RRU RI WKH 'DJHQKDP SODQW LQ The BBFC’s language guidelines IRU WKH $ FHUWLĂ€ FDWH VWDWH WKDW WKH use of strong language – such as I N ² PXVW EH ´LQIUHTXHQWÂľ DQG WKH\ LQVLVW WKDW QR Ă€ OP ZLWK PRUH WKDQ KDOI D GR]HQ XVHV RI WKH H[SOH WLYH FRXOG UHFHLYH D FHUWLĂ€ FDWH DQ DVVHUWLRQ ZKLFK ZDV DOPRVW LP mediately contradicted with their

The ladies of Dagenham were able to win their case, but the makers of Made in Dagenham could not get the decision overturned

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NHW , ZRXOG LPDJLQH WKDW WKHUH DUH many more parents who would be in favour of their children viewing D Ă€ OP DERXW IHPDOH HPDQFLSDWLRQ than those who would object on the grounds of the occasional bout of VZHDULQJ $ WURXEOLQJ IDFWRU UHODWLQJ WR WKLV FODVVLĂ€ FDWLRQ LV WKH IDFW WKDW LW SUH YHQWV XQGHU V IURP VKDULQJ LQ WKH GLVFXVVLRQ VXUURXQGLQJ D Ă€ OP which essentially teaches respect, HTXDOLW\ DQG HPSRZHUPHQW 7KLV LVQ¡W D WDFN\ KRUURU Ă LFN LW LV D Ă€ OP with real values, which records the H[WUDRUGLQDU\ DFKLHYHPHQW RI D JURXS RI RUGLQDU\ ZRPHQ ,W LV YHU\ KDUG WR VHH KRZ WKH DG dition of some colourful language LQWR WKH PL[ VKRXOG FDXVH ZKDW

LV DUJXDEO\ DQ LPSRUWDQW Ă€ OP IRU young people to be withheld from WKHP $W WKH ULVN RI QHJDWLQJ WKH SUHFHG LQJ DUJXPHQW ZH VKRXOG DFNQRZO HGJH WKH IDFW WKDW RQFH Ă€ OPV KDYH OHIW WKH FLQHPD OLWWOH LI DQ\ DWWHQ WLRQ LV SDLG WR WKH Ă€ OP¡V UDWLQJ 6R D \HDU ROG FDQ¡W JHW LQ WR WKH cinema to see Made in Dagenham; you can bet your bottom dollar they ZLOO KDYH ZDWFKHG LW RQ '9' EH IRUH WKHLU WK ELUWKGD\ %H\RQG WKH SRSFRUQ VWUHZQ UHDOPV RI WKH ORFDO PXOWLSOH[ %%)& FODVVLĂ€ FDWLRQV ² particularly the distinction between $ DQG KROG YHU\ OLWWOH SRZHU but as the Dagenham girls might SXW LW LW¡V WKH I NLQJ SULQFLSOH WKDW PDWWHUV


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