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4O STAND IN THE CENTER OF THE 2OTHKO #HAPEL SURROUNDED BY THESE STRICT SHAPES AND SOMBER COLORS IS TO BE OVERWHELMED BY THEIR INTENSITY AND TO BE CALMED BY THEIR STILLNESS ALTHOUGH ONE CANNOT SAY JUST WHAT IT IS THAT IS INTENSE OR WHAT IT IS THAT IS STILL 7HAT 2OTHKO SEEMS TO BE EXPRESSING IS SPIRITUALITY ITSELF AS IT EXISTS PRIOR TO ANY SPECIl C RELIGIOUS CONTENTˆUNLESS THAT CONTENT BE AN ATTEMPT TO EXPRESS THE PRIMORDIAL EMPTINESS WHICH IS AT THE SAME TIME FULLY CHARGED WITH SPIRIT -ARY 7ELCH EXECUTIVE DIRECTOR OF THE 2OTHKO #HAPEL DESCRIBES 2OTHKO S ACHIEVEMENT AS IN PART A CHALLENGE h4HE #HAPEL TURNS YOU BACK INTO YOURSELF 9OU GET TO SEE WHO YOU ARE AND WHAT YOU BRING TO IT 2ELIGIOUS ART THAT IS l GURATIVE TAKES YOU ANOTHER WAY BUT HERE YOU AREN T INVITED TO RELY ON #HRIST OR ANY OTHER OBJECT OF WORSHIP 9OU HAVE TO CALL ON YOUR OWN RESOURCES v 4HE 2OTHKO #HAPEL CONSISTENTLY DRAWS MORE THAN VISITORS A YEAR 4HEY COME -S 7ELCH SAYS EITHER ON THEIR OWN SIMPLY TO EXPERI ENCE THE CHAPEL OR ELSE TO TAKE PART IN THE SUCCESSION OF EVENTS THAT THE CHAPEL SPONSORS $OMINIQUE DE -ENIL S INTENT FROM THE BEGINNING WAS TO
,OOKING NORTH IN THE SANCTUARY OF THE INTERFAITH 2OTHKO #HAPEL IN (OUSTON 4EXAS &IVE OF THE FOURTEEN PAINTINGS ARE VISIBLE THE NORTH TRIPTYCH AND THE NORTHEAST AND NORTHWEST PANELS 4HE PHOTOGRAPH BY (ICKEY 2OBERTSON (OUSTON IS REPRINTED HERE WITH PERMISSION
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