ANTIQUES // MARKET
All’s Fair in Art and Antiques By Chris Jenkins
It’s a landmark year for the art and antiques dealers’ association LAPADA, and they say there’s never been a better time to start collecting
L
APADA, the world’s largest association of art and antiques dealers, celebrates its 45th anniversary this year—it certainly doesn’t look its age, with its annual Art & Antiques Fair coming up in London’s exclusive Berkeley Square in September, and a vigorous program of conferences and lobbying between its teeth. The LAPADA symbol of the golden chandelier remains the mark of an experienced, knowledgeable, trustworthy dealer, backed by a strong advisory, mediation and lobbying association. Arts & Collections talked to LAPADA’s CEO Freya Simms and Fair Manager Sophie Wood in the middle of the summer ‘season’, during London Art Week. With a background in art dealing, gallery management and PR, Freya Simms worked for Christie’s Fine Art, Bonhams and Sotheby’s before becoming Director of the Olympia Art Fair. Now CEO of LAPADA, representing over 500 professional art and antiques dealers in the UK and overseas, she faces some difficult issues, such as the uncertainties of Brexit, the upcoming ivory ban and competition from sometimes dubious online dealers.
“With Brexit, larger businesses with their own import/export departments may cope with the red tape, but something like 70 percent of LAPADA members are small operations. We can give help and advice through our members’ website. “Our continental contacts may see everything as being in stasis, but it’s not all doom and gloom here—maybe some hesitancy in London, but in the regions things are certainly looking up.”
FAIR AND PLENTY
Above: LAPADA CEO Freya Simms Left: Display from Craig Carrington of Stroud, Gloucestershire, at the 2017 LAPADA Art & Antiques Fair
IMAGES © LAPADA
PROFIT AND PATIENCE So, we asked how the art and antiques market was looking, with the annual Masterpiece show just over and London Art Week in full swing. “Well, it has been busy!” Freya says: “There have been a lot of people there, both exhibitors and visitors, and most seem happy. The fact is that not every dealer can do brilliantly at every show, and not in every market—for instance sculpture is a strong market, but a slow one. If you are looking to buy in order to make a profit, you have to be patient.”
www.artsandcollections.com
P40 AC17 LAPADA.indd 41
Part of the problem facing LAPADA members, we suggest, may be uncertainty over Brexit—not only are customers reluctant to buy, but dealers feel frustrated by lack of definitive information. “That’s certainly true,” says Freya: “For instance we have been lobbying about the ivory ban for some time, as some of the details are draconian—you have situations where a Georgian teapot with just an ivory handle may be banned from sale. At the moment it’s a mess.
There should be plenty to be happy about at the highly anticipated LAPADA Art & Antiques Fair in September, a collector’s paradise housed in a specially built pavilion in Berkeley Square. As Fair Manager Sophie Wood tells us, 20,000 visitors are expected to visit to see a diverse collection of fine art, jewellery, textiles, silver, furniture and objets d’art, all vetted by experts, from around 100 of LAPADA’s leading art and antiques dealers. The venue is exciting enough, with Berkeley Square’s ancient plane trees growing inside the complex of marquees and a restaurant magically suspended at a higher level, but there’s more than usual to celebrate in this 10th year at this exclusive location. “In celebration of this anniversary year, exhibitors will present pieces by a nominated LAPADA Legend—the brilliant historical craftsmen whose vision and talent has ensured their work has endured for centuries” says Sophie. “From Chippendale and Wedgwood, Dame Lucie Rie and Georg Jenson, Suzanne Belperron and Paul de Lamerie, works by these prodigious talents will be available to view and to buy.”
CollectionS 41
09/08/2019 12:15