DIGIMAG 20 - DECEMBER 2006 / JANUARY 2007

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A new project is dedicated to texts, works and films of Fassbinder, inaugurated in spring 2005 and delineates two way of research. The first one deepen the themes of intolerance and power, and find its realization in Pre-paradise Sorry Now , from a Fassbinder text title. The second one is a reprise of the

melodramatic atmospheres of Le lacrime amare, Marta, Un anno con tredici lune by Petra Von Kant and recomposes into the play Rumore Rosa (2006).

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