Smashing Photoshop

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PART IV:Â STUDIO AND COMMERCIAL EFFECTS STEP 7 The rest of the layout is entirely up to you. Have fun and play around with it. Figure 56-2 shows an example of how you might finish your layout. Here are some suggestions: n n

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Add a lens flare to a shiny part of the melted object. Duplicate the melting object two or three times, scale down the copies, reduce their opacity, and place them to the left and right of the main melted image. Add some penguins, polar bears, or ice cubes to the scene. Duplicate the melted object layer and apply the Plastic Wrap filter with the Hard Light blending mode. Scratch up the supporting surface layer (as if it were ice, plastic, or glass) with a 1 px white brush. Create a new layer below the melted object and add a shadow beneath it with a reduced opacity. Add a Hue/Saturation Adjustment layer to colorize the scene. Add some text or other ad copy. Use the Dodge and Burn tools to give more accurate shadowing under your melted object.

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Figure 56-2

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