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Page 69

learning zone

Biréli lagrène ExamplE 1 Major arpeggio against Minor chord froM Minor 3

cd track 49

The line mixes django-inspired lines with bebop in equal measure. We start chromatically using some rapid first-finger shifts against G7. The lines in bars GUITAR TECHNIQUES 2 7 4on to a superimposed Fmaj7 with a blues figures in barsMAGAZINE 1 and 2, moving 5 and 6 come straight from the django lickbag and you’ll hear ideas similar to LAGRENE by JohninWheatcroft (F-a-C-e) and Fmaj7#5 (F-a-C#-e) juxtaposed againstBIRELI dm7 before descendingSTYLE this frequently Biréli’s gypsy style. Ex 1 Major arpeggio against minor chord from min3

b

bœ œ œ bœ œ √ ©»¡ª™ Swing 3 œ œ bœ œ œœ œœ œœœœ œ œ œ GUITAR4TECHNIQUES MAGAZINE 2 7 4 b œ œ œ œ ‰ #œ ∑ &4 BIRELI LAGRENE STYLE by John Wheatcroft œœœ J œ 3 3 C6

D m6

C/E

E dim7

Dm7

3

3

Ex 1 Major arpeggio against minor chord from min3

E B G D A E

b11œ 10œ œ8 b11œ 10 8 œ œ 10œ b œ8 C6

©»¡ª™ Swing 4 ∑ &4

E B G D A E

b

C/E

E dim7

b

C6 Loco 10

G7 9

œ bœ bœ J 10‰ 8œ 10œ 12 10 12 10 13œ 10œ œ

G7 (√) 16¢ 15£ 14™ 13¡ 12 11 10 9 b œ œ b œ œ œ¡ b ¡œ œ¡ b œ¡ &

7

G7 9

œ 8 b11 œ 9 J ‰ œ9 œ b œ 10œ œ7 œ9

œ ‰ 10œ ‰ 10œ J J

10

3

11

10

©»¡•¢ ## 4 ∑ & 4

9

8

D9 G Our D first four bars here come exclusively from the d Major scale (d-e-F#-G-aSwing A B-C#). Things get a bit more chromatic in the following measures, with some E 4 tone-gap filling during bar 5 and choosing the flat 9th (Bb) against a7 (a-C#-

Ex 2 Major II V I melodic phrases

√14 œ 1

12

‰ œJ œ œ 14

8

11

9

Œ

E m7 7 10

Πcd track 51

A7

~~ œ ‰ j ‰ œj œ œ œ œj ‰ œ œ œ œ œj ‰ œ œ Œ Œ œ

√ œ ‰ œ œ œ J D 69

©»¡•¢ Swing ## 4 ∑ & 4

9

9 12 15

C6

Swing

Ex 2 Major II V I melodic phrases E 16 15 14 13 12

10

8 12

b

C6 Loco 8

4

B ExamplE 2 Major ii V i Melodic phrases 6

12

e-G) in bar 6. The principle skill 9 here is10in establishing 10 melodic 10 ideas that sound like tunes, rather than fragments of exercises so the trick is to remain rhythmic and shape the phrases with musical intent.

A7 ~~ 10 12 10 10~~ œ ‰ 11j ‰ 12œj 11 12œ œ œ œj ‰ œ 11 12 9j ‰ 9 9 Œ Œ œ œ œ œ œ œ œ E m7

10

E m7 A7 D ~~ Loco (√) œ œ 14 12 10 ~~ œ 143 12 10 12 10 ## œ œ œ ‰ 3 j ‰ œ10 ‰11 j‰ 11 12 11 12 œ œ 9 b œ ‰ ‰ œ9 . 9 Ó 12 œ œ œ & œ œ bœ œ nœ œ œ J œ J œ 3 6 9

E B G D A E

1

3

~~ D E m7 A7 Loco (√) 17œ 14 15œ 12 14 # # œ œ œ 12 143 13 12 113 14 12j ‰ 14 12 15 14œ ~~ 11œ 12œ j ‰ 9 œ œJ ‰ œ9 12œ ‰ 12œ . 12 & œ ‰ œ b œ œ n œ œ œ œ b œJ ‰ œ 3 6 9

5

3

E B G D A E

œ 10‰ œ ‰ œ J J 9 12 9 10

8

Swing

3

C6

3

1

Straight

E B G D A E

10 12 10 12 10

3

G7 (√) ¢ £ ™ ¡ 11 10 8 b œ œ b œ œ œ¡ b ¡œ 11¡ 10 ¡ 8 œ bœ &

E B G D A E

Dm7

9 12 15 √ 10 œ 3 œ œ œ 9 12 9 10 œ œ œ œ œ 10œ ‰ 10 13 10 œ bœ œœ œ #œ œ œ œ 7 œ 8 12 J œ 3 3 8

1

Straight E B G D A E

D m6

17 14 15 12

14

Ó

~~

12

14 13 12 11 14

12

14 12 15

14

11

12

12

9

9

12

12

5

October 2017

69


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