DESTIG Issue 5

Page 135

TOP ARTISTS FOR 2019 | LINDA ATKINSON

"The challenge in painting sculpture is to paint each side differently and uniquely, and by the time you are back at the beginning the painting must come together as a whole." What makes your work

Tell us about some of

and approach unique?

your achievements.

As a sculptor in graduate

My proudest achievement

school, I worked

was winning the

primarily with professors

commission to carve the

in the painting

Ark doors for Temple

department, particularly

Emanuel in Roanoke.

the photo realist painter

The center piece of the

Robert Bechtle.

sanctuary, the 4’x8’x3”

I made sculptures of

doors are of carved and

potted plants, human

painted mahogany, lit from

scale, painterly,

within and pierced with

gestural.

stain glass.

I painted shadow and light as if the sculptures

What is the backstory of

were flat, giving them a

one of your pieces?

heightened synthetic

When I was invited to

sense of reality.

submit a proposal for the

From sculptures of

Ark doors at Temple

plants I moved on to

Emanuel, I researched

making sculptures that

Jewish symbols and

addressed genres usually

struggled with pulling

florals, still life and landscape. The challenge in painting sculpture is to paint each side differently and uniquely, and by the time you are back at the beginning the painting must come together as a whole.

Why is your work a good investment? This award, as one of the Top Emerging Artists for 2019 pretty much says it. It is an honor to be included in this publication, with the opportunity to present my art to a global audience. As an art appraiser, I would have to say that the best investment you can make in art is buying something you truly would love to live with. Trust your own judgement, trust your eye.

those symbols together cohesively. Ultimately I settled on a Tree of Life motif, and my design was unanimously chosen by the Temple selection committee. After I carved the doors, I was reading an older brochure about the Temple, and found that the

531 .p

reserved for painting–


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