The Drawing Room

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List of works from the Deakin University Art Collection included in the exhibition

WEST WALL 1. Barbara BRASH Bird 1953 linocut 11.3 x 17.5 cm 1986.56 2. John OLSEN Brett Whiteley about to Pounce 1979 lithograph 66 x 50.4 cm 1998.22 Gift of Grahame and Inge King, 1998 3. Mike PARR Untitled Self Portrait Set 1 #8 1989 copper plate drypoint etching 107.4 x 78.8cm 1993.96 4. Tim STORRIER Paper Journey 1982 lithograph, mixed media, collage 57 x 76 cm 1982.5 Purchase, 1982 5. Bob JENYNS Sculpture Design No.4 1979 coloured pencil on paper 38 x 28cm 1979.36 Purchase, 1979 6. Bob JENYNS Sculpture Design No.3 1979 coloured pencil on paper 38 x 28cm 1979.35 Purchase, 1979 7. Sidney NOLAN Untitled (Grampians) circa 1942 pastel on paper 13 x 17 cm 1983.1

8. Eric THAKE Sacred and Profane Love 1954 linocut 22 x 14 cm 2004.36 Donated through the Australian Government’s Cultural Gifts Program by Dr. Ursula Hoff, 2003 9. Linda JUDGE House Proud 3 1999 enamel on canvas 26 x 201 cm 1999.78 Purchase, 1999 10. John PERCEVAL Boys’ Ward, Stonnington 1938 pencil on paper 30 x 23 cm 1992.4 Purchase, 1992 11. Deborah KLEIN Mildred Pierce on St Kilda Pier 1995 linocut 74 x 53 cm 1996.20 12. Steaphan PATON Erasure 2016 synthetic polymer on colonial cotton canvas 56 x 36 cm 2017.65 Purchase, 2017 13. John BRACK (Mirrors and Scissors) 1966 Etching 38 x 56 cm 1986.53 14. Arthur WICKS Kit for Grasping the World 1978 Screenprint 76 x 57 cm 1978.3 Purchase, 1978

15. Peggy SHAW Selezione 1983 gouache on paper 61 x 46 cm 1984.2 Gift of the artist 16. Georg PENCZ King Porsenna, and Clelia Crossing the Tiber 1550 Engraving 8 x 11 cm 1995.34 17. Helen EAGER Hall Stand 1982 Linocut 41 x 24 cm 1992.265 18. Ann THOMSON Luna 1985 lithograph 42 x 62 cm 1998.39 Gift of Mr Guy Abrahams in memory of Christine Abrahams, 1998 19. Deborah WALKER The Tyranny 1991 Etching 35 x 28 cm 1992.19 20. David ROSE Radical 1971 Screenprint 67 x 48 cm 1992.127 NORTH WALL 1. Helen GEIER Adam and Eve 1976 Screenprint 53 x 76 cm 1998.14 Gift of Grahame and Inge King, 1998.

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