Typographies III un(en)folding

Page 1

Typographies III: un(en)folding For Petter Sundkvist and the musicians of Norrbotten NEO

Piccolo

<e = e >

 q = 42  

 [e = 84] 

Piccolo

 

3

p, vib.

  

   

*Into* Piano

Clarinet in Bb



sfz

Violin

Violoncello



mf senza vib.

pp

  

  f

       f p, tenuto         

     

sfzppp

 

q = 42

Piano

gliss.

Snare Drum Muted

Marimba

pppp, possibile non-cresc.



 

pp

3

     



 

mp

p

f

*to seated position*

    

mp

5

normale

p

     

   



vibrando

mf

 

f

Crotales

  











    mp



mp, poco cresc.

  

 

3

    

3  



mp

(with bow)

Tam-tam

   3   

 

p

con sord.

  

3

II III

  

pppp

3

  

Marimba

mf



3         mfp

 

(with bow screw)



pp

   

 

       (mp) 



3

       

 

     f



  (mp)   3

I II

pppp



   

f

3

mf

      

         

senza calore

p (with brass beaters)

        

      

5



f

ppp

normale

spiccato

    

 

sempre

          

 

 

f

<e = e >

3

p

Remove felt cloth mute

ppp

  [e = 84]

Daniel Bassin (Fall 2012)

p

  Vibraphone   3                  mp sempre mf

 

f

(with snare sticks)

mf

sempre

   

mf ff



 

mp

spiccato

mp

3

(motor ca. e=126) Muted with felt cloth

   sempre

(with snare sticks)

Percussion



3

Vibraphone



  3 3            f

3

     flz.

possibile

3

mp

 3

sf-mp





pp

col legno battuto



mp

ppp



    

3

sfff

 

sempre

   

         mf

 

 


2

  

Picc.

3

port.

mf



pp

ppp

p

 



3            

7

3

     3

(pp)

pp, tenuto possibile

 

to Flute

Flute

 

*take position over piano*

  

   fp

 

f

 

 

(non-cresc.)

Bb Cl.

Vln.

Vc.

  

ppp

  

  





3

pp, tenuto possibile

 

            

3

     p

                       pp, tenuto possibile (non-cresc.)

Vibraphone

 

   

     

    

mp

ppp

 

poco cresc.

p

3

      



p

     

Crotales

       

    

3

    

3



mf

    

senza sord.



mf

 

   

  

 

5

mp

normale

3

ff

       

III IV poco flautando

  

mp

poco cresc.





f

senza sord.

(pp)

*Into* Piano

                 3          pp, tenuto possibile

ppp



3



3

ffp

   

   

fp

fp

poco sul pont.





ppp

Vibraphone



f

 

(with hard yarn mallets)

 

f

sempre

Perc.

Tam-tam

 



5

    

mp

 

  

[G]

Pno.

 

    p

  

5

mf

   

mp



 5

 

   



     5

mf

   

f

  3

3

 f

5

3

 

mf

 

 

        

       mp

   

f

     mf

  

5

mf

    

     

f

5  5                 5

f

ff

mp

 


13

Fl.

 

 

5



f

Bb Cl.



p

3

f, tenuto

Vln.

Vc.



 

  





   

sfff



    5

    

  

 

 

  

3

  

3

  



3

  sf-mp

 



  



5

fp

 

 

 

ff, tenuto non-dim.

               

 

 

3

fffp

  

 

    

  

  

fff

    p

 

   

Fermata ca. 3-5" attacca subito

sf-p

ff, tenuto non-dim.

 

mfp

      

 

   

 

Snare Drum Muted (with bow screw)

mf

Perc.

Pno.

*to seated position*

Crotales

pizz.

 

3

p, poco a poco cresc.

 

 

3

mf



3

mp, tenuto

 

 

Fermata ca. 3-5" attacca subito

ff, tenuto non-dim.

mp

normale

6

fff

3         





  

           

mf

(p, tenuto, non-cresc.)

  

mfp

sfz

 

flz.

   

L.V. sempre

 


16

Fl.

 

e = 126

   

Play-and-Sing

flz.

   pp

Bb Cl.

 

 

 

4:3

 



 

Vc.

  

 

5:3      



sf

  

poco flautando



 

  

Vibraphone



  ppp





§

e = 126



3

mp

    3

 

 

  

p

mf

   p

  





  mfp

Pno.

 capture two or three tones

3

mf

  secco       f 

  f

 



 p

pizz.



   

arco

sf-mp

 



mf, tenuto non-dim.



(with hard beaters)





 

    p  3

   



mf, tenuto non-dim.

  

5:3

 

 

 

p

sf-mp

 



Bass Drum

 

        mp

poco sul pont.

 



p, cresc.

Una corda



 

normale

mf

3

#

   mp 

   



mf Tre corda

sf-mp

 



§

sf-mp

  

  



 



ppp





   

# 



   

 3   

3

 

5

    

3

mfp, perdendosi

 

 



 

do not lift mallets to attack individual bars.*

5

mp

(motor off) *gliss by 'sliding' very soft mallets over bars:

Perc.

    

ppp

pp



    

mf

mfp

sf

3

sf

p, leggiero

Vln.

3

3



4

  mf

3

 

mf


Fl.

mf, tenuto non-dim.

Bb Cl.

 

poco sul tasto

Vln.

mxsghjl[

 



    mp

mf

 





mf

Pno.

  

 

 p

       

#

 

      mp



mf

 

 

p

mf





 

 



   

 pp

     





 





mp

mp

 

#

         

pp, perdendosi

 

    

 

    

ppp



 

    

 

   

     p

ppp

air-noise

mp





Over-pressure

mp



To Bass Clarinet

 

 

p

   pp

 

§



 

mf

 

mf

p

§

 







Fermata ca. 2-3" Silent G.P. ca. 3-4"

   p

 

5

 

To Alto Flute

  

   



 

mf

  

mzxdg

  



 

mf

 

 

Over-pressure

 

ppp

Perc.

  



 

   

    normale

p

  

   





mxsghjl;



  

 

 

mp

Vc.

   



  





  

20

 

Fermata ca. 2-3" Silent G.P. ca. 3-4"



mf





 p





3



mp



 pp

ppp



pp

 



ppp

5:6

 

   

 

    pppp


 

   

e = 105

6 26

Alto Fl.

flz.

  

ffz

Bb Bass Clar.

fffz

Mzxs / Mzxdgtj

 

mp

  



fffz

    timbre trill       fff

[q = 52.5] 

  

p

 

fff

Mxdghjp



fff

   

   p

(with hair)

Vln.

   

 

fzp

Vc.

  

 

fzp

  

col legno battuto









f

sff

  







   



(arco)

 

3

arco normale

3

mp

 

pp

 

 

   

  

mp

arco normale

poco flautando sul tasto IV

 

sfffz

sff

con sord.

con sord.

3

mf, tenuto

  

pp

mp

Vibraphone

(motor ca. e=84)

 Perc.



3

 

Crotales

 

 

mf

5

     

Marimba

ff



 

 pp





 mf

 

e = 105

3

    ff

Pno.

 

 

p

     3

[q = 52.5]     

p

p

 Una corda

3

  

   

   

  


     

32

Vln.

Vc.

    

III II

    



 

             mf p

 

§



 

  

    

p

Crotales

(with hard rubber mallets)

   

 

  

  mf

         mp

p

 

                 mf

Pno.

 

    

Tre corda

 

  

   

mp

          

senza sord.



 

mf

f

mf

 

 

flz.

7

p

ff, tenuto

     

  

   

   sfff

p

    

    

   

 

sfff

p

fzp

sff

Marimba

 

p

     p

   

       mf mp

fz

    

mp

sf

3

  

    

sul tasto

Vibraphone

[e = 105]   

fz

5

 

fzp

p

mp



mp

  

senza sord.



 

mp



 

   

fff, tenuto

p

    

 

       

 

   

 

sf-mp

#

          mp, cantabile

mf, tenuto non-dim.

3

 

 

  

mf, tenuto non-dim.



Perc.

 

 

(Marimba)

 



Bb Bass Clar.



Alto Fl.

[e = 105] 

 

mf

 

   



mp

f

     

  

mp

      

   

mp

  

 

 

 

mp



pizz.

3    

mf

 

    3


  

whistle-tone ad lib.

8

        3

41

Alto Fl.

p

Bb Bass Clar.

Vln.

Vc.

 

p

mf

             f

mp mf

 

f

 

mp

    

 

mp



 

  

mf

p

3     

 



p

f

      

 

mf

      

p

mf

  



  

 

 

  



mf

mp

3

  

 

 p

 

e = 112

 

To Flute

pp, tenuto non-dim.

   



p

mp

Clarinet in Bbb

  

 

pp, tenuto non-dim.

pp

 

p

pp

 3   

        p

   mp

Vibraphone

Crotales

  



(crotales L.V. sempre)

   

f

 

 

 

 

3

mp

Pno.

   

 3 3                  3  



   mp

3

f

   

   3       3

3

 

Fermata ca. 3-4"

   attacca subito       

p

   

    

  

pp

pp

pp

  

   



 

      

     p

pp

   

p

Ride Cym

   pp

    

   

pp



mf

   

Vibraphone

ppp

p

mp

mf, cantabile

(p)

pizz.

 

      

pp

  

   

mp

ppp

mp

lift finger, allowing harmonic to 'slip'

sempre

 



pp

ff

Crotales



(motor ca. e=84)

 

pp

mf

mp

 





       

 

p

To Clarinet

 



Flute

pp, tenuto non-dim.

p

 

 

sfffz

 

mf



 

f

mf

 

p

Perc.

 



p

Vibraphone (motor off)

p

         mf p

     5

mp

      

5

3

Fermata ca. 3-4" attacca subito

Una corda

BD

  



    

Small Triangle



mf



     

  

mf

mp

pp

p

 

  

 

pppp

Tre corda


  

 

53

Fl.

 

mp

Cl.

Vln.

 

 

 

   

f



mp

mf

     

  p

     

arco



 

mp



   

 

lift finger, allowing harmonic to 'slip'

       mp

(mf)

     

p

Crotales

To Picc.

  

 

mp

mp

Vc.

 

 

  

 

   mp

  

 



  

 

    

mf

  

  f

    

mf

   

mf

      

 

 mp 

 

 

 

 

Perc.

 

9

 

mf, tenuto non-dim.

 

  

 

  

  mf

mp

Vibraphone

  

 

f



p

mp

mf



  p

 



 

 

Piccolo

p

f

 

  

 

mf

pp

  



f

pp

   

     

pp

 

 

tenuto, non-dim.





 

 

mf, tenuto non-dim.

  

 

mf, tenuto non-dim.

      mf

 

 

    3

   mf

Pno.

   

   mp

 

       

 sf

  f

 

 

 

   



  

  





   f

 

 

 

 



mf

 





   

 


10 65

Picc.

Cl.

Vln.

 [q = 56]  

    



mp

pp

    3

sul tasto

pp

Vc.



 

   

 

mp, cantando

 

   pp





 3    

 

mp

pp

 

f

 

p, cantabile

                   p

mf

normale

       

mf

 

  

p

3

p

mp

mf



3

  

mp



 

p

5

f

  

 

ff

 3 f

3

pppp

 

3

f

 

mf

3

mp

 

   

p

3

   

   

  

pp

 

f

f

  one very slow bow    

  

pppp

p

Perc.

 BD

 

 

mp

  [q= 56]

  

    

 

   

p

Pno.

     sempre



 

       

5

 mp



5

 5         f

 

    

   

pp

 

 

balance with ensemble

      f balance with ensemble

 

 

   f

balance with ensemble

  

ppp

Fermata ca. 2-3" Silent G.P. 1"

 mf

 

 



mp

p

mf balance under ensemble

feather Pedal, if necessary

 

balance with ensemble

 

Crotales

balance with ensemble

f

ppp

 



[f]

3

mf

lift finger, allowing harmonic to 'slip'

 

      5

 

mp

 

                              5

  3

Fermata ca. 2-3" Silent G.P. 1"

 

 


73

Picc.

Cl.

Vln.

Vc.

 e = 138 

  3      

Play

mp mf

 

fp

        

 

mf

pp

mf

  mp

mf

 

 mf

 

fp

   

pp

 e = 138 

       f

3   



  

 

sf

  

  

mp

f

(motor off)

     

 

II

  

mf, subito

  3     

   

pp

 

  



 

[9]

pp

pp

p

 

  

IV molto vib.

 

f

mp

[12]

[18]

sul tasto poco flautando



        6

 

ffp

   

p

    pp

3      



pp

   f



       

pp

Marimba

mf

 

   



fp

3

ff

11

molto vib.

[p, tenuto]

Vibraphone

 

f



fp

  

 

      

p

mf

Crotales

Perc.

 



   

mf

mp

  

  

  

3

mf

  

 

Pno.



mf

  

II

 

mf

3

III II

 

ff



 

3

f

[12]

 

   mf

mf

       3

     

         mp

   

   f

        mf

  

3

 3        

ff

 sempre



  ff

   mp

   pp

 

3   3                 

mp mf

ff

       mf


 

12

  

87

Picc.



mp

mf

Cl.

Vln.

  

  



ffp

f

mp

p



 

mf

5

      ff

     

pppp

p



pppp, tenuto

     pppp

3

    3

 



    

non-dim.

   

    

pizz.

 

, tenuto

sf

   

arco

mp

p

pppp, tenuto

mp

non-dim.

   

pizz.

mp

   

sf

5             

ff

Perc.

 

mf

3 6 6 5                                   

mp



3

 

 

non-dim.

 

  

pp

  

 

 

3

p

    

 

   

 

f

Vc.

 

 

mf

p

sffz

  

   p

  

  

pppp, tenuto non-dim.

Crotales



    



mp

mp

      f

Pno.

   mp

3

   ff



             5

mf,subito

5

 

3

 3

     



 

   

mf

  3  

 

     







 

 3



  

 



3

 

 

  


94

Picc.

Cl.

Vln.

Vc.

   

 

 

<q. = q> (q=46)



   

mf

 



 

  3   

mfp

mfp

mfp

sim.

  

 

 

sff

 

 

 



Perc.

BD

mf

 

3

 mp

Pno.

       3

3

  

sempre



 3





 

 

 

mp, sempre

 

 

3

  pp Una corda

   

 

pp

 

3

  

3

ffp

  

 

3

pp

fff

  

3



mp

    3

fff

mp

3





 3



3

   

  mf

fff

   

Vibraphone

ff

pp

 3    

mp

  

mf, sempre Tre corda

 5  

 fff

5  

 

  



mp, cresc.



Crotales

  3

f 3

 

 

ffp

  

mp

 5

  

3

ff

 Marimba   

sfzp

 

 



       

<q. = q> (q=46)



fff

f

     



 

f

  

13

flautando

3

p

f

p       

          

mp

ff, tenuto

ffpp



  

 

flz.

mfpp

 

   

f, tenuto

3

          

3

f, sempre

  

 

  3

fp

 l    

fp

 



mxsdgj'

mxsdghj'

  

 



fp

 

fp



  

Fermata ca. 1-3"

ff

f 3

 f

    

   

 Fermata ca. 1-3"       3           ffff

pp

    3

Una corda


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