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Experimental
实验性的
Ingenuity and creativity converge in the new Spanish experimental dance.
西班牙的实验性舞蹈充满活力与创造 力。一般来说，这些舞蹈都来源于它 的作者的个人动力，他们在那些比艺 术家服从的条款更少的地区活动。主 题都很多样，即兴并意想不到。查看 有些作品可以领会到我们的实验性舞 蹈的折中范围。
tero, who has staged creations of mystical reminiscences such as Mientras hacia los años luz and Be You Still. Original and unique is The Lieder, a project, developed by performer Javier Cuevas in Tenerife, together with Sara Serrano. In this two-part experience, firstly, the audience silently goes marching along a predetermined route in the city. Later, a scenic part is performed inside the theater, proposing a reflection on the effects that marching, hymns, and collective singing have on the body and the mood. Pioneer of the new dance in Andalusia, Salud López reappears with her company Octubre to continue working on performance art, combining it now with the conventional precepts of contemporary dance in her project Número 0. This work, with music of the emblematic composer John Cage, employs performance as a temporal, scenic, and conceptual space and constitutes the seed of a major project, now in process. With more than twenty-five years of constant research, Alicia Soto, with her company Hojarasca in Burgos, has been creating innovative works such as Estudio 3 Miradas, a performance art work for the street and unconventional spaces, exploring the hybridization of such art and breakdance. Also with a long experience in experimentation, we find the Galician artist Javier Martín, who after creating Soma in collaboration with performer and environmental sculptor Joaquín Jara, has premiered método negro, a performance based on contrasting ideas such as absence vs. presence and individual self vs. crowd.Ñ
塞维利亚的创作者玛丽亚·卡贝莎· 德·巴卡总是因为身份问题而焦虑， 她对新作品——“卡贝莎·德·巴 卡”这一精美的独舞倾尽全力。回顾 她的族谱，驻足遥远的过去，有一位 十分有名的血亲：征服者卡贝莎· 德·巴卡，究其根本，这其实也在 诉说着他自己，以及她对21世纪的着 迷。
Miguel Jiménez
Experimental dance in Spain is vibrant and creative. Generally rooted in the personal motivations of its creators, it moves through territories with no other rules than those imposed by the artists themselves. Their topics are diverse, hard to believe, and striking. Reviewing some of them provides an insight into the eclectic dimension of our experimental dance. Sevillian creator María Cabeza de Vaca, usually concerned about identity issues, reviews her own family tree in her new and clever solo piece Cabeza de Vaca, tracing back to a famous ancestor: the conqueror Cabeza de Vaca, which ultimately allows her to talk about herself and her 21st century obsessions. Hilarious is the proposal of Natalia Jiménez, director of the Sevillian company that bears her name, where she has created, together with Félix Arjona, the duet Propiamol (una práctica compartida de amor propio). This piece researches on codependent couples and our inability to build self-esteem, problems that can be solved by the Propiamol, a scenic suppository of their invention. In the end, this show proposes through dance, a strategy to prevent violence and emotionally abusive relationships. Why would a female robot be needed at home? A common answer would be: for sex. Catalina Carrasco and Gaspar Morey, directors of the Balearic company Baal, have reflected on this topic in their new proposal Ginoide Robot, giving continuity to their research on genders and women’s roles in a highly sexually oriented society. Also imaginative is A muerte, a step forward for the Sevillian company Las hermanas Gestring, led by Laura Morales and Greta García who have pictured their descent into Hades in a mortuary creation where they display their unquestionably hilarious sense of humor. Light, in its literal, literary, and metaphorical definitions, has become an ever present feature in the work of Irene Can-
才能与创造力在西班牙新的实验性舞蹈中汇聚
Compañía Natalia Jiménez.
光，由于在字面，文学以及隐喻方面 的性质都很符合作品的需求，成为了 艾琳·坎特罗作品中的固定因素，艾 琳是神秘遗风作品的作者，代表作 有：“走向光年的同时”和“你别 动”。 作品“德国歌曲”代表着奇异与独 特。由表演者哈维尔·奎瓦斯和萨 拉·塞拉诺于特内里费岛共同创作。 这个表演被分为两个部分，在第一部 分中，表演者们安静地从城市中预定 好的线路出现，另一个场景则是在剧 院，通过赞歌和合唱给这个出场灵魂 与身体上的回应。
萨路德·洛佩斯是安达卢西亚新舞蹈 的先锋，他和他的公司Octubre（十 狂妄的创作同样也体现在纳塔利 月）再次出现以继续他们关于表演 娅·希门尼斯的作品中。她是塞维 的联系。这一练习和现代的常规规则 利亚以她命名的舞蹈团 的总经理， 接轨，通过他的作品“数字0”来呈 与费利克斯·阿乔纳编排了双人舞 现，该作品还重现了象征性作曲家约 Propiamol（一场和自己的爱人一起进 翰·凯吉的音乐，利用表演作为一个 行的活动），该舞蹈探索了伴侣间的 暂时的，舞台和概念上的空间，事实 相互依存，以及我们无法自爱。在它 上，这是一个更大的正在制作过程中 的创意中，他们通过舞台这剂良药解 作品的萌芽。 决了这些问题. 该表演通过舞蹈表达 超过25年之久的持续研究也保障了艾 防止情感关系中暴力和虐待的策略. 丽西亚·索托作品的质量，自从她 家中女性机器人的作用是什么？很多 在布尔戈斯的Hojarasca（落叶）公 人都会回答说是为了性。对于这样 司开始，她一直以来便致力于创意作 的俗套话语，卡塔琳娜·卡拉斯科和 品，例如“3个眼神研究”，这是一 加斯帕尔·莫尔做出了他们的回应。 个为街道和非常规空间设计的表演， 他们是巴利阿里群岛巴力公司的总 该作品集合了舞台表演与锁舞的双项 经理，通过他们的新作品“机器人 特征。 Ginoide”，持续着他们关于性别和在 一个严重以性别为导向的社会中，女 加利西亚艺术家哈维尔·马丁的作品 Soma经历了很长的创作轨迹，该作品 性社会角色的研究。 “致死亡”也 是一部同样具有想象力的作品，该作 由他本人与行为艺术家，环保主义雕 品使塞维利亚的格斯特林姐妹公司又 刻家华金·贾拉联合完成，他们以黑 前进了一步。该公司由劳拉·莫拉莱 色方式进行了首次演出，这是一场围 斯和格雷塔·加西亚领导，他们在一 绕对抗概念，例如缺席-出席，个体场创造的葬礼想象了哈德斯谷底，并 群体展开的表演。Ñ 就此展示他们不容置疑的天资和热闹 的幽默。