Contents
Copyright © 2002 by the Dallas Museum of Art. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without written permission from the publisher. Published by the Dallas Museum of Art. Distributed by Yale University Press.
Curator of American Art: Eleanor Jones Harvey McDermott Graduate Fellow in American Art: Lyle C. Gray Head of Exhibitions and Curatorial Publications: Tamara Wootton-Bonner Exhibitions and Publications Assistant: Eric Zeidler
Library of Congress Control Number: 2002106291
Typeset by Jennifer Sugden
isbn: 0-300-09536-8
Color separations by iocolor, Seattle Produced by Marquand Books, Inc., Seattle
Endsheets: Frederic Edwin Church, Icebergs, July 1, 1859 (fig. 17). Graphite, brush and white gouache on green wove paper, 10¾ × 17Â in. Cooper-Hewitt, National Design Museum, Smithsonian Institution/ Art Resource, NY, Gift of Louis P. Church, 1917-4-298. Photo: Scott Hyde.
11 The Icebergs Revisited: A Personal Perspective Gerald L. Carr
Edited by Fronia W. Simpson Designed by John Hubbard
Frontispiece: Frederic Edwin Church, The Icebergs, 1861. American, 1826–1900. Oil on canvas, 64½ × 112½ in. Dallas Museum of Art, Anonymous gift, 1979.28.
6 Director’s Foreword John R. Lane
www.marquand.com Printed and bound by C&C Offset Printing Co., Ltd., Hong Kong
28 The North 45 The Tip of The Icebergs Eleanor Jones Harvey 71 The Other Seven-Eighths Eleanor Jones Harvey 87 Early Documentation of The Icebergs Gerald L. Carr