Dallas Museum of Art - A Guide to the Collection

Page 40

mexico, state of puebla, las bocas, olmec style

Physical deformity is a recurring theme in Mesoamerican art. A number of

Seated hunchback holding mirror

modeled figures is paired with an object. The seated hunchback holds what

Reclining hunchback holding rectangular object

Olmec‑style objects depict hunchbacks and dwarves. Each of these deftly is probably a mirror. Actual Olmec mirrors are made of iron ore (magne‑ tite, ilmenite, or hematite), with a highly polished concave surface that

c. 1000–500 bc

both reflects and inverts an image. It is possible that the Olmec, like later

Ceramic and paint

Mesoamerican cultures, used mirrors as tools for shamanic divination and

Seated: 2 5/* × 2 5/* × 2M in. (6.7 × 6.7 × 6.4 cm)

considered them portals to the supernatural world. The reclining hunch‑

Reclining: 2M × 2 5/* × 2M in. (6.4 × 6.7 × 6.4 cm) Gift of Carolyn C. and Dan C. Williams, 1993.81, 80

back grasps a rectangular object that may be a container of pigments for body painting. It might also be a ritual implement, possibly a celt, or stone ax head. Associated with agriculture and maize, celts figured prominently in Olmec ritual and were often deposited in caches.

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ancient and native american

3121-02 DMA handbook Ancient [RCP 10-7].indd 38

10/11/11 4:09 PM


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