Dallas Museum of Art - A Guide to the Collection

Page 34

peru, inca style

The vast Inca (Inka) empire flourished between 1438 and 1532, spreading

Tunic with checkerboard pattern and stepped yoke

along the western edge of South America to encompass present‑day Ecua‑ dor, Peru, Bolivia, northern Chile, and northwestern Argentina, its distant

1476–1534

parts linked by an elaborate system of roads. The standardization of design

Camelid fiber

and technical precision that distinguish Inca art can be seen, among other

34P × 31M in. (88.3 × 80 cm)

examples, in its tapestry‑woven textiles, or qompi. Woven by specialists,

The Eugene and Margaret McDermott Art Fund, Inc., in honor of Carol Robbins, 1995.32.McD

qompi often have an unusually high thread count and are so carefully made that the cloth is reversible, qualities that set it apart from contemporary European tapestry. Of the qompi garments that have survived, the most impressive is the man’s knee‑length tunic, and of the four standardized tunic designs, the bold black‑and‑white checkerboard pattern with a stepped red yoke is especially dramatic. Sixteenth‑century Spanish chroni‑ clers described men in the Inca army as wearing tunics with a chessboard pattern, suggesting that this design had military associations.

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ancient and native american

3121-02 DMA handbook Ancient [RCP 10-7].indd 32

10/11/11 4:09 PM


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