CHECKLIST NO. 36, 41, 42
ROSLYN ADELE WALKER Senior Curator of the Arts of Africa, the Americas, and the Pacific/The Margaret McDermott Curator of African Art Dallas Museum of Art
Cameron, Elisabeth L. “Lega Hats: Hierarchy and Status.” In Crowning Achievements: African Arts of Dressing the Head, edited by Mary Jo Arnoldi and Christine Mullen Kreamer, 147–57. Los Angeles: University of California, Fowler Museum of Cultural History, 1995.
NOTES
Cashion, Gerald. “Hunters of the Mande: A Behavioral Code and Worldview Derived from the Study of Their Folklore.” PhD diss., Indiana University, 1982.
1. Bernolles 1966: opposite p. 42, pl. XIII, ill. 1c; Visonà, Poynor, Cole, et al. 2007: 28, fig. 1–4; Le Quellec 2004: 36, fig. 34. 2. Lawal 2007: 18–22. 3. Walker 2009: 62–63. 4. Lawal 2007: 24. 5. Cameron 2001: 75. 6. Cameron 1995: 157. 7. Gibson and McGurk 1977: 78. 8. Verswijver 2010: 60–71. 9. Beckwith 1999: vol. I, 286–301. 10. Afoláyan and Wass 1995: 138–145. 11. Biebuyck and van den Abbeele 1984: 90, pl. 40. 12. Savary 1989: 119, fig. 2. 13. Mauer and Roberts 1985: 35. 14. Cashion 1982: 160–62. 15. Adamson 1967: 220–36. 16. Spring 1993: 120.
REFERENCES AND FURTHER READING Bouttiaux, Anne-Marie, Frieda Sorber, and Anne van Custem. African Costumes and Textiles: From the Berbers to the Zulus, the Zaira and Marcel Mis Collection. Milan: 5 Continents Editions, 2008. Adamson, Joy. Peoples of Kenya. New York: Harcourt, Brace & World, 1967. Afoláyan, Michael Oládèjo and Betty Wass. “Yoruba Headties.” In Crowning Achievements: African Arts of Dressing the Head, edited by Mary Jo Arnoldi and Christine Mullen Kreamer, 138–45. Los Angeles: University of California, Fowler Museum of Cultural History, 1995. Beckwith, Carol, and Angela Fischer. African Ceremonies. 2 vols. New York: Harry N. Abrams, 1999. ______. Faces: Thirty Years of Photography. Washington, D.C.: National Geographic, 2004. Bernolles, Jacques. Permanence de la parure et du masque africains. Paris: G.-P. Maisonneuve et Larose, 1966. Biebuyck, Daniel, and Nelly van den Abbeele. The Power of Headdresses: A Cross-cultural Study of Forms and Functions. Brussels: Tendl S.A., 1984.
Cameron, Elisabeth L. Art of the Lega. Los Angeles: University of California, Fowler Museum of Cultural History, 2001.
Clarke, Duncan. African Hats and Jewellr y [sic]. Rochester, Kent, U.K.: Grange Books, 1998. Cutsem, Anne van, and Mauro Magliana. Powerful Headdresses: Africa/ Asia: The Ira Brind Collection. Milan: 5 Continents Editions, 2010. Gibson, Gordon D., and Cecelia R. McGurk. “High Status Caps of the Kongo and Mbundu Peoples. Textile Museum Journal 4, no. 4 (1977): 71–96. Le Quellec, Jean-Loïc. Rock Art in Africa: Mythology and Legend. Translated by Paul Bahn. Paris: Flammarian, 2004. Lawal, Babatunde. Embodying the Sacred in Yoruba Art: Featuring the Bernard and Patricia Wagner Collection. Atlanta: High Museum of Art; Newark, N.J.: Newark Museum, 2007. Mauer, Evan M., and Allen F. Roberts. Tabwa: The Rising of a New Moon, a Centur y of Tabwa Art. Ann Arbor: The University of Michigan Museum of Art, 1985. Savary, Claude. “Rôle du vêtement et de la parure dans les rites vodun chez les Fon (République populaire du Bénin).” In Man Does Not Go Naked: Textilien und Handwerk aus afrikanischen und anderen Ländern. Edited by Beate Engelbrecht and Bernard Gardi. Basel: Ethnologischen Seminar der Universität und Museum für Vökerkunde, in Kommission bei Wepf, 1989. Spring, Christopher. African Arts and Armor. Washington, D.C.: Smithsonian Institution Press, 1993. Verswijver, Gustaaf. “Removable Hair Caps of Karamoja (Uganda).” African Arts 43, no. 4 (Winter 2010): 50–71. Visonà, Monica, Robin Poynor, Herbert M. Cole, and Michael Harris. A Histor y of Art in Africa, 2nd ed. Upper Saddle River, N.J.: Prentice-Hall, 2007. Walker, Roslyn Adele. The Arts of Africa at the Dallas Museum of Art. Dallas: Dallas Museum of Art, 2009.