An architecture for dissent a critical reading of the new babylon

Page 1

THEORY FOR THE SAKE OF THE THEORY

! " #$%&'(&'')* ! ! " " + ,- ! - ! . #/0 " 1 &''2 34* " " / 5

#/5* 6 $%)3 $%3& ! 7 " " " "" 8 /5 9

:

! ; 5! ! #$%)4* : " /5 " 8 " < ! " ( /5 /

= " ( " > " " " " - " ! / / - 1 " ? : "(

! " @ ! " 7 /5

( ( ( 1 ( " ! " ( ( : ! " " - 9

! A !

! " 1 " " " ; " 1 / - 1 " " 1 " = ! 292


" " # $%)B $%C'* / 5

#/5* " ! /5

" " ( ! ( 5 ! D " ! / " ! ( #/0 " 1 &''2 $*

" dĂŠtournement 8 7 ! " 8 ! /5 " - " ? : " < 7 ? : " " 1 " " " #/0 " 1 &''2 &* / 8 1 " ! " " " ! ! E " " 1 ! (

(9 ! " 9 " "

#F $%%C* "" : ! ! " " #F $%%C* 5 ( " " ! - / " 8 G " " 7 E " ! #/0 " 1 &''2 )2* + " " /5 9 : D , " F /

" " " ! " ! ! D " #/0 " 1 &''2 &* : " ! " ! : "" 9

" - : " " : " " ! ! / A G 8 ! ! " #- $%)B* - " 9 G = H 293


THEORY FOR THE SAKE OF THE THEORY

" " ! ! #- $%)B* " 8 ; " dĂŠtournement " " : "

! :

#/0 " 1 &''2 4)* / / " G / " #- $%)B* 1.1. Modernist vs. unitary urbanism 5 " "

" / > / "

#

* " : " " " " ! #/0 " 1 &''2 )B* > "

" " " " # $%)%* -

! : " ! # $%)%* " 1 &' # $%)B* 5 "

" / unitary urbanism 8 ! #F $%)%* " ! " " " " 1 : #- $%)%* I

" 5 1 " 1 " " ! #- $%)%* " G " ! " " ! : " #- $%)B* " " ! A G " " ! 1 ! " ! #- $%)B* 5

! " ! ! " # $%)B* " " ! " 8 ! # $%)B* 5 8 8 ; ! 9 > " ! /5 ! ! " H


# $%)B* > " " " 8 1.2. The New Babylon " + " ! " + " " " " ! @ " : ! ! #/0 " 1 &''2 )2* + " " " 5 1 " " " " :

" ! ! " ! ! ! ? ! " ! D #/0 " 1 &''2 )2* + " : " ( ! ( !

+

# $%)%* ! " " " ( " " ! ( 1 # $%)%* ! 9 ! " " " 6 # $%)%*

" ! 9 .! "

" " " " " " J J ! "

( D

# $%C2* 1.3. Direct experience vs. textual and architectural utopias ! " / ! /5 1 K ; 5

-" " ! ! : " # ! $%)4* : ; $%)4 $% 5! ! ! $%)B 9 D

/5 " " ! " " " 295


THEORY FOR THE SAKE OF THE THEORY

( ; : : ! #$%)4* " J L F #$%)&* J " : ! 1 ! " " " " " "

" " D ! " ! " " " ! " " " # ! $%)4* 5 ! " 7

" " " " ! " 9 " : " 5 1

" ! 6 ! ( " " ! # ! $%)4* < D :

M " :

!

A G< "

! " " ! ! # ! " " " * # ! $%)4* ! : " ! 8 !

! 8

" :

! ; 8 " 4F " : " D "

! :

! ! : " " ! "

" " " ! " ! ! ( " J ! D " ! F ! " ! " "

"

! !

" > " " : : ! "

! 5 6 ? $%CB !

: ! 296


5 ! " : ! ! "

#< $%%B* ! 9 ! 6 " "

! " #/0 " 1 &''2* @ 8 ! "" 9 6 ! @ ! "" 9 " @ ! ! " " ! " " " " " D

: : ! ! !

!

/ ! ! :

/ 5 : I ! ! /5 ! F " : "" 9 ! ! : : 5 1 ! " " "

/ " $%)' $%3) ! " " ! , " ! ! " " ! " N > " " ! - " / - 1 " " ( E " ! O / (" ! : " H ! " # < " / " " " 7 N > " / " $%)' > " ! ! : " @ " ! #/0 " 1 &''2 %&(%4* 5 " ! / " " ! " " " 8 ! " 1 - 8 " 5 297


THEORY FOR THE SAKE OF THE THEORY

9 " 1 " #/0 " 1 &''2 %&(%4* " " ! ! " : 1 " " " ! " " " " " ! " 7 : "

#/0 " 1 &''2 %&(%4* > " " : ! 4F " ! 5 " : ! " " " " " " ! " " " " " " ! " " " -

" ! -

6 " " @

1 ? ! ;

/5 " " 8 " 4F " " E @ : "

! " 8 O H 5 / " " # D ! * " " ! @ ! ! " 1 " " / > " ;

$ % ! % - " 9 " " D

9 $%C$ " " # $%%B - " - ! O D &'$$* " D ! 7 " / ! ! "" #! " " $%C&(C2 # $ $%C2* 6 ! #% $ house, $%C) Seaside Bubbles $%CC & $%CC ' Suitaloon $%CC* - " " Control and ' #$%C3* " ! ! "

" ! ( 298


#$%CB($%3&* D ! 8 " - " " 6 " " O " " ; " ! " : ! " "

> " D ! !

" ,

! ! - " " - "

: 5 ! " I

" > " - " D : ! @ ! / 1 (

" " ! " ! " / 9 " " ! " E " " " ! "" ! = " ( D ; @ !

! ! " !

! " " 1 ! ! ! " ! 8 ! & $ ' ! ( > " - " ! ! ! 5

/ - 1 " $%C' 5 : = - 1 " #$%CB(3&* "

" : "

: " # " 1 ! * " # 1 " 1 " * " " " " " 1

! 8 ! # 1 &''C / = &''& K ? &''4* / " / : "

! ' #$%C%* " 9 ! 5

" : " " 9 ! / " ! 9 ! D 299


THEORY FOR THE SAKE OF THE THEORY

( ) * ) #$%3&* D "" " - "

: ! ! ! " " - " !

, " " " - 1 " / " " " ! "

D ! " ! E " ! ! 7 ? : / / - 1 " " > " " 8 ! = 8 ! : ! "

" < ! ! ! 8 " " #F $%%C* 1 " : "

" D - " > " " ! ! : ! " ""

" ; " + " 1 ( + @ ! "

" ! " ! ! D

" !

" " ! " " 8 8 6 8 ! < ! ( ! 9 ! = 8 " ! Q 5 " / - 1 " 1 ) * ! + " O / #$%$%(* " " @ ! " " > " " 1 " ! ! " " " " E ( 9 "

#/ $%3'* / - # R * " ( 5 " " : " " E ! 300


" " 1 " @ "

! " 8 / " D " ! 8 " < ! ! 5 " ! ! 9 ; 9 " @ ! " ! !

" harmony 5 " " " " J " " J/ " < " / ! " " 9 " ! " - "

/ - 1 "

! # " * ! " : " " # ! * > " - "

" " "" ! "" 9 ! " " " " " " " 5 ! " " ! & " " ! " @ ! 7 /5 : " ( ( 1

(

( " ! " ( ( : ! " " #

" "

* #

&''3 L &''3*

( " ! " D (! " 1 6 7 ! ! " ! " !

! ! ! " " , !

" 1 " " " " 1 # $%%$* !


THEORY FOR THE SAKE OF THE THEORY

" " ! "

" ! 8 ! ! 1 : ( " " $ + " ! " " " 1 9 + " 7 H ! " : . A : : ! ! - ' / K L #&''2* Bolo Bolo O ? #$%B)* " 1 : " 9 8 ( - " ! ; ! " ! 9 = = ( "" " " : ! : " ) , ! " ! " ! 9 ! 5 ( " D " ! 1 " " " " " " ; " " ! ! " 5 " D " - "

! A !

! " = "

" " ; " 1 / - 1 " H 7

! D - : " M + ( / Cemetery of Baghdad #&''3* . ? 5 < ( ( " ! "

! $S - : " . # ; ATT T ! T *

8 ; # ; ATT * ? 8 ; # ; ATT " TQ U * ( # ; ATT * 302


" - $%)B F 9 > 0

V$ " > - @ / W X -! A Y ; ATT

T T/5T T T3Z W- A - &'$$X - $%)% " . $%)' > 0

V4 " > O @ "" W X -! A Y ; ATT ! T T T " Z W- A - &'$$X @ $%%$ (1 -1 213 ( ( - 2 4 - ! ( W X -! AY ; ATT " "T T 1[ " Z W- A - &'$$X 1 - &''C " ' 3 - 5 - @ : ! 5 $%)4 > " " " > \ \ &''C W X -! AY ; ATT T/5T ! "Z W- - &'$$X O < $%%% - O - O

L &''3 67st ' 8 3 - - "% 5 9 N A O ! ? " F L $%)& / 1 > " " > \ \ &''4 W X -! A Y ; ATT T/5T 9 " T "Z W- A - &'$$X F L $%)% / E > 0

V4 " > \ \ W X -! AY ; ATT T/5T4 E "Z W- A - &'$$X F L $%%C %: ( ; " > - . " ] + ^ _ A - ` a > " N &''' > > " 5 / / M @ Non! 3 9 - - O $'2($$) L &''3 - " , = ! 0 $&A $ &% b 2B W X -! AY ; ATT : T$' $'B'T$4)C%4$'C'$'%))%BZ W- - &'$$X K O ? < &''4 3 & # 4 > ? A / K L \ &''2 / ; 8: $ " . N `" ` _ A - ` a $%)B + + ? + O ! > 0

V& " > O @ "" W X -! AY ; ATT ! T T T" " Z W- A - &'$$X $%)% - > 0

V4 " > O @ "" W X -! AY ; ATT ! T T T 4 " Z W- A - &'$$X $%C' F N c > 0

V2 " > O @ "" W X -! AY ; ATT ! T T T 1 " Z W- A - &'$$X $%C2 A - " > - 303


THEORY FOR THE SAKE OF THE THEORY

Design 42 4'2(4') $%CC " > d " e in ! V% " F d > ? e $%3' W X -! AY ; ATT T ( " " Z W- A - &'$$X $%3' A @ " K W X -! AY ; ATT T " ( " Z W- - &'$$X $%32 < ; : @ L " " " @ W X -! AY ; ATT T ( " Z W- - &'$$X O / $%%& ( ) ? % 3 ( 0 ! - , O ? $%B) Bolo Bolo N A / " : # * / / $%%% ( ' ?5 O ! / ? ?f + &'') 9. 3 7@AE"FE ? A O / O $%3' - 3 ( ' 0 ) " K A ?5 O /0 " 1 + &''2 8 3 ) G H$ ? 5 ! / = ? &''& , 7 , 7 F - 1 " / -- 23 &4(4C - " - ! O D W X -! A Y ; ATT " " TZ W- - &'$$X < ? $%%B ' I 3 ( / "- 8 , ; "A '$' O < ? c &''$ ( - 8 3 ? - ?5 O K

!


" #$ % # & & ' + "

! > " !

! 1 , " " ! " - 9 " " = : " " < "" I 8

?

" " ! D !

" N " " ! ! , (@ 1 ! " 6 $%%&(%) E # * - F O - " $ ( !

" ! A > (@ 1 ! , / g 5 5 ! G ! D #" (* " (@ 1 ! > ! ? " " % -/ ' % 0 45 $ / % 6 L (@ 1 ! ! 1 O -6 " = \ " $&''. $2C4 " +; " ." F " \ " " D " " < +; " 8 " $) 5 " " " " 9 ! 5 " 5 " 1 ! $)' ? " $S F O - " $%%)

- @ 1 ! ! , / > @ 1 ! 5 , / " ! / > ! # ? " * F g &''' " " !

" 305


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.