to Claire Chase
"Accidentals (including grace notes) only affect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written."
++
Flute Concerto
= means "open", "close" by hand (on harmon mute) very fast until the end of the bracket unless stated otherwise.
STRINGS: Do NOT vibrato on gliss. or port. S.P.= sul pont. P.O.= position ordinary Long note/tremolo: change bows as many times as you need.
Oboe &
Dai Fujikura
44 q = 100
same note tremolo
same note tremolo
Œ
˙
˙
˙
3
ppp
˙
Œ
3
pp
∑
Ó
∑
&
#˙
Œ
˙ #˙
Ó
Œ
b˙
˙
b˙
3
ppp
˙
Œ
3
pp
same note tremolo
˙
3
Œ Ó
3
ppp
same note tremolo
Clarinet I in Bb
(ensemble version, corrected 3 Feb 2016, piano part: 3 Sept 2016)
Œ
pp
#˙
˙
˙
3
Œ
3
ppp
Ó
˙ pp
∑
∑
same note tremolo
Bassoon
sea-shells wind-chimes
?
∑
/
∑
/
Œ
˙ ˙ ˙
3
3
∑
j œ
p
w
/
˙
very gently, do NOT shake
Œ œ
Œ
Œ
∑
pp
˙
do not "shake", gently, slowly "tickle" the sea-shells chimes.
Ó
∑
very soft sticks syzzle cymbal
∑
ppp
rainstick
∑
#˙
˙
pp
Œ
‰
Œ
Ó
Ó
∑
p
∑
∑
∑
∑
∑
ppp (do not cresc.)
Pod Rattle
Piano
/
∑
&
œ
bœ
ppp (do not cresc.)
œ
°
œ
∑
œ
œ
#œ
#œ
#œ # œ
œ
œ
∑
œ bœ
œ bœ bœ œ œ œ œ
œ
nœ
œ
∑
œ
œ
œ
œ
œ
˙
bœ
do not "shake", gently, slowly "tickle" the rattle.
˙ œ
Œ
pp
˙
œ
#œ
p
#œ bœ œ œ œ
œ# œ #œ œ œ œ
œ
q = 100
SOLO Flute
&
44
Freely use the available syllables throughout this section. Rhythms are precise and the segments in the box can be played in any order. However you may not repeat each individual segment more than twice until all the cycles have been played. Use the widest variation of dynamics and articulation. Interact with orchestra. ONLY play the NOTATED pitches. Very occasionally you may cover the embouchure hole completely or gradually and continue rhythmic syllabic patterns. ALWAYS play in a steady tempo. Feel the groove. Syllables: ts, k, p, sh, tsh, tsh, thh, ks, ch, ksh for tremolo = tktk... /rrr..../tsktsktsk.../shkshkshk.... 1
2
≈ . . > . >.
3
4
. . . . . > . > . . .
≈ .> . > . . > . . > . . sub. p
mp
Violin I &
˙ ˙
˙ ˙
pizz. trem.
pp
Œ
B
Viola
Œ
pizz. trem.
##˙˙
pp
?
Violoncello
p
∑
7
mf
3
œ œ
œœ ≈‰
‰
3
3
˙ ˙
p
j œ ‰ œ
Œ
(pizz. trem.)
#œ
pp
Œ
≈
>œ
#˙ ˙
(pizz. trem.)
gliss.
p
Ó
≈
nœ #>œ
œ
Œ
‰
Œ
> ‰ #œ
j œ œ
Ó
pp
pp
Œ
‰ œ bœ
(pizz. trem.)
pp
∑
pizz.
#>œ Œ
3
j œ œ
p
œœ
>. >. >. >. >. >. >. >. >. >. >. >.
˙˙
pp
œœ
‰
pp
##˙˙
∑
&
Œ
pp
pizz. trem.
Violin II
j œ œ
(pizz. trem.)
œ œ
p
6
5
˙ ˙
∑
Ó
∑
>œ
Double Bass
?
∑
‰
mf
Œ
‰
>œ
Œ
Œ
Double Bass: all pitches sound an octave lower than written (including the harmonics) 5 string Double Bass is needed for this piece. Bottom 5th string should be tuned to low B natural.
Copyright © 2015 by G. Ricordi & Co. Bühnen- und Musikverlag GmbH Berlin Alle Rechte vorbehalten - All rights reserved - Tutti i diritti riservati
SY. 4419/01
≈
#>œ
Œ
p
p
Πpp
#>œ
Œ
Ó
‰
#>œ #>œ
Œ
mf
pizz.
œ œ
Œ
Ó
b >œ
>œ
Œ
Ó
Œ