Catherine He by Catherine He

catherine he

education

Drafting/modeling software

Revit, AutoCAD, Rhino+Vray+Grasshopper, SketchUp, Autodesk Maya

Graphics/video software

Adobe Photoshop, Illustrator, lnDesign, After Effects, Cinema 4D

Website design

Adobe Dreamweaver, HTML, CSS, PHP

Applied

Excellent digital and hand rendering skills Proficient in physical model making and prototyping Great communication skills and fluency in Mandarin

Sept. 201 2 - May 2015

Master of Architecture I University of British Columbia

Sept. 2008 - May 2012

Bachelor of Science Honors I Ufe Sciences, Queen's University

May - Sept. 2014

Architectural Student I Hughes Condon Marler Architects • • • •

Mar. - May 2014

Research Assistant I HouMinn Practice •

Dec. 2012- May 2014

Used Revit for modelling, rendering, developing design options, and produc ing drawing sets Prepared supplemental instructions and building permits Created renderings for presentations and promotions Site survey and measurement

Researched and summarized select architecture/design projects in w ritten and graphic format for publication purposes

Design Intern/Research Assistant I Transportation Infrastructure and Public Space (TIPS) Lab, UBC • • •

May 2011 - Aug. 2012

Designed deployment guidelines for electric vehicle fast charging (EVFC) stations in BC w ith focus on the Greater Vancouver Area Developed drawings and 3D models for station configurations Uterature research and paper preparation on EVFC infrastructure

Intern I Shoalts and Zaback Architects Ltd. • • •

Designed proposal packages for projects and competitions Prepared building floor plan drawings and furniture options Designed signage and graphical displays for public projects

J an. 15 2015

The Co-op Shop Network* I Entrant I COTE Top Ten for Students

Nov. 21 2015

Memorial for Truth and Reconciliation* I Entrant I Drawing of the Year

Mar. 8 2014

Twiddle* I Entrant 1120 HOURS

Mar. 13 2014

Section Structure Shape I Honorable Mention I Fast+Epp Arc hEng Design Competition

Sept. 2014

Arthur Hullah and Dorothy Cleveland Memorial Scholarship I UBC

Apr. 2 2014

Growing Light* I Entrant !International VELUX Award 2014

J an. 16 2014

Transform* I Entrant I Fentress Global Challenge: Upcycled Urbanism

Aug.2013

Electric Vehicle Charging Station* I Recipient I AlGA (Re)design Awards

Sept. 2013

AIBC Scholarship I Outstanding academic achievement I UBC

Aug. 25 2013

The Greenline* I Entrant I Arctic Adaptations Competition: NU Health

May 2013

Soundscape* 11st I Best in Studio Award I UBC

Sept. 2012

Faculty of Applied Science Graduate Award I Entrance award I UBC

Carl-Jan Rupp

Princ ipal I Hughes Condon Marler Architects 569 Johnson Street, Suite 300, Victoria, British Columbia, VSW 1M2 cj.rupp@hcma.ca 1-250-382-6650

Blair Satterfield

Assistant Professor I School of Architecture and Landscape Architecture University of British Columbia, 205B 6333 Memorial Road Princ ipal I HouMinn Practice http://www.houminn .com/ bsatterfield@sala.ubc.ca 1-604-822-37 40

Annalisa Meyboom

Assistant Professor I School of Architecture and Landscape Architecture University of British Columbia, 205B 6333 Memorial Road Director I Transportation, Infrastructure and Public Space Lab http:// tipslabubc. com/ ameyboom@sala.ubc.ca 1-604-818-4501

awards+ com etitions •• ••••

references

top ten for students competition I entrant

he + kristin olinyk

summer at 76 kingsway

...

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fifth floor communal gfCMiing looking west WIIJ..KSCORE

99 81 93 COv\MIJTE TIME TO DOWNTOWN VANCOLNER

lllliie 6 mn

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~1 7 mn ;.. 41 m SITE PLAN 1:40CO

fourth floor roof access

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comrrU'I&ISEr.t=econl):)r ....ero.r.t'(!lfl 8lS08C$&S1Tiemato'~'lor76

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first floor grocer looking south

first floor looking up core stairwell

first floor grocer storage looking west

"The Relationship" The human and the building are codependent organisms; they struggle apart and thrive together. The building cannot function without the tenants who operate on it, while the tenants cannot fulfill their basic physical and social needs without the operations of the building. This co-op live/work project seeks to intensify this symbiotic relationship. By opting in to communal living spaces, the tenants (humans, fish, worms, and plants) agree to co-operate on the various layers of the building system to grow their ovvn food, cycle nutrients and waste, compartmentalize units, and collaborate in collective awareness, self-determination, and perpetuation of their shared future promise. "The Architecture" The building provides a flexible framework for cooperative living. Through a central service wall, all floors have access to essential amenities: electrical, plumbing, and aquaponic connections. Individual entrances, partial walls, and level changes suggest, but do not define, the boundaries of each unit. Upon this framework, the occupants actively add, subtract, and adapt, in order to attain physically and performatively desireable states of co-existence.

winter at 76 kingsway

WORMS DECOMI'OSE PlANT SCRAPS AND FEED FISH

aquaponic system water + nitrogen flows

FISH EXCRETE AMMONIA CN~31

IN"UT

NITROGEN CYCLE OliTPVr

NITROBACTER SP. CONVERTS NITRITlOS TO NITRATES

NUTR HIT RICH WATER fiLTEREDWATtR BACTERIA R 01 MEDIA

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NITROSOMONAS SP. CONVERTS NHJ TO NITRITES

ACTI\IE FLC\N PASSIVE I'LC\N

PIPES DISTRIBUTE NUTRIENT RICH WATER TO BATERIA AND PLANTS

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BACTERIA

PLANTS

WORMS

vancotNer seasonal

FILTERED WATER

FISH

harvest

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NUTRIENT RICH WATER ACTIVELY PUM PED UP TO PLANTS

building system flows

Using only photographic dcx::unentation, or ' memories", a thick map composed of ten drawings, was created depicting the Broadway. Kingsway, and Main Street (broadmairi<ing) block. Blenk patches represent a lack of memory. However when layered together, the amalgamated drawng loses its gaps, gains contrast. end develops depth - as well as the added dinension of time. TIYough the iterative process of dravving, tracing, and layering by hand, a fuller, richer representation of the block and its history is achieved.

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521 comprehensive building studio

.am\1\llm of the year entrant

a:onc)eptual development + site analysis + design+ detailing+ modelling

The drawing illustrates an inventive architectural environment for the Truth and Reconciliation Centre of British Columbia. The heart of our proposal is a transfonnative Sa.Jiptural column. The structt.re serves as symbolic monument on it's surface and energy channel at tt's core. A healing centre for the soul and the earth.

bntlS"I columbia reSidential schools remap~ung

1ndm residerltlaJ schools in canada

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prcNICiaJ +- national mappng

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physical model1 :100

global challange: upcycled urbanism I entrant

analysis + research + conceptual design

\_ VANCOUVER VIADUCTS + FALSECREEK FLATS The Dunsrrut and Georgia Vladucls was buin in 1971 and n.n ltlrough the former industrial landscape of Nath rase GreeK Rats. Today, the viaducts coodoct over 40,000 Y€1ides a day over an immense plea! of 1\lllerfront properly that is undeYebped and uninhat)ted. The stteIs rurrentfy oomposed of a waterfront tral, parkirg la5. feoced df wnpourds, and vocant Jnl)erly.

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I It Is bcated af a crossroads of h<tlttalbn, tranSIX)rlafbn, and recreation... ...a stte of tr<nSient energies

Petroltthg Sktn ol •A».tct B'le<Aay•M!h peio- e~ gerera1«S \\il transform tea\)' •Aa.i.d tra!flcin1oan U1~~edsooroecl poo'a" ~to feej «1 site and peri~ffal progr.:tl"'nirQ.

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VIADUCT ENERGY HARVESTING MECHANICAL ENERGY to ELECTRIC ENERGY

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HAZARDOUSWASTE CONTAMINATION 1, 2 - Coal far dllT!lirYJ associated 11ith former 8CER coal gasiflc:afion plant Remedialion is lhe frea!ement strategy is unspecffied.

iegl~aled ~cr 1o development, ha~ISYer

A - Uner cap and fill over ooaJ tar oontaninalbn. Current~ under Andi LMngstone Pal<. B - Barrier vmf system to !)'event oontaninanf migratbn •a groundva1er see~e CurrenUy under streets, parkirg las and ll'developed vraterfroot P'OPeriy.

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TRANSFORMINGTHE SITE The stte is zoned acwdhg to e~sting structures and ltle proposed meltlods of intervention: energy generaoon + lard remedialbn.

INHABITATION + REMEDIATION TIHERMAL ENERGY to INTERACTION ISID remeda1on is milin~ty invasN'e, rEQJi'es no axcavalioo, and does not aea1e nOOs C1 af polufon .Ttess condtioos provide lhe ch;n:e for co-intotilalion d lhe sile durilg lhe rEmedalion process. Tte lhennal nanre ol me PIOcedtre also prolide opportJrities b aeate oordtiooed ~lor lempoory programmhg.

VIADUCT TRAFFIC MECHANICAL ENERGY to ELECTRIC ENERGY

POWERINGREMEDIATION ELECTRICENERGY to THERMAL ENERGY

Traffic \'Oiume detefl"lin".s p:M'er genErn1on. RXertio:l b' the sile b respond

Vooucl en~Jgy 1\11 SlllP~men11he PD""' needs ollhe e~clric healeiS used lor the in.Stu lhermal desorplioo (ISTO) remedOOOn process.

lo ctongesin pcM'erooii'Ji «lor ~esi!e 1o conlrtl ~"""' oulpul by di'eclilg

traili;O\-.:rlt!evOOtx:ts.

REMEDIATION THERMAL ENERGY to CHEMICAL ENERGY ISTO remedalion heals lhe ground usi~ an eleclic heal well Md 'illCuun rmy; healv.ei~V3l)' i'llenglll <Ependi'lgon me depm a lhe

ooo1aminc:rrtKm. Tempera1ttesd 0\oer 4(()0c hcilef'ate oonbmhants lOlii~

tehind a com~el!tf clel'r1 lansclpe, ro aalililn~ sa1ety «

roori!Drifll me:ast.reSarereq.ired.

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A LANDSCAPE OF POTENTIAL ENERGY to EXPERIENCE Tho-110dllCIS CO<JN 10 gnralt-IYtrflo!lonllho "'l'bblylorlllai11Jlh> lirdioiOiiinodtomlloiiii!IOdolan- -MolliooiO-Ilcti'dap.mnd OIIOijj)' - l l t r N I, knOt.

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HIGH-EPARK ELECTRICENERGY to INTERACTION H•ltl·E park U1dErnealh viadu:ls haw the most immed'Jate access Ill viad.Jct enEfQY llis Sl)ace ca1 be poptJaled wilh energy demanding prograrm lhat IJ9 temQorally d)nrnic in order Ill ecooomizl! on fle phasic power generaled by viaOJ:t l'3ic

REGENERATION WATER +THERMAL ENERGY to GROWTH JOWjr:;d dM'IICil \WIIf,andhfalaea1eun c!U gCM~rg m.i'crmert.lnb:l

ando.clow mao-dimDtc.'l teat&*! to aJfwirg ametyd JU!Isp.:iea

THERMr\L ENERGY to INTERACTION

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Sustainable architecture is a constantly adaptable and interactive experience. kl experience that brings about an awareness of natural systems as well as the potential to hamess the free energy present in these systems. Through material and sensory feedback spaces can be made flexible and able to respond to environmental conditions based on the occupant's needs. Twiddle is a space of adaptability and interactivity. Twiddle is a beacon and semi-private space found at the heart of the T0}'en Park and 0ya Music Festival. ~ is situated to provide an area for a~emative activities between the times of festivities and rest, day and night. Twiddle is a permeable space for collaborative interactions, sheltered gatherings, and spontaneous meetings.

A singular system of pivoting wood panels creates a dynamic fa<;:ade that morphs in tune with its inhabitants. The fa<;:ade functions as a wind and light screen that allows users to manipulate the qualities of the space to suit their activities. Through iterative interactions and feedback, people are made more conscious of the autonomous yet controllable qualities of these natural elements. Furthermore, the same panels that provide environmental control can be appropriated as furniture, thus extending the structure's programmatic potential. Through physical and sensory experiences, Twiddle brings attention to the presence of natural systems as well as our individual and collective abilities to influence them towards a sustainable end.

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544 arctic adaptations adaptations competition: NU health I entrant

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produce production : pilot I school I community I commercial I research

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SPL • SWlpt - 101og ( r)

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r = dstance from aouf08

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RJINTAJNE SOURCE

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site plan and section + acoustic contour overlay

soft sound human seal •

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SPpT ZIPPER

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Soft Sound experiments with the concept of how technology creates â&#x20AC;˘envelopes" that can monitor and mediate our environmentv and ourselves. Stimulus is transcoded into data which is used in a system of feedback and control. In this project, the stimulus of study is one that is immediate to the body: the angle of the head. Using a ti~ sensor, real time data is collected and transcoded into sound, or more precisely a signal amplitude (volume) and location (lefVright ear). As the name suggests, the helmet is soft and functional. The

speaker pads are made of fabric with embroidered coils and earth magnet disks are sewn into the back lining. Stuffing provides the speaker diaphragm both rigidity and comfort. Electrical current is carried by thin malleable wire, conductive thread, and fabrics. The zipper acts as an electrical switch connecting the two hemispheres which contains the left and right audio output. Mditional hardware is minimal and se~-contained, and is protected inside the helmet itself. No outlet is required. Users can plug in their personal devices and literally listen to their movements.

research + modelling + fabrication

SOUND THEORY

PfRFOAATED PANtl

HELMHOlTZ RESONATOR

COMPONENTS OF SOUND

REFlECTION Refk<ting ~nffgy

AUDIBlE FREQUENCY (Hz)

ABSORPTtON Transforming energy

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MASKING Cance-lling t>nergy

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ACUlE COAAERS YAAP SOUND WAVES

DIFFUSING SUR!'ACE DAMPENS SOUND 1

SMOOTH W000 WALl+ SEAMLESS ~FACE

+ design synthesis + acoustics modeling

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2 • 3.5 m · CREATES RESOHI\NCE IN LOWER FREQUENCIES< 200Hz

st I best in studio award

1 S mCORRIDORS CREATE.S RESONANct; IN TliE RANGE OF

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~EAlES REONANCE IN HIGHER FREQUENCIES - 500 Ht ::REATES t.WI'f SMALL RESONANCES

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PPLICATIONS OF SOUND CONTROL I DIAGRAMMATIC PLAN

hydro + the province of british columbia

station research+ design + modelling

13 AlGA (Re)design Award Recipient

Surrey Museum Fast Charging Station

CONSlliAJNED AND IR~ GUlAR SITE

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8C PUBLIC ELECTRIC VEHICLE CHARGING STATIONS

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s s wall mural 201 school of graduate studie @ queen's universi

design+ installation

bookend

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sydenham library, kingston

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@ shoalts + zaback arc hitects

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Welc ome to Graduate Studies a t Queen's ! Queen's University offers over 100 graduat e degree programs that span disciplines in 6 academic facult ies and two schools. As well, we offer many c ross· raculty, •ntetdi:Scipklary and collabor at•ve progc~ms . It is ttlis range o f scho&arty options ~nd our breadth in resurch str ength that has made Queen's the destination o f choice of more than 3, 500 gracllate students w ho c ome from more than 52 coun tries .

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