Brexit:
Love and the Pilgrim, Sir Edward Coley Burne-Jones, Bt 1833-1898 ©Tate, London 2019.
Here’s to More Love
by Christabel McCooey
Note: This article was written prior to the resignation of Prime Minister Theresa May on 24 May 2019. I have a confession to make. I have been avoiding news about Brexit like the plague. Ever since the first vote on 23 June 2016, wherein 51.9% of British voters opted to leave the European Union, I have had an impulsive urge to steer conversations away from the subject. P It is not that I am unaware of the positions; I know the flavour of the skirmishes occurring in homes and pubs and in our dishevelled House of Commons. I saw the placards of the Peoples’ Vote March, attended by an estimated one million people on 23 March 2019.
8P
P Yet despite the very real effect of Brexit, in terms of division at best, and racism, vitriol and hatred at worst, there remains something very abstract and intangible about it. Brexit reminds me of an air dancer balloon that you might see loping about a car dealership: huge billowing arms and legs that leap about in all directions; closer inspection confirms it is animated simply by hot air.
What is the spirit animating Brexit?
We are advised in the Gospels: “Do not believe every spirit, but put the spirits to the test to see whether
they are from God1.” Certainly, the fruits of the spirit—love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, and selfcontrol—do not readily spring to mind when reflecting on the sentiments exhibited in Parliament this past spring, particularly after the latest ‘deal’ to leave the EU was rejected, leading to a subsequent scramble for Britain to reach a new solution in time for the fourth deadline from Brussels of 31 October 2019, ironically, Halloween. P It seems that Brexit has accentuated the dominant personality of our current system of politics: self-seeking, dualistic
LIVING PEACE
