
ContentList
1Introduction
2.ChinaFashionMarketOverview
21Marketsize
2.2ChinafashionmarketamidstCOVID19pandemic
23Saleschannel
3.ChineseIndependentFashionDesigners
31ThedefinitionofIndependentDesigners
3.2TheOverviewofChineseIndependentDesigners
33RepresentativeChineseIndependentDesigners
4.Chineseindependentfashionmarket
41Marketsegmentation
4.2Consumerprofile
5ThedevelopmentofChineseindependentdesigners
51ShanghaiFashionWeek(SHFW)astheindustryleader
52Diversificationofretailchannels
6CasestudyofShuShuTong
7.Potentialandcompetitivenss
8Conclusion
1Introduction
ChineseindependentdesignersarethenewbloodofChinafashionmarket.Themainpurpose ofthisresearchistodelveintotheconnotationsandcharacteristicsofChineseindependent designersandthedevelopmentofthesebrands.
Firstly,itreviewedthefashionmarketinChina,includingthemarketsize,themarket overviewunderpandemic,andthesaleschannels.Secondly,thisstudylooksintoChinese independentdesignersbyintroducingthedevelopmentofsuchgroupsandtherepresentative names.Thirdly,marketsegmentationresearchandconsumerprofileareappliedinthis researchtohelpbuildaclearervisionofthisspecificmarketInaddition,acasestudyis conducted,selectingShuShuTongasarepresentativebrandtoshowshowChinese independentdesignersdevelopandsurviveLastbutnotleast,basedontheinvestigation,this studyevaluatesthepotentialandcompetitivenessofChineseindependentdesignerbrands,as wellassomecontroversiesandsuggestionsforfuturedevelopment
2.Chinafashionmarketoverview
2.1Marketsize
China’sfashionindustryisahugeandlucrativemarketintheworldIn2019,China’sfashion marketreached121billionUSDintermsoftotalannualsales,whichisincreasingattherate of25%eachyearAttheendof2020,ChinaexceededtheFashion&ApparelMarketofthe USA(GMA,2021).
China’s14billionpopulationmakesupthishugemarket,andthemarketsizeisrisingyear byyear.TheCovid19pandemichashitthegarmentindustrywithlowerdomesticdemand andhighercostswhileAskciResearchpredictsthatChinaisstillanupbeatmarketin2021, growingtoRMB2.4trillion(HKTDCResearch,2021).Inthe1990s,luxurybrandswereout ofreachforalargepercentageofpeople,buttoday,Chineseconsumerscanbethankedforan accountfornearlyhalfofglobalretailsales(Heuritech,2021)Chinesetouristsarealsobig consumersofhighendproductsabroad,whichaccountfor17%to20%ofgloballuxurysales in2019(Cyril,2021)
22ChinafashionmarketamidstCOVID19pandemic
AccordingtoMcKinsey’sGlobalFashionIndex,economicprofitintheglobalfashion industryfell93%between2019and2020,whileitgrew4%in2019(GMA,2021)Butbythe endof2020,BainreleasedareportshowingthatChinawasthefirsttorecoverfromthe COVID19epidemicandbecametheonlymarketintheworldtomaintaingrowth(Daxue Consulting,2021)
AnotherreportreleasedbyBain&CoCompanysaidthatthedeclineinglobaltravelis promptingChineseconsumerstobuyluxurygoodsacrossthecountry,ratherthanin internationalshoppingmalls(Cyril,2021)WhileInthesetimes,fashionfirmshavestepped upomnichannelservice,asthisadvancementwillbecrucialifconsumerswantcompetitive pricesfromotherretailersthatofferonlineshoppingopportunities(GMA,2021)
ThefivelargestconsumercitiesinChinaareBeijing,Shanghai,Guangzhou,Tianjin,and ChongqingThesecitiesaredeterminedtoattractmoreinternationalbrandsbyexpanding dutyfreeshoppingandincreasingtheirshoppingquotas(Cyril,2021).Ecommerceand digitalmarketingaregettingstrongerduringthenearlytwoyearlongCOVIDpandemicOne exampleisTmallLuxuryPavilion,theChineseecommercegiant’sluxurycentricportal, whichclaimstohavemorethan200officialstorefronts,includingmosttoplevelluxury brands(Booker,2021).

ItisundeniablethatthepandemicisparticularlybeneficialtoChinesebrands,withChinese consumerslookingtoreducetheirdependenceonforeignbrandsandsupporttheChinese economymorepatriotically(GMA,2021)
23Saleschannels
AsHKTDCResearch(2021)commented,themainsaleschannelsofthemainlandinclude departmentstores,specializedgarmentmarkets,specialtystores,storeinstoremodels,and theonlineshoppingmarketandlivestreamingshoppingmarket
Figure1:MainSalesChannelinChina(Author'sown,2022)
InChina,thelivebusinesshaschangedtheretailindustryandbecomeamajorsaleschannel inlessthanfiveyears(McKinseyDigital,2021).LivestreamECommerceisabusiness model,inwhichretailers,influencers,orcelebritiessellproductsandservicesthroughan onlinevideostream,demonstratinganddiscussingproductsinrealtime(Liu,2021).The hostsareknownasKOLs(Keyopinionleaders)andliveecommercemakesthembigand wellpaidstars.TheirremunerationisdifferentfromtheUnitedStates,whereinfluencersare typicallypaidaflatfeeforeachpostInChina,KOLstypicallyreceiveanappearancefee plusaheftycommissiononproductssold(Greenwald,2020).
Alibaba'sverysuccessfulandfamousDouble11ShoppingFestival,istwoandahalftimes biggerthanBlackFridayandCyberMondaycombined(Chozan,2022).Thatisnotwhereit endsupshoppingcarnivalsinchinaNow,manyshoppingholidayspopulatetheChinese calendar,ithappenedalmosteverymonth.PopulardatessuchasChineseNew Year,Valentine’sDay,Women’sDay,Children’sDay,andChristmas(Seema,2020)
Itisalsoworthmentioningthat,inadditiontothesixsaleschannelsthatHKTDCResearch (2021)defined,thescaleandamountofboutiqueselectedshopsarealsogettingbiggerin ChinaSincethelate2000s,thenumberofmultibrandstoreshadsoaredacrossChinaMore than1,000multibrandstoreshaveopenedacrossChinaoverthepastdecade
3.ChineseIndependentFashionDesigner
3.1Thedefinitionofindependentdesigner
Itisnecessarytofirstunderstandwhatanindependentdesignerbrandisbeforediscussing whatanindependentdesigneris(Tsui,2015)Independentdesignerbrandshavefivequalities, whicharepurposedriven,independentlyfunded,designconscious,smallbatches,and nontraditionalmarketing(Robinson,2016).
Designerbrandsandcommercialbrandsareopposed,commercialbrandsfocuson marketorienteddesignstrategies,anddesignerbrandsapplycreativedrivendesignstrategies (Tsui,2015)Independentdesignerbrandsconveymoreuniqueideasthancommercialbrands Becausethesebrands'particularityattractsarelativelysmallergroupofcustomers,their productsaregenerallynotmassproducedHowever,independentdesignersoftenadhereto highstandards,whichmakesproductiontimegettinglonger(LiandYao,2021).Inaddition, independentfashiondesignersfocusonsustainablematerials,thoughtfuldesign,fair employmentpractices,andthecelebrationofcreativity(Moser,2021).
32TheoverviewofChineseindependentdesigner
Chineseindependentfashiondesignersfirstappearedinthe1990s,andsince2000,thanksto governmentsupport,integratedstores,andbuyerstoreshaveprovidedaplatformfor
designerstodevelop,andsomenewdesignershavecreatedtheirbrands(SJFZXM,2019) Thankstotheriseofdigitalretail,Chineseindependentdesignerscanfinallygainafoothold inthefashionmarket(DaxueConsulting,2021)Whilemostofthemarestillintheirinfancy, thereisnodenyingthatindependentChinesedesignersareontherise(JingDaily,2016).
Inrecentyears,thenumberofChinesefashionandartstudentsstudyingabroadhasexploded Mostofthemareanewgenerationborninthe1990s,studyinginleadingfashionschoolsin theUnitedKingdomortheUnitedStates,andthesedesignersrepresentacertainyoungforce emerginginChina(Hu,2021).DesignerJiChengsaidthatinfashiondesign,youthisan advantageAsshementioned,intheeraofrapiddevelopment,youngdesignersandtheir teamsareusuallyclosertotheageofthetargetconsumers,whichmakesthemconnected morenaturally(RIA,2021)Asmillennialsarenolongerdominatedbytraditionalluxury brands,China'syoungdesigntalentsarecatchingupwithagrowingappetiteforalternative andfreshbrands(Smith,2018)
33RepresentativeChineseIndependentDesigners
Inthepastdecade,alargenumberofyoungChinesefashiontalentshavereceivedtheir degreeortrainingoverseas,andthenreturnedtoChinatodeveloptheirbrandsSomeofthem havelefttheirimprintsintheglobalfashionworld(Wuetal,2020)Threerepresentative designersareintroducedbelow
UmaWang
BeforelaunchingherbrandsinLondonin2005,UmaWanghasstudiedfashiondesignat CentralSaintMartin'sCollegeinLondonandhasservedasaninteriordesignerofmultiple Chinesebrands.Sheisknownasthe"Vogue"Italianversionoftheshow,herworkshavea showinLondon,Paris,andMilan(Dawdy,2017)Mostofherdesignscomefromher personalexperience(Wendy,2020)HerdesignstyledoesnothaveobviousChineseelements butintegratesChineseandwestern.Sheattachesimportancetothereconstructionand treatmentoffabrics,suchaswear,aging,dying,andwrinkletreatment,andpreferstofind morelayersingrayandblack(Helene,2019)
Image1:UmaWangS/S2018runwaybackstage(MaterialMagazine,2018)
XuZhi
AnotherCSMgraduate,ChenXuzhihasbeenrespectedinthefashionworldheisthestaple foodofLondon,andLilyofLillenisnowacelebritybutitisveryhigh,thetalented designerbecomesahouseholdname(Jain,2019).Herworktypicallytakescommonmaterials suchassatin,denim,jacquard,andthenreconstructsthemintopleasing,complex,andoften chaoticforms(Jain,2020).
Image2:XuZhiS/S21spring/summercampaign(XuZhi,2021)


AngleChen
DesignerAngelChenhasbeencreditedbymanyforignitingaglobalfireofbold,Chinese talentWithdesignsfusingEastandWest,theANGELCHENlabelisstockedworldwideat 30retailers,includingLaneCrawfordandUrbanOutfitters(Smith,2018).Herdesignshavea distinctdegreeofrecognition,andsheisgoodatusingChinesecharacteristics,suchasflower andbirdcharacters,dragonpatterns,craneembroidery(Gwhite,2020).
Image3:RunwaylooksfromtheAngelChenspring/summer2019collection(China Daily,2020)

WiththedevelopmentofShanghaiFashionWeek(SHFW),moreandmoreChinese independentdesignershavegainedpopularityandawarenessShushuTong,launchedin2015, successfullywonovertheGenZaudience.Also,BanXiaoxue,RuiZhou,PengTai,Feng Chenwang,andmanynewdesignersareshiningonthestageIt'sworthnotingthattwo ChineseindependentdesignersRuiZhouandShuttingQiusuccessfullyenteredtheLVMH YoungDesignerPrizeThisisthefirsttimethatChinesehavebeenshortlistedfortheaward (Jiang,2021)
ChinesefashiondesignersaremoreconfidentinapplyingChineseuniquedesignelements now(WangandWu,2021)Theytrulybelieveinwhattheyaredoing,andarenotledby trend,establisheddesignersoreventhemarket(Zhang,2019).
4.1Marketsegmentation

Table1:SegmentationofChineseIndependentDesignerMarket (Author'sown,2022).
Marketsegmentationhelpscompaniestargetcustomersbasedontheircharacteristicsand needssoenablestheirmarketingeffortsandresourcestobeusedontherightaudience(Lowe, 2020).ThedetailedmarketsegmentationoftheChineseindependentdesignermarketis presentedbelowtablewhichalsohelpsreadersgetthewholepictureofChineseindependent brandconsumers.
Fromageographicanddemographicperspective,themarketiscomposedoftheyounger generationfromwhothemajoritycomesfromorlivesinthebustlingcity.Morenotably,the consumergroupsharesuniqueconsumingpsychologyandbehaviorsTheypursuefashion, selfidentity,uniquenessandarewillingtotrynewthings,thereforegivingthemarketamass spacetogrow
42Consumerprofile
Consumerprofilescangathertheinsightsneededtoidentify,segment,anddefinethetarget audience(GWI,2022).AccordingtothesegmentationoftheChineseindependentdesigner market,CiciXiangYejingisatypicalrepresentativeconsumerofChineseindependent designerbrands.
CiciXiangYejingisafemalemodelthathasbeenineditorialsforELLEandHarper’sBazaar SheisalsoanartistwhoisdeeplyinvolvedinartpromotionHereareherdetailsSheloves fashion,arthistory,sharingherlifeonsocialmedia,andindulginginsportsactivitiesHer dailylifeincludesgalaevents,presstours,orgalleryopeningsInaddition,sheisanartand exhibitionsloverwithgracefultaste.Readingfashionbooks,watchingmovies,and discoveringnewstoriesareherhobbiesAboutherattitudetowardsfashion,sheprefers stronglyopinionatedluxurybrands,emphasizestrend,design,comfort,andinnovation.

Chinesefashion(SHFW,2021)ShanghaiFashionWeekistransformingfromafashion exhibitionplatformtoaserviceplatformwithcomprehensivecoordinationability,andhelp designersandbrandstodefinetheirpositioning,toachievethetransitionfrom"show"to "market"(Shangtex,2015).Aftertwodecadesinexistence,ShanghaiFashionWeek(SHFW) isnowbeginningtoinchaheadofthetopfashionweeks
LabelhoodisanindependentshowcasingplatformunderShanghaiFashionWeek,anda fashionincubatorforyoungAsiandesignersandnewindependentdesigners(SignalHire, 2021).Labelhoodnurturedmanyyoungupandcomingtalentswithlittleornobrand awareness,orbreakthroughtalentsinthefieldofdomesticdesignAndtheyevenhostand showcaseforemergingdesignersatnoextracostasidefromastartupfeeof20,000RMB (NewsDesk,2020)Moreover,labelhood'sstrategicpartnershipswithothercompanieshave notonlyallowedthebrandstogroweconomicallybuthavealsoprovidedmoreopportunities forChineseindependentbrandstothriveoutsideofShanghaiFashionWeek(Jiang,2021)
5.2Diversificationofretailchannels
ShanghaiFashionWeeksupportedalargenumberoflocalChinesedesignersandgavebirth tothedevelopmentofdomesticbuyershops.ThenumberofbuyerstoresinChinaexploded in2015and2016(UnionPayAdvisors,2018)
Moreover,anincreasingnumberofChineseindependentbrandshaveoperatedTmallor WeChatstoresindependently,suchasShushuTong,MingMa,BanXiaoxue,and(Tmall, 2022;WeChat2022).In2021,oneofthefamousChineselivestreamersAustinLiand LabelhoodlaunchedspeciallivestreamingonTmallforChineseindependentbrands,it'sa newwaytopromotethewholeindustry(LiandYao,2021).
BrandsincludingUmaWang,XuZhi,JasonWu,andAngelChenhavenotonlyjoined domesticEbusinessbutalsocooperatedwithforeignplatformslikeFarfetchand NetaPorter.
6.CasestudyShushuTong
ShushuTongwasfoundedin2015byfriendsLiuShuleiandJiangYutong,whichquickly rosetothestatusofindustryrespectinashortperiod(Davis,2021).Thebranddesignis inspiredbythefamousJapanesemangaseries"AimfortheAce!"andcombinesasweet girlishheartwiththeindependentattitudeofmodernwomen(JingDaily,2021;Lau,2018). Now,ShushuTongisstockedatprestigiousshoppingdestinationsandhassuccessfullywon overtheGenZaudience(Davis,2021).ShushuTong'ssuccessholdslessonsforother Chinesebrands
Image5:RunwaylooksfromtheSHUSHU/TONGspring/summer2022collection (Davis,2021)

ThesupportoflocalretailerLabelhoodisintegraltoShushuTong'ssuccess(Nan,2021). BeforeShanghaiFashionWeek,ShushuTonghadalwayshostedpresentationsandshows throughLabelhood(Kurata,2019).ShushuTongattractsthecustomerstheyaretargetedby Labelhoodthroughactiveandonbrandmarketingandretailpracticebothonlineandoffline (Williams,2022).Atthesametime,thedevelopmentofmultiplesaleschannelsgivesShushu TongnewvitalityAspartofnavigatingthisdynamicretailenvironment,theyopenedastore onChina’sbiggestetailplatformTmallin2019,althoughatthattime,fewChinese independentbrandsjoinedTmall(Williams,2019)Thebrandisalsogettingglobalattention, givingevidencethatthebrandacquiredasizeablefolloweronInstagram(Knight,2019)
Furthermore,ShushuTong'saggressivemarketingstrategyisequallynoteworthy.Shushu Tong'sdesignersareinvitedtoreimagineexistingbrandsthroughcollaboration,having releasedtwoin2021withEstéeLauderandChinesestreetwearbrandPeacebird(Bargeron, 2022)ShushuTongandPeacebirdlaunchedacollaborationcollectionwithamoreaffordable pricepoint,whichhelpedthiscollaborationcultivateagroupofpotentialcustomers(New Looks,2021)Atthesametime,thecrossoverwithEstéeLauderisawinwindealforboth parties.ShushuTonghelpedEstéeLauderbuildavibrantandboldbrandimage,andEstée Lauder'swiderecognitionamonglocalbeautyshoppersalsohelpedShushuTongachievea widerreachandhighervisibility(Wu,2021).
InthefieldofearningMillennialsandGenZconsumers,awellbuiltstrongbrandidentityis crucial.ShushuTong'siconicdesignandaesthetic,includingbowknotandflower,hasseta distinguishedvisualandidentityforthebrand(Frank,2021)Besides,ShushuTonghasbeen alsoproactivelyworkingwithmedia,models,andcelebritiestofurtherlevelupitsvolume.A recentexampleisthatthebrandlauncheditsSpring2021campaign,starringsupermodelJu
XiaoWenandshotbyphotographerZengWuThevisualpresentationandstorytellingofthe campaignhavebeengreatlyadmiredbyfashionistas(Wu,2021).Meanwhile,ShushuTong seizedkeypromotionmoments,suchasValentine'sday,bycollaboratingwithotherthree ChineseindependentbrandsfromlabelhoodandphotographersLeslieZhang.
7.Potentialandcompetitivenss
Chineseindependentdesignerbrandswillcertainlycontinuetodeveloprapidlyinthefuture AlthoughthehistoryofChineseindependentbrandsisnotlong,itgrowsveryquicklyandhas achievedcertainresultsNowadays,moreandmoretalentschosetostudyabroadfordesign andarteducation.Atthesametime,domesticfashiondesigneducationisbecomingmoreand morematureAsmoregreatlocaldesignersemerge,Chineseconsumers'understandingand aestheticstowardsfashionarealsobeinginfluenced.Theyaremorewillingtopayfor independentdesignsInaddition,theChinesegovernmentandmanyfashionindustries provideplentifulsupporttoChineseindependentdesignersBenefitingfromthesuccessofa groupofpioneerChinesedesigners,moreandmoreoverseasmarketsarepayingattentionto therisingofChineseindependentdesigners
Chineseindependentbrandscomposeaquitecompetitivetieragainstrivalsincludingforeign designerbrands,fastfashionretailers,andpremiumbrandsAccordingtoaMcKinseyreport (2017),62%ofChineseconsumersprefertochooselocalbrandsatthesame costperformanceratio
8.Conclusion
FocusingonthedevelopmentofChineseindependentdesigners,thisstudyanalysesthe history,thepresentdevelopment,andfuturepotentialsofChineseindependentdesignersThe scaleoftheChinesefashionmarketisverylarge,andmanyinnovativechangeshavebeen made,whichallowstheChinesefashionmarkettomaintainvitalityevenfacingtheepidemic Chineseindependentdesignersshowdiversedesignstyles,distinctivedesignlanguagesand powerfulmarketingstrategies,makingthemshineontheinternationalstageTherefore,this essayevaluatesthewholefashionmarketinChinaandthenfurtherstudiesthespecificmarket ofindependentdesignerbrandsAcasestudyofshushutongalsoprovidesasuccessfuland representativeexampleamongthegrowingChineseindependentdesigners.
Despitethegreatsuccessandhugepotential,therearestillsomeproblemsandchallengesthat accompanythem.Oneofthemainproblemsfacingthemtodayishowtopreventtheirdesign frombeingplagiarizedanddilutedbythemarketAtthemeantime,Chineseindependent designersalsoneedtomaintaintheirownoriginalityanduniquenessbothindesignandby marketingactivationstostrengthentheircompetitivenessamongrivalsfromhomeandabroad
REFERENCELIST
Bargeron,S.(2022)WhyShushu/TongandCharles&KeithCollabHasTakenOver XiaohongshuAvailableat: https://jingdaily.com/shushutongcharleskeithcollabxiaohongshu/(Accessed:2022).
Booker,A.(2021)InChina,LuxuryMustBridgeDigitalandPhysicalLikeNeverBefore. Availableat: https://jingdaily.com/inchinaluxurymustbridgedigitalandphysicallikeneverbefore/(Ac cessed:2January2022)
Chozan(2022)Let'scelebrate:China'snonstopEcommerceshoppingfestivalAvailableat: https://chozan.co/chinaecommerceshoppingfestivals/(Accessed:2February2022).
Davis,J.(2021)WhyyouneedtoknowaboutShanghai’sfashionlabelShuShu/Tong. Availableat: https://wwwharpersbazaarcom/uk/fashion/showstrends/a38147225/shushutongshanghaifa shion/(Accessed:9January2022)
DaxueConsulting(2021)FashionIndustryinChina:Analysisoftheworld’slargestfashion marketAvailableat:https://daxueconsultingcom/fashionindustryinchina/(Accessed:3 February2022).
Frank.(2021)AboutShushu/Tong.Availableat: https://zhuanlanzhihucom/p/403824918(Accessed:1January2022)
GMA(2021)FashioninChina:TopMarketingStrategiesforBrandsAvailableat: https://marketingtochina.com/fashioninchinatopmarketingstrategiesforbrands/(Accesse d:2December2021)
Greenwald,M(2020)LiveStreamingECommerceIsTheRageInChinaIsTheUSNext? Availableat: https://wwwforbescom/sites/michellegreenwald/2020/12/10/livestreamingecommerceist herageinchinaistheusnext/?sh=6726ab156535(Accessed:10March2022)
GWI(2022)Consumerprofiling:thebeginner'sguideAvailableat: https://www.gwi.com/reports/beginnersguidetoconsumerprofiling(Accessed:2January 2022)
Heuritech(2021)China’sburgeoningfashionmarket:TrendsandconsumersAvailableat: https://www.heuritech.com/fashionmarketchinaconsumertrends/(Accessed:12December 2021)
HKTDCResearch(2021)China’sGarmentMarketAvailableat: https://research.hktdc.com/en/dataandprofiles(Accessed:18December2021).
Hu,D(2021)TheriseandriseofyoungChinesedesignersAvailableat: https://www.voguebusiness.com/fashion/theriseandriseofyoungchinesedesigners(Acces sed:13February2022)
Ip,C(2021)China’sluxurygoodsmarket:howbigisit,andwhatimpacthasthecoronavirus pandemichad?Availableat: https://wwwscmpcom/economy/chinaeconomy/article/3154985/chinasluxurygoodsmarke thowbigitandwhatimpacthas(Accessed:8January2022).
Jain,M.(2019)9ChineseFashionLabelstoWatchin2019.Availableat: https://radiichinacom/9chinesefashionlabelstowatchin2019/amp/(Accessed:29January 2022).
Jain,M.(2020)ChinaDesigners:ClassicsInspired“MasterofMaterials”XuZhi.Available at: https://jingdailycom/chinadesignersclassicsinspiredmasterofmaterialsxuzhi/(Accessed: 20March2022)
Jessica,D.(2017)TheChineseFashionDesignersYouShouldKnow.Availableat: https://theculturetripcom/asia/china/articles/the10chinesefashiondesignersyoushouldkn ow/?amp=1(Accessed:6January2022).
Jiang,Y.L.(2021)ChineseDesignerZhouRuiWinsInternationalFashion’sTopAward. Availableat: https://www.sixthtone.com/news/1008463/chinesedesignerzhouruiwinsinternationalfashi onstopaward(Accessed:10March2022)
Jiang,YL(2021)Inaworldofvirtualrunways,itwasbusinessasusualatShanghaiFashion Week.Availableat: https://editioncnncom/style/amp/shanghaifashionweekfallwinter21/indexhtml(Accesse d:13January2022).
JingDaily(2016)ChineseDesignersAreOntheRiseAvailableat: https://jinguscom/blogs/fashion/chinesedesignersgainingattention(Accessed:29December 2021)
JingDaily(2021)ShanghaiFashionWeekTakesOff,FueledbyChina’sGenZAvailableat: https://jingdaily.com/shanghaifashionweekspring2022genz/(Accessed:1March2022).
Kurata,Y.(2019)THEDAWNOFANEWHISTORY:SHUSHU/TONG.Availableat: https://wwwssensecom/enus/editorial/fashion/thedawnofanewhistoryshushutong(Acce ssed:7January2022).
Lau,AK(2018)ChineseindependentdesignerSHUSHU/TONGAvailableat: https://www.zhihu.com/column/p/32878008(Accessed:18February2022).
Li,E.andYao,C.(2021)CanTopLivestreamersAustinLi&ViyaPitchIndyChinese Designers?Availableat: https://jingdaily.com/austinliviyachineseindependentdesigners/(Accessed:18January 2022)
Li,EandYao,C(2021)CanTopLivestreamersAustinLi&ViyaPitchIndyChinese Designers?Availableat: https://jingdailycom/austinliviyachineseindependentdesigners/(Accessed:7March 2022).
Liu,F.F.(2021)LivestreamEcommerce:WhatWeCanLearnfromChina.Availableat: https://wwwnngroupcom/articles/livestreamecommercechina/(Accessed:18January 2022)
Lowe,C(2020)Whatismarketingsegmentation?Availableat: https://useinsider.com/whatismarketingsegmentation/(Accessed:19January2022).
McKinseyDigital(2021)It’sshowtime!Howlivecommerceistransformingtheshopping experienceAvailableat: https://www.mckinsey.com/businessfunctions/mckinseydigital/ourinsights/itsshowtimeho wlivecommerceistransformingtheshoppingexperience(Accessed:16March2022)
Moses,K(2021)9IndependentFashionDesignersAvailableat: https://designgood.com/blog/independentfashiondesigners(Accessed:7January2022).
Nan,L.(2021)CanShushu/TongGoGlobal?Availableat: https://jingdailycom/shushutongchinesedesignerbrandglobal/(Accessed:12January 2022).
NewLooks(2021)HowtocreateabrandShushu/TongAvailableat: https://wwwzhihucom/column/p/402037288(Accessed:16February2022)
NewsDesk.(2020)HowaBeijingboutiquehasbecomeamajorforceinChinesefashion. Availableat:https://exbulletincom/fashion/142614/(Accessed:17March2022)
PiliGwhite(2020)AngelChenistherepresentativeofthenewgenerationofChinese designersarerapidlytakingrootandinfiltratingintotheinternational.Availableat: https://mpweixinqqcom/s/9ePS9QSrjM2Q8MqpbsKyBw(Accessed:4March2022)
RIA(2021)HowareindependentChinesedesignerslayingthefoundationof‘Designedin China’?Availableat:
https://retailinasiacom/uncategorized/howareindependentchinesedesignerslayingthefou ndationofdesignedinchina/(Accessed:10March2022).
Robinson,J.(2016)WHATTHEHELLISANINDIEBRAND?Availableat: https://wwwindiebrandbuildercom/adefinitionofindiebrands/(Accessed:20February 2022).
Seema.(2020)Top13ChineseShoppingFestivalsYouNeedtoKnowAbout.Availableat: https://wwwadchinaio/topchinashoppingfestivals/(Accessed:7December2021)
Shangtex(2015)SHFWneedtoachievethetransitionfrom"show"to"market"Availableat: https://mp.weixin.qq.com/s/4YIqXo4ToaFI2jLLmqftsQ(Accessed:30January2022).
SHFW(2021)TheintroduceofSHFW.Availableat: https://wwwshanghaifashionweekcom/page/shfw/columns?type=1(Accessed:23January 2022)
SignalHire(2021)LABELHOODFashionIncubationCommunityOverviewAvailableat: https://www.signalhire.com/companies/labelhoodfashionincubationcommunity(Accessed: 22February2022)
SJFZXM(2019)DesignerTrend:AnalysisOfIndependentFashionDesigner'SBrand Development.Availableat:http://www.sjfzxm.com/global/en/533738.html(Accessed:1 March)
Smith,T(2018)China’sFashionDesignersoftheFutureAvailableat: https://jingdaily.com/chinafashiondesignersfuture/(Accessed:17January2022).
Tsui,C.(2015)PAST,PRESENTANDFUTUREOFCHINESEINDEPENDENT FASHIONDESIGNERSAvailableat: https://christinetsui.org/2015/09/14/pastpresentandfutureofchineseindependentfashiond esigners1/(Accessed:19January2022)
UnionPayAdvisors(2018)WhatchangesdidShanghaiFashionWeekbringtotheindustry andthecity'sdevelopment?Availableat: https://mp.weixin.qq.com/s/hAnp125pR2QE7yXW5x5Nw(Accessed:5January2022).
Wang,E.andHU,D.(2021)ShanghaiFashionWeek:Abreakthroughmoment?Availableat: https://wwwvoguebusinesscom/consumers/shanghaifashionweekabreakthroughmoment/ amp(Accessed:12February2022).
Wendy.(2020)ChinesedesignhastotalkaboutUmaWang.Availableat: https://mpweixinqqcom/s/JxBh0qVSDWPlome9oPQpA(Accessed:2February2022)
William,GA(2019)TalentToKnowNow:ShuShu/TongAvailableat: https://www.ordre.com/zh/news/shushutong1191(Accessed:19January2022).
Williams,G.A.(2022)Labelhood:ThePlatformPoweringChina’sYouth.Availableat: https://jingdailycom/labelhoodemergingdesignerschinayouth/(Accessed:17March2022)
Wuetal(2020)TheChinesefashionindustryhaschangedit’snotallluxurylabelsand ‘MadeinChina’anymore.Availableat: https://wwwscmpcom/magazines/postmagazine/longreads/article/3064961/chinesefashion industryhaschangeditsnotall(Accessed:18March2022).
Wu,W.Z.(2021)LabelhoodCelebratesQixiviatheRomanceofChina’sPast.Availableat: https://jingdailycom/labelhoodqixiromancechina/(Accessed:13March2022)
Zhang,TW(2019)China’sNewWaveofDesignerstoWatchinShanghaiAvailableat: https://wwdcom/fashionnews/fashionscoops/chinasnewwaveofdesignerstowatchinsha nghai1203089915/(Accessed:11February2022)