Memphis magazine, February 2017

Page 64

AROUND THE HOUSE

Farms, the studio provides a complete look at what the company offers, from the latest in visuals to a full sound experience. “It essentially shows a person all the options they’d have in a luxury home,” says Parsley. Some of the examples detail the fancier range of available selections. One television screen doubles as a mirror, while others can be concealed behind pieces of artwork, which roll up to reveal the screen. Those extra tricks allow for a full range of possibilities; electronics can be adapted to many styles of interior design, with the excess clutter, such as cables and boxes, hidden from view. “Most people don’t want equipment just sitting out in the middle of the room,” says Parsley. Whether tucked behind a screen or a painting, the needed equipment won’t affect the aesthetic appeal of a room after

Screens can be hidden behind movable artwork.

an installation. While having the latest video and sound equipment can create an entertainment haven, safety is a pressing issue for many clients in Memphis. Parsley aligns his technological expertise with some of the latest advanc-

es in home security. “For clients with larger homes, they need a more custom solution for security,” he says. “Most of the security companies now have gone to more of a cookie-cutter, wireless approach, which works great for small to medium homes. For larger homes, it does not.” Many security companies only provide wireless systems, so a more personal touch is needed to bring together various systems to handle the requirements of protecting a larger home. Audio Video Artistry’s separate company, Custom Integrated Alarm Systems, provides the necessary services. “They need a well-planned-out security solution, and we’ve stepped into that gap to specialize,” Parsley says. “We do customized surveillance equipment for homes and businesses, so we have cameras for all kinds of

1948 Vanderhorn Dr., Memphis, TN 38134 | 901-384-0070 | www.bishophome.com 62 • M E M P H I S M A G A Z I N E . C O M • F E B R U A R Y 2 0 1 7

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