Connect Savannah February 26, 2014

Page 24

MUSIC

SAVANNAH STOPOVER

FEB 26-MAR 4, 2014 | WWW.CONNECTSAVANNAH.COM

24

Stopover closeup: BOOZERY & MUSIC CAVERN

HAPPY HOUR MON-FRI 4-8PM

BUY 1 DRINK GET THE 2ND FOR $1

FREE VIDEO GAMES

ROCKNROLL 26 BINGO WED FEB

WITH DJ DRUNK TANK SOUNDSYSTEM

TATTOO INDUSTRY NIGHT

BUY 1 DRINK, 2ND $1 ON EVERYTHING! NO COVER!

THURS

FEB

27 W/CHEEDOH DUST $2 WELLS • 10PM

WHISKEY DICK & THE HARD-ONS

28 Back City FRI FEB

[happy hour set w/]

Woods

Mary Timony

by bill deyoung | bill@connectsavannah.com

ofEx Hex

Mary Timony laughingly dismisses the suggestion that she was a pioneer in indie rock, as one of the first—and most prolific – singer, songwriter and guitarists to front successful bands and sing about relevant things. “I’m just a musician,” says the former frontwoman for Helium and Wild Flag. “And I like to play music.” Timony, starting with her first hometown band Autoclave (Washington, D.C.’s all-woman punk powerhouse) has long been associated with the Riot Grrrl movement. Strictly speaking it means: Girls with guitars, making music that matters. Songs that say something. “I happened to grow up in D.C. during the hardcore D.C. era, and that was like a super male scene,” Timony tells Connect. “I always felt that the

Riot Grrrl stuff was really a reaction against the hardcore scene that was so much about male energy. Teenage male energy in the ‘80s. “I just feel like punk music in the ‘70s was not really as gender-limited, but ‘80s hardcore was just a supermale scene. Especially in D.C. When I was in high school, going to see hardcore shows, it was kind of a boys’ club feeling. Also because they were all young kids, and kids are clique-y and

S A I NTS /

SINNE R S SAT MAR

[happy hour set w/]

DAMON & THE SHITKICKERS

01AGAINST THE GRAIN

rotten blush MON MAR

03

FOR $1 BUY 1, GETINSECOND BAR OR RESTAURANT) (IF YOU WORK

TUES H O P H OP H IP IP H MAR T IGHT

04

N NIG H @ 11PM w/ SOLO

Ex Hex, from left: Laura Harris, Betsy Wright and Mary Timony.

just crappy to each other. There were hardly any girls in bands.” For a young woman whose family was well-off enough to send her to the Duke Ellington School of the Arts, banging heads at Fugazi and Bikini Kill shows was intoxicating. She had found her niche. Still, “I studied classical guitar when I was in high school,” Timony says, “and in college I did one year of classical guitar. Then I studied English. And I took jazz, too. Yeah, I was like a music nerd. “But I was also friends with hardcore kids, so I was going to see the punk shows. And I was always kind of confused about how the two could mix for me, ‘cause I felt like a super nerd compared to my friends. Eventually it all got kinda settled down in


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