Referências CLARKE, Erik 2002 Understanding the psychology of performance. In: RINK, J. (Org). Musical performance – a guide to understanding. Cambridge University Press. 1989 The perception of expressive timing in music. In: Psychological research. Springer. 1988 Generative process in performance. In: SLOBODA (Ed.). Generative principles in music. Oxford: The clarendon Press. DRAKE, Carolyn & PALMER, Caroline 2000 Skill acquisition in music performance: relations between planning and temporal control. In: Cognition (74), Eselvier. PARNCUTT, Richard 2007 Can researchers help artists? Music performance research for music students. Music Performance Research, V1 (1): 1-25. REEP, Bruno & KELLER, Peter E. 2009 Self versus other in piano performance: detectability for timing perturbations depends on personal playing style. In: Exp. Brain Res. Springer. SHAFFER, L. H. 1982 Rhythm and timing in skill. In: Psychological review, volume 89, number 2. SLOBODA, John A. 1999 The musical mind: the cognitive psychology of music. Oxford University Press. VILLA-LOBOS, Heitor. S/D A Prole do Bebê no. 2 – Os Bichinhos – Partitura. Édition Max Eschig, Paris – VIIIª.
CONGRESO INTERNACIONAL DE PIANO - La música latinoamericana para piano
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