Creative Cities: Re-framing Downtown Cairo

Page 49

Artists as Urban Catalysts

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The company’s for-profit vision for a “Downtown for all” sought to

entrance to the building was thought to be undesirable, though the

capitalize on two trends that Shafei states Al Ismaelia identified as early

cinema’s patrons, who come in large numbers from all over Cairo, now

as 2008: the “Egyptianization of Egypt, and a move by the contemporary

make up a significant portion of customers at a local coffee shop situated

art scene back into Downtown.” They were particularly interested in

in the passageway.

making disused buildings active, such as the conversion of the Radio Theater into the studio for Bassem Youssef’s TV show Al-Bernameg, and

Shazli suggested that Zawya’s unexpected success at the box office has

later Abla Fahita. They further sought to tap into the arts scene to attract

proven the commercial potential of arthouse movies, and has shown how

people to Downtown, through the co-establishment with Studio Emad

creative activities can transform and sustain thriving urban environments.

Eddin of the Downtown Contemporary Arts Festival (D-CAF), and the

He said that even though their business model mainly focuses on

renting of spaces to artists and art organizations.

box office revenues, Zawya still relies on a wide range of corporate sponsorships. Shazli said Zawya is considering expanding to another,

Shafei stressed that Al Ismaelia is a profit-seeking company, but that they

larger location, and is currently searching for another Downtown venue.

are committed to engaging with other stakeholders in the development of Downtown. He argued that a viable business model is the only way

The discussion highlighted the role of artistic and architectural

to preserve Downtown’s urban fabric, since the neighborhood cannot

interventions in the urban regeneration of decaying or underserved

continue to rely on government renovation funds or personal individual

neighborhoods, critically examining the interests and positions of both

donations. He put forward Al Ismaelia’s vision for the future: to encourage

real estate developers and civil society organizations. This set the

the creation of a NGO or board of trustees that would oversee the

stage for the conference panels that followed, which engaged the role

responsible development of Downtown for all Egyptians.

of government and small businesses in Downtown’s development.

Rounding off the discussion was Youssef Shazli of the relatively young alternative cinema venture, Zawya. Launched in March 2014 as a project under Misr International Films, the arthouse cinema set up shop in the smallest hall of Cinema Odeon, and has a separate entrance from the cinema’s back door in a Downtown alley. Originally, this secondary


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