Homestead Magazine - 2017-18

Page 83

“HARMONY IS THE ESSENCE OF WRJ—THE FOUNDATION OF OUR DESIGN PHILOSOPHY.”

~ RUSH JENKINS

metal sheathing silos and sheds to create a clean, minimalist stage for an interior vision. Jenkins and WRJ Design Director Nida Zgjani rose to the occasion with an eloquent plan that proved worthy of the architectural statement Keating had made. Upon installation, Keating wrote Jenkins: “I wanted to relate how much I appreciate your firm’s work and the quality of interior design that the house never achieved in the prior owners’ time. … Please pass on to your team my appreciation and thanks.” Keating had sited the house in a particularly dramatic location, with endless views west and south. By his placement, the house serves as an amphitheater for nature: storms

rolling in from the west, the wind whispering through the tawny waves of wheat, the fields changing hues with the seasons. “The house is immersed in the beauty of movement and seasonal change,” Jenkins says. Thus inspired, he pulled this palette inside: the whites and grays of winter as upholstery, the wheat color from the fields as wood finishes, the azure of the endless bluebird sky as accents, the rich brown of the fertile soil as anchoring elements. “The architecture is obviously a statement,” Jenkins says. “The interiors must communicate with the architecture, but also the landscape. All three elements must speak to each other and, through this open dialogue, achieve an overall

harmony. As a designer, I consider the full circle: the architecture, the landscape, the interior. If you get that dynamic right, the house feels harmonious. Harmony is the essence of WRJ—the foundation of our design philosophy. It’s an extraordinary opportunity to have a place where you can retreat and feel nurtured.”

GRACEFUL SANCTUARY Attuned to art, Jenkins incorporated key pieces from the homeowners’ collection, including a landscape painting by their friend and Teton Valley neighbor Scott Christensen. The lustrous oil painting now lives within the entrance hall, its rich composition tying into the textured 83


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