SOBCHACK, Vivian. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: University of California Press, 2004. THOMPSON, Kristin. “The Concept of Cinematic Excess”. In: ROSEN, Philip (Org.). Narrative, Apparatus, Ideology: a Film Theory Reader. Nova York: Columbia University Press, 1986. WILLEMEN, Paul. Looks and Frictions: Essays in Cultural Studies and Film Theory. Bloomington: Indiana University Press, 1994. WILLIAMS, Linda. “Film bodies: gender, genre and excess”. Film Quarterly, N. 44, 1991. P. 2-13. WOLLEN, Peter. Signs and Meaning in the Cinema. Londres: BFI, 1998. WOLLEN, Peter. “Citizen Kane”. In: NAREMORE, James (Org.). Orson Welles’s Citizen Kane: A Casebook. Oxford: Oxford University Press, 2004.
Filmes Citados Adeus, Dragon Inn (Bu San, 2003, Taiwan, Tsai Ming-Liang) Arca russa (Russkiy Kovcheg, 2002, Russia/Alemanha/Japão/Canadá/Finlândia/ Dinamarca, Aleksandr Sokurov) Batalha no céu (Batalla en el Cielo, 2005, México/México/França/Alemanha/Holanda, Carlos Reygadas) Boudu, salvo das águas (Boudu Sauvé des Eaux, 1932, França, Jean Renoir) O canto dos pássaros (El Cant dels Ocells, 2008, Espanha, Albert Serra) Cidadão Kane (Citizen Kane, 1941, EUA, Orson Welles) Climas (Iklimler, 2006, Turquia/França, Nuri Bilge Ceylan) Deus e o diabo na terra do sol (1964, Brasil, Glauber Rocha) Dez (Dah, 2002, França/Irã, Abbas Kiarostami) Distante (Uzak, 2002, Turquia, Nuri Bilge Ceylan) Elefante (Elephant, 2003, EUA, Gus Van Sant) Em busca da vida (Sanxia Haoren, 2006, China/Hong Kong, Jia Zhangke)
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