Women Cinemakers My watercolours were made from writing down stuff and colours seen around the city, I then used these words as prompts to start paintings with. Rather than attempting to establish any univocal sense, you seem to urge the viewers to elaborate personal associations: would you tell us how important it is for you that the spectatorship rethink the concepts you conveyed in your work, elaborating personal meanings? How openly would you like your work to be understood? It’s very important to me that a viewer interprets things through own perspective and feelings. This is out of my control. You can set it up but how it is taken is completely up to whoever is looking at it. I am ok with my work creating questions that may or may not be answered. I think my work is layered in meaning but is also simple..in that sense I hope that it is encourages thoughtfulness. One of the hallmarks of your practice is the capability to establish direct involvement with the viewers: do you consider the issue of
audience reception as being a crucial component of your decision-making process, in terms of what type of artistic language is used in a particular context?