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Operating within a vertical gesture that has no beginning and no end, the project’s intent was to focus on moments of concentrated tectonic and spacial qualities ZLWKLQ D ¿ HOG RI OLQHDU VFDIIROGLQJ UHSUHVHQWDWLYH RI D JULG :KLOH WKH JULG JLYHV XV D VHQVH RI PHDVXUH DQG SODFHPHQW ZLWKLQ D ODUJHU VFRSH LW GRHV QRW JLYH XV WKH VSDFH Thusly, the tower focuses on bringing a posteriori, a learning from experience, to the existing gesticulation, derivative of a priori >SXUH ORJLF IRXQG LQ WKDW RI D PRGXODWHG JULG@ 7KH PRPHQWV KRXVHG D VFKRRO IRU VWXG\LQJ DQG SHUIRUPLQJ PXVLF 7KLV VFKRRO FRQVLVWHG RI FODVVURRPV SHUIRUPDQFH VSDFHV DQG D OLEUDU\ 'XH WR WKH YDULHW\ RI XVHV VRXQG OLJKW DQG WKH FLUFXODWLRQ EHWZHHQ ZDV NH\ 7KH SURMHFW WKXV EH came about providing a variable experience for students, through differentiation of scale, spatial depth, and a rethinking of how programmatic spaces can EH SHUFHLYHG ,QWHQVH OLJKW SURFHVVLQJ DQG OLQHDU WHFWRQLFV DOVR EHFDPH DQ DUHD of focus, which was utilized in order to bring both dynamic and intimate qualities to the school, and giving an observable scalar UHODWLRQVKLS RI PRPHQW WR ¿ HOG
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Starting with nothing, a completely blank slate, this project began by using watercolor studies to capture the subtleties, the distinctions, the vastness of what a desert is.
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L I G H T. WAT E R . K N O W L E D G E G a in esvi l l e, FL c ri t ic : R u t h R o n y e a r: 3
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Located in Gainesville Florida, Bolen’s Bluff acts as a threshold EHWZHHQ WKH IRUHVWU\ DQG 3D\QHœV 3UDLULH 7KH SURMHFW H[SORUHV the creation of a research compound and retreat for the study of water and sunlight in pursuit of sustainable applications The compound became rooted to the site through maximizing views DQG VXQ RULHQWDWLRQ $ YLVLWRUœV FHQWHU DQG OLEUDU\ ZHUH LQFOXGHG in order to inform transients of current progressions and overall IXQFWLRQV RI WKH FRQVWUXFW &RUH elements of the site, such as PDMRU WUHHV WKH IHQFH WKH EHQFK VXE FOHDULQJV WKHVH DOO became nodes, which generated a system of measure and grid IRU VLWH SODFHPHQW /RFDWHG RQ D VWHHS WRSRJUDSKLFDO VORSH RI the region, the research laboratory acts as a view outward and D GH¿ QLQJ horizontal gesture into the prairie landscape, blurring the distinction between bluff and prairie. The remainder of the compound becomes an extension of this gesture, shifting and responding to new relationships that form as the itinerary FRQWLQXHV
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The Sharing of Knowledge: Zooming in The core concept of a research center is to better mankind with the discovery of new ideas DQG WHFKQRORJ\ 7KXV WKH ODE EHFRPHV WKH FHQWUDO FRUH RI WKH FRPSOH[ EUDQFKLQJ RXW DQG serving as a generator of knowledge WR WKH VXUURXQGLQJ EXLOGLQJV RQ PXOWLSOH OHYHOV ,Q WKH SK\VLFDO ODUJH VFDOH VHQVH WKH ODE UHSUHVHQWDWLYH RI SURJUHVVLYH WKLQNLQJ EHFRPHV the joint WR DOO RWKHU SXEOLF FRPSOH[ VSDFHV YLVLWRU FHQWHU SXEOLF JDOOHU\ DQG OLEUDU\ %XW DOVR LQ WKH VPDOOHU LQWLPDWH VHQVH EHWZHHQ EXLOGLQJ DQG SHUVRQ Temporal inhabitants are given insight into the work researchers are doing [water accumulation / light studies @ WKURXJK YLVXDO HYLGHQFHV RI WKH UHVHDUFKHUV WKHPVHOYHV
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Fusion of water and light through openings
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Both the roof and wall have certain moments of transparency elucidating water levels, itinerary, and creating dynamic lighting conditions with the fusion of light and water 7KLV SURYLGHV DQ expository and immersive experience IRU YLVL tors, as well as creating a relationship between the permenant and temporal
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D E C O N S T R U C T I NG THE WALL: FO LLY I N S E R TI ON INTO C H A RLESTON C h a rl est on, c ri t ic : J ohn y e a r: 3
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,Q RUGHU WR XQGHUVWDQG &KDUOHVWRQ DV D IRUPXODWLRQ IROOLHV ZHUH LQVHUWHG LQWR WKH FLW\ ZLWK the intention of being a device to reestablish a missing entity ,Q WKLV FDVH D VPDOO scale study involving the deconstruction of a wall DW &KDUOHV 3KLODGHOSKLD $OOH\ :KHQ walking down this alley one notices encounters a very tall non-permeating wall VHSDUDW LQJ WKH DOOH\ZD\ IURP ZKDW ORRNV WR EH PL[HG XVH EXLOGLQJV 7KXV WKHUH LV QR YLHZ QRU SDWK RXWZDUG WR WKLV EHDXWLIXO DOOH\ZD\ QRWKLQJ 7KH WDVN ZDV WR GHFRQVWUXFW WKH ZDOO and recreate a threshold to reform the relationship between the two functions in the form of a screen %XW LQ DQ HIIRUW WR UHWDLQ WKH :DOOÂśV SDOLPSVHVWLF TXDOLWLHV WKH PDWH rial make up of the wall is preserved through varying layers of materiality %\ VSOLWWLQJ these layers apart and resorting them into a spacial entity, a folly was created about viewing history into the present, and reconciling the alley and the public space 26
New screen folds up and over, becoming a bench for inhabitants
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Uncovering a sense of Duality Upon visiting Charleston, one feels this sense of intermingled duality ZLWKLQ WKH FLW\ ,Q RQH DVSHFW \RX KDYH WKH KLVWRULFDO SRUW FLW\ KHUH OLHV old traditions and vernaculars such as the Charleston porch, the grid system, narrow alleyways, and just an overall GLVWLQFW IHHOLQJ RI EHLQJ LQ D SODFH SDXVHG ZLWKLQ D ROGHU WLPH ,WV ODQJXDJH DQG SULQFLSOHV EHORQJ WR WKDW WLPH %XW LQ DQRWKHU VHQVH &KDUOHVWRQ DOVR LV D SODFH ZKHUH D QHZ PRUH \RXWKIXO VXEFXOWXUH LV HPHUJLQJ %DUV IRU H[DPSOH ZRXOG OLH LQ WKH PLGGOH RI WZR KLVWRUL cal buildings or brand new shoes and clothing stores that seem to have been inserted LQWR D ORQJ URZ RI DQWLTXH VWRUHV $ new language is seen and distinguishable 7KLV sense of duality was manifested in the Charleston project in order to respond to the long existing urban fabric around it while at the same time creating something new and of a GLIIHUHQW ODQJXDJH ZLWKLQ LW $ PRUH H[SUHVVLRQLVWLF OHVV UHVWULFWHG ODQJXDJH H[LVWV ZLWKLQ RQH PRUH UHVSRQVLYH DQG DZDUH RI WKH FRQWH[W %RWK RSHUDWH WRJHWKHU WR FUHDWH VSDFH EXW WKHUH LV DOZD\V D GHÂż QLWH VHQVH RI two distinct systems
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Heightening Curiosity Furthermore, this concept reinforced the ideas set in SODFH E\ WKH SURJUDP D FDELQHW RI FXULRVLWLHV $ PXVHXP of oddities should intrigue the mind, so through a system of masking and revealing WKH SRHWLF DQG YLYDFLRXV LQWH rior is framed at certain moments, becoming expressed WKURXJK WKH H[WHULRU 7KHVH PRPHQWV DUH LQWHQGHG WR develop curiousness within the eventual inhabitants and SDVVHUE\V ZKLFK VORZO\ EHFRPHV D SURJUHVVLRQ RI XQ UDYHOLQJ ZKDW LV XQNQRZQ RU DPELJXRXV WR WKH LQGLYLGXDO :KLOH WKH H[WHULRU LV LQIRUPHG E\ LWV VXUURXQGLQJ FRQ text, the interior takes shape of inhabitable “light wells� or “wormies�, representative of Charleston’s subculture in its sense of new conception of space and experience
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Roof Scoop
Main Gallery to Exterior
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Second Floor
Ground Floor
Third Floor
Spaces such as the library and theatre also become charged in such a way that they provide new ways of thinking about program through relation to context and inhabitability, The duality of languages is blurred in these cases to still create new experiences without completely losing a sense of old traditions RI &KDUOHVWRQ ,W DOVR JLYHV ZD\ WR SURYLGLQJ LQVLJKW RI KRZ WZR parts become a whole DV D MRLQWLQJ HIIHFW
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TRANSLATING A CITY RETHI NKI NG HOT EL
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grid and culture
grid folds up / nodes extracted from city
nodes translated into program / feeds back to the city
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Museum
Superimposing the city The focus of the project was to capture this essence of New York in such a way that a hotel becomes the destination..instead of a transitory element WR WKH GHVLUHG ORFDWLRQ ,Q D VHQVH LW LV D ZD\ RI VXSHULPSRVLQJ 1HZ <RUN FLW\ RQWR RXU EXLOGLQJ WKH morphology, the pace, the sights, the exuberance, the speed, the struggles An open exterior space excavated from the building pays homage to the green pockets of space located through 0DQKDWWDQ 7KH KRWHO EHFRPHV D SODFH WKDW LV essential to the city as a means of program that appeals to ORFDOV ZKLOH DW WKH VDPH WLPH EHFRPLQJ D SODFH IRU YLVLWRUV WR FRPH DQG H[SHULHQFH 1HZ \RUN DV LW H[LVWV %\ gesturally folding up the urban grid and exploiting it in order to create a programmatic transparent skin visible on the inside as well the outside, New York is captured as a totality and rethinks the way one sees a hotel.
44
All public spaces are held within the skin serving as a threshold between the permanent and temporal LQKDELWDQWV
Yoga Studio
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Theatre
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The skin brings visitors and locals together, forming an HYHQW 7KH FLUFXODWLRQ RI WKH EXLOGLQJ ULEERQV LQVLGH WKH skin creating a Ă&#x20AC; XLG FRQQHFWLRQ between the exterior and the interior, also stitching together the rooms and SXEOLF VSDFHV $W QLJKW WKH HQYHORSLQJ VNLQ JORZV HV tablishing a cultural presence and VRFLDO HQJDJHPHQW
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This project began with visiting the site, located in the Hellâ&#x20AC;&#x2122;s Kitchen portion of New <RUN EHWZHHQ UG DQG WK VW DQG WK DQG WK DYH 7KH VLWH LPPHGLDWHO\ SUHV ents itself as one of enormous potential and substance ,W OLHV ULJKW LQ IURQW RI WKH 'H :LWW &OLQWRQ 3DUN DQG WKH +XGVRQ ULYHUIURQW +HOOÂśV NLWFKHQ LWVHOI KDV JRQH WKURXJK HQRUPRXV DPRXQWV RI FKDQJHV DQG VKLIWV SURYLGLQJ D XQLTXH DQG ULFK FXO WXUH WR ZRUN ZLWK Lacking a link, the project became a means of â&#x20AC;&#x153;stitchingâ&#x20AC;? these individual aspects in new ways to capture the siteâ&#x20AC;&#x2122;s qualities as an unfolding experience DQG LQVHUWLQJ D PL[HG XVH UHVLGHQWLDO EXLOGLQJ WKDW ZLOO VHUYH DV D PHDQV of charging the community with new culture DV ZHOO DV VRFLR HFRQRPLF EHQHÂż WV
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Retail Reading Area Library / Bookstore Film and Art Museum Vertov Film Academy & Theatre Circulation Pods
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intermediate scale: volumes / paths / organization
large scale: site / relations / blocks
superimposed block
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Core experiences felt in New York and the site were utilized to construct QHZ UHODWLRQV EHWZHHQ SURJUDP
verticality
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Under the Museum
Ascent into the retail plaza
sacred
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A Sequential Unfolding
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8 Lobby to New Jersey
Beneath the Film School and Theatre
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The informal retail bazaar FRLQFLGHV ZLWK IRU mal retail, creating a physical representation of the urban stitch 7KLV EULQJV D VRFLDO DQG economic charge to the community at the site VFDOH $ ZDONZD\ OLQHDU JDOOHU\ WKDW FRQQHFWV WKH UHVLGHQWLDO WRZHUV VHUYHV DV D ODUJH VFDOH city to city relationship WKURXJK LWV YLHZ RXW ZDUG WR WKH 1HZ -HUVH\ VN\OLQH ,Q DGGLWLRQ LW DOVR DFWV DV DQ PLUULRULQJ RI WKH SXEOLF KRUL ]RQWDO JHVWXUH EHORZ 7KH SXEOLF YHUWLFDO DWUL XP WKDW FRQQHFWV WKH WZR JHVWXUHV KROGV YDUL ous program and public attractors, such as UHVWDXUDQWV JUHHQ VSDFHV DQG UHFUHDWLRQ ,W also provides framed views of the New York VN\OLQH WR WKH RFFXSDQWV DVFHQGLQJ DQG GH VFHQGLQJ D city to individual juxtaposition
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