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DESERT GARDEN for Chamber Orchestra, 4 Percussionists and SATB Choir

by Chaz Underriner


Full Instrumentation: Flute Oboe Clarinet in Bb Bassoon Horn in F (with mute) Trumpet in Bb (with straight mute) Trombone (with mute) Tuba Percussion 1 - Crotales with bow and mallets - Metal Wind Chimes - Wooden Wind Chimes - 2 Pitched Gongs (E and F above middle C) - Timpani (for pitch C2) with soft mallets Percussion 2 - Chimes with hammers, soft mallets - Chip Bag (Sunchips) or Paper Percussion 3 - Tam Tam with super ball, bow, beater, metal for scraping - Tibetan Singing Bowl - Susbended Cymbal with brushes - Snare Drum with brushes Percussion 4 - Suspended Cymbal with bow, brushes - Vibraphone with soft mallets, bow Celeste Choir - Soprano Alto Tenor Bass - each member of the choir also needs a piece of paper to crinkle Violin I Violin II Viola Cello Double Bass Performance Notes: - Triangles at the top of the score designate conducted cues for instruments in the middle of the score. - Arrows in the score designate conducted cues, to begin or end contolled improvisation or aleatoric gestures, for particular instruments. - Throughout the score key clicks are notated as "x" noteheads with tremolo and breath sounds are notated as empty noteheads with a a line through the middle. - Throughout the score whenever a pedal is designated the pedal should be held until all struck sounds cease to resonate. - On page 1 in the strings the notation of repeat bars surrounding a phrase designates a controlled aleatoric passage in which a player improvises on a given pitch with a given rhythmic character. - On page 8 woodwind multiphonics are notated both using key diagrams and by instructing the performer to ad lib. a multiphonic. The performer should play these multiphonics in the most practical way for them, since playing techinque for multiphonics varies invdividually. - On page 8 both Percussion 4 and Celeste are designated, by controlled aleatoric notation, to improvise on a given scale and imitate the sensation of a wind-chime stirred by the wind by gradually slowing down rhythmically and decreasing in dynamic. - On page 8 the Choir is designated to improvise, by controlled aleatoric notation, by singing any pitch quietly on any vowel for a full breath, increasing then decreasing in dynamic. If there are multiple voices on this part, they should not sing the same pitch and they should sing with different, unaligned rhythm. They should also try to not repeat the same pitch twice. - On page 10 the durations of glissandi in the strings are designated by standard rhythmic notation as well as the use of a half note with a line attached when standard rhythmic notation is unapplicable. - On pages 10 and 15 below the text of the choir, other directions are notated which specify the desired shape of the mouth. An arrow between two instructions implies gradually transforming one into the next in the time notated. - One page 10 the wind instruments are designated, by controlled aleatoric notation, to improvise quick, melodically disjunct, breathy gestures which are sometimes pitched using breath noises and key clicks. The notated phrase should be used as an example for improvisation. - On pages 11 and 12 the choir is cued to crinkle a piece of paper quietly while continuing to improvise the designated gesture. - On pages 20 and 21 various instrumentalists as well as the choir are asked to hum any pitch of their choosing. They must use the designated vowels and may choose their own pitch, although they should avoid singing the pitch any other person is singing.


DESERT GARDEN

Transposed Score

I. WASTELAND Flute

q = 60 3 ∑ &2

Oboe

3 &2

∑

Clarinet in B b

& 32

∑

Bassoon

?3 2

∑

Horn in F

#w.

∑

w

w

∑

˙

w

Œ ‰ œj w p #w Ó

∑

˙

w

p

Œ œ p

∑

p

q = 60 3 ∑ &2

w

Ó π

∑

Ó π

∑

∑

Ó π

∑

Ó π

∑

#œ œ ‰. R P

∑

∑

∑

∑

Œ

3 &2

∑

∑

∑

∑

∑

Œ

Trombone

?3 2

∑

∑

∑

∑

∑

Tuba

? 32

∑

∑

∑

∑

∑

‰ œ. P

Percussion 1

Percussion 2

Percussion 3

Percussion 4

Celesta

Soprano

Alto

Tenor

Bass

3 &2

∑

3tam tam, rub with super ball œ ‰Œ ã 2 w. J π f suspended cymbal with bow œ ‰Œ & 32 w . J π f

Ó

Ó

Ó # ˙˙ P ŒŒœ w

Ó

Ó

3 &2

∑

∑

? 32

∑

∑

π ŒŒœ w π

3

Ó

& 32

∑

∑

Ó

3 V2

∑

∑

Ó

?3 2

∑

∑

Ó

∑

..

& 32

∑

Violoncello

?3 2

Contrabass

? 32

œ œ œ œ œ . œ œ œ .. J R

∑ ∑

∑

œ.

π

3

q = 60 3 ∑ &2

3 &2

Viola

Ó

f ˙˙ Ó Ó Ó F ° (Hold pedal until the notes played cease resonating.)

..

Violin II

Ó Œ

#œ w

Ó

chimes with hammer

q = 60 3 ∑ &2

Violin I

Ó

p Ó #˙ p Ó ˙

ou

ou

p Ó ˙

ou

p Ó #˙

ou

Ó

œ

P

5

˙

P

≈ œj. w P

F

2nd valve gliss.

F

w

F

w P

˙

œ

‹˙

w. ˙ œ

F

˙.

œ

˙.

p

w

#˙. P

w

b˙. P

˙ Ó Ó ∑ ∑

Œ Ó

∑

Ó

∑

Œ Ó

∑

Œ Ó

∑

Ó

˙ p

˙ Ó Ó

w.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

P Œ œ w

∑

∑

Ó

∑

∑

Ó

Ó

F

œ ‰Œ Ó Ó J f œ ‰Œ Ó Ó J f

P p p ˙ Ó #˙ P p p Ó ˙ ˙

ou

ou

P p p ˙ Ó ˙

ou

P p p ˙ Ó #˙

ou

p Ó

P w

P p w Ó P p w Ó

P p w Ó œ.

˙

˙

p # ˙˙ Ó Ó P ∑

P #w. ou

ou

P Œœ ˙ ou

P #w

ou

p ˙ Ó Ó p ˙ Ó Ó p ˙ Ó Ó p ˙ Ó Ó

œ J ..

Improvise on the given pitch using moderate bowing rhythms.

Improvise on the given pitch using unaligned, fast bowing rhythms. Use the following as an example.

P œ œ œ œ œ œ œ œ œ œ œ œ œ œ . œ .≈ œ œ

œ

∑

∑

f # ˙˙

Œ

Œ œ w p . # w ∑ ∑ p Ÿi ~~~~~~~~~~~~~~~~~~~~~ ŸÈ ~~~~~~~~~~~ ŸÈ ~~~~~~ Œœ ˙ œ nœ. œ ˙. œ œ Œ Ó Ó P p œ . œJ œ œ œ b œ ˙ œ œ . œJ ˙ J‰Œ Ó Ó F p

Ó

Trumpet in B b

q = 60crotales with bow ˙. ˙ 3 &2 Ó Œ π

Chaz Underriner

for Chamber Orchestra, 4 Percussionists and SATB Choir

..

..

..

..

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ ..

˙.

œ œ R ..

Improvise on the given pitch using moderate bowing rhythms.

œœœ œœ œœœœœœœœœ œœ

Improvise on the given pitch using unaligned, fast bowing rhythms. Use the following as an example.

..

P

5

..

∑

∑

∑

∑

∑

∑

∑

∑

&


4 10 Fl.

&

∑

Ó

Ó

Ob.

&

∑

Ó

Ó

&

∑

Ó

Ó

?

∑

10

B b Cl.

Bsn.

∑

f

Hn.

&

∑

Ó

B b Tpt.

&

∑

Ó

?

∑

+ ˙ > f Con sord. > Œ . n œJ ˙ f ∑

?

∑

Tbn.

Tuba

10

œ ‰ Œ J f

Ó

Œ Œ œ ˙ æ æ 3 P with brushes Œ Œ œ ˙ æ æ 3 P

Perc. 1

&

Perc. 2

&

Perc. 3

ã

Ó

Perc. 4

&

Ó

Cel.

∑

f

accel. ∑

Œ Ó

Ó

43

Œ Ó

Ó

œ Œ Ó

Ó

3 4 ˙. p 3 ∑ 4

œ

∑

43

∑

rit.

œ ‰ ˙ J ∑

T

B

∑

∑

∑

3 4

∑

∑

∑

∑

43

∑

∑

∑

∑

43

accel. ∑

∑

∑

43

∑

∑

Ó

∑

3 4

∑

Ó

∑

43

∑ ∑

∑

∑

∑

∑

∑

∑

∑

F

∑

∑

∑

?

∑

∑

∑

43

Vln. II

Vla.

Vc.

Cb.

rit.

∑

Œ

∑

a tempo ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

p œ ‰ œ J

a tempo ˙.

∑

43

∑

∑

Œ

V

∑

∑

∑

3 4

∑

∑

Œ

?

∑

∑

∑

3 4

∑

∑

& .. &

w

..

Œ Œ Œ Œ

Ó

Ó

Ó

Ó

43

Ó

Ó

3 4

Ó

Ó

3 4

Improvise fast bowing rhythms with an eighth note pulse using this as an example

bœ œ œ œ œ. œ. œ & .. P ?

˙

Œ Œ

∑

œ œ œœ . .

Œ Œ ∑

∑

3 4

Œ Œ Œ Œ Œ

∑

∑

∑

slow bowing rhythms

∑

∑

π

∑

∑

43

∑

π

∑

&

..

∑

∑

∑

& ..

∑

∑

∑

accel. b œœ b œœ J ‰ ƒ b œœ n œœ J ‰ ƒ j bœ b œœ œ ‰ ƒ j œœ b œœ ‰ ƒ j bœ nœ ‰ ƒ

∑

∑

∑

slow bowing rhythms

π

π

˙. P

∑

∑

∑

&

Œ

˙. p

˙. ˙.

#˙. P

Con sord.

∑

43

∑

œ nœ p

∑

∑

π œ

˙ P

∑

π

œ b˙ P

3 4

&

w.

˙.

Ó

rit.

a tempo Con sord. Œ œ bœ p

˙.

œ Œ Ó

F œ Œ Ó

rit.

˙ p

œ œ P

∑

˙.

œ

accel. ∑

3 4

10 Vln. I

b˙ p Œ

∑

accel.

A

œ œ œ

∑

43

10

10 S

a tempo ∑

∑

Ó

œ Œ Ó

scrape with metal

f >œ .

œ

œ Œ Ó

Ó

Ó

>œ .

o

rit. b œœ b œœ J ‰ f b œœ n œœ J ‰ f j bœ b œœ œ ‰ f j œœ b œœ ‰ f j bœ nœ ‰ f

p œ bœ

P #˙.

o

b˙.

o

˙

p œ bœ ∑

Œ

ethereally

bœ œ œ ‰ bœ œ œ œ œ œ œœœ œ bœ P ∑ ∑ * (sim.) ° 5:4

π

˙. P P p ˙

∑

π

˙. œ

5

5:4

∑

π

˙.

P œ b˙

∑

π

∑

o

legato, sweetly

a tempo Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

∑

Œ

∑

∑

∑

∑

p legato, sweetly ˙ œ p

∑


19 Fl.

&

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

B b Cl.

Bsn.

∑

∑

j ‰œœ ˙ J p

∑

˙.

œ.

∑

∑

∑

∑

∑ œ œ ˙

bœ.

P

∑

∑

∑

∑ bœ.

Senza sord.

19

bœ.

Hn.

&

∑

∑

∑

∑

∑

∑

∑

∑

B b Tpt.

&

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Tbn.

Tuba

19 Perc. 1

&

∑

∑

∑

∑

Perc. 2

&

∑

∑

∑

∑

Perc. 3

ã

∑

∑

∑

∑

Perc. 4

&

∑

∑

∑

∑

19

Cel.

& bœ œ œ bœ œ nœ œ œ œ bœ œ nœ œ ?

∑

19 S

A

T

B

°

*

∑

œœœ 5

nœ œ

(sim.)

œ bœ œ 5

∑

Œ

3

˙. æ

∑

Œ b b œœ Œ J

Œ

3

˙. æ p

∑ 5

∑

∑

5

∑

5

∑

∑

p ‰ œJ

œœœ

œ b œœ

œ

˙.

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

Œ

V

∑

∑

∑

∑

∑

∑

∑

Œ

?

∑

∑

∑

∑

∑

∑

∑

&

œ

œ √œ

˙.

œ.

#œ.

œ

˙

œ √ bœ

œ.

nœ.

o

˙. p

∑ ∑

‰œ bœ œ œ bœ œ œ nœ bœ œ œœ 5

∑

p œ o

p œ

o

b˙.

˙

∑

œ

œ √ œ

˙.

˙

œ

œ.

#œ.

œ

˙

œ √ bœ

œ.

˙O O˙

˙O .. b b O˙ ..

∑

∑

∑

∑

Vc.

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

‰ O œ pb O bœ ‰ 3 p 3

?

˙O O˙

œO Oœ

j œO b b Oœ J 3

œ

p ˙ o

nœ.

j3 œO œO ˙O Oœ b O O bœ ˙ J

3

∑

P

Œ

œ.

∑

P

#˙.

œ.

&

5

5

Vla.

∑

π

&

∑

Senza sord.

∑

∑

œ.

Œ

5

p

Senza sord.

∑

∑

œ.

?

˙. æ

bœ œ œ œ œ œ œ œ bœ œ #œ œ œ bœ bœ bœ nœ ‰ œ œ œ bœ œ bœ œ œ œ bœ bœ nœ œ bœ 5

5

5

Vln. II

Cb.

‰ b b œœ Œ

&

19 Vln. I

5:4

5

j ‰ b b œœ Œ Œ π ° cymbal with brushes ‰ œ ˙ æJ æ π

3

∑

5

∑

∑

P P


6 28 Fl.

Ob.

B b Cl.

Bsn.

∑

&

∑

?

∑

B b Tpt.

Tbn.

Tuba

Perc. 2

Perc. 3

Perc. 4

π

& p. p ? ˙.

(breath noise)

?

∑

&

Œ

A

T

B

V

√

Vln. II

Vla.

Vc.

Cb.

&

p

˙.

? œ 28

Vln. I

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑ ∑

f

p

f

p

∑

∑

∑

∑

∑

Œ

Œ

Œ

‰ b b œœ Œ

Œ

‰ œ. æ π F

∑

5

b ˙˙ ..

∑

œ #œ œ œ œ œ œ 5

5

∑

∑

π . ‰ #œ

œ œ œ œ bœ œ

5

∑

˙.

∑

∑

Œ

∑

∑

Œ

∑

∑

Œ

π ‰ œ.

∑

∑

Œ

Œ

O. ‰ œ. π

‰ b b Oœ ..

ou

π ‰ bœ. ou

π. œ ou

˙. ˙. ˙.

p

44

∑

∑

∑

44

∑

∑

∑

∑

4 4

∑

∑

∑

∑

4 4

∑

∑

44

∑

∑

44

˙.

44

˙˙ .. p

b ˙˙ ..

œœ

π

œ bœ œ bœ œ œ bœ œ

π π π π

∑

∑

∑

∑

Œ

& O œ

œO

j œO œO

˙O

j3 œO œO

˙O ..

œO

O ? œ

Oœ b b Oœ Oœ J

˙˙

Oœ b O Jb œ

O˙ ..

b b Oœ

3

3

∑

3

∑

3

3

∑

j œO ˙O b b Oœ O˙ J ∑

π

∑

4 4

∑

∑

∑

4 4

∑

∑

∑

44

∑

∑

∑

44

∑

∑

∑

4 4

∑

∑

∑

4 4

œ.

œ.

#˙ æ

#œ æ

œ. æ

æ

æ

Œ

˙ æ

œ æ

œ. æ

#œ. æ

œ. æ

œO

j œO œO œO

˙O

j3 Oœ œO

˙O ..

j œO œO ˙O

˙O ..

Oœ b O O bœ œ J

Oœ b b Oœ J

˙˙ ..

b Oœ b b Oœ O˙ J

O˙ ..

p p

Œ

sul pont., with the tip of the bow

3

3

∑

#œ. æ

nœ. æ 3

3

∑

4 4

∑

5

5

∑

˙.

π

œ œ œ œb œ œ b œ œ œ œ

5

˙.

ou

˙. π arco #˙.

tam tam, rub with super ball

∑

˙.

p

Œ

∑

˙.

p

Œ ∑

˙.

p

F

4 4

∑

∑

˙˙ ..

b ˙˙ .. π

44

F #˙.

∑

4

˙. æ p

˙.

∑

4 4

b œœ œœ # œœ # œœ

Œ

˙. æ π

5

5

4 4

∑

sul pont., with the tip of the bow

˙.

√ ˙. &

?

b ˙˙ ..

œ œbœ œ bœ œ œ œ bœ

π

3

œ œ œ œ œ œj œ œ œ œ œ œ œ æ æ π p 5 b ˙˙ .. p

œ œ bœ bœ œ

with mallets

œ ‰ Œ J P Œ b b œœ Œ J

p

3

vibraphone, soft mallets, motor off

b ˙˙ .. π

p

xæ.

∑

5

p

& ˙.

∑

∑

& œbœ œ œ bœ œ œ œ nœ bœ œ œ bœ œ œ œ

&

∑

∑

∑

˙.

∑

∑

∑

* p

˙. æ

∑

Œ

(sim.)

˙. æ P

∑

xpæ. .

∑

∑

∑

&

∑ °

p

∑

∑

∑

?

f

xæ.

flutter tongue, stridently

∑

∑

5

xæ. p.

p

∑

ã

28 S

b œœ

f

∑

∑

j & ‰ b b œœ Œ

28

Cel.

p (key clicks) xpæ. .

π

∑

28 Perc. 1

π

˙.

?

28 Hn.

p. p

. & ˙ &

p xæ. p.

(key clicks)

(breath noise)

˙.

˙. æ π

3

∑

˙. p

44

æ π

˙. F>

4 4

π π

44 4 4 4 4


Fl.

Ob.

B b Cl.

Bsn.

Hn.

q = c 120 >. >œ . >œ . >. 37 œ#œ œ #œœ #œœ#œ œœ & 44 ƒ > >œ œ # œ >œ œ œ b >œ œ œ # œ # œ # œ & 44 3 3 3 ƒ 3 # >œ œ. œ. œ. >œ œ. œ. œ. œ. # >œ œ. œ. œ. œ. & 44 ƒ ? 44

œ

ƒ q = c 120 37 ? 44 3

œ

#œ >

B b Tpt.

∑

Tbn.

? 44

∑

Tuba

? 44

∑

&

q = c 120 œ#œ #œ#œ œ nœ bœ nœ œ nœ & 44 # œ # œ 5 7 f n œœ b b œœ n b œœ & 44 b b œœ f strike with beater 4 >œ Œ Ó ã 4 ƒ œ 4 Œ Ó &4

37

Perc. 2

Perc. 3

Perc. 4

Cel.

ƒ

A

T

B

45

œœ

45 # œ œ > 3

œ

accel. >œ 54 œ > f 54 ‰ # œ # >œ >f > > 45 ‰ œ œ f 45 Œ œ f> accel. b œ n œœ 45 ‰ œ 45 5 4

# œœ

b œœ

>œ # œ

45

∑

4 V4

∑

5 4

∑

?4 4

˙ > f

q => 60 œ 43 J ‰ Œ Œ

U

# >œ J >œ J

œ>œ

∑

5 4

∑

accel. 5 4

∑

5 4

∑

5 4 œ ƒ>

p 34 Œ ˙

∑

∑

˙ >

o

q = 60 3 ∑ 4

∑

8"

∑.

j p

p

8"

∑.

p

8"

∑.

8"

∑.

p.

o

ord. Con sord.

3 4 ˙æ. ∏ 3 4 ˙æ. ∏

Con sord.

œ >

œ >

œ >

œ >

œ >

œ >

œ >

f

p ‰ xæj xæ p

(key clicks)

p.

Œ p p Jp 3 Œ

8"

∑.

U

8"

∑.

U

8"

∑.

U

8"

∑.

p

xæ.

p . Rp‰

f

xæ.

xæp . J‰ ŒŒ p

∑

f

∑

p Œ

7 ∑

p j xæ ‰ Œ Œ

f xæ.

p Œ ‰‰ xæj xæ p. p f (key clicks) p j Œ Œ ‰ æ x p. f

(key clicks) 3

(breath noise)

p p

f

f

∑

p

xæ.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

°

(Hold pedal until the notes played cease resonating.)

π

U

˙. 8"

π

U8"

˙.

8" U ˙.

U ˙. 8"

π π

o

œ >

p (key clicks) xæp .

articulate by gently and slowly moving the base of the chime and let ring q = 60 (metal wind chimes) 8" 3 3 œ>œ j (wooden wind chimes) j U 34 œ ‰x Œ ŒŒ ∑. ∑ Œ Œ ‰ ‰œ y ˙ ‰‰ ˙. J ƒ P (pitched gongs) 8" > 3 3 U with soft mallets œœ Œ Œ ∑. ∑ ∑ ∑ ‰ œj Œ ‰‰ œj 43 œ œ œ œ ƒ p π P 8" Tibetan singing bowl U 3 ˙. . . . . . . ˙ ˙ ˙ ˙ ˙ ˙ 4 π p 8" U 34 b ˙˙ .. b ˙˙ .. b ˙˙ ..b ˙˙ .. b œœ b œœ ˙˙ ˙˙ b ˙˙ .. ˙˙ .. b ˙˙ .. ˙˙ .. b ˙˙ .. ˙˙ .. b ˙˙ .. ˙˙ .. p 8" ‰ œj œ œj œ ‰j j U 3 ∑ ∑. ∑ ∑ ∑ œœ ˙˙œ œ ˙ gg œœœ 4 g Œ Œ ≈g 5 p 34 ∑ ∑ ∑ ∑ ∑ ∑ ∑

∑

∑

45 œ ƒ>

ƒ 34 >œJ ‰ Œ Œ ƒ >œ 43 J ‰ Œ Œ ƒ j 43 œ ‰ Œ Œ > ƒ

p 3 Œ ˙ 4 o p ˙. 3 4

5 4

˙ f>

>œ 34 J ‰ Œ Œ

q = 60 p 34 ˙ .

accel.

∑

Cb.

U

∑

∑

Ó

> œœ

# œœ

45

? 44

# >œ 43 J ‰ Œ Œ

n œ>œ J

& 44

Vc.

nœ nœ

b œ>œ

∑

4 &4

(breath noise)

# œœ

45

Vla.

U

bœ >

∑

Vln. II

>œ 34 J ‰ Œ Œ

3

œ >

45

4 &4

(breath noise)

œ >

∑

4 &4

3

œ > b >œ

? 44

q = c 120

œ >œ

b >œ

∑

?4 4

U

œ. œ. œ. œ. # ˙

œ. œ >

5 4

& 44

(breath noise)

3

3

3

∑

37 Vln. I

3

4 &4

q = c 120

U

> # >œ œ œ >œ œ œ 54 n œ œ œ >œ œ b œ >œ œ #œ

37

37 S

œ >

∑

& 44

Perc. 1

œ

3

II. GHOST TOWN WIND-CHIME SANCTUARY

q = 60 accel. # >œ # >œ . œ # œ >œ . œ >œ . # œ œ n >œ . # œ n œ >œ . # œ œ œ 45 43 J ‰ Œ Œ

43

∑

3 4

∑

U

∑.

U

8"

˙æ.

U

8"

˙æ.

U

8"

∑.

U

8"

∑.

˙.

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œo ˙o ‰J p

œo

ord. Con sord.

8"

π Œ ‰ œ J

∑

∑

∑

˙æ.

˙æ.

˙æ.

˙æ.

Œ

∑

∑

&

∑

∑

&

Œ

œo

p œo ˙o ‰. R p Con sord. œo . Œ ‰ p Con sord. # œo Œ ŒŒ J 3 p

˙o œo . ˙o ˙o .

o

π Œ ‰ œj o

Œ Œ

œo J ‰

‰ Œ Œ

˙.

˙o .

∏ Œ

Œ

œo ˙o ‰ J ∏ ∑ ∑

œo ∏


8 46 Fl.

Ob.

B b Cl.

Bsn.

& ? &

B b Tpt.

&

∑

?

∑

?

∑

46 Perc. 1

&

∑

Perc. 2

&

∑

Perc. 3

ã

Perc. 4

4"

∑.

U

∑.

4"

∑.

S

A

T

B

Vln. I

Vln. II

Vla.

Vc.

Cb.

(breath noise)

4"

∑.

U

4"

∑.

U

4"

∑.

4"

&

∑ ∑

smoothly multiphonic ad. lib., try to include this as your top pitch

˙.

œ ˙. ‰. R p

Œ

˙.

smoothly multiphonic ad. lib., try to include this as your top pitch

≈ b œj. ˙ p

f

f xpæ. .

p

3

∑

p

f xpæ.

xpæ. . f p xpæ. .

˙.

p

xæ.

3 j Œ œ Œ P

œ

3

p

f

xæ.

Œ

˙.

x œ J

j ‰ œ Œ P

∑

3

œ œ œ p

∑

∑

∑

∑

∑

∑

..

4"

Œ

Œ

U

π ‰ ¿ ¿ J

∑.

U

4"

∑.

U

4"

∑.

U

4"

∑.

π ¿.

π ‰ ¿ ¿. 3

f ¿.

s

π lips pursed ¿ ¿.

∑.

inhale

s lips pursed

f

s lips pursed

∑

f

¿. s

f ¿.

¿.

¿

¿.

¿

π smile

∑

∑

∑

∑

∑

∑

∑

∑.

∑

∑

∑

4"

∑

∑

∑

U

4"

∑.

U

4"

U

∑.

Œ π Œ

˙.

Œ

p

∑

Œ

Œ

∑

Œ

Œ

∑

∑

∑

∑

∑

∑

∑

∑ œ

œ p

Œ

3 ‰ ‰ # œj

∑

∑

‰ x J

∑

f smile π Œ

Œ

smile

Œ

π ˙.

Œ

π

˙ a

..

j œ. œ

π. ˙

..

* (sing in the high range)

ou

π ˙.

*

e

π ˙.

ou

*

o

* * Improvise: Sing any pitch quietly on any vowel for a full breath, increasing then

e

decreasing in dynamic. If there are multiple voices on this part, do not sing the same pitch and sing with different, unaligned rhythm. Try to not repeat the same pitch twice.

˙o .

œo . o≈ J p

Œ

ou

π œ

a

Œ

œ œ œ. œ œ. œ œ p °

π ˙.

Œ

˙

p

œ

Gradually slow down imitating a wind-chime stirred by the wind which slows down and becomes softer.

π

¿.

¿. ∑

π

œ J ‰ Œ π

∑

p ‰ Œ

#œ. ‰ #œ.

b œ Slowly improvise in Bb major using the following as an example. Gradually slow down imitating a wind-chime stirred by the wind which slows down and becomes softer. j .. J œJ . œ œj b œJ . .. œ œj j œ . J p œ ° Slowly improvise in D dorian using the following as an example.

∑

(Hold pedal until the notes played cease resonating.)

Œ

Œ

˙

∑

..

4"

Œ π

˙.

xæ .

∑

∑.

p Œ

xæ .

∑

4"

Œ

˙.

œ œ J

∑

U

œo .

∑

˙.

œ

∑

& ˙.

o 46 œ J‰ Œ Œ & ˙o .

∑

œ œ J p

∑.

n

∑

f ∑

˙ ˙

4"

U

∑

(key clicks)

∑

3

xpæ. . f

Œ xæp

p.

∑

U

∑

f

˙.

∑.

n

&

(breath noise)

U

& ˙.

&

‰ p. p

˙.

46

&

Œ

4"

& ˙˙˙ ...

?

3

#˙. #˙.

lip gliss.

smoothly multiphonic ad. lib., try to include this as your top pitch

xæ. p

(tap rapidly on instrument) (breath noise)

∑.

˙˙ .. π

Πp.

Œ

˙. ˙.

∑

‰ . ærp æ p. x x

‰‰ p p Jp

U

˙.

p xæ. p.

Œ

œ. ‰ œ. p

∑

(key clicks)

p. p

4"

4"

(key clicks)

p. p

∑.

U

& ˙. b˙ .

V

p J

U

˙.

?

U

∑.

46

Cel.

(breath noise)

Œ

∑

∑

U

Œ

∑

∑

U

4"

∑

∑

4"

∑

Hn.

∑

U

∑

∑

Tuba

4"

∑.

∑

&

46

Tbn.

U

∑

&

˙o Œ

˙o ˙o

p

∑

œo J p

˙o .

Œ

˙o .

˙o .

œo

˙o .

œo . J

# ˙o . p

˙o .

˙o .

∑

œo J Œ 3

≈ Œ

π œo

J ‰ Œ

Œ Œ

œo . ˙o ≈ J π # ˙o Œ π ˙o

œo ‰‰J 3 π

Œ


˙. & ˙.

˙. ˙. p

55 Fl.

& ˙. π

˙ ˙

˙.

œ.

multiphonic ad. lib., try to include this as your top pitch

Ob.

B b Cl.

Bsn.

&

∑

p

∑

? . ˙ π

Œ

Œ π

œ.

∑ ˙.

∑

∑

multiphonic ad. lib., try to include this as your top pitch

˙.

b˙ π

˙. p

Œ

œo ˙o . ‰ ≈ R π

Œ

œ ≈ ‰ Œ Œ R π whiteœ .toneœ Œ ‰J 5 π ˙.

˙.

∑

˙.

j œ‰Œ Œ π

˙.

∑

55

&

∑

∑

∑

∑

∑

∑

∑

B b Tpt.

&

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

Tuba

j & ‰ œ Œ Œ

55 Perc. 1

‰ œj Œ ‰ œ 3

&

∑

∑

Perc. 3

ã

∑

∑

Perc. 4

&

Perc. 2

Œ

Œ œ

∑

‰‰œ Œ Œ J

∑ ∑

3

∑

≈ yj . Œ

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

n

55

Cel.

&

n

?

A

T

B

∑ ∑

Vln. II

Vla.

Vc.

Cb.

∑

V ?

& & &

∑.

U

U

∑.

U

∑.

U

U

∑.

U

∑.

U

U

∑.

U

∑.

U

U

∑.

U

∑.

U

∑.

U

U

∑.

U

∑.

U

∑.

U

U

∑.

U

∑.

U

∑.

U

U

∑.

U

U

∑.

U

U

∑.

U

U

U

∑.

U

˙. x Œ Œ π 4" p U ∑.

U

∑.

U

∑.

U

∑.

U

U

∑.

U

∑.

U

∑.

U

U

∑.

U

∑.

U

∑.

U

∑.

6"

∑

∑

∑

∑

Œ Œ Œ.

U

∑.

U

∑.

U

U

∑.

U

∑.

U

∑.

U

U

∑.

U

∑.

U

∑.

U

U

∑.

U

∑.

U

∑.

U

U

∑.

U

∑.

U

∑.

U

U

∑.

U

∑.

U

∑.

U

U

∑.

U

∑.

U

∑.

U

U

∑.

U

∑.

U

∑.

U

U

U

U

U

n

U

∑.

∑ ˙o

Œ

∑

˙o .

œo

˙o .

˙o .

˙o .

˙o .

& ‰

# œo ˙o

π 3

˙o .

Œ Œ

œo ˙o ‰J π

∑

œo .

∑

˙o .

∑

‰Œ ∑

˙o .

Œ Œ œo .

Œ

œo ˙o . Œ ‰. R π ˙o ˙o .

˙o œo œo ‰J π

‰Œ

˙o . ˙o œo .

π

∑

Œ

# ˙o .

π

œo J‰

∑ œo J‰Œ Œ ∑

‰Œ

∑ ˙o

Œ

4"

5"

4"

5"

n

∑.

4"

5"

4"

5"

4"

5"

4"

5"

4"

5"

4"

∑.

5"

∑.

5"

∑.

5"

5"

5"

U

&

&

U

5"

∑.

&

55 Vln. I

∑.

U

55 S

U

U ˙.

∑

Hn.

Tbn.

9

Uo

˙o .

5"

5"

5"

5"

5"

5"

5"

5"

5"

∑.

U 4"

4"

4"

4"

4"

4"

4"

4"

4"

4"

4"

4"

4"

∑.

6"

∑.

6"

∑.

6"

∑.

6"

∑.

6"

∑.

6"

∑.

6"

∑.

6"

∑.

6"

∑.

U

6"

∑.

6"

∑.

6"

6"

6"

∑.

6"

∑. ∑.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

˙. π

˙.

tam tam, rub with super ball

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

p Œ Œ ‰¿

∑

∑

p Π
∑

∑

p ‰¿ ¿

3

s

smile

s smile

3

p Œ ‰ ¿ ¿. J

Œ

s smile

œo

I

˙o π

Senza sord.

˙o

III

6"

∑.

∑.

∑

Senza sord.

6"

6"

∑

∑

∑.

∑.

∑

s smile

6"

6"

∑

∑

∑.

∑.

∑

∑

∑.

6"

∑

π B

œoæ

œo

˙o æ

˙o

IV Œ ˙o π

Senza sord.

˙.

Senza sord.

ΠΠΠ3

IV

œo π

˙o æ

I

Œ j œoæ π 3

œ

˙

Senza sord.

∑

œo æ

gliss.

∑

˙o .


10 69 Fl.

∑

&

Ob.

&

∑

B b Cl.

&

∑

?

∑

Bsn.

∑

œ b œ œ .r x x x

x R

3

*

œ œ x œ pR ‰ * ≈ p b x x p

j x .

∑ ˙. π

j œ

p p

˙. P œ. p

∑

r p

j œ

p o

Œ

˙.

œ Jp

œœœœœœœœœœœœœ p 3

*

3

3

œœœœœœœ

3

3

œœœœœœ œœœœœœ œ

3

3

3

3

3

3

3

œ œœ œ œœ ˙ 3

3

œ œ œ œ œ œ œœœœœœ˙

3

3

3

œ œ œ œ œ œ .œ œ œ

‰œ œ œ œ p

Œ

3

3

œ # œ œn œ # œ œn œ # œ œn œ # œ œn œ # œ œ n œ # œ œ œ n œ # œ œn œ # œ œ p

3

3

3

œ œ œ œ œ .œ

3

* At this cue, improvise quick, disjunct, breathy gestures which sometimes have definite pitch. Be sure to use key clicks and breath noise, although not exclusively. Use this notated idea as an example.

69 Hn.

B b Tpt.

Tbn.

Tuba

˙. π

&

∑

&

∑

?

∑

∑

?

∑

∑

˙. P

pp œ. pp x . x p

∑

p. p œ. p

œœœœœœœœœœœœœ p3 3 3 3

˙. p x.

*

œ p x œ x p œ Ù .. ..

r x

3

r x x ≈ ‰ œx.r x

œœœœœœœ 3

œœœœœœ œœœœœœ œ

3

3

3

3

3

œ œœ œ œœ ˙ 3

œ œ œ œ œ œ œœœœœœ˙

3

3

3

3

‰ œj œ b œ p

*

r * x

* At this cue, improvise quick, disjunct, breathy gestures which sometimes have definite pitch. Be sure to use key clicks and breath noise, although not exclusively. Use this notated idea as an example.

69 Perc. 1

&

∑

Perc. 2

&

∑

Perc. 3

Perc. 4

Cel.

ã ˙. P &

∑

69

&

∑

?

∑

3 œ œ. Œ Œ œ ‰ œj Œ ≈ œj. ‰ ≈ œrŒ Œ x. x Œ œœ Œ œ œ ‰Œ π P (let all ring) p p P P 3 œŒ œ œ ≈ œj ≈ œœ .. Œ Œ Œ b œ Œ ‰ Œ Œ œ # œ œ ‰ ≈ œJ . # œ . J . #œ. 3 J 4 P p p p (let all ring) P P strike with beater ˙. ∑ ∑ ∑ ∑ ∑ F b œ Slowly improvise in Bb major using the following as an example. Gradually slow down imitating a wind-chime stirred by the wind which slows down and becomes softer. .. œ œ œ œ œ b œ . œ .. œ. œ œj p °

A

T

B

Vln. I

f ¿.

Vln. II

V ¿.

f ¿.

? ¿.

f ¿.

B

Vc.

&

. œoæ

& æ œo .

π ¿ . ≈ Œ J

p .. ¿

∑

π Œ

lips pursed

π ¿ ≈ ‰ Œ R

j œ œ.

π

Œ œ

∑

‰œ Œ π œ œ p 3

∑

Œ

∑ ∑

.. Œ

∑

..

o

lips pursed

π

˙o .

˙o

lips pursed

f

˙o . æ œ

f &

f

œo ˙o æ3J æ

∑

f

œo æ f

p Œ

Œ

œo ˙o ‰ ≈ R p ˙o . æ ˙o . æ

œo

p

Œ

˙o . ˙o

until desginated without repeating previous phrases exactly. Do not align rhythmically with other singers or the conducted beat. Choose your own pitches and avoid singing the same pitches as other singers, if possible.

a

π .. ¿

lips pursed

œ

5

Cb.

¿

˙o æ

˙oæ

˙o . &æ

Vla.

¿

f ¿.

& ¿.

&

j œ

≈ œj. p

Œ

in D dorian using the following as an example. Gradually slow down imitating a wind-chime stirred by the wind which slows down and becomes softer. n œ Slowly improvise œ œ œ œ œnœ . œ .. j nœ. œ œ p ° * Improvise: using any vowels, sing using this gesture as an example. Repeat the gesture

& ¿.

69

Œ

œ. p

..

69 S

3

π ¿.

ou

˙o .

¿ π ¿.

ou

p

P,p ¿ ¿ ¿ .. ou ou π π p π ¿ ¿ .. ¿ ¿

P ¿, ¿ ¿ a

¿

p , p¿ ¿ J

a

π p ¿ ¿ ¿ ¿¿ ¿. . a

∑

œo . ≈Œ Œ æJ π

∑

Œ

π

p

a

p π ¿¿ ¿¿ . ¿. .

R ≈ ‰ Œ

∑

# ˙o .

π ..

π , p ¿ ¿. J

p œo

Œ

‰Œ Œ

e

˙.

œo . ≈ J p

œo æJ

p

˙o .

Œ

˙o # œo œo ‰ 3 p

˙o .

œo . J

˙o .

˙o .

p

˙o .

˙o

˙o .

˙o

≈ Œ

Œ

Œ

œo .

Œ

Œ

œo J Œ

Œ

# œo ˙o . ≈ R p

˙o .

œo .

p

‰ Œ Œ ∑

3

Œ

œo

‰ p3


11 78 Fl.

Ob.

B b Cl.

Bsn.

&

n

& œ . nœ

œ œ nœ

#œ.

& œœœœœ œ œœœœœœœ 3

? œ

3

3

3

œ œ.

œ

œ

B b Tpt.

Tbn.

Tuba

3

?

œœ œœ œœ

π

5

œœ œœ œ Œ π œ. œ œ

œ

œœ œœ œ Œ

p

5

π

Œ

œ

œœœœœ π

œ p

œœœœœ

œœœœœ

œ

œœœœœ

˙

Œ

œ nœ

π

œ œ. œ.

p

r ≈ ‰ œ #˙. π ‰Œ

˙

œ.

œ ˙ J œ.

π

π

‰Œ ∑

œ

˙

˙.

j œ ‰ n˙

˙

œ

˙

œ bœ

˙

œ œ ˙

œ

˙

œ

˙.

j‰ œ b˙

˙

& ‰

≈ œr Œ

∑

Œ

3 ‰ œr ‰ Œ

Œ

Œ

≈ œj.

Œ

Œ

≈ # œJ . π

Œ

?

3

(let all ring)

& Œ œœ .. & œœ .. p ?

78

78 S

&

A

&

T

V

‰œ

ggg b ˙˙ gg b ˙ g p °

Œ

œœœœ ... .

∑

°

‰ # œj Œ ‰ œj Œ π snare with brushes ˙. ˙. æ æ π . ∑ b ˙˙˙ .. ˙. (let all ring)

œ. ‰ œœœ ...

Œ

∑

œ p

˙. æ Œ

Œ ∑

b œœœ

Œ

‰ jœ œœœ

∑ Œ

Œ

˙. æ p

˙. æ Œ

Œ ∑

‰ œ ∏

∑

3

∑

3

∑

∑

Œ

‰œ

œ ‰ œœœJ Œ

∑

Œ

j . ≈ gggg b œœœ .. gg œ .

Œ

r ‰ ≈ œ Œ Œ ∏

˙. æ

∑

&

&

Vc.

&

∑

∑

˙. æ

˙

œ

∑

∑

∑

∑

r œ ≈ ‰ π

∑

r ≈ ‰ œ π

∑

∑

∑

∑

∑

∑

˙. æ

∑

∑

∑

∑

∑

∑

∑

∑

* At this cue, quietly crinkle the paper provided while continuing to sing.

Œ ¿ æ

at this point, stop singing and only crinkle paper

* At this cue, quietly crinkle the paper provided while continuing to sing.

* At this cue, quietly crinkle the paper provided while continuing to sing. * At this cue, quietly crinkle the paper provided while continuing to sing. ˙o .

& Œ

Vla.

œ œ. #œ œ

∑

? 78

∑

œ ≈ ‰ ˙ . R π

œ œ ˙

Perc. 4

Cb.

π

Œ

œ p œ œ.

5

œ œ. œ

œ #˙

˙

∑

Vln. II

3

œ. #œ œ

œ nœ

ã

Vln. I

3

5

œ nœ.

Perc. 3

B

œœœœœœ˙

3

Œ

B

œ

∑

Cel.

œ œ œ.

π

œ œ

n

&

Perc. 2

œœ œœ œœ π œ œ œ. œ œ

&

78 Perc. 1

3

œœœœœœ˙ 3

œ

& œœœœœ œ œœœœœœœ 3

œ #œ œ.

3

78 Hn.

3

œ #œ œ nœ œ #œ.

∑

˙o .

Œ

˙o .

3

œo œo J p

# ˙o .

˙o .

˙o .

œo .

˙o .

p

œo & R ≈ ‰

˙o .

Œ

Œ

o. ≈ # œJ p

˙o . ˙o

˙o .

∑

˙o

˙o .

œo .

œo ˙o . ‰ J 5 p

˙o .

˙o

‰ Œ

œo p

3

Œ

Œ

œo J ‰ Œ ˙o .

‰ Œ

œo J ‰‰ 3

œo ‰. J 5 p

˙o .

Œ

Œ Œ

˙o # ˙o

3

p

œo ˙o . Œ Œ ‰ ‰J 3 p

∑

Œ

∑

∑

∑

∑

Œ Œ

˙o . p

œo

˙o .

œo . J ≈ Œ Œ

∑

∑

o o ‰#œ œ 3 p

˙o .

˙o

∑

∑

Œ

œo p

3


12 87 Fl.

&

Ob.

&

B b Cl.

&

Bsn.

∑ Œ

œ

Œ

? œ

Œ

Hn.

&

∑

∑

B b Tpt.

&

∑

∑

?

∑

∑

Tbn.

Tuba

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Cel.

?

∑

∑

87

∑

∑

& & Œ

œ. æ π

crinkle chip bag

ã ˙. æ π

A

T

B

Vln. II

9"

U

U

∑.

U

∑.

9"

U

U

∑.

U

∑.

9"

U

U

∑.

U

∑.

9"

U

U

∑.

U

∑.

9"

U

U

∑.

U

∑.

9"

U

U

∑.

U

U

U

U

5"

5"

?

∑

∑

U

œo & R ≈ ‰

Œ

œo .

˙o .

œo . J ≈ Œ

Vla.

&

Vc.

& Œ

Cb.

& Œ

Œ

# œo .

˙o

p

# œo ‰ ‰ J 3 p

˙o .

Œ Œ

˙æ.

n

9"

U

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

U

∑.

U

9"

∑.

U

U

∑.

U

∑.

9"

U

∑

˙æ. π

7"

∑.

˙æ.

˙æ.

˙æ.

∑

∑

∑

∑

∑

∑

∑

∑

∑.

7"

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

U

∑.

9"

U

∑

∑

∑

∑

U

∑.

9"

U

∑

∑

∑

∑

U

∑.

9"

U

∑

∑

∑

∑

U

∑.

9"

U

∑

∑

∑

∑

∑.

U

∑.

9"

U

U

∑.

U

∑.

9"

U

U

∑.

U

∑.

U

U

∑.

U

∑.

U

U

U

U

7"

∑.

n

∏ ∏

¿. æ

∏

U

¿. æ

U

5"

‰ Œ

∑

7" timpani with soft mallets

∑.

U

˙o .

U

U

n

¿. æ

∑

?

∑

∑

5" U

Œ

7"

∑.

∑

∑

5"

¿ æ π

7"

∑.

∑

∑

¿. æ

Œ

7"

∑.

∑

∑

at this point, stop singing and only crinkle paper 5"

Œ

7"

∑.

U

at this point, stop singing and only crinkle paper5"

?

7"

∑.

9"

U

¿. æ

7"

∑.

∑.

5"

at this point, stop singing and only crinkle paper

¿. æ π

9"

∑.

5"

¿. æ

7"

∑.

∑.

5"

˙. æ

7"

∑.

9"

∑.

˙. æ

&

&

∑.

5"

∑

87 Vln. I

U

U

∑

V

∑.

5"

87

≈ ¿ ¿ æR æ π

U

˙. æ

∑

& ‰

U

5"

U

∑

& ¿. æ

9"

5"

˙. æ

&

87 S

∑.

5"

∑

87

U

5"

∑

Œ

∑.

5"

∑

∑

U

5"

∑

5"

5"

5"

5"

∑.

∏

9"

9"

9"

∑.

7"

∑.

7"

∑.

7"

∑.

7"

∑.

7"

∑.

7"

∑.

7"

∑.

7"

∑.

pizz.

œ ‰ Œ J π

Œ

∑

∑

∑

‰ œ Œ J π

Œ

∑

∑

∑

Œ

‰. œ J 5 p

∑

∑

spicc.

B

7"

∑.

7"

∑.

Œ

pizz.

∑ ?

Œ

pizz.

3 Œ b œj Œ π

?

Œ

Œ

∑

spicc.

bœ π ∑

‰ # œj Œ π

≈ œj. Œ

Œ ∑

Œ

∑


13 jæ ≈ xp . . xæ p J p ∑

96 Fl.

&

∑

∑

Ob.

&

∑

∑

B b Cl.

&

∑

∑

∑

?

∑

∑

∑

Bsn.

Œ

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

xæ p ∑

96 Hn.

&

∑

∑

∑

∑

B b Tpt.

&

∑

∑

∑

∑

?

∑

∑

∑

∑

?

∑

∑

∑

∑

Tbn.

Tuba

n

∑ Œ

?

96

‰ p

blow into tuning slide

p

n

Πp

˙æ.

Œ

˙æ

∑

∑

≈ xæj . xæ Œ p n

xæ Œ

p

∑

Œ Œ

xæ. p.

p

n

∑

3

n

Perc. 1

Œ

xæ . p. ∑

p ‰ J

Œ

‰ p

Œ Œ p . ≈ J p n Œ ≈ xæj . æx ‰ ‰ pJ p . 3 p n n

3

n

∑ n

∑ p.

p æx

p.

p

xæ . p.

p

∑

n

æx .

æx

j 3 xæ ‰ ‰ Œ

Œ

Œ

n

∑

∑

∑

∑

∑

∑

∑

n

∑

∑

∑

∑

∑

∑

∑

∑

Perc. 2

&

Perc. 3

ã

∑

∑

∑

∑

∑

∑

∑

∑

∑

Perc. 4

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

96

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

Cel.

96 S

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

A

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

T

V

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

96

&

∑

∑

∑

∑

∑

&

∑

∑

Œ

B

∑

Œ

∑

pizz.

B

Vln. I

Vln. II

Vla.

Vc.

Cb.

? ? Œ

œ p

‰ ≈ r Œ œ

spicc.

Œ

spicc. r ‰ ≈ œ Œ p

œ

P 3

Œ

Œ

∑

∑

∑

pizz.

Œ

∑

∑

∑

œ p

∑

Œ

Œ

Œ

Œ

‰ . b œJ 5 π

pizz.

3 Œ b œj Œ

pizz.

bœ. ≈ J Œ spicc.

∑

Œ

∑ Œ

∑ Œ

‰ jŒ œ p

spicc.

Œ ‰.

Œ ∑

Œ

∑

∑

∑

œ R

pizz.

‰ b œj ˙ π

col legno

π 3

˙

œ ˙ ‰ ‰ J 3 π

œ

col legno

Œ

‰ œ Œ spicc.

n

œ bœ J

∑

∑

˙.

œ.

œ ˙

˙.

œ

Œ

π

œ

3

col legno

œ bœ

œ

n

‰ b œj π


14 jet whisle, flutter tongue

105

&

∑

Ob.

&

∑

∑

B b Cl.

&

∑

∑

?

∑

∑

105

&

∑

∑

&

∑

?

∑

?

∑

∑

∑

105

?

∑

∑

∑

Perc. 2

&

∑

∑

Perc. 3

ã

∑

Perc. 4

&

Fl.

Bsn.

Hn.

B b Tpt.

Tbn.

Tuba

Perc. 1

Cel.

Œ

‰ . æR æ

∑

∑ Œ

∑

≈ pj .

Œ

n

Πp

p xæ

Œ Œ

Œ

Œ

‰ pj

‰ P

∑

π ‰ . ær p p x ˙æp . p ‰ J ≈ ‰ J 3 n p

Œ

≈ pj . p π

Œ

æ

n

. æ

n

j p ‰ Œ

Œ

Œ

‰p

Πp

blow into tuning slide

Œ

3

n

p.

∑ xæp .

p ‰ p J

p p ≈ . P J

P p. r ‰ æ Œ x xæ p p p ‰ J P

blow into Bb tuning slide

p

  ‰ æJ æ

Œ

r p ≈ ‰ p P

≈ pj .

∑

≈ æj . x

∑

∑

F ≈ j æ. p x xæ J ‰ Œ F F

xæ. p ≈ J.

‰ . pr p F

j j j p . ≈ ‰ p p ‰ P F

‰ p p

. æ F

3

∑ p ‰‰J 3

F ‰ p

ΠP

‰p

æJ ‰ Œ π

‰ æj x

Œ ∑ Œ P

p

Œ ∑

πŒ ‰ Œ π π Œ xæp p p. J ‰ J ≈ p n xæp .

p. p

∑

≈ pj . p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

105

&

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

‰ œ Œ J π Œ Œ

œ

π °

Œ

gg b b ˙˙˙˙ .... & gg π

∑

∑

∑

∑

∑

∑

∑

∑

∑ Œ

∑ ∑

crotales with soft mallets

∑

∑

∑

∑ œ ‰ J

Œ

j bœ nœ ‰ b œœœ bœ

Œ π b ˙˙˙ .. ˙ ..

∑

∑

∑

œ

arco

n

∑

cymbal with beater

∑

j p ‰ Œ

∑

tam tam with beater

n

∑

°

œ

Œ

∏

Œ ∑

Œ

Œ œ Œ

tam tam with beater

Œ

bœ ‰ œœœ J

∑

Œ ˙˙

˙˙˙˙ ....

105 S

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

A

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

T

V

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

105

∑

∑

∑

∑

B

Vln. I

Vln. II

˙. ∑

œ ˙ ‰‰J 3 π n

Vla.

B

Vc.

? œ œœ œ

œ ‰ Œ J

?

˙.

Cb.

œ

∑

Œ

∑

œ. ∏

‰ . œr œ œ ∏

arco

& &

˙

œ œ ˙

∏

Œ

n

∑

n

˙

Œ

∑ œ

π

˙ œ.

∑ œ

bœ.

˙.

arco

Œ

n

n

œ n

j œ ‰ Œ

˙.

œ nœ ˙

∑

arco

#œ.

œ

j œ bœ œ

˙

œ

˙

˙.

3

∑ ∑

∑ œ π

œ

4

bœ œ ‰. R

œ.

j œ ‰ n

bœ.

Œ ˙ ∏

3 Œ Œ ‰ ‰ œj ∏ n

∑ œ

œ

œ œ œ 4

∑ Œ

n

Œ œ œ œ π 4

n


15 114

&

∑

∑

Œ

Œ

Ob.

&

∑

∑

Œ

Œ

B b Cl.

&

∑

∑

∑

?

∑

∑

∑

114

∑

∑

Fl.

Bsn.

Hn.

&

B b Tpt.

&

Tbn.

Tuba

‰p p π

‰ ‰ xJ æ 3 π ‰ ‰ xJ æ 3 π

3

p

≈ pj .

xæ. p.

xæ. p.

xæp . .

xæp . . ∑

∑

∑

∑ 3 ‰ ‰ pj p

ΠP

p

? ? Π114

∑

Œ

Œ

Œ Œ

xæ. p xæp .

Œ Œ

p.

≈ pj . p p p ƒ f

p. ƒ

&

∑

∑

∑

∑

∑

∑

Perc. 2

&

∑

∑

∑

∑

∑

∑

Perc. 3

ã

∑

∑

∑

∑

∑

∑

Perc. 4

& ‰

Œ Œ

∑

∑

∑

∑

∑

114

&

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

114

∑

∑

∑

Perc. 1

Cel.

S

A

T

B

œ 3

&

s

s

lips pursed

∑

&

∑

∑

Œ

Pn x x

Pn x

n

x

n

s

smile lips pursed

Pn x

x s

∑

∑

∑

Œ

smile smile

n

x

x

s

?

∑

∑

∑

∑

n

Pn x

smile lips pursed

x s

114

Vln. II

Vla.

Vc.

Cb.

&

?

∑

n

& œ bœ ˙

?

Œ

Pn x s

π

x. æ xæ p.

xæ. p.

‰ π

xæ p.

‰ pj p r p ≈ ‰ Œ P

Œ

Πp

p P

‰ œJ œ P

Œ

‰ π

π

≈ pj . p P

Œ

crotales with bow

r p ≈ ‰ π j p ‰ π Œ

3

œ œ P

π

Œ Œ Œ Œ

∑

∑

∑

∑

∑ Œ

∑

Œ

Œ

∑

‰ bœ

Œ

3

Œ

Œ

Œ

∑

œ ˙ J π ≈ œR œ

œ J

∑

∑ p p

n

e

lips pursed

P

P

s

smile smile lips pursed smile

˙

œ

#˙ ∑ ∑

Œ

˙

n

˙.

œ ∑ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ

ou

a

œ

Œ

Œ

n

∑ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ. .. œ. œ. # œ. œ. œ œ ‰ ≈ œ. p π π . spicc. . .œ b œ œ. n œ. œ. œ œ. ≈ œ. œ. spicc.

π

œ.

spicc.

# œ.

π

œ. n œ. # œ. œ œ. b œ . . œ. 3

. . œ. . . . . œ. œ ‰ œ. œ œ . œ. œ œ œ œ.

spicc.

π

3

3

spicc.

œ. ‰ œ. œ. π 3

œ.

œ

n

o

n

œ

*Improvise: Divide the section into a leader and follower(s). The leader should slowly

∑

n

œ

a

Œ

œ

o

n

Œ

Œ

lips pursed

˙

a

Œ

lips pursed

Pn x x

‰ b œj ˙ p

3

∑

˙.

smile smile

‰ œ œ J π

∑

ou

s

œ ≈ ‰ R

∑

P

‰ . œR p

Œ

∑

lips pursed

x

∑

∑

Tibetan singing bowl

∑

Œ

∑

˙ π

∑

gliss. to any pitches on one breath using any vowel(s) while the follower(s) follow the leader's pitch and vowel changes with a slight (ca. 1") delay. This will create a cloud of glissandi with delayed imitation.

˙.

B œ

Œ

x. æ

n

P n x

s

lips pursed

Œ

˙.

s

lips pursed

Vln. I

P n x

s

Œ

Œ

Œ

P

lips pursed smile smile lips pursed smile

V

xæ. p.

xæ p ƒ xæ p ƒ

3 j ≈ pj . pj . ≈ ‰ p p p ‰ f F ƒ ≈ pj . p ≈ pj . p f ƒf

‰ . pr p ‰ . pr p p P 3 j j j j ∑ Œ Œ ≈ p . p ‰ ‰ p p p . ≈ ‰ p p p p. p π π π blow into tuning slide j j Œ ‰ pj p ‰ . pr p ‰ pj p p p ‰ ≈ p . p p p p π π π π ∑

xæ. p. ƒ xæp . . ƒ Œ Œ Œ Œ

œ. b œ œ . . . œ. œ ≈ ‰

*

œ. œ. ≈ bœ

*

3

œ.

.. . œ œ . œ. œ. œ. œ

* Improvise using spicc. using any pitches and quick rhythms. Do not align rhythmically with other string players. Use the notated gestures as an example.

œ.

œ.

œ. œ. œ.

3

*

*

*


16 123 Fl.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

B b Cl.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

Bsn.

Œ

p 3 ¿æ ‰ ¿æ

xæ. p. p

123 Hn.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

B b Tpt.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Tbn.

Tuba

123 Perc. 1

&

Perc. 3

㠜

Cel.

Œ

3

œ œ

π

≈ œj. œ

&

∑

∑

?

∑

∑

p

&

A

&

p p œ

V

p ? œ

e

e

œ

Œ

≈ b œJ . Œ ∑

œ. J

‰ ‰ œ ˙ J 3 π j œ ‰ Œ

123

S

B

Œ

∑

œ ‰ Œ J

& Œ

123

T

Œ ∑

Perc. 2

Perc. 4

Œ

& œ

œ

π

≈ Œ

Œ

œ ‰ Œ J

∑

‰ œ 3

∑

Œ Œ œ œ

bowed tam tam

π œ ‰ Œ Œ J 3

˙.

p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

≈ j. Œ œ p

Œ

∑

∑

∑

∑

Œ

Œ

∑

œ n*

n

œ

œ n*

n

n

ou

123 Vln. I

Vln. II

Vla.

Vc.

Cb.

& & B

? ?

∑

∑

n

*

∑

π

∑

œ n*

n

Œ

˙

n

n

n

n

∑

∑

‰ ≈ r Œ œ

∑

∑

Œ

pizz.

∑

Œ Œ bœ Œ 3 p n

spicc.

bœ ∑

≈ j Œ œ. Œ Œ

Œ

Œ

∑

‰œ Œ

∑

pizz.

3

∑ ∑

∑ Œ

‰ jŒ œ


rit.

133 Fl.

&

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

Œ

‰ pæ. p x p

xpæ. .

B b Cl.

Bsn.

? xæ. p. 133

Hn.

‰ Œ

n

n

&

∑

&

∑

∑

?

∑

?

Œ

∑

ord.

∑

∑

∑

∑

∑

133 Perc. 1

&

∑

Perc. 2

&

Perc. 3

Perc. 4

Tbn.

Tuba

Cel.

n

n

∑

rit.

p xæ Œ p

Œ Œ

∑

n

xæ.

∑

B b Tpt.

¿æ.

¿æ p

Œ

a tempo

a tempo

∑ Œ

∑

∑

∑

Œ

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

ã

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

133

&

∑

∑

∑

?

∑

∑

j xpæ πJ

n

Œ

xæ p

p

n

xæp

Œ

Œ

n

∑ Œ

p

∑

n

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

rit.

rit.

a tempo

∑

x. P

(wooden wind chimes)

a tempo

133 S

&

∑

∑

∑

∑

∑

A

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

T

V

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

rit. bœ ‰ J Œ p

B

133 Vln. I

Vln. II

Vla.

Vc.

Cb.

& &

∑

∑

∑

Œ

∑

B

∑

Œ

?

∑

?

#œ ‰ J Œ π���

∑

∑

œ

j ≈ œ . Œ ∑

∑ Œ

œ

Œ

Œ

∑

∑

Œ

∑

∑

∑

∑

≈ œJ p

.

spicc.

Œ

Œ

Œ

‰ ≈ œR Œ π

∑

∑

Œ

a tempo spicc. bœ bœ.

P

Œ

pizz. 3

œ œœ‰ Œ p P

∑

Œ

∑

∑

Œ

∑

∑

Œ

j ≈ b œ . p

spicc.

≈ œ . J p

3

bœ ‰ J P

œ p

∑

Œ

∑

pizz.

Œ

Œ

‰ œ

œ ≈ R Œ p

Œ

Œ

‰ ≈ ∑

gliss.

‰ œ 3

Œ

∑

∑

ord.

‰ 3 xæ xæ p p

n

‰ 3 xæ xæ ‰ p p 3 π

∑

≈ ær xp xæp Rp

xæ. p

p

∑

Œ

Œ

17

p

‰ 3

pizz.

arco

˙æ

Œ

œæ π

arco

Ͼ.

arco

Ͼ

œæ π

˙æ. ∑

spicc.

œ. œ.


18 Fl.

xæ &p

Ob.

&

∑

B b Cl.

&

∑

?

∑

Bsn.

j xæ ‰ p J n

142

∑

n

Œ

∑ Œ

∑ Œ

Œ

b œ. œ. p ∑

≈ Œ

n

∑

∑

∑

˙.

˙

œ. p

∑

˙.

∑

∑

Œ

œ. ‰. J Œ 5 π

∑ Œ

˙.

p xæ xæ Œ ‰p p π3 p

Œ

π

&

∑

∑

∑

∑

∑

∑

B b Tpt.

&

∑

∑

∑

∑

∑

∑

∑

∑

Tbn.

‰ . b œ. R π

ord.

j ≈ xpæ. . xæp J π p ord.

?

∑

142

&

∑

∑

∑

Perc. 2

&

∑

∑

∑

Perc. 3

ã

∑

∑

Perc. 4

&

∑

∑

142

&

∑

?

Tuba

Perc. 1

Cel.

Œ

Œ

π

Œ

Œ

Œ

p xæ. p

∑

Œ Œ

crotales with bow

π ∑

˙.

˙.

Œ

π

∑ ˙.

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

Œ

∑

∑

∑

∑

π

∑ ˙.

p

n

∑

∑

∑

∑

∑

Œ ∑ p

∑ ∑

n

∑

Œ

≈ xær xæ. p p. R π

˙.

˙.

∑

n

∑

˙.

n

∑

˙ n

π Œ xæ p. π p

∑

Œ

142

Œ

Œ

˙.

Hn.

∑

ŸÈ ~~~~~~~~~~~ ‰ œ œ π 3

æKr ‰ ≈ ® x xæ. p π

j xp ‰ Œ J π Œ

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

142 S

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

A

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

T

V

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

142

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

B

Vln. I

&

. .. & ‰ œœ Œ p spicc.

Vln. II

Vla.

B

Vc.

? œæj ‰ Œ π

Cb.

?

Œ ∑

∑ Œ

∑

Œ

.. ‰ ≈ b œ œ Œ

spicc.

P

Œ

∑

∑

∑

∑

œ. ≈ J Œ p

∑

∑

∑

pizz.

Œ

Œ

‰ ≈

#œ œ π . .

Œ

ŸÈ ~~~~~~~~~~ ‰ ‰ œ œ. ‰ Œ J 3 π p π

Œ ∑

∑

∑

Œ

Œ

j ≈ xpæ. . ≈ J π

Œ #œ Œ 3 π


19 151 Fl.

&

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

B b Cl.

Bsn.

&Π?

π

151

˙.

˙

n

˙.

∑

∑

∑

Hn.

&

∑

∑

Œ

B b Tpt.

&

∑

∑

Œ

?

∑

Tbn.

Tuba

? xæp . . 151

p

&

∑

Perc. 2

&

∑

Perc. 3

㠌

Perc. 1

Perc. 4

Cel.

˙

n

Œ

‰.

Œ ∑

π Œ

Œ p p. R π ¿æ.

π

#œ ‰ J

Œ

π

‰ œ Œ . p π π j Œ ‰ xæ xæ 3

p

π

p

∑

˙.

∑ ˙.

&

∑

∑

∑

151

&

∑

∑

?

∑

˙. p

p ∑

∑

π

∑

xæ p ∑

n

n

Œ

n

Œ

Œ ∑

‰ œ. . # œ. p

‰ xæj xæ p p ‰ J π p

∑

Œ

∑

∑

∑

∑

‰ œ.

r xpæ ≈ ‰ Œ R π

n

˙.

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

˙. n

∑

∑ ˙.

n

Œ

‰ œ.

˙.

n

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

151 S

&

∑

∑

∑

∑

A

&

∑

∑

∑

∑

T

V

∑

∑

∑

∑

?

∑

∑

∑

∑

B

∑

˙.

p

r ¿æ ≈ ‰ Œ π

π

xæ. p. π ˙. ‰ b œ. 3 π

Œ

˙.

˙.

∑

Œ

˙

n

˙.

˙. p

∑

Œ

Œ

π n n ‰ ‰ ¿ ¿ ¿. ¿ Œ Œ J 3 sh*Halfway between "sh" and a whistle. p π ∑ Œ ¿ ¿. sh *Halfway between "sh" and a whistle. π p π n ‰ ¿. ¿ ¿ ¿. ‰ Œ sh*Halfway between "sh" and a whistle. sh π p p ∑ Œ ‰ ¿ ¿ ¿ Œ ¿ 3 sh sh*Halfway between "sh" and a whistle.

¿ J

π ‰ Œ

∑

Œ

∑

∑ ¿.

∑ ∑

n

#œ. ≈ J

sul tasto

151 Vln. I

Vln. II

Vla.

Vc.

Cb.

&

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

.. ‰ ≈ œ œ Œ p

B

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

≈ œ . J p

spicc.

Œ ∑

Œ

Œ

arco

˙

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

n

play behind the bridge on strings I and II

≈ ¿¿ .. J n

¿ ¿


20 160 Fl.

Ob.

B b Cl.

Bsn.

& Œ

Œ ∑

& & ˙. ?

∑

nœ & ≈ J

160 Hn.

.

Tbn.

Tuba

&

∑

? ?

Perc. 2

&

Perc. 3

ã ˙.

Perc. 4

Cel.

S

A

T

B

Vln. I

Vln. II

Vla.

Vc.

Cb.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

˙. ∑

œ ∑

˙

p

∑

∑

∑

∑

∑

∑

∑

#œ ˙ & ‰ ‰ J 3

˙. p

∑

∑

˙.

160 Perc. 1

∑

˙.

˙

n

B b Tpt.

ŸÈ ~~~~~~~~~~~~~~~ j ‰ œ ˙ œ ‰ π p π 3

n

∑

p

˙. ∑

∑

160

&

∑

∑

∑

?

∑

∑

∑

160

∑

∑

∑

&

Œ

‰ œ. œ. π °

vibraphone with soft mallets

Œ

∑

∑ Œ

Œ

n3

‰ œ ˙ .# œ ˙ .p Œ

æj ≈ xp . . J π

˙.

˙.

n

Œ

xæp

p

˙. p

∑

π

˙. ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

xæ. p. p

π

Œ

Œ

Œ

˙˙

œ # œ n œœ π ∑ ° ∑

∑ Œ

Œ

Œ

Œ

p # ˙˙˙˙ ....

Œ

œ ˙. ‰ ‰ # œJ ˙ . Œ 3 π œ π

∑

Œ

‰ œ J

Œ

œ ‰ ≈ œ R π

Œ

# œœœ ... ‰ œ.

œœœœ ....

∑

#˙ 3

n

≈ # œœ .. J

˙ p

‰ Œ ∑

Œ

∑

∑

V

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

¿. & ¿.

¿¿ . .

Œ

¿¿

n

Œ

¿

n

‰ ¿ 3

n

oh*

¿.

oh*

‰ ≈ ¿R ¿ oh* n ¿ ‰ ¿ 3 oh*

*Hum any pitch but avoid being in unison with other singers.

sul pont.

¿¿ . .

p

‰ ¿J

∑

π

∑

∑

∑

n

Œ

∑

∑

p

˙. p

∑

∑

&

∑

˙.

∑

œ

˙.

œ

∑

˙.

∑

∑

∑

Œ

p

n

Œ

˙.

n

∑

∑

˙.

˙.

≈ n œR ˙

∑

&

160 ˙ .

∑

∑

∑ œ

&

Œ

‰ xæj xæ Œ p π œ

˙. ∑

Œ

n

∑

˙. p

n

n

Œ

Œ

∑

∑

Œ

‰ #O. # œ.

˙O ..

˙O ..

Œ

Œ

∑

∑

Œ

‰ ¿¿ ..

¿¿ . .

¿¿ . .

Œ

n

n

arco play behind the bridge on strings I and II

¿. ‰ ¿.

¿. ¿.

p p

¿. ¿.

B

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

n

p


169 Fl.

Ob.

B b Cl.

Bsn.

&

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

& ˙. ?

∑

n

U

4"

∑.

∑

U

4"

∑.

Œ ‰ ¿

¿.

∑

n

Œ

3

∑

U

4"

˙.

∑.

˙.

n

U

4"

∑.

m*

π ¿.

∑

π x.

≈ ¿J ¿ 3m * n

˙.

∑

21

¿ J

¿

n

˙. p π x.

m*

¿.

¿.

x.

¿ . ≈ Œ J

˙.

˙.

x.

¿

169 Hn.

B b Tpt.

Tbn.

Tuba

&

˙. n

∑

∑

∑

∑

&

∑

?

∑

∑

∑

?

∑

∑

∑

U

∑.

∑

U

4"

∑.

U

4"

∑.

U

4"

∑.

œ œ Œ ≈ ≈ R J

Œ

˙.

˙.

π π

3

n

∑

∑

Œ

∑

∑

Œ

∑

∑

Œ

‰ ¿. m* n ≈ ¿J. ¿ m* n ‰ ¿ ¿ n

3

m*

x.

π

y.

π

x.

‰ Œ

Œ

Œ

Œ

Œ

Œ

n

*Hum any pitch into your instrument but avoid being in unison with other singers. 4"

n

˙.

U

Œ

U

Œ

U

˙ ¿Œ Œ J

n

3

˙.

x.

¿

x.

¿Œ J

¿

x.

¿.

¿ ‰ J

n

n

3

n

n

n

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

U

Œ

U

Œ

U

Œ

U

Œ

U

Œ

*Hum any pitch into your instrument but avoid being in unison with other singers.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

169 ˙ .

S

A

T

B

∑

& ã ˙.

Vln. II

Vla.

Vc.

Cb.

∑ ˙.

∑

&

∑ ∑

n

∑

∑

&

∑

∑

∑

?

∑

∑

∑

169π

& &

¿.

π ¿.

π . V ¿ ? ¿.

π

169 Vln. I

∑

n

169

Cel.

˙.

&

¿.

n

∑

¿.

n

∑

¿.

n

∑

¿.

& O .. ˙

˙O ..

¿. & ¿.

¿. ¿.

¿. B ¿.

¿. ¿.

n

∑ ∑

U

4"

∑.

∑

U

4"

∑.

Œ

n

n

∑

?

∑

∑

∑

?

∑

∑

∑

U

4"

4"

∑.

n

m

˙.

∑

U

4"

∑.

∑

∑

∑

U

4"

∑.

U

4"

∑.

U

4"

∑.

U

4"

∑.

U

4"

∑.

U

4"

∑.

Œ

¿.

x.

Π
¿.

x.

¿.

x.

˙O .. ¿. ¿.

∑

Œ

∑

∑

≈ # Oj. O # œ. ˙

n oh*

n

¿ ˙ J oh*

n

Œ

U

¿. Œ ‰ ¿.

‰ ¿¿ ¿¿ 3

n

3

¿ ¿ ¿ ¿ J

n

arco play behind the bridge on strings I and II

4"

∑.

¿ .. ¿

¿ .. ¿

arco o # œo ˙ . Œ Œ ‰ ≈ ® ÔR

˙o .

n

4"

&

¿. ¿.

n

U

˙

Œ

n

y.

x

˙.

˙.

x.

x

n

Œ

Œ

Œ

¿

¿ ‰Œ

Œ

Œ

*Hum any pitch but avoid being in unison with other singers. π x. x. ≈ ® ¿R ¿ . Ô m*

‰¿ ¿ 3 oh* n

π

˙.

n

π x.

Œ

π

x.

¿.

∑

∑

4"

π

x.

∑

n

‰ ≈ ¿R ¿ oh*

˙.

˙. p

m*

Œ ‰

∑

∑.

U

*

x.

∑

Œ

x

n

∑

∑

˙.

≈ xJ .

˙.

n

U

∑.

n

∑

˙.

∑.

U

3

˙.

œ

∑

n

∑

∑

n

x ≈ ‰ R

Œ

U n

n

3

∑ n

¿

x.

Œ

Œ

¿

¿ ≈ ‰ R

Œ

Œ

x.

¿

Œ

x.

¿.

¿ . ≈ Œ J

˙O .. π

˙O ..

˙O ..

˙O

¿. ¿. p

¿. ¿.

¿. ¿.

¿ ¿

¿. ¿. p

¿. ¿.

¿. ¿.

¿ ¿

¿ .. ¿ p

¿ .. ¿

¿ .. ¿

¿ ¿

˙o .

˙o .

˙o

˙o .

π

π π

Œ

n

n

n

Œ

U

Œ

U

Œ

∑ Œ

π

Œ

˙

∑

x.

U

Œ

‰ Œ

Œ

Œ

U

Œ

U

Œ

U

Œ

U

Œ

U

Œ

n

U n

Œ

U n

Œ

U n

Œ

U

Œ

n


Desert Garden for chamber orchestra and choir