On the โcrossing overโ wall between the two ๐๐ช๐จ๐ฉ๐ต๐๐ฉ๐ข๐ฌ๐ช๐ฏ๐จ rooms there are five small alchemical works. A foretelling of the crowning of nature that is possible as a result of the work of the Night Sea Journey. Dean Melbourneโs ๐๐ณ๐ฐ๐ธ๐ฏ (๐๐ฏ๐ท๐ฆ๐ณ๐ต๐ฆ๐ฅ) painting holds the centre of the wall with Chantal Powell's bronze ๐๐ญ๐ค๐ฉ๐ฆ๐ฎ๐บ ๐๐ณ๐ฐ๐ธ๐ฏ sculpture to the left. The bronze Crown is paired with a beautiful, jewel-like Dora Carrington painting, ๐๐ณ๐ช๐ด ๐๐ณ๐ฆ๐ฆ ๐๐ฏ ๐ ๐๐ฐ๐ณ๐ด๐ฆ (C.1920s), made from silver foil, oils and ink on glass. A triumphant, almost Arthurian image, the female figure charges heroically on her quest with a sword at her side and a billowing blue cloak. To the right another of Powell's bronze works, a pair of flaming wands based on an emblem from Claude Paradinโs ๐๐ฆ๐ท๐ช๐ด๐ฆ๐ด ๐๐ฆ๐ณ๐ฐ๐ช๐ฒ๐ถ๐ฆ๐ด (1551), sits above John Craxtonโs gold-framed ๐๐ฎ๐ข๐ญ๐ญ ๐๐ช๐ด๐ฉ (1956). The fish is a familiar symbol of the unconscious but this wonderfully colourful image is also indicitive of the transformative โcauda pavonisโ (peacock's tail) moment of alchemy in which an array of colours appear.