have been auctioned, with the successful bidder being given the responsibility for its removal. This has much in common with the architect who doesn’t claim ownership over the completed work. The architect has less freedom for personal expression and acts in a subservient role to the building’s patron. In a different way, the artist Donald Judd employs a refinement and precision in his work that hides any evidence of his hand. The effect of
Art free from human error: Donald Judd, Untitled copper ten units by, 1969.
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The Nature of Beauty
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