Cescilia Araujo Interior Designer
School // Academy of Art University
School of Interior Architecture and Design
Student // Cescilia Araujo Instructor // Leonarda Tamayo Date // 2017 Spring Photography // Cescilia Araujo Print // Chum’s Design & Print Bindery // Cardoza-James Binding Software // Indesign, Illustrator Š2017 All rights reserved. No part of this publication can be reproduced without express permission from Cescilia Araujo
ACKNOWLEDGMENTS I would like to express my deepest gratitude to all of my family, friends, faculty, and services for challenging and supporting me. Faculty Molly Ness / Ken Frieders / Paul Anders / Stephan Hoffpauir / Hank Kellstrom / Edwin Jordan / David Kesler / Mark Miller / Ernest Mariotto / Michael Sammet / Andrew Tu / Leonarda Tamayo / Kathleen Valkuchak Family and Friends Renan Royero / Maria Royero / Lissett Royero / Jesus Araujo / Angie Perez / Javi Perez / Javie Araujo / Lily Diaz / Lindsey Merin / Jacqui Diaz / Ioanny Dimov / Natalie Just
CONTENTS COMMERCIAL DESIGN national geographic west coast headquarters 6/23
HOSPITALITY DESIGN 691 senior living center 24/43
4
lower unit 54/69 upper unit 70/85
garden unit 86/97
RESIDENTIAL DESIGN mariotto residence multiple occupancy 44/97
MISCELLANEOUS sketches, renderings, paintings 98/111
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8
Site 34 Graham St. San Francisco, CA 94129 Located in an open area of the Presidio district of San Francisco. The site is located near the intersection of Anza Avenue and Owen Street.
Program Public Spaces Lobby for groups and individual vistors Gift Shop Cafe with sitting for minimum 14 people Exhibition area Office Spaces Reception area with waiting area for 4 people Small meeting room for 6 people Conference room for 16 people Copy/print room with supply closet Private Offices for 6 employees Open workspace for 11 employees Adequate public restrooms Loading dock Janitor’s closet Telecom/data closet
Client The National Geographic Society star ted in Washington DC in 1888 as a small group of travelers and their patrons in the late Victorian Age. Emphasizing on exploration and education has made them a household name, and the golden border of their flagship magazine is a design icon in itself. The global nonprofit organization committed to exploring and protecting our planet is expanding to the west coast with a new headquar ters.
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Design Concept
Stor ytelling There are seven methods people learn from stor ytelling, each with their own purpose and objective. With a client base containing ever yone in ever y demographic across ever y age range, ever y gender, ever y race, ever y orientation, not one method in par ticular is best for goals of National Geographic; educating and exploring cultures. Designing to grab ever y person and tell them a stor y to motivate them to learn, be proactive, explore, and enlighten other people, the seven stor ytelling methods are visual (spatial), aural (auditor y-musical), verbal (linguistic), physical (kinesthetic), solitar y (intra-personal), social (interpersonal), and logical (mathematical).
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Building Analysis
Nonstructural Walls Mechanical/Electrical rooms and equipment Mechanical, electrical and plumbing shafts Building entrances and exists Ver tical circulation Structural Walls Structural Columns
Height of interior floors from slab to slab from the basement to the first floor is 10’ - 8” Height of interior floors from slab to slab from the first floor to the second floor is 14’-2” Height of interior floors from slab to slab from the second floor to the roof is 12’-11” Height clearance, floor to base of beam from the basement to the first floor is 8’-0” Height clearance, floor to base of beam from the first floor to the second floor is 13’-2” Height clearance, floor to base of beam from the second floor to the roof is 12’-11” 11
Design Concept
Natural Lighting
Acoustical Requirements
Public Spaces
Public Spaces
• • • •
• • • •
Lobby - High Impor tance Store - Medium Impor tance Cafe - Medium Impor tance Exhibition - Medium Impor tance
Lobby - Speech Privacy Store - Speech Privacy Cafe - Speech Privacy Exhibition - Noise Isolation
Support Spaces - Level 1
Work Spaces
• • • •
• • • •
Restrooms - Low Impor tance Loading Dock - Low Impor tance Telephone/Data - Low Impor tance Janitorial Closet - Low Impor tance
Meeting Room - Speech Privacy Conference Room - Speech Privacy Private Offices - Speech Privacy Work Stations - Speech Privacy
Work Spaces
Support Spaces
• Meeting Room - Medium Room
• Restrooms - Background Noise
• Conference Room - High Impor tance • Private Offices - High Impor tance • Work Stations - Medium Impor tance
• Loading Dock - Background Noise • Telephone/Data - Background Noise • Janitorial Closet - Background Noise
Support Spaces - Level 2
• Restrooms - Low Impor tance • Telephone/Data - Low Impor tance • Janitorial Closet - Low Impor tance
Aesthetic Requirements The exterior of the building including the windows shall not be disturbed with the exception of a loading
Essential FF&E Public Spaces
• Lobby - Reception desk, phone, printer, computer • Store - POS station, phone, printer • Cafe - POS station, phone, coffee station, sink, garbage/recycling bins, tables, chairs
• Exhibition - Audio System, display screens Work Spaces
• Meeting Room - table, chairs, phone, presentation monitor, pinup area, audio system
• Conference Room - table, chairs, phone, sidebar, presentation monitor, pinup area, audio system
• Private Offices - desk, phone, computer, small table, pin-up board, presentation monitor
• Work Stations - desk, phone, computer Support Spaces
• Restrooms - sinks, toilets, urinals, hand dr yers, faucets, mirror
• Telephone/Data - phone/date connection • Janitorial Closet - sink
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dock door added to the building.
Building Analysis
National Geographic is extremely active in educating the public and a design in which the exhibition area allows views to be completely immersed in the culture or global issue the exhibit is currently showcasing will assist the client on their company mission to continue to promote education on cultures, economic disparity and natural preser vation. Creating interactive areas within the exhibition area will increase the enter tainment, enjoyment and completion of getting the audience immersed in the culture or global issue the exhibit is currently showcasing.
Occupancy Group
Occu panc y Loa d
Squa re Fo o
tage M
inim um
Offices - Group B Exhibition Area - Group A3 Restaurant/Cafe - Group A 2 Store - Group M
Level 1
Public Spaces Lobby
400 sq ft
15 gross
Store
600 sq ft
60 gross
Cafe
600 sq ft
15 net
Exhibition
2800 sq ft
30 net
Reception Area
500 sq ft
100 gross
Meeting Room
90 sq ft
15 net
Conference Room
240 sq ft
15 net
Copy/Print Room
300 sq ft
300 gross
Coffee Kitchenette
200 sq ft
15 net
Regional Manager
100 sq ft
100 gross
Senior Editor
100 sq ft
100 gross
Senior Web Editor
100 sq ft
100 gross
Art Director
100 sq ft
100 gross
Controller
100 sq ft
100 gross
Marketing Director
100 sq ft
100 gross
Work Stations
1100 sq ft
100 gross
Level 2
Work Spaces
Level 1
Support Spaces Restrooms
400 sq ft
N/A
Loading Dock
300 sq ft
300 gross
Telephone/Data Closets 300 sq ft
300 gross
Janitorial Closet
50 sq ft
50 gross
Restrooms
400 sq ft
N/A
Telephone/Data Closets
300 sq ft
300 gross
Janitorial Closet
50 sq ft
50 gross
Level 2
Support Spaces
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Historical Precedent Study
Architect Tadao Ando designed this weekend home for fashion designer Koshino in 1979 with an emphasis on minimalistic design and a focus on the existing nature. The original design was two blocks built into nature hillside topography ensuring that none of the trees on the land would be disturbed. Balance and harmony between nature and the home was created by integrating the outside with the inside. Placing the blocks into the natural topography along with the placement of the building to not disturb the surrounding trees created a visual and physical sense of balance. A variety of levels within two blocks created unity between the natural hillside and the buildings placed into the land. Staggered levels among the buildings from the level of the studio, an addition to the home added four years after its original design, created a movement in the building that replicated the natural movement of the hillside it was placed into.
Refrence: Plans, Sections and Elevations: Key Buildings of the Twentieth Century. By Richard Weston Tendland <http://trendland.com/koshino-house-by-tadao-ando/ > Koshino Slides < http://www.sfu.ca/~ckl27/Portfolio/Design/Slides/KoshinoSlides.pdf> ArchDaily < http://www.archdaily.com/161522/ad-classics-koshino-house-tadao-ando> Light Live < http://www.lightlive.com/en/20150508-koshino-house-light-and-concrete/> Koshino House < https://en.wikiarquitectura.com/building/Koshino-House/>
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The Koshino House Architect: Tadao Ando Location: Ashiya Hyogo, Japan Project: 1979-1984
All three par ts of the Koshino House were created using concrete slabs with its form-work anchor holes purposely left visible creating a linear and repetitive form. Each slab was designed to the dimensions of a tatami mat, a traditional Japanese sleeping mat. Tatami mats have become a staple in Japanese architecture as means of scale and propor tion. As it is common to refer to room sizes in Japan in the form of mats meaning how many tatami mats fit in a room, having all the walls in Andoâ&#x20AC;&#x2122;s design be created with concrete slabs sized the same as tatami mats, gives a sense of scale and propor tion as you walk throughout the home. Playing with spatial propor tions between traditional Japanese and Western modernity, Ando created harmony with the change from dark, narrow, labyrinthine, to wide open spaces with large natural lighting brought in through the oversized windows. Breaking the constriction of the block repetition of the existing buildings, the addition of the circular studio created contrast and balance with scale along with the two existing buildings. 15
Movement is shown through the green line representing the topography of the land and the blue line representing the buildings. The movement creates a sense of harmony between the building and the land. The orange lines outlining the repetition in the buildings sizing assisting the harmony between the topography and the buildings. The idea of movement combined with balance and hierarchy is an inspiration in the design of National Geographicâ&#x20AC;&#x2122;s merchandise display in the retail area.
The orange lines show the building sizes and repetition. The green boxes are identical sizes creating balance within the spaces. The blue lines show the repetition and linear organization. Inspiring the design of the office space of the National Geographic design. Creating a connection by repetition with a sense of harmony with balanced in size open spaces to encourage movement. 16
Tadao Ando’s Koshino House could be used as an inspiration and influence for National Geographic’s new headquar ters design. Tadao used nature as a focus and created harmony between the outside and the inside by using movement, scale, balance and repetition. With National Geographic’s building being in a historic district and marked as a historic landmark, the building’s exterior can not be touched putting a restraint on the design similar to Tadao not wanting to disturb the existing trees on the site. A feeling of needing to exit the building in order to enter the next building encouraging people to be outside was a focus in the Koshino House. Taking this concept of encouraging people to exit their area and experience things outside of their building can be translated into encouraging staff to exist their offices and explore the rest of the building. The repetition of rooms all connected to one another in the Koshino House while the center building containing the master bedroom, kitchen and living area was its own building in a larger scale created a hierarchy where the rooms that were smaller in size and repeated next to one another showed them to be lower on the scale of hierarchy. Having the offices for National Geographic be small in size and repeated next to one another would put them lower in the hierarchy of the building which subconsciously encourages people to leave in search of an area of higher standing.
Small offices with glass walls giving a view of the center of the room. Presentation/Conference area centered around the offices to encourge people to exit their offices more often
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Cultural Research
The Jewish community has a long standing histor y ranging from biblical times to modern day culture. Having faced genocide during World War II, the Jewish community has received respect as a culture that experienced such a tragic event although to this day the community as a whole can be found as the punch line to jokes as seen in mainstream media, a common place for antisemitic humor. With the events of World War II having taken away countless personal possessions, I was expecting to see ar t reflecting a loss of possessions as well as the physical loss of people. Instead I found myself emerged in a sense of thought and stor y telling. This feeling of being in a persons thoughts as they recall or reflect on things and memories gave me a sense of what I was looking for in my visit to the contemporar y Jewish Museum; I wanted to see past World War II. Seeing how this culture that has existed for thousands of years has dealt with tragedy and after three quar ters of a centur y since World War II, this event does not define the Jewish Community. A sense of reflection on the experiences of previous generations with an emphasis on stor y telling, I learned that these are things that have a significant meaning to the Jewish community. While it is common for many cultures and communities to tell stories from one generation to the next, there was a sense of tradition in stor y telling and the telling of these stories did not stop at one generation.
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The interior space of the geometric shaped building is an inspiration and reminder that a space can be what ever shape youâ&#x20AC;&#x2122;d like to make it, a design does not have to be restricted to basic shapes of squares and rectangles.
The interior layout of the second floor exhibit while still an open layout separated by par titions, it created corners where it makes the viewer feel as if it is just them and the ar twork, a personal space to let the ar t tell them a stor y.
A par ticular ar t piece with three siblings talking about their experiences in a former home was arrange in a way that made the audience truly feel like one of the family removing them from the rest of the exhibit and submerging them in a sense of family. 19
Bubble Diagrams
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1st Floor
1st Floor
1st Floor
1st Floor
2nd Floor
2nd Floor
2nd Floor
2nd Floor
Block Diagrams
A
B
C
D
A
E
B
C
D
E
1
1 Loading Dock
Reception Area
331 SF
518 SF
DN
UP
UP
2
Private Offices 1260 SF
DN
1st Floor
2 50 SF
Exhibition
Legend
2689 SF Lobby
Legend
385 SF Circulation 498 SF
3 Janitor Closet 60 SF
Kitchenette
Restrooms
Copy/Storage Room
Conference Room
307 SF
396 SF
354 SF
542 SF
Conference Room 3
Circulation Circulation
4
Kitchenette Meeting Room
Open Offices
Open Offices
1256 SF
Lobby Restrooms
4
Store
B
C
D
B
C
D
Reception Area
E
1
1 Store
Restrooms
716 SF
399 SF
Kitchenette
Open Offices
303 SF DN
UP
UP
Private Offices Restrooms
A
E
Copy/Storage Room Janitor Closet
DN
1049 SF
Loading Dock
474 SF
Circulation
335 SF
Cafe
Janitor Closet
Restrooms
918 SF
Meeting Room
Exhibition
UP DN
Cafe
A
2nd Floor
Janitor Closet
Store 718 SF
1355 SF
DN
Janitor Closet 50 SF
Exhibition 1550 SF
2
Restrooms
1st Floor
2
352 SF
Janitor Closet Loading Dock Reception Area
Legend Circulation 710 SF
3
DN
Exhibition
918 SF
753 SF
Conference Room
Copy/Storage Room
348 SF
Circulation
474 SF
376 SF
Conference Room
Cafe
3
Circulation Circulation
Exhibition
UP
Cafe
Legend
61 SF
355 SF Lobby 385 SF
Kitchenette Meeting Room
1027 SF
Lobby 4
Meeting Room
Private Offices
Loading Dock
284 SF
Open Offices
321 SF
Restrooms
4
Store
A
B
C
D
Private Offices Reception Area Restrooms
A
E
Copy/Storage Room Janitor Closet
DN
1406 SF
Janitor Closet
Restrooms
2nd Floor
B
C
D
E
1
1 Reception Area
Restrooms
399 SF
334 SF
Open Offices 1341 SF
DN
UP
UP
DN
Janitor Closet 50 SF
Exhibition 2284 SF
2
1st Floor
2 Janitor Closet
Loading Dock 355 SF Lobby
Legend
403 SF Circulation 723 SF
3
DN
Cafe 643 SF
Exhibition 757 SF
348 SF
Restrooms
Copy/Storage Room 254 SF
214 SF
Conference Room
316 SF
Circulation
381 SF
Conference Room
Cafe
3
Circulation Exhibition
UP
Kitchenette
Circulation
Store
Loading Dock Lobby 4
Restrooms Store
Copy/Storage Room Janitor Closet
DN
1406 SF
Kitchenette
Janitor Closet
524 SF
2nd Floor Legend
Meeting Room
61 SF
Meeting Room Private Offices
Open Offices
1348 SF
4
Private Offices Reception Area Restrooms
21
22
1
12
4
Cafe
8
35
7
39
14
Exhibition
Circulation
40
Tele/Data Room
9
Restroom
10
Janitor Closet
C
Restroom
Store
B
Loading Dock
Lobby
Floor 1 1" = 10'-0"
UP
A
D
13
Exhibition
UP
E
4
3
2
1
23
1
Floor 2 1" = 10'-0"
17
Meeting Room
16
Private Office
22
Copy/Storage Room
D
18
19
20
21
32
Private Office Private Office Private Office Private Office Private Office
29
Circulation
23
31
34
27
Kitchenette
C
Conference Room
38
Tele/Data Room Storage
33
25
Restroom
Janitor Closet
26
Restroom
B
Reception
UP
A
30
Meeting Area
28
DN
Open Offices
E
4
3
2
1
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Site 691 O’Farrel , St. San Francisco, CA 94109 The site is located on the south east corner of Hyde St. and O’Farrel St. With over 10 ft in width of ally space containing two possible exits to main streets providing sufficient exits and spacing in the event of an emergency.
Program Front Lobby with reception desk and 4 waiting chairs Dining Room: 500 s.f. minimum Kitchen: 250 s.f. minimum Community Room: 600 s.f. minimum Librar y/ Reading Room: 300 s.f. minimum Exercise room: 300 s.f. minimum Staff Offices: 300 s.f. Nurse’s office 150 s.f. 8 studio apar tments with kitchen, acessible bathroom, closet, and laundr y closet for stacking washer/ dr yer (2’-9” wide x 3’-2” deep). Unit areas should be 410 s.f. minimum Adequate public restrooms Janitor’s closet Telecom closet Mechanical Room
Client 691 is a low income senior living center located at 691 O’Farrell St. San Francisco, CA. This senior living center is a LGBT welcoming center for people that need assisted living without having to leave the city they’ve spent their lives living in. 691 is a non-profit group providing seniors with a 18,800 sq. ft. senior living center.
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Neighborhood Analysis
ento ST
Sacram
5 ia ST Californ 2 1
Pine ST
20
12
6
Bush ST
14
7
20 T
Sutter S
11
ll ST Oâ&#x20AC;&#x2122;Farre 3
21
T
Hyde ST
T
10
Larkin S
Van Ness
9
6
Ave
T
S Franklin
T
Gough S
9
Polk ST
21
Mason S
T
Jones ST
orth ST Leavenw
7
Geary S
Taylor ST
10
Ellis ST
22
18
M
26
Turk ST
25
ar k
et
ST
Eddy ST
26 23
Golden
e Gate Av
15
8
3 4 24
ter ST
McAllis
16 T Grove S
28
23
T Powell S
Post ST
13
Food Retail 1 2
Food Retail Super Market 1 Super Market Grocery with produce section
2
Grocer y with produce section
Community-serving retail
Community-serving retail
3 4 5 6 7
Convenience Store Farmers Market Hardware Store Pharmacy Other Retail
3
Convenience Store
4
Farmers Market
5
Hardware Store
Pharmacy 6
8 Bank
9 10 11 12 13
Other Retail
Service
Service 8
7
9
Family Enter tainment Venue
10 Gym, health club, exerice studio Bank Hair care 11 Family Entertainment Venue y, dr y cleaner 12 Laundrstudio Gym, health club, exerice 13 Restaurant, cafe, diner Hair care Laundry, dry cleaner Civic and Community Facilities Restaurant, cafe, diner 14 Adult or Senior Care 15 Child Care Facilities 16 Community or recreation center
Civic and Community 14 15 16 17 18 20 21 22 23 24 25 26
17 Cultural ar ts facility
1/2 mile radius
Adult or Senior Care 18 Education facility Child Care 20 Medical clinc or office that treats patients Community or recreation center of worship 21 Place Cultural arts facility 22 Police or fire station Education facility 23 Post office Librartreats y Medical clinc or office that patients 24 Public Place of worship 24 Public Park Police or fire station 26 Social Ser vices center Post office Site Public Library Transit Stop Public Park 1/4 mile radius Social Services center Site Transit Stop 1/4 mile radius 1/2 mile radius 29
Design Concept
As the baby boomer generation is coming into the age of assisted living, this senior center will take the residents through time star ting with the first generation to use this new center called 691. Drawing inspiration star ting with the 1970â&#x20AC;&#x2122;s until today; 691 will give the residents a comfor table sense of nostalgia while using the sustainable technology of today.
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The color palette draws from iconic colors within each decade. Drawing inspiration star ting with the 1970’s with orange and green being the primar y accent colors of its decade using brown as the color to bring ever ything together. As time progresses into the 1980’s the brown has moved into black with red being the accent color of choice providing strong a strong contrast. Moving into the 1990’s the concept of strong contrast from the 1980’s has been used with white instead of black. Using the white as a cleaner more open color the 2000’s accented with blue.
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Client Research
Research on the group dynamics and social and behavioral norms of seniors.
With the amount of senior citizens on the rise as the largest generation of people entering the age of seniors, we as a society must learn how the diseases that typically affect the elderly work. Par t of learning how it works is also learning about the social and behavioral norms that are associated with senior citizens. The most common diseases among the elderly population is Dementia and Alzheimer’s Disease. Epidemiologist, Br yan James, at the Rush Alzheimer’s Disease Center in Chicago conducted a study on over one thousand one hundred seniors and how social activity affected cognitive decline. Creating a social environment is critical for people who suffer from Dementia and Alzheimer’s as having a healthy social life reduces the decline of the disease by seventy percent as compared to people with little to no social interaction. By keeping people with these diseases at a slow declining rate by having them be social, it keeps the patients more independent, self-reliant and essentially more functional with their motor skills. “The predominant theor y is use it or lose it,” says James. “Social activity is related to motor function, just like physical exercise is related. We can’t determine which is most impor tant - they each contribute a piece of the puzzle.” According to the Alzheimer’s Association, people who suffer from Alzheimer’s Disease may experience, aggression, anger, anxiety, agitation, depression, hallucinations, memor y loss, confusion, repetition, sleep issues, suspicion, and delusions. The people who suffer from any of these symptoms of Alzheimer’s rely on social interaction as means of reducing the impact these symptoms are having on them as well as to slow the progression of these symptoms. In a social setting people who suffer from Alzheimer’s Disease may still experience symptoms creating a difficult situation for the care givers as aggression and general frustration tends to follow after a patient experiences any of the above symptoms.
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Client Research
Research on interior design for residents with Alzheimer’s and other forms of Dementia.
The United States Census data stated that by the year 2030, more than twenty five percent of the population will be over the age of sixty five. With that statistic in mind designers are in need to design final living areas for the generation we have about to enter the age of assisted living. With Alzheimer’s Disease and Dementia affecting one in three seniors, designers have to now design for the countr y’s largest population not just entering the era of assisted living needed but also having an outstanding amount of Alzheimer’s and Dementia affected people. Designing for the elderly is a task in and of itself although designing for the elderly affected by Alzheimer’s and Dementia can be quite the challenge. People with dementia often have trouble in making sense of the world around them. The environment (physical, social and cultural) and design feature of the care facility should suppor t the functions of people with Alzheimer’s accommodate behavioral changes, maximize abilities, promote safety and encourage independence. There are key things to consider when designing for this type of client. According to the Alzheimer’s Association a few of the key things to remember when designing for people with Alzheirmer’s are as follows: •
Keep signs simple since residents may not be able to comprehend complex language.
•
Place signs at eye level (for ty eight to fifty two inches from the floor; lower if there are many wheelchair users.)
•
Use bright contrasting colors
•
Personalize room entr y to make it more relevant and understandable to the residents (e.g., hang favorite photos or small mementos on the bedroom door.)
•
Create purpose-specific rooms so residents always know what to expect when they enter.
•
Make key destinations, such as the dining room, bathroom and living rooms, easily visible.
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Case Study
East Ridge at Cutler Bay 19301 s.w. 87th ave Cutler Bay, FL 33157 Three palms Health Center at East Ridge at Cutler Bay in Cutler Bay, FL. is a new construction of a ninety assisted living units senior center. The goal this new center was to create a â&#x20AC;&#x153;home likeâ&#x20AC;? feel to the center. With socializing being a focus of the center all while sustainability is the main priority, the designers created a Platinum LEED rated community center for the elderly.
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Case Study
Smith Village 2320 west 113th place Chicago, IL 60643 Smith Village, a senior center in an urban area of Chicago, Illinois. The original building was constructed in the early 1920’s and the remodel was completed in May of 2008. The building provides residence to almost eighty people with twenty for hour a day care seven days a week. The location was used to simulate a “park-like” setting directly across the bustling south Western Avenue. A new common area with a green roof was located in the center of the site to ser ve as a critical hub for suppor t and socializing activities. The final piece of this extensive repositioning effor t is the renovation of a 1990’s era skilled cursing facility.
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Bubble Diagrams
36
Level 1
Level 1
Level 2
Level 2
Block Diagrams UP
Staff Office 89
Front Lobby
458 SF
91 545 SF
Public Restroom 88 112 SF
Exercise Room Public Restroom
82
87
353 SF
103 SF
Dining Room 90 700 SF
Public Restroom 86
Community Room
112 SF
83 542 SF
Room Legend
Community Room
Dining Room
Exercise Room
Room Legend Front Lobby
Kitchen Community Room Librar y/Reading Room Dining Room Mech Exercise Room Public Restroom Front Lobby Staff Office Kitchen Telecom Library/Reading Room Mech Public Restroom
Kitchen 84 395 SF
85
Telecom
92
93
279 SF
28 SF 37 SF 1
Staff Office
Library/Reading Room
Mech Telecom
Level 1
Level 1 Area Plan 1/8" = 1'-0"
UP
Storage 71
Studio
Storage DN
38 SF
72 39 SF
Studio
63
70
286 SF
286 SF
Room Legend
Nurse's Office
79 286 SF
Studio 64 289 SF
Studio Storage Public Restroom 73
74
39 SF
53 SF
Community Room
Mech
69
Nurseâ&#x20AC;&#x2122;s Office
289 SF
Public Restroom
Storage
Room Legend Studio Studio
Community Room
Studio
80
65
68
331 SF
289 SF
289 SF
Telecom Community Room Mech Nurse's Office Public Restroom Storage
Studio
Studio
66
67
289 SF
1
Storage MechTelecom 76 77 75 36 SF 28 SF 35 SF
Storage 78 36 SF
289 SF
Studio Telecom
Level 2
Level 2 Area Plan 1/8" = 1'-0"
37
1
2
5
6
7
8
1
38
Partition Plan 1” = 10’-0”
3
4
1
2
3
4
5
6
7
8
2
Partition Plan 1” = 10’-0”
39
1
40
Enlarged Studio Plan 3/8” = 1’-0”
Studio Kitchen
41
Level 1 Community Room 1
5
6
7
8
42
2
3
4
Sustainable Materials
FSC Oak Flooring by Armstrong
Recycled Cotton by Brentano
Recycled Polyester by Brentano
Recycled Polyester by Brentano
Aura Interior Paint- Matte - Pure White by Benjamin Moore
Eco-Friendly Faux Leather LEED Cer tified by Brentano
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Site 13 Wood , St. San Francisco, CA 94118 13 Wood St, San Francisco, CA is a multiple occupancy home that contains 4,368 sq ft and was built in 1955.
Program Lower Unit Upper Unit Garden Unit
Client The Mariotto family own the building containing three separate units each on their own level. Each family member would like their apar tment to be unique to them while maintaining a sense of unity overall.
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SPECBOOK
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SAMPLE
Location in Project //
Lower Unit //Master Bedroom and Living Room
Name // Barcelona Chair Vendor/Merchant // Knoll Model Number //
Barcelona Chair
Quantity // 3 Price // $5592
Location in Project //
Lower Unit //Master Bedroom
Name // Barcelona Couch Vendor/Merchant // Knoll Model Number //
Barcelona Couch
Quantity // 1 Price // $10528
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Location in Project //
Lower Unit //Master Bedroom and Entry
Name // Puck Wall Art Vendor/Merchant // Vibia Model Number // 5460 / 5461 Quantity // 22 Price //
Location in Project //
Lower Unit //Master Bedroom
Name // RĂŞve Kohler Vendor/Merchant // Model Number // Quantity // 1 Price // $4181.65
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K-819-F63-0
Location in Project //
Lower Unit //Master Bathroom and Guest Bathroom
Name // Numi Vendor/Merchant // Kohler Model Number //
K-3901-0
Quantity // 2 Price // $6338.50
Location in Project //
Lower Unit & Upper Unit //Master Bathroom
Name // 10â&#x20AC;? Square Rain Showerhead 1.75GPM Vendor/Merchant // Toto Model Number //
TS100B1L#CP
Quantity // 2 Price // $1501
51
Location in Project //
Lower Unit & Upper Unit //Master Bathroom
Name // Loure Vendor/Merchant // Kohler Model Number //
K-T14671-4CP
Quantity // 2 Price // $400.85
Location in Project //
Lower Unit //Office
Name // Progetto 1 Vendor/Merchant // Model Number // Quantity // 1 Price //
52
Teknion Studio PRBH41101
Location in Project //
Lower Unit //Patio
Name // PaperClip Table Vendor/Merchant // Knoll Model Number //
#49T
Quantity // 1 Price // $1349
Location in Project //
Lower Unit //Patio and Kitchen
Name // Gigi Chair Vendor/Merchant // Knoll Model Number //
Gigi Chair
Quantity // 6 Price // $295
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LOWER UNIT
56
Site 13 Wood , St. San Francisco, CA 94118 Lower Unit
Program Master Bedroom Master Bathroom Personal Office Guest Bathroom Kitchen Living Room Patio Dinning Room
Client Ernest Mariotto is the sole resident of the lower unit. Wanting to feel like he is living in a museum while seldom being home, he wants to keep his home minimal open.
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Design Concept
The New York Museum of Modern Ar t, a place of simplistic, sleek, modern, clean design. Being able to use the exact adjectives to describe the client himself. Taking insperation from the New York MoMa with is wide open spaces, free standing full length walls and a extreme sense of minimalism in order to keep focus on the ar t itself, these techniques inspired and shaped the design for the lower unit.
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FLOORPLAN
ELEVATIONS
59
1
60
Furniture Plan Not to scale
1
Rendered Floor Plan Not to scale
61
1
62
Entry Elevation Not to scale
1
Master Bedroom Elevation Not to scale
63
1
64
Master Bathroom Elevation Not to scale
2
Master Bathroom Elevation Not to scale
65
1
66
Kitchen Panels-Closed Elevation Not to scale
2
Kitchen Panels-Open Elevation Not to scale
67
1
68
Kitchen Panels-Closed Elevation Not to scale
1
Kitchen Panels-Open Elevation Not to scale
69
UPPER UNIT
72
Site 13 Wood , St. San Francisco, CA 94118 Upper Unit
Program Master Bedroom Master Bathroom Office for four Guest Bathroom Kitchen Living Room Balcony Dinning Room Laundr y Room
Client Mrs. Mariotto and her husband are the residents of the upper unit. Running a business from home with three other employees, this home needs to be more than just a home - it needs to be a center of enter taining, business and a place to call home.
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Design Concept
The dinner table A place of union, a place of gathering, a place of comfor t, this is a dinning table. Creating a space of comfor t where the client may live and work in while also creating a space of gathering for both a business setting as well as a social setting. Taking the inspiration of a dinning table and how it brings people together while also creating comfor t is where the concept of this design derives from.
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FLOORPLAN
ELEVATIONS
75
1
76
Furniture Plan Not to scale
1
Rendered Floor Plan Not to scale
77
1
78
Living Room Elevation Not to scale
2
Living Room Elevation Not to scale
79
1
80
Dining Room Elevation Not to scale
1
Master Bathroom Elevation Not to scale
81
1
82
Kitchen Elevation Not to scale
2
Kitchen Elevation Not to scale
83
1
84
Office Elevation Not to scale
2
Office Elevation Not to scale
85
GARDEN UNIT
88
Site 13 Wood , St. San Francisco, CA 94118 Garden Unit
Program Bedroom Bathroom Office area Kitchen Living Room Patio Dinning Area
Client Having just completed her undergratuate degree, Miss. Mariotto is about to star t her masters program. Wanting an apar tment that can be useful as a student as well as a home after schooling is the main objective for Miss Mariotto.
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Design Concept
The human brain The human brain is divided into sections much like the clients life. Par ts of the brain is sectioned to function for socializing, some for logistics, some for visuals and many more sections. The clients life is sectioned between student life, career, personal privacy, and socializing similar to how the brain is sectioned off. Creating individual sections to catered to cer tain aspects of the client life taking influence to how the brain itself already sections things is the focus of this design.
90
FLOORPLAN
ELEVATIONS
91
1
92
Furniture Plan Not to scale
1
Rendered Floor Plan Not to scale
93
1
94
Bedroom Elevation Not to scale
2
Office/Closet Elevation Not to scale
95
1
96
Kitchen Elevation Not to scale
2
Living room Elevation Not to scale
97
CONSTRUCTION DOCUMENTS
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101
102
103
104
105
106
107
Water color rendering of the Asian Ar t Museum
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3DS Max renderings of a commercial design
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Revit rendering edited with Adobe Photoshop of a residential design
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Sketch of Hyatt Hotel lobby in San Francisco
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