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CeReNeM Journal, Issue 3
collections, and phenomenology and perception. For the past five years, Sarah has also had the unique opportunity to work at the National Music Centre in Canada as an interpreter and archivist of their collection of electronic and acoustic keyboard instruments. She has been artist in residence at The Banff Centre for the Arts (Canada), and will be in residence at STEIM (Amsterdam), WORM (Rotterdam), and EMS (Stockholm) in the spring of 2013. Richard Glover is a Research Fellow in composition at the University of Huddersfield. He writes on experimental approaches to music making, and in particular sustained tone music. He has chapters in both a forthcoming publication on the music of Phill Niblock, and the Ashgate Research Companion to minimalism. He is currently working on publications exploring the temporal experience in experimental musics, alongside broader perceptual issues in sustained tone music. His music is performed internationally and will be released on albums with both the Sheffield label 'another timbre' and the University of Huddersfield CeReNeM label.
Bryn Harrison is a Senior Lecturer and Head of Composition at the University of Huddersfield, having been appointed Senior lecturer in 2006 and awarded a PhD by Publication in 2007. His music is concerned with the development of recursive musical structures within a series of compositions of long duration, and he is currently working on an hour-long work for the London Sinfonietta with the visual artist Tim Head. He has an international reputation as a composer and has received commissions, performances and broadcasts by many leading ensembles including the LSO, London Sinfonietta, ensemble recherche, Klangforum Wien and Apartment House. More recently, Harrison has developed a close working relationship with the Anglo-Belgian ensemble Plus Minus, the Norwegian group Asamisimasa, the internationally-acclaimed ELISION, and the vocal ensemble EXAUDI.
As a soloist and chamber musician Neil Heyde has appeared throughout Europe, and in the USA and Australia, broadcasting for the BBC, WDR, ORF, Radio France, RAI, NRK, DR, Netherlands Radio and many other networks. Since the mid 90s he has been the cellist of the Kreutzer Quartet and he now heads the postgraduate programmes at the Royal Academy of Music, where his work focuses on the relationships between performers and composers – past and present. He has commissioned and premiered many solo and chamber pieces and edited Faber’s series of 19th-century music for stringed instruments. A DVD film and ocumentary of his work on Brian Ferneyhough’s extraordinary Time and Motion Study II for solo cello and electronics made by Colin Still is available from Optic Nerve. He is currently working on the volume of Debussy’s sonatas for the Œuvres Complètes de Claude Debussy.