Continuing Education Spring 2011 Courses

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CONTINUING EDUCATION

SPRING 2011

COURSES Special Topics & General Interest Audio Photography Video Writing Multimedia Institutes, Workshops & Weekend Courses Advanced Project Seminars

Register for Classes : cdscourses.org Find Out More About CDS: documentarystudies.duke.edu

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SPRING 2011

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Institutes, Workshops, and Weekend Courses

FREE INFORMATION SESSION With Program Director April Walton

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“The Center for Documentary Studies is unlike any other program out there. It is not a place that simply teaches you how to hold a camera and print an image, but a place that asks you to consider what you are photographing and who the work is for.â€? Ĺ™$QQH :HEHU &HUWLĆŠFDWH LQ 'RFXPHQWDU\ $UWV JUDGXDWH DQG /HZLV +LQH 'RFXPHQWDU\ )HOORZ “I thought I would like this course but actually I loved it! I haven’t felt that level of passion for anything in a long time. I have learned so much. The comments/discussion with other students was fantastic—everybody had such good ideas. The presentations on the last day were amazing ,Ĺ›P VXUH WKDW ,Ĺ›OO DSSO\ IRU WKH FHUWLĆŠFDWH EDVHG RQ WKLV course alone.â€? Ĺ™6DQGUD 6WLQQHWW 3K ' ,QWURGXFWLRQ WR 'RFXPHQWDU\ 6WXGLHV VWXGHQW

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Register for Classes: cdscourses.org

Documentary Studies courses are marked “All Levels,â€? “Beginning,â€? “Intermediate,â€? or “Advancedâ€? to assist students in determining the most appropriate course in which WR HQUROO 7KH VSHFLĂ€F GHVLJQDWLRQV DUH GHĂ€QHG DV IROORZV All Levels 7KLV FRXUVH LV RSHQ WR DOO VNLOO OHYHOV Beginning 1R H[SHULHQFH QHHGHG WR WDNH D FRXUVH ZLWK WKLV GHVLJQDWLRQ Intermediate 7KLV OHYHO DVVXPHV VWXGHQWV KDYH WDNHQ WKH ,QWUR FODVV LQ WKH VXEMHFW DQG DUH DEOH WR ZRUN LQGHSHQGHQWO\ ZLWK VRIWZDUH LQ WKH GDUNURRP HWF Advanced 7KLV OHYHO DVVXPHV VWXGHQWV KDYH WDNHQ WKH ,QWUR DQG ,QWHUPHGLDWH FRXUVHV WR DFTXLUH D FRPIRUW OHYHO ZRUNLQJ LQGHSHQGHQWO\ ZLWK WKH PHGLXP If you are uncertain which level is most appropriate for you, or have questions regarding course lab fees, please contact Continuing Education at the Center of Documentary Studies by calling 919-660-3663 or emailing cdscourses@duke.edu. &RXUVHV DUH Ă€OOHG RQ D Ă€UVW FRPH Ă€UVW VHUYHG EDVLV DQG VSDFH LV OLPLWHG

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Wednesdays, February 16–April 6 (16 hours) ² S P 0DWHULDOV IHH GXH DW Ă€UVW FODVV ‡ &RXUVH IHH ‡ &RXUVH ,' 67 63 Documenting Durham’s LGBTQ History and Culture ALL LEVELS NEW Barbara Lau 'XUKDP¡V /*%74 FRPPXQLW\ KDV D XQLTXH KLVWRU\ WKDW LV IRU WKH PRVW SDUW XQGRFXPHQWHG 7KLV FRXUVH ZLOO OD\ WKH JURXQGZRUN IRU D FRPPXQLW\ EDVHG RUDO KLVWRU\ DQG GRFXPHQWDU\ SURMHFW DLPHG DW DGGUHVVLQJ WKLV ODFN 6WXGHQWV VKRXOG KDYH DW OHDVW VRPH H[SHULHQFH DV SKRWRJUDSKHUV LQWHUYLHZHUV DXGLR SURGXFHUV DQG YLGHRJUDSKHUV LQ WKLV FRXUVHV ZH ZLOO EH SRROLQJ RXU WDOHQWV WR LGHQWLI\ DQG GRFXPHQW VRPH RI WKH NH\ DFWRUV LQ 'XUKDP¡V /%*47 KLVWRU\

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Special Topics/ General Interest

WEEKEND COURSE

The South in Black and White ALL LEVELS Tim Tyson

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3 SPRING 2011

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COURSE CATEGORIES AND DESCRIPTIONS

Copyright Issues for Documentarians Workshop ALL LEVELS NEW Jennifer Jenkins

Saturday, February 19 (2 hours) 10 a.m.–12 p.m. 0DWHULDOV IHH GXH DW ÀUVW FODVV &RXUVH IHH ‡ &RXUVH ,' 67 63

See Institutes/Workshops section for more course offerings.

Tuesdays, January 18–April 26 (37 hours) ² S P &RXUVH IHH ‡ &RXUVH ,' 67 63 Documentary Interviewing: Learning to Collect Community Stories and Oral Histories ALL LEVELS NEW Barbara Lau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´2UDO VRXUFHV WHOO XV QRW MXVW ZKDW SHRSOH GLG EXW ZKDW WKH\ ZDQWHG WR GR ZKDW WKH\ EHOLHYHG WKH\ ZHUH GRLQJ DQG ZKDW WKH\ QRZ WKLQN WKH\ GLG Âľ %\ VKDULQJ RXU Ă€HOGZRUN Students Vernie Singleton and Wil Cather recording an interview LQ +HDULQJ ,V %HOLHYLQJ , $Q $XGLR 'RFXPHQWDU\ 6XPPHU ,QVWLtute. 3KRWRJUDSK E\ 0DJJLH 6PLWK

Find Out More About CDS: documentarystudies.duke.edu

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Audio Make That Audio Documentary: An Intro to Sound Recording and Digital Mixing BEGINNING Aaron Smithers 'RFXPHQWDU\ DXGLR LVQ·W MXVW DERXW JHWWLQJ RQ WKH UDGLR .QRZLQJ KRZ WR UHFRUG DQG HGLW DXGLR FUHDWHV PXOWLPHGLD RSSRUWXQLWLHV IRU DOO NLQGV RI GRFXPHQWDU\ DUWLVWV DQG WKHUH DUH PDQ\ QHZ YHQXHV VXFK DV SRGFDVWLQJ IRU VKDULQJ ZRUN ,Q WKLV FODVV VWXGHQWV ZLOO PDNH VKRUW DXGLR GRFXPHQWDULHV XVLQJ WKHLU RZQ UHFRUGLQJV :H ZLOO EHJLQ ZLWK WKH EDVLFV RI LQWHUYLHZLQJ DQG PDNLQJ ´JRRGµ UHFRUGLQJV DQG HQG E\ OHDUQLQJ WR HGLW VRXQG XVLQJ 3UR 7RROV GLJLWDO HGLWLQJ VRIWZDUH 3OHDVH QRWH 6WXGHQWV PXVW SURYLGH WKHLU RZQ UHFRUGHU SUHIHUDEO\ GLJLWDO KHDGSKRQHV DQG PLFURSKRQHV 7KH\ ZLOO DOVR QHHG WR SURYLGH D )LUH:LUH H[WHUQDO VWRUDJH GHYLFH 6WXGHQWV VKRXOG KDYH WKLV HTXLSPHQW ZKHQ WKH FODVV EHJLQV

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&RXUVH IHH FRXUVH IHH GLVFRXQW IRU ERWK FRXUVHV $8 63 DQG $8 63 &RXUVH ,' $8 63 Telling the Story: Sharpen Your Writing for Radio ALL LEVELS Katie Davis ,Q WKLV RQH GD\ ZRUNVKRS VWXGHQWV ZLOO EH JLYHQ VRXQG HOHPHQWV DQG FKDOOHQJHG WR ´ZULWH WR WKH WDSH VRXQG µ D VNLOO WKDW LV XVHIXO LQ ZULWLQJ ERWK VKRUW DQG ORQJ DXGLR IHDWXUHV $V D FODVV ZH ZLOO OLVWHQ WR H[DPSOHV RI JUHDW UDGLR ZULWLQJ

Register for Classes: cdscourses.org

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See Institutes/Workshops section for more course offerings.

Photography Documentary Photography as Fine Art ALL LEVELS G. Douglas Vuncannon :KHUH GR GRFXPHQWDU\ SKRWRJUDSK\ DQG ´ÀQH DUWµ FRQYHUJH" $QG KRZ GRHV D SKRWRJUDSKHU FRPH WR WHUPV ZLWK WKH SURSRVLWLRQ WKDW ´HYHU\ SKRWRJUDSK LV D VHOI SRUWUDLWµ" *RLQJ EH\RQG WKH UHDOP RI FRPSRVLWLRQ DQG FUDIW FODVV SUHVHQWDWLRQV ZLOO IRFXV RQ LFRQLF SKRWRJUDSKHUV ZKR KDYH GHYHORSHG RULJLQDO DSSURDFKHV WR GRFXPHQWDU\ ZRUN 7KURXJK ZHHNO\ DVVLJQPHQWV DQG FODVVURRP FULWLTXHV VWXGHQWV ZLOO OHDUQ WR LGHQWLI\ HOHPHQWV RI VWLOO SKRWRJUDSK\ WKDW KDYH WKH SRZHU WR WUDQVFHQG WKH VLPSOH UHFRUGLQJ RI LPDJHV DV ZHOO DV GHYHORS WKHLU RZQ SKRWRJUDSKLF YLVLRQ 6WXGHQWV FDQ PHHW ZLWK WKH LQVWUXFWRU LQGLYLGXDOO\ WR GLVFXVV WKHLU FRXUVH SRUWIROLRV

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² S P 0DWHULDOV IHH GXH DW ÀUVW FODVV &RXUVH )HH &RXUVH ,' 3+ 63 The Creative Documentary Portrait INTERMEDIATE/ ADVANCED NEW Barbara Tyroler &DSWXULQJ WKH SHUVRQDOLW\ RI \RXU VXEMHFWV ERWK WKHLU LQQHU ODQGVFDSHV DQG SXEOLF SHUVRQDV RQ ÀOP SUHVHQWV P\ULDG FKDOOHQJHV³KRZ GRHV RQH EDODQFH FRPPXQLFDWLQJ WKH HVVHQFH RI DQ LQGLYLGXDO ZLWK SURGXFLQJ D PHDQLQJIXO DHVWKHWLF UHSUHVHQWDWLRQ" ,Q WKLV FRXUVH ZKLFK HPSKDVL]HV FULWLTXH DQG GLVFXVVLRQ ZH ZLOO H[DPLQH WKH SURFHVV FRQWH[W DQG UHVSRQVLELOLW\ RI WKH ÀOPPDNHU LQ UHODWLRQ WR LPDJH EDVHG SRUWUDLW PDNLQJ LQFOXGLQJ GRFXPHQWDU\ HGLWRULDO ÀQH DUW DQG FRPPHUFLDO ZRUN :H ZLOO DOVR H[SORUH TXHVWLRQV RI WUXWK WHOOLQJ JLIW JLYLQJ PHPRULDOL]LQJ DQG VHOI SRUWUDLWXUH 6WXGHQWV ZLOO EH DVNHG WR UHÁHFW RQ WKHLU EHKDYLRU LQ UHODWLRQ WR SRZHU DQG DXWKRULW\ DQG KRZ WKHVH DWWLWXGHV PLJKW DIIHFW WKHLU SRUWUDLWV 7KURXJK UHVHDUFK DQG LQWHUYLHZ FDSWXUH FULWLTXH DQG ÀQDO HGLW VWXGHQWV ZLOO FRPSOHWH D VLQJOH SRUWUDLW 6WXGHQWV DUH H[SHFWHG WR EH FRPSHWHQW ZLWK WKHLU HTXLSPHQW WKRXJK WKH FODVV ZLOO FRYHU WHFKQLTXH DQG LQFOXGH VKRRWLQJ GHPRQVWUDWLRQV DV QHHGHG $VVLJQPHQWV RXWVLGH RI FODVV ZLOO LQFOXGH UHVHDUFK VKRRWLQJ IRRWDJH DQG ODE 6WXGHQWV ZLOO SUHVHQW

Digital Printing Tutorial INTERMEDIATE/ADVANCED NEW Harlan Campbell

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Social Documentary Photography as Visual Commentary INTERMEDIATE/ADVANCED Shelia Turner

(2 hours—dates and times must be arranged individually with the instructor) &RXUVH IHH &RXUVH ,' 3+ 63

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Thursdays, February 10–April 7 (no class March 28) (20 hours) ² S P 0DWHULDOV IHH GXH DW ÀUVW FODVV &RXUVH IHH &RXUVH ,' 3+ 63 The Family in Documentary Photography ALL LEVELS NEW Abigail Blosser )DPLO\ VWRULHV QRW RQO\ PDNH IRU LQWHUHVWLQJ SHUVRQDO KLVWRU\ WKH\ FDQ DOVR FRQYH\ D PXFK EURDGHU VHQVH RI WLPH DQG SODFH DV UHYHDOHG WKURXJK WKH OHQV RI WKH LQGLYLGXDO 7KLV FODVV ZLOO H[SORUH GRFXPHQWLQJ WKH IDPLO\³DV D SHUVRQ ZRUNLQJ WR XQGHUVWDQG WKH HYROXWLRQ DQG FRPSOLFDWHG LQWHUSHUVRQDO G\QDPLFV RI RQH·V RZQ IDPLO\ WUHH DQG DV D GRFXPHQWDULDQ ZKR LV QHJRWLDWLQJ FRQÁLFWLQJ UROHV DV IDPLO\ PHPEHU DUFKLYLVW DQG VWRU\WHOOHU 6WXGHQWV ZLOO ZRUN WRZDUG FRPSOHWLRQ RI DQ LQWHQVLYH GRFXPHQWDU\ SURMHFW IRU WKH GXUDWLRQ RI WKH HLJKW ZHHN FRXUVH 3URMHFWV FDQ UDQJH IURP D SURMHFW DERXW D VLQJOH LQWULJXLQJ UHODWLYH WR RQH·V RZQ FKLOGUHQ WR QDYLJDWLQJ DQ HPSW\ QHVW RYHUFRPLQJ D GLYRUFH RU FDUHWDNLQJ IRU DQ DJLQJ SDUHQW 6WXGHQWV DUH ZHOFRPH WR ZRUN LQ FUHDWLYH ZD\V ZLWK IDPLO\ QHJDWLYHV GRFXPHQWV DQG SKRWRJUDSKV :H ZLOO OHDUQ DERXW SKRWRJUDSK DQG NHHSVDNH DUFKLYLQJ DV ZHOO DV ORRN DW YDULRXV ZD\V WR SUHVHQW SKRWRJUDSKV LQ ERRNV VOLGHVKRZV DQG H[KLELWV 3OHDVH FRPH WR WKH ÀUVW FODVV UHDG\ WR VKDUH LGHDV SKRWRJUDSKV GLJLWDO LPDJHV RU NHHSVDNHV SHUWDLQLQJ WR \RXU SURMHFW

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Video Introduction to Documentary Video Production BEGINNING Simone Keith 7KLV FRXUVH RIIHUV VWXGHQWV WKH EDVLF VNLOOV QHFHVVDU\ WR JDWKHU IRRWDJH DQG QHJRWLDWH WHFKQLFDO SUREOHPV LQ WKH ÀHOG ZLWKRXW FRPSURPLVLQJ TXDOLW\ /HDUQ KRZ WR SODQ DQG RUJDQL]H D SURMHFW FKRRVH WKH EHVW ORFDWLRQ IRU D VKRRW ZRUN ZLWK DYDLODEOH OLJKW VHOHFW WKH ULJKW PLFURSKRQH IRU WKH ULJKW VLWXDWLRQ VHW SURSHU DXGLR OHYHOV DQG ´VKRRW LQ VHTXHQFH µ :H ZLOO DOVR GLVFXVV SURSHU IUDPLQJ DQG FRPSRVLWLRQ WHFKQLTXHV DQG WKH DGYDQWDJHV RI KDQG KHOG YV WULSRG VKRWV 3OHDVH QRWH 6WXGHQWV PD\ XVH DQ\ YLGHR FDPHUD DYDLODEOH WR WKHP +RZHYHU FDPHUDV ZLWK DQ H[WHUQDO PLFURSKRQH MDFN D KHDGSKRQH MDFN DQG WKH FDSDFLW\ IRU PDQXDO FRQWURO RI H[SRVXUH DQG ZKLWH EDODQFH ZLOO EH LGHDO IRU WKLV FRXUVH 9LGHR FDPHUD WULSRGV QRW SKRWRJUDSK\ RQHV DUH DOVR UHFRPPHQGHG 3OHDVH FRQWDFW WKH LQVWUXFWRU ZLWK DQ\ TXHVWLRQV DERXW HTXLSPHQW

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Race, Class, Gender and Sexuality in Film ALL LEVELS NEW Katina Parker 7KLV FODVV RIIHUV DQ LQ GHSWK DQDO\VLV DQG GHFRQVWUXFWLRQ RI WKH PHVVDJHV WKH PHGLD ERPEDUGV XV ZLWK UHJDUGLQJ UDFH FODVV JHQGHU DQG VH[XDOLW\ 6WXGHQWV ZLOO GHYHORS D KLVWRULFDO WLPHOLQH EHJLQQLQJ ZLWK WKH ÀUVW WDONLHV DQG HQGLQJ ZLWK ZHE YLGHR WKDW H[SORUHV WKH HIIHFWV RI VKLIWLQJ FXOWXUDO SDUDGLJPV RQ KRZ ZH IRUP LGHQWLW\ LQ UHVSRQVH WR DIÀUPLQJ RU GHURJDWRU\ LPDJHV VWHUHRW\SHV DQG PHVVDJHV 7KH FODVV FRQVLVWV RI ZHHNO\ ÀOP VFUHHQLQJV VXSSRUWHG E\ FULWLFDO HVVD\V DQG LQ GHSWK GLVFXVVLRQ 6WXGHQWV DUH H[SHFWHG WR FRQWULEXWH WR FODVV GLVFXVVLRQ E\ EULQJLQJ LQ LPDJHV DQG HVVD\V RI WKHLU RZQ ZRUN RU WKH ZRUN RI RWKHUV

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Introduction to Documentary Video Editing BEGINNING Randolph Benson +RZ GR \RX FUDIW IRRWDJH LQWR D VWRU\³EHWWHU \HW \RXU VWRU\" :H·OO DQDO\]H GRFXPHQWDULHV WR OHDUQ EDVLF HGLWLQJ FRQYHQWLRQV DQG VWXG\ WKH HIIHFWV RI VW\OLVWLF FKRLFHV 7KHQ WKURXJK LQ FODVV H[HUFLVHV DQG ZHHNO\ KRPHZRUN DVVLJQPHQWV ZH ZLOO WU\ LW RXW IRU RXUVHOYHV 8VLQJ )LQDO &XW ([SUHVV VWXGHQWV ZLOO HGLW WKH VDPH VXSSOLHG IRRWDJH WR FUHDWH WKHLU RZQ WDNH RQ WKH ´VDPHµ VWRU\ ZKLFK WKH\ ZLOO VKDUH ZLWK HDFK RWKHU LQ FODVV 3OHDVH QRWH 1R SULRU H[SHULHQFH LV QHFHVVDU\ WR WDNH WKLV FRXUVH WKRXJK EDVLF FRPSXWHU VNLOOV DUH UHTXLUHG 6RPH KRPHZRUN DVVLJQPHQWV ZLOO UHTXLUH WKH XVH RI &'6 IDFLOLWLHV EHWZHHQ FODVVHV

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Wednesdays, February 2–March 9 (12 hours) 6–8 p.m. 0DWHULDOV IHH GXH DW ÀUVW FODVV ‡ &RXUVH IHH GRHV QRW LQFOXGH WHUP ODE IHH &RXUVH ,' 9, 63 Intermediate Documentary Video Editing INTERMEDIATE Simone Keith ,Q WKLV FRXUVH VWXGHQWV ZLOO OHDUQ YLGHR HGLWLQJ WHFKQLTXHV XVLQJ WKH DGYDQFHG IHDWXUHV LQ )LQDO &XW 3UR )LQG RXW ZKDW PDNHV D VPRRWK FXW XQGHUVWDQG WKH SURSHU XVH RI HIIHFWV DQG WUDQVLWLRQV DQG H[SORUH VRXQG PL[LQJ ZKLOH HGLWLQJ \RXU QH[W GRFXPHQWDU\ SURMHFW 3OHDVH QRWH %DVLF )LQDO &XW 3UR VNLOOV DQG DFFHVV WR D SRUWDEOH )LUH:LUH KDUG GULYH DUH UHTXLUHG 5HTXLUHG 7H[W In the Blink of an Eye E\ :DOWHU 0XUFK 5HFRPPHQGHG 7H[W Final Cut Pro HD for Dummies.

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7 SPRING 2011

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Telling Your Story: Placing Yourself in the Documentary Film Tradition ALL LEVELS Randolph Benson

Writing Culture: The Lives of Others ALL LEVELS Joanne Mulcahy 7KH OLWHUDU\ SRUWUDLW ELRJUDSK\ FXOWXUDO MRXUQDOLVP DQG RUDO KLVWRU\³DOO WKHVH GRFXPHQWDU\ JHQUHV UHO\ RQ WKH VWRULHV RI RWKHUV +RZ GR ZH FUHDWH WKH IUDPHZRUN WR EULQJ VXFK VWRULHV WR OLIH" +RZ GR ZH EOHQG WKH SHUVRQDO YRLFH RI PHPRLU ZLWK ZULWLQJ DERXW VRPHRQH HOVH" ,Q WKLV ZRUNVKRS ZH·OO ZULWH IURP PHPRU\ SKRWRJUDSKV DQG RWKHU IRUPV RI GRFXPHQWDWLRQ WR FUDIW SRUWUDLWV RI RWKHUV WKDW PD\ LQFOXGH RXU RZQ VWRULHV :H·OO H[SORUH LVVXHV RI FUDIW HWKLFV DQG OLWHUDU\ IRUP 3DUWLFLSDQWV ZLWK RUDO KLVWRU\ RU LQWHUYLHZ PDWHULDOV DUH LQYLWHG WR EULQJ WKHP EXW QR SUHSDUDWLRQ LV QHFHVVDU\ :H·OO JHQHUDWH QHZ PDWHULDO WRJHWKHU LQ WKH FODVV

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Institutes/Workshops Show + Tell: Multimedia Training from Big Shed INTERMEDIATE/ADVANCED NEW Shea Shackelford, Jesse Dukes, and Jennifer Deer 7KLV LQWHQVLYH WKUHH GD\ LQVWLWXWH LV IRU SKRWRJUDSKHUV ZULWHUV UDGLR SURGXFHUV DQG RWKHU PHGLD PDNHUV ZKR ZDQW WR LPSURYH WKHLU DELOLW\ WR PDNH JULSSLQJ PXOWLPHGLD FRQWHQW 7KRVH ZLWK H[SHULHQFH LQ ÀHOG GRFXPHQWDWLRQ DXGLR SKRWR RU ÀHOG QRWHV GLJLWDO HGLWLQJ DQG HIIHFWLYH VWRU\ FRQVWUXFWLRQ ZLOO OHDUQ IXQGDPHQWDO VNLOOV LQ D QHZ PHGLXP³SKRWRJUDSK\ RU DXGLR SURGXFWLRQ³WR FUHDWH VWDQG DORQH PXOWLPHGLD ZRUN 6WRU\WHOOLQJ IRU PXOWLPHGLD KDV LWV RZQ SDUDPHWHUV <RX PXVW ÀQG WKH ULJKW PL[ RI WHQVLRQ DQG DJUHHPHQW LPDJH DQG VRXQG VWRU\ DQG VWLPXOXV 6KRZ 7HOO RIIHUV D ULFK FRPELQDWLRQ RI WHFKQLFDO WUDLQLQJ DHVWKHWLF DSSURDFKHV DQG DQ H[SORUDWLRQ RI LQGXVWU\ WUHQGV 7KH FRXUVH ZLOO EH OHG E\ %LJ 6KHG DQ DZDUG ZLQQLQJ DXGLR DQG PXOWLPHGLD SURGXFWLRQ DQG WUDLQLQJ JURXS DORQJ ZLWK RWKHU LQVWUXFWRUV DQG JXHVWV LQFOXGLQJ IHDWXUHG SUHVHQWHU New York Times PXOWLPHGLD QHZV HGLWRU $P\ 2·/HDU\

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The Center for Documentary Studies at Duke University teaches, engages in, and presents documentary work grounded in FROODERUDWLYH SDUWQHUVKLSV DQG H[WHQGHG ÀHOGZRUN WKDW XVHV SKRWRJUDSK\ ÀOP YLGHR DXGLR DQG QDUUDWLYH ZULWLQJ WR FDSWXUH and convey contemporary memory, life, and culture. CDS values documentary work that balances community goals with individual artistic expression. CDS promotes documentary work that cultivates progressive change by amplifying voices, advancing human dignity, engendering respect among individuals, breaking down barriers to understanding, and illuminating social injustices. CDS conducts its work for local, regional, national, and international audiences.

JOIN FRIENDS OF CDS “All documentary work is local.�—Tom Rankin, director of the Center for Documentary Studies The best way to get involved at the Center for Documentary Studies is to support the documentary arts. This is easy to do, by making a contribution through Friends of CDS. Through their contributions, Friends of CDS help to support the Center for Documentary Studies, a 501(c)3 nonprofit organization affiliated with Duke University. Because the founders of the Center for Documentary Studies envisioned an organization that would bridge campus and community life, CDS was established as neither an academic department nor a traditional university educational center. Rather, CDS functions as an independent not-for-profit organization, with its own budget and fundraising goals. TWO WAYS TO GIVE: You may make a secure on-line donation at http://cds.aas.duke.edu/donate OR you may send a check payable to “Center for Documentary Studies� at Friends of CDS, 1317 W. Pettigrew Street, Durham, NC 27705 For More Information: Contact Lynn McKnight, Associate Director for Programs and Communications, Center for Documentary Studies at Duke University: 919-660-3663 or docstudies@duke.edu

Find Out More About CDS: documentarystudies.duke.edu

December 2–6 The Parchman Hour 7KH VRQJV DQG VWRULHV RI WKH )UHHGRP 5LGHUV SUHVHQWHG DV GRFXPHQWDU\ WKHDWHU GLUHFWHG E\ &'6 YLVLWLQJ SURIHVVRU 0LNH :LOH\ Kenan Theatre, UNC–Chapel Hill Duke location TBD

December 10, 7 p.m. Final Project Presentations %\ FRQWLQXLQJ HGXFDWLRQ VWXGHQWV FRPSOHWLQJ WKH &HUWLÀFDWH LQ 'RFXPHQWDU\ $UWV Center for Documentary Studies

January 12, 7 p.m. Full Frame Winter Series Screening &XUDWHG E\ WKH )XOO )UDPH 'RFXPHQWDU\ )LOP )HVWLYDO VWDII American Tobacco Campus, Durham, NC

January 31 Sparkle and Twang: An American Musical Odyssey $Q H[KLELWLRQ RI 0DUW\ 6WXDUW·V SKRWRJUDSKV LQ WKH 3RUFK DQG 8QLYHUVLW\ *DOOHULHV WKURXJK 0DUFK Center for Documentary Studies

February 3 The Jazz Loft Project: W. Eugene Smith in NYC, 1957–1965 $ WUDYHOLQJ H[KLELWLRQ RI WKH -D]] /RIW 3URMHFW DW &'6 WKURXJK -XO\ Nasher Museum of Art

February 3 Jazz in New York: A Community of Visions $Q H[KLELWLRQ RI SKRWRJUDSKV E\ /RXUGHV 'HOJDGR SUHVHQWHG LQ FRQMXQFWLRQ ZLWK The Jazz Loft Project DW WKH 1DVKHU 0XVHXP RI $UW WKURXJK -XO\ Center for Documentary Studies

February 9, 7 p.m. Full Frame Winter Series Screening &XUDWHG E\ WKH )XOO )UDPH 'RFXPHQWDU\ )LOP )HVWLYDO VWDII American Tobacco Campus, Durham, NC

February 10, 7 p.m. Jazz Then and Now $ FRQYHUVDWLRQ EHWZHHQ %UDQIRUG 0DUVDOLV DQG 6DP 6WHSKHQVRQ -D]] /RIW 3URMHFW GLUHFWRU Hayti Heritage Center, Durham, NC

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All events are on the Duke University campus unless otherwise noted. Please check the CDS calendar on the web for updates to this events listing

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Center for Documentary Studies at Duke University | Spring 2011

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http://cds.aas.duke.edu/events/index.html

February 11, 7 p.m. Woodpecker 6RXWKHUQ &LUFXLW ÀOP VFUHHQLQJ ZLWK GLUHFWRU $OH[ .DUSRYVN\ Center for Documentary Studies

March 3, 8 p.m. Marty Stuart & His Fabulous Superlatives $ 'XNH 3HUIRUPDQFHV HYHQW LQ FRQMXQFWLRQ ZLWK DQ H[KLELWLRQ RI 0DUW\ 6WXDUW·V SKRWRJUDSKV DW &'6 Reynolds Industries Theater, West Campus

March 11, 7 p.m. Southern Stories 6RXWKHUQ &LUFXLW ÀOP VFUHHQLQJ ZLWK GLUHFWRUV 3DXO +DUULOO DQG $VKOH\ 0D\QRU Center for Documentary Studies

March 17– 20 Listening Institute $XGLR UDGLR SURGXFHUV IURP WKH 8 6 DQG DEURDG VKDUH WKHLU ZRUN Center for Documentary Studies

March 3 – 6 Show + Tell 0XOWLPHGLD WUDLQLQJ IURP %LJ 6KHG DQ DXGLR DQG PHGLD SURGXFWLRQ VKRS

March 31, 7 p.m. A Conversation with William Johnson 3HUVSHFWLYHV RQ SKRWRJUDSKHU : (XJHQH 6PLWK LQ FRQMXQFWLRQ ZLWK The Jazz Loft Project H[KLELWLRQ

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Nasher Museum of Art

March 9, 7 p.m. Full Frame Winter Series Screening &XUDWHG E\ WKH )XOO )UDPH 'RFXPHQWDU\ )LOP )HVWLYDO VWDII American Tobacco Campus, Durham, NC

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