Catherine southon 8 may 2013

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Antiques & Collectables Wednesday 8th May at 12 noon TO BE HELD AT THE CHATEAU, COOMBE LANE, CROYDON, SURREY CR0 5RE



Antiques & Collectables Wednesday 8th May at 12 noon VIEWING Tuesday 7th May 9.30am - 5.30pm Wednesday 8th May 9am - 11.30am

T O B E H E L D AT T H E C H AT E A U , C O O M B E L A N E , C R O Y D O N , S U R R E Y C R 0 5 R E


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Welcome to Catherine Southon Auctioneers & Valuers Specialist:

Catherine Southon MA

Consultants:

Mark Stacey Susan Rothwell

Sale Administrator:

Nicola Minney

Auction Enquiries and Information:

07596 332978 020 8667 9023 (6th-10th May only) 07808 737694 Email: info@catherinesouthon.co.uk

Auction Venue:

The Chateau, Coombe Lane, Croydon, Surrey, CR0 5RE Tel: 020 8686 1244 (venue enquiries only)

Registered Office:

Lygon House, 50 London Road, Bromley, Kent, BR1 3RA

Forthcoming Valuation Days:

Second Friday of every month St Marks Hall, Braemar Gardens, West Wickham, Kent 12.15 - 2.15pm

22nd June 2013 Warlingham Church Hall, 399 Limpsfield Road, Warlingham, Surrey

I M P O R TA N T N O T I C E S Please note that purchased items of furniture should be collected from the auction venue before 4pm on Friday 10th May. All other purchases can also be collected during this time. Please note that the condition of items are not noted in the catalogue. Condition reports can be viewed on www.the-saleroom.com AUCTIONS We hold regular Antiques and Collectables Auctions, with colour catalogues, on-line catalogues and Live bidding. These auctions take place regularly at The Chateau, Coombe Lane, Shirley Hills, Surrey CR0 5RE. This venue has plently of free parking and is a short taxi ride from East Croydon Station with directly links to London. The Company trades as Catherine Southon Auctioneers & Valuers Ltd. The Company’s registered office is: Lygon House, 50 London Road, Bromley, BR1 3RA. Company Registration Number 08020183. Registered in England and Wales.

L I V E I N T E R N E T B I D D I N G - Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real‑world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - it’s just like being in the auction room. A live audio feed means you hear the auctioneer at exactly the same time as other bidders. You see the lots on your computer screen as they appear in the auction room, and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! w w w.c a t h e r i n e s o u t h o n .c o.u k

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Furniture & Decorative Works of Art (LOTS 1-72)


F U R N I T U R E & DECOR AT I V E WOR KS OF A RT

1. An 18th century style giltwood triptych mirror with simple beaded carved frame, central mirror and two folding smaller mirrors, raised on four feet, height 68cm, width 92cm £70-£80

4. A small pair of George V circular walnut occasional tables raised on turned central column, and tripod base, height 41.5cm £50-£60

2. An oak joint stool 17th century, with simple carved frieze, height 56cm £100-£150

5. A small mahogany Edwardian table top display cabinet with three display shelves, and shaped and carved pediment, height 66cm, width 35cm, depth 22cm £50-£80

3. An 18th century oak coffer of rectangular form with later carved front panel, width 108cm, height 64cm, depth 41cm £100-£150

6. A late Victorian mahogany and satinwood inlaid games table raise on turned end supports and united with a turned stretcher, height 67cm, width 86.5cm, depth 41cm £80-£120

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F U R N I T U R E & DECOR AT I V E WOR KS OF A RT

7. An early Victorian small mahogany sofa table of rounded rectangular form, with single central drawer, on a central turned column with shouldered quatrefoil base, height 71cm, width 60cm, depth 50cm £100-£200

8. An early Victorian mahogany pembroke table with drop leaves, two drawers raised on ring turned legs with brass castors, height 77cm, width 37cm, depth 50cm £100-£200

9. A late George III mahogany and satinwood banded fold over card table with rounded front raised on tapered square legs, height 72cm, width 85.5cm, depth 45cm £150-£200

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10. A George III mahogany and satinwood banded and inlaid fold over card table circa 1800, the fold over top above a wide frieze and raised on tapered squared legs and spade feet, height 72.5cm, width 96.5cm, depth 47cm £200-£300

11. A William IV rosewood fold over card table circa 1830, with swivel top revealing a small selection of vintage card games, raised on central octagonal pillar with fluted base terminating in four reeded legs and brass feet, with bead and spindle border, height 74cm, width 92cm, depth 46cm £300-£500

12. A mahogany and boxwood strung and inlaid Sutherland table early 20th century, with butterfly wing leaves, tapered legs, united by a shaped stretcher, height 63.5cm, width 66.5cm, unextended depth 22cm £100-£150

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F U R N I T U R E & DECOR AT I V E WOR KS OF A RT

13. A Chinese rosewood tiered table early 20th century, the square top above a pierced frieze, and two stepped tiers below, height 74cm, width 41.5cm, depth 41.5cm £300-£500 14. An early 20th century gilt metal mounted two tier stand French, the rouge marbled top with pierced gallery above fluted legs and under tier, height 83.5cm, width 29.5cm, depth 29cm £80-£120

15. Two similar mahogany tall chests of drawers early 20th century, each with fretwork frieze to the top above five drawers, raised on cabriole legs, height 116.5cm, width 46.5cm, depth 44cm, height 118cm, width 46cm, depth 44.5cm £100-£200

16. A mahogany small chest of drawers probably late 19th century, originally set with four drawers, later adapted with two deep drawers, on bracket feet, height 75.5cm, width 59cm, depth 48cm £80-£120

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F U R N I T U R E & DECOR AT I V E WOR KS OF A RT

Part 18. A set of eight late George III mahogany dining chairs comprising two carvers and six singles, each with square backs, drop in seats, and squared legs united by H cross stretchers £300-£500 17. A Chinese cabinet early 20th century, fitted with a central cupboard and an arrangement of nine drawers applied with various metal mons, on cabriole feet (possibly later), height 80cm, width 70cm, depth 30cm £200-£300

19. A Victorian mahogany two door bookcase circa 1870, the rounded cushion top above two long glazed doors and plinth base, of narrow form, height 211cm, width 85.5cm, depth 29cm £100-£200

20 20. A pair of mid 19th century Dutch corner cabinets with floral marquetry inlay to the sides and legs, the tops inlaid with central urn flowers and leaves, with gilt metal glazed doors, raised on cabriole feet, height 75.5cm, width 64cm, depth 35.5cm £500-£800

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21. A late Victorian mahogany torchere a circular top above a classical revival column, tripod base with ball and claw feet, height 152cm £80-£120

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F U R N I T U R E & DECOR AT I V E WOR KS OF A RT

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22. A brass mounted mahogany table clock circa 1900, inscribed on dial HOWELL & JAMES TO THE QUEEN LONDON, French bell striking movement with brocot escapement, mahogany case with cockerel finial, height 44cm £150-£250 23. A mahogany French mantel clock circa 1910, with decorated enamel dial and gong striking pendulum movement, height 26cm £80-£120 24. A porcelain mounted carriage timepiece with alarm French, late 19th century, the gilt painted dial with retailers name HOWELL JAMES TO THE QUEEN LONDON & PARIS, subsidiary dial, corniche case, original lever escapement, height 19cm £250-£350

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25. A miniature oval carriage timepiece French, circa 1890, with retailers name M.SAURY CIE on enamel dial, original cylinder escapement, 8-day movement, associated leather case, height 9.5cm £200-£300 26. A French carriage timepiece circa 1890, with original cylinder escapement, height 13.5cm £70-£90 27. A miniature silver carriage clock by Goldsmiths and Silversmiths Company hallmarked London 1903/4, with enamelled dial, Arabic numerals and blued steel hands, pull open back and raised on four bun feet, height with handle 10cm £300-£500

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28. A red Boulle mantel clock French, circa 1850, of lyre form, bell striking movement with silk suspension, enamel dial signed by H.A.Davis à Paris, Roman numerals, height 33cm £200-£300

31. An ormolu Rococo mantel timepiece French, circa 1830, French movement with painted gilt dial, crisply cast case with flower trellis frets to sides, height 28cm £500-£700

29. An ormolu mounted mantel clock late 19th century, with simulated tortoiseshell veneer, the enamel dial with Roman numerals, 8 day gong striking movement, height 28cm £100-£150

32. A Black Forest wall clock German, circa 1920, with 8-day movement, white enamel numerals, striking on the half hour, carved walnut case, height 65cm £100-£150

30. A brass mantel clock with twin tube mercury pendulum French, early 20th century, by D. C. & Cie, with glazed gilt brass case, enamel dial with Roman numerals, open escapement, key wound, striking on the half-hour, height 31cm £400-£500

33. An English dial timepiece circa 1910, with 12-inch painted dial stamped G.P.O, 8-day fusee movement, with pendulum £250-£350

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F U R N I T U R E & DECOR AT I V E WOR KS OF A RT

34. An oak gothic collapsible table top bookshelf third quarter 19th century, with fretted folding sides, two folding shelves, and fretted back, height 47.5cm £40-£60

37. An Anglo Indian games compendium late 19th century, of typical decoration, the top inlaid with chequered pattern for use as chess/draughts, the interior inlaid for backgammon, width 43.5cm £50-£80

38. An Anglo Indian table top chest of drawers late 19th century, comprising two short and two long drawers, inlaid with bone flower, urn, bird and leaf motifs, the sides and the top also inlaid with bone and satinwood flowers, height 36.5cm, width 47.5cm, depth 29cm £100-£150

35. A small Anglo Persian brass mounted and studded chest circa 1900, the hinged top opening to reveal a small fitted section to the right, with decorative hinge work, and brass carrying handles, width 56.5cm £80-£120

39. A Chinese black lacquer export ware fitted box late 19th century, of octagonal form, the interior fitted with a series of decorated boxes and trays, raised on four feet, damaged, width 34cm £60-£80

36. An Anglo Indian inlaid bone and brass mounted ladies dressing casket late 19th century, the hinged top opening to reveal a compartmented interior, and a fitted mirror, with makers label to the reverse reading Messrs Kanhaya Lal, Brij Lal, Ivory, Brass, Wood Work Manufacturers P.O. Hoshiarpur, Punjab, width 38.5cm £80-£120

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F U R N I T U R E & DECOR AT I V E WOR KS OF A RT

40. A full-tip rhinoceros horn carving on stand Qing Dynasty 19th century, the tapering horn a mixture of dark and warm caramel colours with ruffled edge, heavily carved with open-work of intertwined leaves, magnolia vine and berries, mounted on a large wooden stand with central branch, heavily carved with open-work of lotus pods, and leaves, height of horn 50cm, overall height of horn and stand combined 81cm ÂŁ30,000-ÂŁ50,000 Provenance: This rhinoceros horn was acquired by descendants of the current owner whilst they were stationed in China during the late 1800s it has been handed down through the family through a number of generations. Please note that the United Kingdom Government have introduced an almost complete prohibition on granting a license to permit the export of worked antique rhinoceros horn from the United Kingdom to any destination outside the European Union. Therefore it is unlikely that a CITES re-export certificate would be granted for this item under the restrictions in force in the UK on rhino horn exports. Potential bidders are required to register specifically for this lot before 12 noon on the day prior to the auction. Please note that absentee, telephone and email bids will not be accepted from potential buyers from mainland China and other countries outside the EU.

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F U R N I T U R E & DECOR AT I V E WOR KS OF A RT

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F U R N I T U R E & DECOR AT I V E WOR KS OF A RT

41 41. A bronze Chinese vase early 20th century, the tapered neck with figure of a dragon, and birds and foliage below, marks to the underside, height 31cm £100-£150

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43 43. A large cloisonné vase Chinese early 20th century, the flared rim above an octagonal baluster body, with a wide band of mons above shields with roosters and dragons, height 31cm £80-£100

42. A Japanese Meiji period bronze figure early 20th century, modelled standing, decorated in gilt, on later stand, height 18cm £80-£120

45. A Chinese carved mother of pearl panel late 19th century, decorated with figures on horse back, buildings and other figures, fitted on a carved hard wood stand, together with another carved mother of pearl panel depicting the last supper, height 33cm £100-£150 44. A pair of small late 19th century cloisonné enamel vases probably Chinese, each decorated with pigeons perched on branches above peonies and other flowers, height 15cm £80-£100

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F U R N I T U R E & DECOR AT I V E WOR KS OF A RT

46. A Prisoner of War straw work box late 19th century, in the form of a book, with lid lifting up to reveal a mirror and compartmented interior, overlaid with coloured straw, length 19.5cm £100-£300

48. A Victorian tortoiseshell, silver and leather stationery box hallmarked London, 1895/96, makers mark for William Comyns, the front of the red Morocco leather casket overlaid with tortoiseshell with silver corners embossed with flower heads, rose heads and scrolls, with central cartouche engraved with interlaced initials S.S, the box opening to reveal a silk lined compartmented interior and pen tray, width 29.5cm £300-£500

47. A leather and gilt metal mounted stationery casket French, late 19th century, retailed by J.C.Vickery of Regent Street London, in French Empire style, the hinged cover applied with a cast metal figure of a lady artist, the front with applied cornucopia, together with a matching blotter/ folder, height 15cm, width 21.5cm £100-£200

49. A cold painted bronze budgerigar desk ornament Continental, early 20th century, perched upon a central pole overlayed with green, gilt, and ivory coloured mosaic pattern with matching base, height 14cm £300-£400

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F U R N I T U R E & DECOR AT I V E WOR KS OF A RT

50. Newlyn School A large beaten copper tray, circa 1905, signed on the reverse J.P. 1905 6060 possibly for John Pearson, with hand-beaten border decorated with symbols of signs of the zodiac, possibly for the Arts and Crafts Guild, diameter 61cm £500-£700

52. A Liberty & Co ‘Tudric’ pewter fruit bowl designed by Archibald Knox circa 1905, of circular form with hammered bowl and border cast with stylised berry motif, raised on three feet, with stamped marks to the underside 01161, diameter 26cm £200-£300

John Pearson (fl 1885-1910) was a famous craftsman of the Newlyn School who worked mainly in copper in the Arts and Crafts style.

53. A three piece pewter tea set designed by Archibald Knox circa 1905, the teapot with hinged lid and cane covered handle, with matching milk jug and sugar bowl all decorated in relief with ‘Honesty’ design, stamped marks on the underside and numbered 0231, height of teapot 12cm £600-£800

51. A pewter muffin dish designed by Archibald Knox circa 1905, the rim cast with Celtic scrolls, complete with cover, the handle with hammered design, the reverse with stamped marks and numbered 0293, diameter 24.5cm £300-£400

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54. A pewter tray English, early 20th century, with two handles and spot hammered design, numbered on the reverse 043, length 48cm £100-£150

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F U R N I T U R E & DECOR AT I V E WOR KS OF A RT

55. A ‘Tudric’ pewter dish designed by Archibald Knox circa 1905, of hammered design with pierced rim decorated with shamrock, and twin shaped projecting handles, the reverse stamped Tudric Pewter 0287, diameter 28.5cm £100-£150 56. An Art Nouveau pewter vase, Archibald Knox for Liberty & Co circa 1900, the two handled vase of waisted organic form, stamped on the underside TUDRIC 029, height 25cm £150-£250

58. A pair of pewter three handled spill vases Archibald Knox for Liberty & Co circa 1905, with raised panel of stylised berries and flowers to rim, stamped on the underside LIBERTY & CO 0957, missing glass liners, height 21.5cm £80-£120

59. A pewter Liberty & Co coffee pot circa 1905, of hammered design with wooden handle and finial stamped on the underside LIBERTY & CO 01386; a water jug of similar design; a two handled vase of hammered design stamped 01478; and a Tudric Howell’s Tenby Jug of hammered design with caned handle, the former height 22cm £80-£120

57. A Tudric pewter comport early 20th century, the simple stand with hammered design stamped on the underside TUDRIC PEWTER 01388, height 16cm £60-£80

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60. A rosewood tea caddy of sarcophagus form English, mid 19th century, inlaid with mother of pearl decoration, the lid lifting to reveal central mixing bowl and two compartments, raised on four bun feet, width 29cm £60-£80

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F U R N I T U R E & DECOR AT I V E WOR KS OF A RT

61. A rosewood Tunbridgeware tea caddy English, late 19th century, of rectangular form, the lid inlaid with mosaics depicting a castle with border of scroll and geometric pattern, opening up to reveal two matching compartments with hinged lids decorated with geometric mosaic patterns, with central glass mixing bowl, width 31cm £200-£300

62. A late George III mahogany and satinwood cross banded tea caddy circa 1880, of rectangular form, the interior fitted with one hinged fitted compartment and a cut glass mixing bowl, width 25cm £100-£150

63. An 18th century carved wooden snuff box American, the lid carved with a funeral scene featuring an Admiral possibly after a death at sea, the sides carved with eagles and mermen, and the reverse similarly carved with mermen and a bouquet of flowers, length 10.5cm £250-£350

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64. A horn snuff box with cover English, early 19th century, the obverse with a relief cameo portrait of Queen Caroline encircled by laurel leaves and the wording Her Most Gracious Majesty Caroline Queen of England, the reverse with relief panel of flowers, diameter 7.5cm £100-£150

65. A 19th century mahogany shoe snuff modelled as a gentleman’s shoe with studded detail to the front of the shoe, the sole and the heel, length 8.5cm £80-£120

66. A Black Forrest bear inkwell German, late 19th century, modelled seated with open mouth, together two other carved bears one on a sleigh and one seated, and a painted terracotta bear, former height 11cm £60-£80

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F U R N I T U R E & DECOR AT I V E WOR KS OF A RT

67. A late 18th century sampler dated 1799, by Leah Criswick, finely worked in predominantly green and brown coloured threads depicting trees, flowers, figures and two poems, framed, height 68cm £300-£400

68. An embroidered picture entitled ‘A map of England’ late 19th century, depicting Southern Scotland, England and Wales, worked in coloured threads outlining county borders, with compass rose to the bottom left corner, framed, height 66cm £200-£300

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69. A 19th century sampler dated May 8 ‘44, worked in various coloured thread showing a variety of stitches, alphabet in upper and lower case, and a French verse, framed, length 54.5cm £80-£120

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F U R N I T U R E & DECOR AT I V E WOR KS OF A RT

70. A sampler dated 1818, the alphabet embroidered in upper and lower case, with a poem about patience and a wish, by Martha Ellis aged 8 20th May 1818, framed, with frame 35 x 43cm £100-£150

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71. A small Victorian sampler mid 19th century, by Emma Chard aged 8 years, worked in coloured threads depicting birds, flowers, dogs and people, with short poem to the centre and Greek key motif border, framed, together with another larger later sampler worked in coloured wool dated 1853, height of the former 35cm £100-£150

72. A large patchwork cover late 19th century, depicting flowers, leaves, birds etc, approx 224 x 224cm £50-£80

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Pictures, Prints & Drawings SECTION HEADER

(LOTS 73-98)

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PICTURES, PRINTS & DRAWINGS

73 73. Italian School oil on canvas 17th century, unsigned, framed, 58 x 70cm £1,000-£2,000 74. An oil on canvas of mother and child French school, 18th century, 39 x 30cm £400-£600

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75. A 19th century watercolour of descent from the Cross Lady Needham, 52.5 x 67cm £200-£300

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PICTURES, PRINTS & DRAWINGS

76. A 19th century watercolour of Madonna and child Lady Needham, 45 x 35cm £150-£200 77. A 19th century watercolour of cherubs together with an engraving of Cupid entitled ‘Love’, 15.5 x 21cm £70-£90

80. A 19th century watercolour of a boy with his pet rabbits possibly depicting the Honourable James Cooke of Grove Hall, in a gilt frame, 11.5 x 9cm £150-£200

81. A marine oil on canvas dated 1908, signed G. W. Gourd, framed, 24 x 34cm £50-£70 78. A 19th century watercolour of a young lady in fitted giltwood Rococo style frame, 9 x 6.5cm £100-£150 79. A oval pencil drawing probably 18th century, heightened colour to waist and hat band, in a pierced giltwood Rococo style frame, 13 x 9cm £100-£150

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PICTURES, PRINTS & DRAWINGS

84. An oil on board of Napoleon possibly late 19th century, unsigned, mounted and framed, 16 x 11.5cm £80-£120

82. Two Victorian watercolours of hunting scenes dated 1880, signed Herberter, original walnut frame, 22 x 28cm £50-£70

83. ‡ Tim Scott Bolton A winter scene, signed and dated 1985, framed and mounted, 24 x 29cm £150-£250

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85. Pierre-Auguste Renoir (1841-1919) French, circa 1892, ‘Sur la plage à Berneval’ etching, the third (final) state with margins, mounted and framed, together with a letter of authentication from Galerie George May 1980, 13 x 9.5cm £100-£150

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PICTURES, PRINTS & DRAWINGS

86. In the manner of Noel Coward Gouache on canvas ‘Country Lane’, unsigned, framed, 24 x 19cm £1,000-£1,500 Purchased from ‘The Music Theatre Gallery’, London SW3

87. ‡ Graham Payn (1918-2005) oil on canvas ‘Swiss Farm’, signed G.Payn (lower right), framed, 23 x 36cm £150-£250 Graham Payn was an actor, singer and life partner of Noel Coward., Purchased from ‘The Music Theatre Gallery’, London SW3

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PICTURES, PRINTS & DRAWINGS

88. Sir Eduardo Paolozzi R.A. (1924-2005) Elephant signed E.Paolozzi on the rear grey leg, grey moulded plastic, height 29.5cm £800-£1,200

89. ‡ Rolf Harris (b. 1930) 1967, A large autographed self-portrait painted sketch, black paint on orange paper, with dedication reading To Doreen With Love Rolf Harris ‘67, approx 232 x 255cm £500-£800 Provenance: The current owner was working as a dancer with Rolf Harris during the Summer Show in the 1960s and had this picture signed for her mother.

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PICTURES, PRINTS & DRAWINGS

90. Two engravings by Johannes Kip (1653-1722) Tutsham Hall the seat of Edward Goulston Esq, depicting a birds eye view of Tutsham Hall, West Farleigh, Kent, a coloured engraving together with ‘The SE Prospect of Fragnall als Fragpool The Seat of Rowland Fryon Esq’, coloured engraving both framed and mounted, 35 x 42cm £150-£250

91. ‡ Original artwork by Giles (1916-1995) signed and dated 1976, pen, pencil, watercolour and oil, depicting grumpy ‘Grandma’ sitting in the dog’s basket reading a newspaper whilst the dog sprawls out asleep on her comfy armchair, mounted and framed, 40.5 x 29.5cm £200-£300 Carl Giles (1916-1995) joined the Daily Express in 1943, eventually producing three cartoons a week for them. His cartoons were always topical, and often feature popular recurring characters such as ‘Grandma’ and ‘Butch’ the dog as featured here. The Royal Family were admirers of Giles, and he would often donate original artworks to them. 92. Four limited edition prints by wildlife artist Matthew Hillier 20th century, comprising Lanner Falcon, Saker Falcon, Peregrine Falcon and Goshawk, each signed and numbered 213/300 and all framed and mounted, 36 x 26.5cm £100-£150

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93. ‡ Jonathan Langley (b.1952) ‘The Rat was running around with his arms full of weapons’, watercolour with bodycolour, framed and mounted, 16.2 x 11.2cm £200-£300 Illustrated: Kenneth Grahame, The Wind in the Willows, 1984, London Octopus books. Exhibited: Cecil Higgins Art Gallery, Wonderland: An exhibition of children’s book illustrations, 2001 Provenance: Christ Beetles Limited Gallery purchased by a family member of the current owner

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PICTURES, PRINTS & DRAWINGS

94. ‡ E. H. Shepard (1879-1976) ‘Following Mr Punch’, pen and ink, framed and mounted, 9.4 x 12.3cm £200-£300 Ernest Howard Shepard is perhaps most famous for his illustrations of Winnie the Pooh, Piglet, Tigger and other characters in A. A. Milne’s books, however for over 50 years he was also a political cartoonist for the satirical humour magazine Punch. Provenance: The Fine Art Society December 2006 purchased by a family member of the current owner

96. ‡ E. H. Shepard (1879-1976) ‘Showed all over by an elderly soldier’, pencil drawing, framed and mounted, 17 x 17cm £200-£400 A pencil drawing from Shepard’s autobiography ‘Drawn from Memory’ 1957 published by Methuen. In this illustration Ernest Shepard has visited Dover Castle and is seen listing to a rather strict soldier who was telling all the dates and facts that he had learnt by heart about the guns, bayonets and rifles. Provenance: Estate of the artist sold at The Fine Art Society PLC December 2002 where it was purchased by a member of the family of the current owner 97. ‡ Margaret Tarrant (1888-1959) ‘Big Stretch’, pencil drawing, framed and mounted, 12.8 x 6.7cm £200-£300

95. ‡ Cicely Mark Barker (1895-1973) ‘Nat has a net but not a rod’, signed with initials, pen and ink, framed and mounted, 6.5 x 9.5cm £200-£300 Illustrated: Our Children›s best book, London: Blackie & Co (unpaginated) Exhibited: The British art of illustration 1900-2001, The Twentieth Century No 158

Margaret Tarrant was perhaps best known as a children’s illustrator, and one of her most notable works was illustrating Charles Kingsley’s Water Babies. Provenance: Chris Beetles Limited Gallery, London

Provenance: Chris Beetles Gallery, London, purchased by a family member of the current owner

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PICTURES, PRINTS & DRAWINGS

98. Three framed gouaches of The Royal Fusiliers early 20th century, one entitled Past, another Present, the other untitled, 35 x 24.5cm £80-£120

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Miniatures & Medals SECTION HEADER

(LOTS 99-115)

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MIN I AT U R ES & M EDA L S

99. An oval miniature on ivory of James Needham (1766-1837) early 19th century, in a tooled leather fitted case, in a gilt metal frame, length 7cm £250-£350

100. An oval portrait miniature on ivory of Mary Winbolt late 18th century, mounted in a gold locket fitted to wear as a brooch, with a lock of hair with inscription to reverse died Mary Winbolt Aug 18 1855 Aged 86, fitted in a leather case, length 4.5cm £200-£250

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101. An oval portrait miniature on ivory early 19th century, probably James Winbolt (1758-1805), fitted in a gilt metal frame and with a leather case, length 6.5cm £200-£300

102. A square portrait miniature on ivory of a gentleman early 19th century, in a fitted leather case, length 9cm £200-£300

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103. A miniature of a lady French, late 19th century, set within an oval shaped mourning pendant decorated with laurel leaves, length 3.8cm £200-£300 104. An oval portrait on ivory of Rachael Wadham late 19th century, fitted in a leather case, length 9cm £200-£300

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105. A square portrait miniature on ivory of a lady early 19th century, in fitted leather case, length 7cm £200-£300 106. An oval portrait on ivory of a lady in a gilt metal frame decorated with seed pearls circa 1920, fitted in a velvet case with tooled decoration in an Art Nouveau style, length 6.5cm £150-£200

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107. An oval portrait miniature of Captain D.A.F. Needham MC Royal Fusiliers early 20th century, fitted in a tooled gilt leather case, in a gilt metal frame, together with a presentational hand coloured shield surmounted by Royal Fusiliers badge entitled overleaf ‘The Services in the War (1914-18) displayed in Heraldic Form of Captain D.A.F.Needham MC Royal Fusiliers’, contained in frame, length of the former 6.5cm £200-£300 108. A group of Great War Military Cross medals awarded to Captain Desmond Annersley Fraser Needham (1885-1958) Royal Fusiliers, comprising Military Cross, General Service medal, the Victory medal 1918, the Iraq medal 1919 with two bars for North West Persia and Iraq, and a World War II medal, together with citation reading:, Awarded the Military Cross for conspicuous gallantry and devotion to duty during the fighting near the Bailleul from 12th to 16th April 1918. After the Battalion had been ordered to withdraw, Captain Needham finding that he was separated from the Battalion Headquarters rallied his Company and the remnants of another Company, and in conjunction with a Company of the 11th Suffolks held a line. He then established touch with another Company of the Battalion, and then placed his command at the disposal of the Officer Commanding the 11th Suffolks. During the attack by the Germans on the 13th inst he displayed the greatest coolness and gallantry, personally organising and supervising the defence, and encouraging the men under extremely heavy Machine Gun fire. Later when forced to retire owing to the enemy breaking through our flank, he rallied men of five different Battalions, and personally organised and led a counter attack which resulted in our line being advanced 500 yards., On the 14th April at Bailleul Station and again on the 16th April, his great coolness and cheerfulness did much to encourage the extremely tired men when they were subjected to particularly heavy bombardments., During the whole of this period Captain Needham displayed an untiring energy and an absolute disregard of danger, and his conduct of the operations on the 13th April undoubtedly saved a very critical situation, together with birth and death certificate and a copy of a black and white photograph of Captain Needham £1,500-£2,000 Provenance: By direct descent to the current owner 109. A group of second World War medals awarded to Captain T.W.F. Odell comprising the MBE (Military division), 1939 medal, the African Star with 8th Army clasp, Campaign medal, the World War II medal (mentioned in despatches), territorial efficient service medal £400-£600 Provenance: By direct descent to the present owner

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110. A Royal Fusilier swagger stick belonging to Captain D.A.F. Needham Birmingham, 1913/14, the silver top embossed with the Fusiliers crest and motto, with silver tip staff, engraved with owners name, together with a hand made book of recognition badges of the Royal Fusiliers compiled by Capt. D.A.F. Needham, length 75cm £100-£150

113. Most Excellent Order of the British Empire medal - C.B.E. Ladies Type 1 circa 1937, with blue enamel cross, Britannia to the centre, burgundy coloured ribbon in the form of a bow and pin to the reverse, together with a photograph of the owners memorial £250-£350 Presented to Dame Nadia Chew (d.1939) 114. A bronze medal commemorating the visit of his Imperial Majesty Abdul Aziz Sultan of Turkey to London by J.S. & A.B. Wyon 18th July 1867, the obverse with a rightview bust of Abdul Aziz wearing a fez, the reverse with figures representing London receiving Turkey with emblems of hospitality and festive welcome, contained within a velvet lined case with gilt inscription to lid, diameter of medal 7.8cm £150-£250

111. Two Portuguese gilt metal and enamel orders of merit together with a further enamelled medal, a service medal for Festival International 30 Mai 1897, and a Scottish kilt brooch £80-£120

112. A 9ct white gold military gem set brooch modelled as the arms and motto for the Honourable Artillery Company, together with a brooch for the Royal Army service Corps £200-£300

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115. A silver hockey medal dated 1908 hallmarked Birmingham 1907/08, with makers initials WHH, the fretted shield shaped medal with central cartouche engraved with interlocking initials SS surmounted by crossed hockey sticks, the reverse engraved The Southfield 1908, together with a Hawkes Bay agricultural first prize medal dated 1878, the reverse with three roundels with relief images of a horse, ram and a cow, length of former 4cm, diameter of agricultural medal 5cm £40-£60

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Ceramics & Glass SECTION HEADER

(LOTS 116-171)

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116. A Moorcroft ‘Anemone’ vase circa 1935, decorated under a flambé glaze, with brown, green and blue ground, with blue signature, and impressed marks, height 17cm £200-£300 117. A small pink Moorcroft ‘Hibiscus’ posy vase 1970s, the purple hibiscus flower design on blue/green ground with impressed marks to base, together with a small dish with purple and ivory pansies painted on a dark green ground, circa 1999, with impressed marks and date code Jug, initialled RM, contained within original box, height of the former 9cm £80-£120 118. A Moorcroft ‘Magnolia’ circular bowl English, circa 1976, the interior with tube lined decoration depicting pink magnolias on a dark blue ground, with impressed marks to base and green signature, diameter 26.5cm £120-£180 119. A Moorcroft ‘Leaf and fruit’ small bowl 1930s, with tube lined decoration on green ground, with blue signature and impressed marks, diameter 16cm £200-£300 120. A Moorcroft and Macintyre ‘Poppy’ three piece tea set circa 1903-04, comprising a teapot, water jug, and sugar bowl, painted in blue and green colourways, all with printed standard Macintyre factory mark to the underside, height of the jug 17.5cm £300-£500

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121 121. A large Moorcroft Florian Ware ‘Tulip’ two handled vase English, circa 1898, the stylised tulips and leaves decorated in blue on a green ground, the underside with green signature and registered number, height 20.5cm £500-£800

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127 122. A Moorcroft ‘Pansy’ biscuit barrel circa 1920, with tube lined pansy decoration on blue ground, hammered Tudric pewter lid and rim, the lid impressed with shape number 01328, the underside with blue signature, impressed factory marks and printed paper Royal Warrant label, height 17.5cm £300-£500 123. A Moorcroft ‘Wisteria’ preserve pot circa 1925, on blue ground with metal mount, impressed on the underside Moorcroft, Made in England, height 9.5cm £200-£300 124. A Moorcroft ‘Fresia’ circular bowl circa 1935, on blue ground, impressed factory mark, blue signature and impressed signature W.Moorcroft potter to H. M. The Queen, diameter 32cm £100-£150 125. Five Moorcroft pottery ‘Pomegranate’ plates circa 1920, on mottled green ground, with green painted signature and impressed marks, together with another plate with ‘Pomegranate’ pattern on blue ground with blue painted signature and impressed marks £200-£300

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129 126. A Moorcroft pottery ‘Pomegranate’ vase circa 1920, on blue ground, with green signature and impressed marks, height 15cm £300-£400 127. A Moorcroft pottery ‘Pomegranate’ circular bowl circa 1920, decorated on blue ground, with painted green signature and impressed marks to base, diameter 23cm £200-£300 128. A Moorcroft pottery ‘Pomegranate’ tall jug circa 1920, of tapered form on mottled green ground, with painted green signature and impressed marks, height 18cm £150-£250 129. A Moorcroft pottery ‘Pomegranate’ large circular bowl circa 1920, decorated on the interior and sides on blue ground, painted green signature to base and impressed marks, diameter 25.5cm £300-£400

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CERAMICS & GLASS

130. A large Moorcroft lustre glazed ‘Dawn Landscape’ bowl circa 1928, the interior with trees in blue and black against a pale pink ground, the outside of the bowl with chevron band above blue vertical stripes, impressed marks and blue signature to base, diameter 30cm £600-£800

Front

Front

Reverse

Reverse

131. A William de Morgan pottery plate circa 1872, painted in tonal blues and greens depicting stylised flower heads and foliage, with a border of stylised tulip heads painted in similar tones, the reverse brightly painted with concentric circles, diameter 20.5cm £300-£500

132. A William de Morgan pottery plate circa 1872, painted in greens, blues and browns on a cream ground, depicting oak leaves and pine cones amidst stylised tulip heads, the reverse painted with patterns in turquoise and ink blue, diameter 21cm £300-£400

A similar plate by William de Morgan can be found at The Birmingham Museum, Chelsea.

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133. Clarice Cliff Crocus jam pot and lid 1930s, with marks to the underside, height 8.5cm £70-£90

134. A Shelley ‘Phlox’ pattern tea service 1920s/1930s, decorated with yellow phlox on a shaded yellow and cream ground, comprising: a coffee pot and cover, a teapot and cover, a sugar bowl, two sandwich plates, twelve cups, saucers and plates, printed and painted marks £250-£350

137. A cased set of Royal Crown Derby six demitasse coffee cups and saucers circa 1900, each decorated in an Imari palette with silver mount and handle, London 1905/06, together with two further matching unboxed coffee cans and two silver mounts, and a sugar bowl with silver mount £70-£100

135. A Charlotte Rhead Crown Ducal Charger 1930s, with tube lined decoration depicting stylised leaves and flower heads in typical autumnal colours, with painted signature to the reverse, together with a Charlotte Rhead Crown Ducal jug, bowl and vase all with a similar painted band of leaves and flowers in matching autumnal colours, diameter 36cm £80-£120

136. A pair of Royal Crown Derby bone china candle sticks 20th century, each modelled as mythical winged bulls and decorated in typical Imari colours, 8.5cm height £80-£100

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138. A collection of Royal Crown Derby ‘Old Imari’ pattern 1128 comprising a dinner plate, five coffee cups and five saucers, two tea cups and two saucers, six side plates, four tea cups and saucers boxed, one coffee and saucer boxed, a milk jug boxed and a sugar bowl boxed £300-£500

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CERAMICS & GLASS

142. Five Royal Worcester figures English, mid 20th century, Little Mermaid, Birthday Girl, Little Grandmother, Mischief, Katie, all modelled by F. G. Doughty, the tallest 12.5cm £80-£120

139. Two Royal Worcester figures by James Hadley English, late 19th century, 1003 Marking Stones, and 1000 Ye Prison basket, height 19cm £80-£100

143. A Royal Worcester figure of ‘The Harpist’ early 20th century, in Art Deco style, modelled by Elthelwyn Baker, height 22.5cm £80-£120

140. Four Royal Worcester figures English, mid 20th century, The Slide, Little Parakeet, Old Friends and Fisherman, all modelled by F. G. Doughty, the tallest 12.5cm £80-£120

141. A late 19th century Royal Worcester figure of ‘Mischief’ English, 1896, modelled by F. G. Doughty, height 7.7cm £80-£120

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144. A Beswick hunting group including ‘Huntsman’ on brown horse model number 1501, ‘Huntswoman’ on grey dappled horse model number 1730, and five beagles, and a fox, height 22cm £300-£500

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145. An Edwardian mounted alabaster box and cover of cylindrical form surmounted with a porcelain rabbit finial, with silver rim hallmarked London, 1901/02, diameter 12cm £60-£80

146. A pair of porcelain elephants probably German, circa 1900, realistically modelled, impressed on the foot 2376, height 21.5cm £200-£300 147. A porcelain model of a woodpecker by Karl Ens German, 20th century, with impressed model number 7631 to the underside, height 24.5cm £50-£70

151. A pair of Minton two handled vases late 19th century, decorated on the front and back with flowers on cream ground, with gilt painted handles and bases, height 28cm £150-£200

152. Two pink late 19th century water jugs decorated with Greek key motif and acanthus leaves on mottled pink ground, one larger than the other, height 21.5cm £50-£60

148. A large hand painted frog mug 19th century, the outside with brightly painted flowers, and the inside with two speckled painted frogs, together with two other similarly decorated large mugs, the largest height 12cm £50-£60 149. Three blue and white jugs with transfer printed decoration late 19th/early 20th century, height 14cm £40-£50 150. Two 19th century relief-moulded jugs English, late 19th century, of cream/beige colour decorated in high relief with mythical hunting scenes, with fluted rim, one larger than the other, the largest 20.5cm £30-£40

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153. A pair of Doulton silver mounted stoneware harvest jugs hallmarked London 1905, of typical Doulton colours, with windmills, huntsmen, dogs etc, height 17.5cm £60-£80

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154. An 18th century English delft plate the border with vignettes of flowers the central panel with Chinese gentleman and a willow tree, diameter 23cm £100-£150

155. A 19th century Minton part dessert service comprising six plates and two low comports, each with tooled gilt edge turquoise enamel border and painted with numerous seascapes and landscapes, 23cm diameter £80-£100

157. An early 20th century porcelain two handled bowl cover and stand French, in Sevres style, with bleu celeste with bands of painted flowers with gilt handles, interlaced L marks to the base, Stand diameter 23.5cm £80-£120

158. Three porcelain KPM tea cups German, first quarter 20th century, two similar cups with gilt painted rim and decoration, blue background and moulded relief portrait and swan neck handle, with painted marks to the underside, the third with band with gilt painted decoration and black cross with initial W surmounted by a crown and above the date 1914, the largest height 11cm £60-£80

156. A Spode Copelands china part tea service circa 1900, comprising 10 cups, 13 saucers, 6 tea plates and three cake stands, each piece decorated with a cobalt border and gilt edge, and each with central enamelled arms for the Royal Fusiliers, damaged £100-£150

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162. A late 18th century Chinese armorial export ware mug decorated with gilt sprigs and reeded twist handle, together with a similarly decorated mug, height 12.5cm £100-£150

159. A pair of late 19th century German porcelain vases and stoppers each of double gourd form painted with scenes of a gallants and companions, and floral reserves, with rose finials to covers, an Augustus Rex mark to base, height 19.5cm £80-£120

163. An 18th century Chinese export ware armorial tea caddy and cover enamelled with sprays of flowers and bows flanking central hand painted armorial, together with a Samson Chinese tea caddy and cover and a Samson Chinese inspired hexagonal inkwell with hinged lid and painted marks to base, height of the former 11.5cm £200-£300

160. A Meissen tureen and cover German, 20th century, of oval form with handles either side, hand painted flowers, butterflies and berries, and the cover surmounted with a figure and cornucopia, with impressed marks to the underside, length 34cm £150-£200 164. An unusual Japanese export ware three piece tea set circa 1900, in original box, each piece mounted with a metal covering embossed with panels of Art Nouveau flowers £50-£80

161. An 18th century Chinese export ware meat platter of shaped rectangular form, the central panel painted in blue, with deer, tree and foliage, diameter 31cm £50-£80

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165. A 19th century Chinese vase with blue and white painted decoration, height 16.5cm £100-£150

168. A David Wallace for Liberty clear iridescent glass bowl mid 1980s, with flared rim, height 15cm £80-£120 169. An Art Nouveau silver collared glass decanter and stopper hallmarked Birmingham, 1905/06, the clear glass body and stopper decorated with green swirl patterns, height 26cm £100-£150

166. A sulphide portrait tumbler of Napoleon French 19th century, with sulphide profile cameo of Napoleon after the medal by Bertrand Andrieu and with his signature below, on scrolled feet, height 10cm £80-£120

170. A Gray-Stan glass bowl circa 1930, the hand-blown glass bowl decorated with bands of blue, yellow and brown with swirl design to the centre, diameter 26.5cm £200-£300

167. A pair of late 19th century Bristol blue rum decanters with stoppers with gilt decoration, height 23.5cm £40-£60

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Gray-Stan glass (1926-1936) was set up by Mrs GraydonStanus in 1926 where she insisted that in her ‘little factory’ each piece was hand-made with no use of machinery so that each piece was individually crafted. It was therefore very expensive during it’s time and was known as ‘The Luxury Modern Glass’.

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171. An early Victorian glass and silver claret jug hallmarked London 1839/40, with makers mark for Charles Reilly & George Storer, the faceted green glass jug with silver neck engraved with leaves and foliage, silver lip and handle, restoration to base of jug, height 29.5cm ÂŁ750-ÂŁ1,000

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Silver & Silver Plate (LOTS 172-256)


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172. A six piece silver condiment set hallmarked Birmingham 1924/25, makers mark for William Suckling Ltd, comprising two peppers, salts and mustards, with blue glass liners, contained within a velvet lined leather covered case retailed by Mappin & Webb, width 24cm £100-£150

175. A George III style silver mustard hallmarked London 1925/26, of oval form with reeded borders the wide open work border with swags and birds with blue glass liner and with Georgian mustard spoon, together with two silver salts and spoons, approx height 8cm £80-£120 176. A silver condiment set hallmarked Sheffield, 1940/41, with makers mark for Walker & Hall, of Art Deco stylised angular form, salt, pepper and mustard pot with blue glass liners and two associated spoons, height 7cm £80-£120

173. A pair of George III silver salts hallmarked London, 1835, with makers initials HC, of boat form with pierced border and ends, chased with swags and ovals, raised on ball and claw feet, with original blue liners, length 9cm £70-£100 177. A four piece silver cruet set hallmarked Birmingham 1907/08, of shaped form, with three spoons, height 8cm £80-£120 178. A Continental silver pepper caster circa 1909, in the form of a Dutch woman in national costume, height 7.5cm £80-£120

174. A pair of silver salts hallmarked London 1905/06, of shaped form raised on four high feet, with blue glass liners, marks for Goldsmiths and Silversmiths Company, both with engraved with owners initial ‘R’, length 4.25cm £70-£100

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179. A pair of silver sauce boats hallmarked Chester 1933/34, with makers mark R&W.S for R & W Sorely, height 6.5cm £80-£120

183. Twelve silver Mappin and Webb soup spoons hallmarked Sheffield, 1936, length 19.5cm £500-£800 184. A cased set of six Art Deco silver teaspoons hallmarked Sheffield, 1939/40, with Fortnum and Mason retailers stamp and simple stylised handles, together with a cased set of silver fish knives and forks with scroll handles hallmarked Sheffield 1900/01; a Sterling sliver cake slice, and a case of fifteen assorted silver teaspoons £80-£120

180. A George III style sauce boat hallmarked London 1938/39, with C scroll handle, shaped rim, raised on three pad feet with shell shoulders, 18cm length £70-£100

185. A silver seal top spoon hallmarked London 1908, with makers mark for Goldsmiths and Silversmiths Company, length 9cm £60-£80 186. Twelve silver Irish spoons hallmarked Dublin 1831/32, with makers initials WC for William Cummins, together with a sugar scoop hallmarked 1830/31 £250-£350 181. A George III style silver sauce boat London 1904/05, with high scroll handle, gadrooned rim, raised on shell pad feet, stamped with retailers mark Lambert Coventry St London, length 16cm £80-£120

182. A George III sauce boat hallmarked London 1748/9, with scroll handle, shaped rim, raised on three legs with pad feet, length 13cm £100-£150

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187. Two York silver serving spoons hallmarked 1823/24, with makers mark for James Barber, George Cattle II & William North, length 23cm £100-£150

188. A Georgian silver caddy spoon with scalloped bowl, together with a Jockey cap caddy spoon, hallmarked Sheffield 1972/73, length of the former 8cm £40-£60

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189. A white metal caddy spoon late 19th century, the reverse initialled AJD, length 10.5cm £50-£70 190. A small collection of assorted silver tableware comprising a Victorian spoon, fork and serviette ring in original fitted leather case with velvet lined interior ring replaced; a Victorian sugar sifter hallmarked Birmingham 1871; a silver teaspoon with bowl depicting a pig pulled by a donkey entitled ‘This little pig went to market’ hallmarked Birmingham 1900; silver tongs hallmarked Sheffield 1908; a novelty silver coffee spoon in the form of a golf club hallmarked London 1931; salts spatula hallmarked Sheffield 1922; butter knife Sheffield 1929; a small cake server hallmarked Sheffield 1897; and another server hallmarked Birmingham 1932 £60-£80

193. A silver bachelors teapot hallmarked London 1894/95, of squat form with reeded borders, wooden handle and finial, on ball feet, approx height 20cm £120-£150

191. A cased pair of fish servers Birmingham 1879/80, with spiral twist ivory handles, the silver bodies chased with leaf scrolls, the knife engraved with salmon, together with a silver plated example of simple design in presentation case £100-£150

194. A silver bachelors teapot hallmarked Birmingham 1928/29, makers mark for Adle Brother Ltd, of squat form with scroll shaped wooden handle, and silver and wooden finial, height 14cm £80-£120

192. A three piece silver tea set hallmarked Sheffield, 1919, comprising a teapot with ebonised handle and finial, and lower reeded body with matching sugar basin and milk jug, height of teapot 13cm £50-£60

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195. An Irish silver teapot and sugar bowl hallmarked Dublin 1861/62, with makers mark J.S for John Smith, heavily embossed with scrolls, flower heads and foliage, with applied silver female figureheads above each of the four feet, with handle and spout with applied acanthus leaf, and lid terminating in a finial in the form of a flower head, with presentation cartouche reading ‘Presented to Peter Burtchael Esq. C.E County Surveyor on promotion by his Friends in the Co Carlow as a token of their regard Christmas 1861’, together with a matching silver sugar bowl similarly embossed and decorated, and associated silver sugar tongs hallmarked Dublin 1867/68, height of teapot 18cm, height of sugar bowl 13cm £1,000-£1,500

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196. A George III silver teapot hallmarked London 1804/05, with makers initials AK for Abstinando King, with Greek key motif to the rim, and chased laurel leaf cartouche to the front and reverse, wooden handle and finial, height 17.5cm £150-£200

199. A silver tea caddy hallmarked Birmingham 1924/25, with makers mark for William Neale & Sons Ltd, of simple cylindrical form, together with a magnifier with silver rim hallmarked Birmingham 1912/13 with silvered metal handle, height 9cm £80-£120

197. A George III silver teapot stand hallmarked London 1804/05, with makers mark TW for Thomas Wallis II, of oval form with central cartouche of laurel leaves, and reeded rim, length 15.5cm £100-£150

200. A silver sugar caster hallmarked London 1936/37, of octagonal form, together with another of simple shape, height of the former 17.5cm £80-£120

198. A silver teapot hallmarked Birmingham, 1945/46, with ebonised handle and finial, height 16cm £100-£150

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201. An oval two handled silver table centrepiece hallmarked London, 1903/04, with makers mark J.A.Y for Joseph Abraham Yager, extensively pierced with leaf scrolls and oval panels with swag motifs, raised on four pierced feet, with original blue glass liner, length 44 cm £600-£800 204. A silver cruet set hallmarked Birmingham, 1975, of oval form with reeded border, comprising pepper, salt, mustard pot, spoon, missing liners, together with a silver serviette ring of octagonal form with engine turned decoration and contained within original case hallmarked Birmingham 1948, together with another silver serviette ring of hexagonal form hallmarked Birmingham 1930 and a silver bon-bon dish with pierced border, hallmarked Birmingham 1919, diameter of bon-bon dish 13cm £60-£80

202. An American silvered metal three handled vase late 19th century, the body of organic form embossed with flowers, scrolls and leaves, of theatrical interest the body inscribed James Blyth from Henry Irving Christmas 1899, with makers mark for Shreve-Crump & Low Co, height 27cm £200-£300

205. A silver pedestal bon-bon dish Sheffield 1906/07, with high scroll handles, hand beaten body, of low urn form, together with a continental white metal bon-bon dish with ribbon handles, the longest 15cm £80-£120

203. A small silver waiter London 1904/05, with pie crust border and three scroll feet, length 16.5cm £50-£80

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206. A Mappin and Webb Arts and Crafts silver cigarette box hallmarked London 1909/10, of square form with hammered pattern and monogram to lid, together with a Chester silver bon-bon dish of shaped oval form, the former width 9cm £60-£80

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207. A large silver oval tray hallmarked London, 1896/97, with makers mark for Hawksworth, Eyre & Co Ltd, with a gallery border, of oval form embossed with swags, laurel leaves and bows, carrying handles and raised on out swept feet, diameter 59cm £800-£1,200

208. A single silver plate London 1900/01, of Tudor rose form, with a gadrooned border, diameter 24cm £100-£150

209. A silver tray hallmarked London, 1904/5, with pie crust border, raised on three scroll feet, with retail mark for Goldsmiths and Silversmiths Company 112 Regent Street London, diameter 36cm £200-£300

210. A George III silver candle snuffer tray hallmarked London, 1810/11, of oval form with pierced ends and chased decoration, makers mark for Robert Hennel, with owners initial ‘A’ to the centre, length 23.5cm £80-£120

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214. A Victorian silver mounted glass decanter the mounts with beaded edge above a brown glass flattened body with loop handle, height 27cm £60-£80

211. Three silver liquor labels comprising a SHERRY label in the form of a shell on a link chain hallmarked Birmingham 1984, and two labels of shaped rectangular form with engraved labels for WHISKY and BRANDY, diameter of the former 5cm £80-£120 212. A William IV silver port label London 1832/33, realistically modelled as a fruiting vine and a leaf, length 4.5cm £50-£80

213. A George III silver liquor label in the shape of the letter ‘T’ hallmarked Birmingham, 1818, with chased mask decoration to the front, on belcher link chain £100-£150

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215. A silver topped decanter Birmingham, 1972/73, together with a silver plated Brandy wine label, and two silver plated topped glass jars, height of decanter 27cm £70-£100 216. Two silver wine coasters hallmarked London 1978/79, together with a moulded glass decanter with silver rim hallmarked London 1908/9 £100-£150 217. A pair of silver wine coasters hallmarked London 1965/66, diameter 13cm £100-£150

218. A Sterling silver presentation cocktail shaker 1970s, with inscription reading United Kingdom Bartenders’ Guild Education scheme Peter F. Heering Travelling Scholarship Award Presented to T. J. Davis Who attained highest marks in 1973’, the lid with applied cherries, together with silver plated ice tongs and lemon squeezer, and two measures, height 22cm £80-£120

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219. A Mappin and Webb silver presentation cigarette case hallmarked London 1901/2, of rectangular form with inscription to the lid, length 20.5cm £40-£50

222. An engine turned silver cigarette case 20th century, of rectangular form, another of rectangular form of simple design with lid engraved The Six Old Maids, a silver ashtray with a grille and another shaped square ashtray £60-£80

220. A small collection of gentleman’s silver accessories comprising Art Deco cigarette case hallmarked Birmingham 1937; another silver cigarette case hallmarked Birmingham 1927; two silver vesta cases one hallmarked Birmingham 1915, the other 1916; a silver fruit knife hallmarked Sheffield 1957, three small sterling silver snuff boxes one of rectangular form the others of oval form; and one sterling silver pencil £80-£100

221. A silver cigarette box hallmarked Birmingham, 1925, of rectangular form with no inscriptions, wood lined interior, together with another cigarette box of rectangular form with relief image of a flintlock pistol to the lid, floral rose border, wood lined interior, raised on stepped squared feet, width of former 14cm £80-£120

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223. A silver cigarette box hallmarked Birmingham 1966, with engine turned pattern to hinged lid, width 14.7cm £50-£80

224. A mixed lot of silver tableware English and Continental, comprising a pair of German pastry serving tongs with embossed figures of cherubs playing musical instruments, three modern decanter labels hallmarked Birmingham 1963, a pair of sugar tongs hallmarked Birmingham 1908, a small white metal child’s fork with car to top of the handle, and two Asian horn handles white metal servers £50-£80 225. A modern silver photo frame of rectangular form, with beaded border, together with a smaller frame of circular form hallmarked Birmingham 1901, height of the largest 20.5cm £40-£50

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228. A pair of silver inkwells hallmarked Birmingham 1928/29, with glass liners, together with a silver photo frame and silver propelling pencil, height 3.5cm £40-£60

226. A silver christening cup hallmarked London, 1916, with inscription reading H.B.F from R.D.R 1918, and applied acanthus leaf to the handle, height 10.4cm £40-£50

229. A collection of six silver and silver coloured metal boxes various dates, comprising a vesta case with chased decoration, a snuff box with hammered decoration, pill box with shell decoration, another with rose decoration and a Dutch pill box with figure decoration to lid, another pill box with porcelain decoration of an owl, and an Art Nouveau style silver coloured metal teaspoon £100-£150

227. A silver presentation casket hallmarked Chester, 1931/32, of shaped rectangular form with inset oval plaque to the lid depicting a woodland scene, and engraved with a lyre and floral decoration, the interior of the lid with engraved presentation inscription, raised on four feet, together a silver and tortoiseshell circular pill box, a silver circular pill box and a glass perfume bottle with pierced decoration depicting dragonflies, width 11.5cm £40-£50 230. A Chinese silver coloured metal buckle 1900s, with repoussé decoration of dragons, framed with bamboo, length 10cm £40-£60

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233. A small collection of silver comprising an inkwell hallmarked Birmingham 1908, a glass dressing table jar with silver embossed lid hallmarked Birmingham 1906, a Victorian silver pepperette and a seal, height of the former 4cm £70-£100 234. A Continental silver mounted glass bowl late 19th century, the border chased with a frieze of leaves and berries, the glass etched with bows and flowers, together with a similarly decorated jar and cover, damaged, diameter 22cm £100-£150 231. A silver KIGU compact hallmarked London, 1962/63, of shaped rectangular form with engine turned decoration; together with a silver pencil hallmarked Birmingham 1967; another Sterling silver pencil, a moulded glass salt with a silver rim and two silver salts spoons with thistle finials hallmarked Sheffield 1901/02 £40-£60 232. A silver photo frame hallmarked London 1909/10, makers initials A.C., felt covered easel back, with coat of arms to top left surmounted by coronet, stamped on the reverse CLARK 33 NEW BOND STREET, approx 25 x 35cm £100-£150

236 236. A Continental silver box by Berthold Muller late 19th century, the hinged cover embossed with interior scene, the sides embossed with swags and shells, cherubs and swans, length 8.5cm £80-£120

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235. A small group of silver mainly Continental, consisting of a shaped oval tray embossed with figures, a pair of pill boxes in the form of birds, a circular embossed dish, a small shell shaped dish on ball feet, another pill box with relief floral decoration to lid, and two napkin rings £100-£150

237 237. An Edwardian pair of novelty silver pin cushions in the form of 18th century shoes hallmarked Birmingham 1904/5, with makers initials A & LLd for Adie Lovekin and Ltd, with studded decoration, engraved toe cap, and green velvet cushion, length 7cm £70-£100

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241. A mix of silver mainly flatware and napkin rings, various dates £60-£80

242. A silver letter opener in the form of a meat skewer hallmarked London, 1800/1801, with makers initials for Samuel Hennell, with owners initial ‘R’, length 26cm £50-£70 238. An Indian white metal vase the ovoid body vase chased with leaves and flowers engraved around the rim EHAB From J.M. 27 February 1888, together with a silver water jug, height 14cm £80-£120

239. A small group of mixed silver mainly 19th century, including a miniature silver pierced posy basket, a silver fruit knife and a chatelaine £80-£120

240. A group of four white metal items mainly Continental, circa 1900, comprising a Sterling pierced bon-bon dish by Bigelo W. Kenard and Co, a Sterling tea strainer, a Dutch silver caddy spoon with stork finial, and a Dutch pierced slice £50-£80

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243. A white metal and horn menu holder English, late 19th century, together with a small silver dish hallmarked London 1973/74, and a silver Royal Fusiliers table lighter hallmarked 1902/03 and engraved November 6th 1913, height of the former 7cm £70-£100

244. A late 19th century Chinese white metal card case of rectangular form with embossed decoration, the obverse depicting a battle scene with men spearing others off horses, the reverse depicting birds and bamboo, with embossed bamboo decoration to the sides and top of lid, with cartouche, length 11cm £200-£300

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S ILV ER & S ILV ER PL AT E

245. Two silver bon-bon dishes hallmarked Birmingham 1901 and Chester 1916, together with a silver plated berry spoon with registration mark for 1878/79, and a silver feeding spoon in fitted case hallmarked Sheffield 1915, length of spoon 24.5cm £60-£80

248. Two miniature Common Prayer books with silver front covers Edwardian, the first silver embossed front cover hallmarked Birmingham 1903/4 with makers mark for Levi and Salaman depicting a praying kneeling girl, the second hallmarked Birmingham 1904/5 depicting winged cherubs, height of the former 6cm £50-£70

246. A white metal trinket box possibly Indian, late 19th century, embossed with scrolls, flowers and foliage, together with a white metal circular dish possibly Malayan embossed with animals including elephants, horses and buffalo, and an enamelled 20th century Chinese cigarette box decorated with blossoming trees on yellow ground, width of the former 9.3cm £60-£80 249. A white metal snuff box in the form of a cello Continental, late 19th century, the hinged case with chased pattern to the edge of the outside, stamped on the inside .925, together with a miniature travelling corkscrew, the former length 10cm £70-£90

247. An Indian white metal card case probably late 19th, early 20th century, heavily embossed with flowers and foliage, together with a large pill box of oval form with similar floral pattern, length of case 10cm £80-£120 250. A small silver trinket box hallmarked 1905/06, the hinged lid with inset decorative mosaic panel of slithers of opal, with silver gilt interior, width 5.5cm £80-£120

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251. A three piece silver and enamel dressing table set hallmarked Sheffield, circa 1948, with makers initials W&H for Walker and Hall, comprising a hair brush, a mirror and clothes brush, each with silver rim and engine turned yellow enamel to reverse, length of mirror 29cm £80-£120

254. A pair of late 18th century Sheffield silver plate sugar baskets each of oval form with reeded swing handle and open work bodies raised on stepped bases, one with original glass liner, height 13cm £60-£80 255. A mixed lot of silver plate mostly 20th century, comprising a coffee pot, biscuit barrel, pierced basket with handle, two silver plate coasters, three peppers with blue glass liners toast rack, height of the coffee pot 18cm £60-£80

252. An Art Nouveau silver photo frame Birmingham 1903/04, makers mark for Cornelius Saunders and Frank Shepherd, embossed with stylised leaves flowers and tendrils together with a Victorian dressing table mirror, hallmarked Birmingham 1886/87, the frame set with cherubs and mask head, makers mark for SWS, height 27.5cm £80-£120

256. A presentation silver plated salver circa 1940, with inscription reading Presented by The Officers and Members of Surrey 246 B.R.C.S to Miss Elizabeth Needham on her marriage July 5th 1941, raised on four pad feet, diameter 29.5cm £40-£50

253. A white metal pierced bottle cover possibly Indian, the glass bottle covered with a pierced metal cover depicting floral scenes and birds, height 24cm £50-£80

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Vertu (LOTS 257-304)


VERTU

257. A blonde tortoiseshell card case early 20th century, of rectangular form with push button release, simple brass banding, and silver cartouche for owners initials, length 10cm £80-£120

258. A Russian silver cigarette case circa 1910, stamped on the inside with makers initials AW inside a triangle, the outside with applied name of M.A.Renshaw and B(?)Brown, the reverse with applied intertwined initials and the release button with faceted stone, 84 standard, width 10cm £200-£300

259. A finely carved and detailed Cantonese Ivory card case late 19th century, intricately and typically carved throughout with flowers, foliage, figures, temples, boats, trees, bridges etc, length 11.5cm £150-£250

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260. An Art Deco vanity case of rectangular form, opening to reveal compartmented interior with comb, mirror, lipsticks, and rouge with puff, with diamante deco clasps, contained within an Asprey’s outer card case, width 15.5cm £40-£60

261. An ivory eye glass/opera glass English, late 19th century, unsigned, the tapered ivory body with brass band, contained within a fitted velvet and silk lined red Morocco leather case, length 6.5cm £100-£150

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VERTU

262. Three small pill boxes comprising a cloisonné enamel early 20th century square box, a mother of pearl oval box and a silvered circular pill box, width of the former 4cm £40-£60 266. An enamelled patch box 19th century, of oval form the enamelled lid hand painted with birds and the wording ‘Whoever opens this must have a kiss’, the hinged lid opening to reveal a mirror, together with another patch box of oval form with damaged lid painted with an urn and reading ‘A Token of Regard’ surrounded by pearl effect border with mirror to interior; and a enamel box of rectangular form, diameter the former 4cm £40-£60

263. A group of four ladies trinket and pill boxes comprising a silver and enamelled circular box enamelled with robins; a ruby glass and gilt enamel box; a horn box set with an amethyst to the lid, and a pink enamel box of circular form possibly Battersea, the largest 13cm diameter £100-£150 264. A mother of pearl card case English, late 19th century, the rectangular case with diamond shaped pieces of mother of pearl engraved with scrolls and flower heads, distressed, length 10.5cm £30-£40

265. A small enamel patch box in the form of a heart 19th century, the hand painted lid depicting a sailing ship flying the American Flag surrounded by floral decoration, together with an oval patch box with mirror to the interior and painted enamel lid depicting a boat (damaged), and a small circular patch box with enamelled lid painted with the words A Father’s Gift, diameter 4.4cm £40-£60

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267. A German porcelain pill box early 20th century, of oval form with gilt painted scroll border enclosing a scene of a courting couple, painted mark to the underside, together with a horn snuff box of rectangular form, diameter of former 5cm £40-£60

268. A mother of pearl covered etui late 19th century, of shaped form with applied metal floral scrolls, with hinged lid opening up to reveal two faceted bottles with stoppers and funnel, height 7cm £100-£150

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VERTU

269. A group of seven 19th century scent bottles mainly Continental, including a pair of red glass and gilt metal mounted bottles with painted views to the covers, a faceted hexagonal elongated bottle with lilac enamelled lid and a bottle in the form of a cornucopia, the longest 16.5cm £100-£150 270. A late Victorian silver scent flask hallmarked London, 1894, modelled in the form of an oyster shell applied with other shells and coral, the cover modelled as a cockle shell, length 9cm £100-£150 271. A small Victorian silver topped scent bottle the heart shaped porcelain body decorated with flowers and leaves, length 4.5cm £80-£120 269

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272. An enamelled white metal ashtray and cheroot holder 1950s, with engine turned enamel decoration and hand painted rose design to the bowl of the ash tray and the cheroot, contained within original case, width of case 11.4cm £100-£150

273. A pair of mother of pearl opera glasses French, early 20th century, together with a pair of green enamelled opera glasses in fitted case, a late 19th century silver and enamelled buckle with matching pins contained in fitted case (incomplete), a glass and blue enamelled powder jar and cover, a pocket book of common prayers and hymns, and an Indian gilt metal box depicting a deity £80-£120 271

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VERTU

274. An 18th century porcelain knife handle probably German, painted with birds, chickens and ducks, and bugs and butterflies with a later ivory blade for use as a letter opener, together with a silver and enamelled letter opener with red studded decoration, the former 23.5cm £80-£120

277. An ivory aide memoire English, late 19th century, of rectangular form, together with an oval mother of peal magnifier with metal mounts, the former length 7cm £50-£60

278. A William IV silver vinaigrette engine turned with a gilded interior and hinged pierced inner cover, length 3.5cm £100-£150 275. A silver mounted ivory page turner with magnifier hallmarked Birmingham, 1907, makers initials C & N, length 35.5cm £100-£150

276. A small 19th century piece of Blue John in the form of a bowl diameter 4cm £40-£60

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279. A vinaigrette and scent bottle in the form of a horn circa 1871, stamped on the inside S. Mordon & Co London, with registration lozenge to the interior lid, the lid lifting off to reveal the pierced grille for the vinaigrette and the mouthpiece unscrewing for the scent, with brass chain, length 8cm £200-£300

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VERTU

280. An Edwardian silver and enamel powder compact of octagonal form with jade green guilloché enamel body, the hinged cover enamelled with a rose, together with a similar silver powder compact, diameter 3.8cm £100-£150 283. A small group of carved ivory pieces mainly 19th century, including a brooch carved with doves drinking from an urn surrounded by a border of leaves and berries, and three paper knives and a carved elephant charm, the width of brooch 5.5cm £100-£150 284. Two carved ivory Indian elephants early 20th century, including mother with tusks and baby, width of largest 7cm £80-£120

281. A mother of pearl late 19th century purse with leather interior and silver cartouche, together with Art Deco lorgnette in a shaped case, and a French pair of opera glasses in a case in the form of a handbag £80-£120

282. A tortoiseshell ladies purse French late 19th century, of shaped rectangular form with gold decoration to the front and reverse and central cartouche, opening up to reveal a blue silk lined interior stamped Mson H.S., length 7.5cm £80-£120

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285. A late 19th century Japanese carved ivory Okimono realistically carved as an eagle perched on rocks with open wings spying a monkey hidden below, height 10cm £100-£150

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VERTU

288. Two 19th century Japanese carved ivory Okimono figures both modelled as kneeling girls one holding a fan, the other a cloth, height 8cm £150-£200

286. A late 19th century Japanese carved ivory Okimono group modelled as a standing bearded immortal and a kneeling girl, with signature to base, height 11.5cm £200-£300

287. Three 19th century Japanese carved ivory Okimono figures each modelled as kneeling female musicians, the tallest 7cm £300-£500

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289. Two 19th century Japanese carved ivory Okimono figures modelled as standing Geisha girls, height 10.5cm £200-£300

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VERTU

290. A faux tortoiseshell fan early 20th century, length 23cm £40-£60

291. An early 19th century carved ivory fan Chinese, made for the European market, each section exquisitely carved with various scenes including cherubs, urns, figures and pierced flowers, with central roundel of a family group and musician playing to dogs, joined with a cut steel and diamante flower head, length 19cm £200-£300

292. A late 19th century Chinese carved ivory fan overall carved with Chinese figures in domestic scenes, with central carved roundel with the name Eliza, length 19cm £200-£300

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VERTU

293. A 19th century tortoiseshell and embroidered fan with tortoiseshell sticks decorated with pique work, the material decorated with silver coloured sequins in floral, scroll and leaf patterns, length 25cm £80-£120

294. Two late 19th/early 20th century fans comprising a wooden and paper fan depicting birds, contained within a leather covered card case, and an Italian circular fan with wooden handle with hand painted decoration, length 21cm £40-£60

295. A rare and unusual fan with allegorical map entitled ‘Allegorical map of the Track of Youth to the Land of Knowledge’ printed with handcoloured etching by V. Woodthorpe, 27 Fetter Lane and published by John Wallis, June 25, 1796, 26 Ludgate Street’, with wooden sticks, length 25.5cm £300-£600 A similar example was sold by Christie’s London 1994 Sale 6475 45.

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VERTU

296. An early 19th century hand painted and ivory fan with pierced ivory sticks, and hand painted scene depicting a small group of figures including a lady looking out to sea through a telescope, the reverse depicting a small seascape with a boat surrounded by mountainous landscape, length 27.5cm £100-£150

297. An 18th century hand painted and ivory fan with pierced ivory sticks depicting birds, flower heads and central seated musician, the painted scene depicting two classical figures, the reverse with simple painted foliage detail, contained within protective period card case, length 26cm £300-£400

299. An early 19th century ivory and silk fan with ivory sticks pierced with flower heads and foliage, and silk heavily decorated with silver coloured sequins and thread, length 23cm £100-£150

300. An 19th century fan with horn sticks with applied floral decoration, the green material with black netting backing, decorated with silver and gold coloured thread and sequins, length 20cm £100-£150 301. A George V full gold sovereign dated 1915 £200-£300 302. A Victorian (old head) half gold sovereign dated 1899 £100-£150 303. A cased set of George V Maundy Money 1935 £50-£80 304. An Elizabeth I shilling dated 1583, diameter 2.6cm £80-£120

298. An 18th century hand painted and ivory fan with pierced and carved ivory sticks, and hand painted scene depicting two figures and a dog enclosed within a sequinned roundel flanked by hand painted flowers and foliage, the reverse painted with simple foliage decoration, length 25.5cm £300-£400

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Jewellery & Watches (LOTS 305-386)


J E W EL L ERY & WATC H ES

305. A Charles Horner enamelled silver brooch hallmarked Chester 1908/9, depicting a winged insect and decorated in blue and green, together with a white metal butterfly brooch decorated with real butterfly wings and a enamelled metal bird brooch, length 4.5cm £60-£80

308. Three silver brooches 19th century, comprising a silver cherub brooch hallmarked London, 1889, a silver brooch in the form of a sword, and a silver marcasite plaque shaped brooch, and another silver coloured metal brooch in the shape of a tree, the cherub diameter 7cm £60-£80 309. Four brooches and a pair of opal earrings comprising a 9ct gold floral spray brooch set with opals and cultured pearls; a silver coloured metal brooch set with green stones; a Victorian gold brooch set with citrine; a circular silver brooch set with lapiz lazuli, together with gold stud earrings set with opals with screw fittings £60-£80

306. A 9ct gold bar brooch Victorian, with swirl decoration set with two amethyst and centre pearl, together with a Deco gold bar brooch with centre sapphire and six seed pearls, both contained within fitted cases, the former 4.5cm £80-£120

310. A silver gilt Art Nouveau enamel oval brooch circa 1905, with intertwined initials on the reverse for CH, stamped Sterling, enamel decoration of white lilies in a green swirl setting, diameter 7.5cm £100-£150 307. A silver coloured metal framed oval pendant Modern, set with amber intaglio of a young girl with bird, together with a silver coloured metal framed oval shaped brooch set with amber with inclusion, and another silver coloured metal brooch set with amber with inclusions, the former length 4cm £50-£80

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J E W EL L ERY & WATC H ES

311. A 19th century Italian micro mosaic circular brooch the centre set with micro mosaic panel of a bug with patterned border, diameter 4cm £200-£300 312. Seven gold brooches and a pendant comprising an artist’s palette with flower decoration in high relief set with emerald pearl and ruby; an overall brooch set with faceted amethyst and split pearls; a bar brooch with centre set opal; a bar brooch set with centre amethyst; a bar brooch set with aquamarine; a bar brooch set with single pearl; a Modern brooch in the form of a Witches heart set with garnets, and a pendant with zircon drop £200-£300

315. A collection of seven brooches and three pendants comprising a faceted amethyst brooch; a brooch in the form of the letter C with seed pearls; a gold mourning brooch with seed pearls, a bar brooch set with citrine; a 19th century bib pin set with turquoise with bead work decoration; a 19th century blue enamel brooch with seed pearls; gold bar brooch with horse shoe decoration with seed pearls and lapiz lazuli; a Victorian gold pendant locket set with cabochon garnet on chain, a circular pendant set with turquoise and a green hardstone heart with leaf decoration £70-£90

313. A 9ct gold Art Deco bar brooch 1920s, the centre with clear glass stone and four rose diamonds to side, in fitted case, length 5cm £60-£80

314. A gold coloured metal hunting cravat pin 19th century, in the shape of a riding crop and horse shoe set with split pearls, together with a gold stick pin set with a cinnamon coloured diamond and pearl, length of the former 5.5cm £100-£150

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316. An ivory brooch late 19th century, of oval form with bust of lady carved in high relief with long flowing hair and flowers to the hair, with beaded border, height 7cm £200-£300

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J E W EL L ERY & WATC H ES

317. A Victorian novelty brooch modelled as a bee circa 1880, set with cabochon ruby eyes, old-cut diamond head, sapphire and baroque pearl body, wing set with diamonds, length 3cm £600-£800

318. An Edwardian circular pearl and diamond brooch with bow decoration to top set with numerous small diamonds and two drop pearls, width 3cm £500-£700

319. An Art Deco diamond plaque brooch 1930s, of oval form set with numerous small diamonds and two old cut diamonds to centre approx 1/2 carat each, contained within a original fitted Goldsmiths and Silversmiths Company leather case, width 4.5cm £1,000-£1,500

320. A Georg Jensen deer and squirrel brooch import marks for 1964, pattern number 318 of square form with animals in a leafy setting, with stamped marks to the reverse, width 4cm £150-£200

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J E W EL L ERY & WATC H ES

324. An Edwardian silver coloured metal bow brooch set with numerous white paste stones and a silver bar brooch set with green paste stones in pave setting, width of bow 6.5cm £50-£80 325. A 9ct gold and platinum set Edwardian bar brooch set with faceted citrine and rose diamonds to side, together with another 9ct gold bar brooch with seed pearls and centre aquamarine, the largest 6.5cm length £60-£80 321. A modern white metal dragonfly brooch probably Continental, together with a modern stiff bangle with chased decoration, length of the former 6cm £60-£80

326. Six pieces of jewellery mainly brooches and pins comprising a 9ct gold mounted Wedgewood brooch, a stick pin with finial in the form of a bear, a seal, a small miniature mounted as a brooch and two stick pins with gilt metal and turquoise blue stones £80-£120 322. Three Edwardian brooches/pendants including a 15ct gold heart shaped pendant brooch set with split and seed pearls with centre peridot, another 15ct gold brooch of fleur de lis form set with split and seed pearls and teardrop peridot on safety chain with a 9ct gold oval pendant with swallow to centre set with seed pearls and two ruby drops £150-£250

323. A 9ct gold Edwardian bar brooch set centre with faceted amethyst in claw setting and seed pearl swirls to side, together with a 9ct gold bar brooch the centre with heart set with flowers and thistle, the largest 4.5cm £80-£120

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327. Four Victorian stick pins late 19th century, comprising a tear shaped almandine garnet and seed pearl; another set with turquoise in claw setting; another set with cultured pearl, and another set with diamond £60-£80

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J E W EL L ERY & WATC H ES

328. Three gold stick pins comprising a cameo of a young boy, one decorated with three enamelled cards, and an ivy leaf with relief decoration of a flower £100-£150

329. A Murrle, Bennett & Co Continental silver Art Nouveau pendant circa 1900, of Celtic design with turquoise blue enamel decoration and small pendant drop, length 3cm (without loop) £100-£150 Murrle Bennett and Co was founded by Ernst Murrle and JB Bennett. The company specialised in Art Nouveau high quality jewellery, production was based in Germany, although the company was London based often selling through Liberty & Co.

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330. A Charles Horner silver Art Nouveau stylised oval pendant English, circa 1905, with green and blue enamel decoration and small pendant drop, together with an Art Nouveau and blue enamel bib pin, length of pendant 4cm £80-£120

331. A 9ct gold Edwardian shaped pendant English, circa 1910, set with two almandine garnets and seed pearls, length without loop 3.5cm £80-£120 332. An 18ct gold framed jade pendant Modern, of square form with Chinese character to front and back, on 18ct gold chain necklace, width of pendant 4cm £250-£300

C o n t a c t u s o n 075 9 6 3 3 2 978


J E W EL L ERY & WATC H ES

333. An 18ct gold pendant set with large faceted citrine probably 1960s, of tear drop form, on gold coloured chain, length of citrine 3.5cm £200-£300

335. A Victorian garnet necklace each graduated flower head set with cut carbuncle garnet, with similar pear drop pendant together with a matching pair of earrings, length of necklace 21.5cm £800-£1,200

334. An Edwardian 9ct gold and amethyst necklace circa 1900, the chain link necklace set with ten faceted amethyst in collet settings, length 43cm £150-£250

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336. A Victorian demi-parure of Bohemian garnets mid 19th century, comprising bracelet with seven small roundels and one large inset with carbuncle garnets, a matching circular brooch with centre carbuncle, a stick pin and a lapel brooch, contained within a fitted leather case, width of case 21cm £700-£1,000

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J E W EL L ERY & WATC H ES

340. A Continental gold coloured metal stiff bangle 19th century, set with numerous seed pearls and emeralds, with snap clasp and safety chain, some stones missing £80-£120

337. A silver coloured metal and enamel necklace Continental, mid 19th century, of filigree design set with pink foiled back stones, with black enamel decoration and split pearls, and centre pendant drop, length 32cm £100-£150

341. A Cairngorm silver coloured metal bracelet Scottish, circa 1880, set with various coloured agates, with original receipt from Burlington Arcade £40-£50 342. A 9ct pink gold three bar gate bracelet on padlock clasp with safety chain, in leather case, approx 10.5g £40-£50

338. An 18ct gold stiff bangle Modern, set with numerous small diamonds in swirl shaped setting, with snap clasp £600-£800

339. An Arts and Crafts silver stiff bangle by Henry George Murphy hallmarked London 1929/30, with geometric shapes set with eight cabochon moonstones in rope twist border, diameter 8cm £300-£400

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343. A Victorian gold coloured metal fancy link bracelet late 19th century, with chased decoration to links, shield shaped padlock clasp set with split peals and small emerald, contained within a fitted leather case £300-£400

C o n t a c t u s o n 075 9 6 3 3 2 978


J E W EL L ERY & WATC H ES

344. A silver curb link charm bracelet Modern, with padlock clasp and safety chain and eleven silver and crystal charms including an elephant, a sand glass, a lighthouse and a teddy bear etc £80-£120

345. A 9ct gold curb link bracelet with chased padlock clasp and safety chain £500-£700

347. A 9ct gold curb link charm bracelet on padlock clasp with 11 charms including a teapot, a bell, a St Christopher and a lion £350-£400 348. A Victorian 9ct gold guard chain with belcher links interspersed with pierced rectangular shaped links on swivel clasps, together with 9ct gold five bar gate link bracelet with padlock clasp, and another gold coloured chain £350-£450

346. A 9ct gold charm bracelet set with various charms including a seal in the form of a whistle, a compass, an oyster with a key, and a small gold envelope, In good overall condition £700-£1,000

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J E W EL L ERY & WATC H ES

349. A 14ct gold ring set with synthetic alexandrite Continental, setting supported by two snakes £80-£120

352. Seven 9ct gold dress rings comprising a ring set with oval opal in claw setting, a ring set with cultured pearl in claw setting, a ring set with faceted citrine with coronet setting, a ring set with smokey quartz in claw setting, a ring set with centre sapphire surrounded by small diamonds, a ring set with centre sapphire with illusion set diamonds and a wish bone ring set with small diamonds £150-£250

353. Three 18ct gold engagement rings comprising a ring set with centre sapphire and four small diamonds to side, a marquise shaped ring set with centre sapphire and numerous small sapphire, and a ring set with diamond cluster £300-£500 350. An enamel, pearl and diamond Georgian ring early 19th century, set with centre blue enamel around a single rose diamond surrounded by split pearls £80-£100

354. A Victorian 18ct gold and opal ring English, late 19th century, set with five graduated opals in a carved setting £150-£250

351. An 18ct gold five stone diamond ring probably 1960s, in horse shoe shaped setting £200-£300

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355. An 18ct gold three stone diamond ring in swirl shape setting, together with two 22ct gold wedding bands £100-£150

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Part 356. Three 9ct gold rings comprising a ring set with faceted citrine in square setting, an opal ring in square setting and an opal ring in marquis shaped setting, together with a stick pin with opal £100-£150 357. Seven gem set rings predominantly Victorian, together with a 18ct gold wedding band, and an 18ct gold keeper ring £150-£200

358. An 18ct gold three stone diamond ring probably 1930s, claw set diamonds in swirl setting £400-£500

359. An 18ct gold single stone diamond ring in claw setting £300-£400

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360. A white metal claw set diamond full eternity ring probably 1920s, with approx 21 diamonds £200-£300

361. An 18ct gold three stone diamond ring probably 1930s, with coronet settings £400-£500

362. A gold and platinum single set pearl ring with six rose diamonds to shoulders, the pearl in a collet setting, Ring size M with some wear to the setting around the pearl £80-£120

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363. An 18ct gold and silver set three stone diamond ring probably 1920s, the centre stone approx ¾ carat in carved setting with rose diamond points £1,000-£1,500

364. A Victorian 18ct gold cluster ring set with split pearls and two small sapphires to centre £100-£150

365. A 9ct white gold cluster ring probably 1950s, set with centre turquoise blue zircon with numerous white zircons to border, in original box £100-£150

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366. An early 19th century gold coloured metal ring set with moonstone the moonstone carved with the face of the moon £80-£150

367. A Cartier three coloured gold Russian wedding ring £150-£200

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368. A gentleman’s 18ct gold gypsy ring set with centre ‘old mine’ diamond, in star setting £100-£150 371. A group of three pairs of Victorian seed pearl earrings one of cluster form £100-£150

369. A gentleman’s 18ct gold and diamond gypsy ring set with a single diamond approximately a 1/4 ct £200-£300 372. A Victorian garnet and silver dress ring and matching clip earrings together with an additional dress ring and two brooches £80-£120 373. A pair of 9ct gold framed oval cufflinks Continental, set with tigers eye £70-£90 374. A 9ct gold S. Mordon & Co propelling pencil of simple design, length 11cm £80-£120 375. A set of gentleman’s dress studs early 20th century, set with tigers eye, in a fitted leather case together with a gold plated Cartier lighter £50-£80 370. A pair of circular blister pearl earrings Continental, late 19th century, surrounded by numerous small diamonds, contained within leather covered case with velvet interior £150-£250

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376. A 9ct gold belcher link Albert chain £200-£300

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377. A ladies 18ct gold fob watch English, late 19th century, with chased decoration of flowers and foliage, with gold dial and black Roman numerals £100-£150

378. A Dents 18ct gold open faced ladies pocket watch circa 1900, with chased dial, Roman numerals, key wind movement £400-£500

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379. A 9ct gold hunter pocket watch English, circa 1920, with white enamel dial, Roman numerals, together with Deco Ladies 9ct gold J.W.Benson wristwatch £200-£300

380. A 14ct gold ladies pocket watch Continental, 1920s, with chased decoration and Roman numerals to the dial, wind movement, in fitted case £300-£500 381. A ladies gold and black burnished pocket watch circa 1900, with white enamel dial and Roman numerals, attached to a brooch in the form of a bow, in fitted case £80-£120

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384. A miniature enamel travelling clock French, circa 1920, by Brevet, in the form of a mantle clock with gold and silver floral decoration on dark green enamel ground, with Swiss movement, contained within a fitted red velvet case with easel stand to the reverse, height 5.5cm £200-£300

382. A silver Masonic triangular pocket watch Swiss, circa 1900s, with jewelled manual wind movement, mother of pearl dial decorated with Masonic symbols and the words ‘Love Your Fellow Man Lend Him A Helping Hand’, the hinged triangular case set with gem to the front and the reverse engraved with Masonic symbols and allegories, width 5cm £600-£800

385. A Chinese silver travelling clock probably 1940s, with white enamel dial, Arabic numerals, the case decorated with Chinese characters £50-£60 386. An Omega stainless steel bracelet watch 1960s, with subsidiary dial, baton and Arabic numerals and steel bracelet £80-£100

383. A 10ct gold Waltham Watch Company hunter pocket watch American, circa 1890, with white enamel dial, black Roman numerals, subsidiary dial, engine turned case, with monogram to the front and dated 1889, key wind movement £200-£300

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Collectables (LOTS 387-407)


COL L ECTA B L ES

387. An early 20th century gentleman’s brown leather suitcase by Dupont French, 1920s, the lid lifting up to reveal a vanity case comprising seven faceted glass bottles and jars with glass stoppers or atomisers and silver gilt lids, each lid monogrammed with the initials LC, with three brushes, and lift out tray with straps revealing further travelling shaving brush, nail brush and razor blade box, the interior of the lid fitted with mirror and manicure set, width 68cm £500-£800

389. A silver topped walking cane with embossed scrolls, together with an Edwardian ladies parasol with spherical lapiz lazuli, the longest 90cm £80-£120

388. A burgundy leather covered gladstone bag by Hill and Millard English, circa 1900, opening up to reveal a dark red lined interior, with a drawer to one side with lift out tray, with pocket section to the other side, with owner’s name stamped to the side, length 39cm £80-£120 390. A late Victorian gold mounted and rose quartz handled parasol the handle applied with various miniature Essex crystals depicting a pig, toadstool, shamrock, bird, anchor, a workman and a ladybird, length of handle 8.5cm £100-£150

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COL L ECTA B L ES

391. An early 20th century walking stick/seat the lacquered bamboo stick with folding cane seat, length 88cm £60-£100 392. A faux tortoiseshell covered notebook 20th century, together with a travelling inkwell, the small glass bottle contained within a chrome case, length of notebook 10cm £40-£60

394. A Thomason-type dual action corkscrew circa 1840, with bone handle, and bronze barrel with gilded badge showing the patent mark, length unextended 17cm £200-£400

393. A Curta calculator Liechtenstein, 1960s, Type II, No 520782, the hand cranked mechanical calculator of cylindrical form with 11 digit data entry, 8 digit revolution counter and 15 digit result counter, with instruction manual and accompanying booklet entitled Computing examples for the Curta calculating machine, with original outer cardboard case, height 12.5cm £80-£120

395. A travelling chess set English, early 20th century, the rectangular mahogany case opening up to reveal a chess board with red stained wooden and ivorine pieces (one missing), board 23 x 23cm £50-£60

396. A tally band from H.M.S. Southampton 1930s, together with black and white photographs taken on board H.M.S. Southampton during the Royal Tour of Canada in 1939, some of the photographs featuring King George VI and Queen Elizabeth; and a pink presentation cushion cover depicting H.M.S. Southampton reading ‘In remembrance of my cruise to Canada 1939 with their majesties the King and Queen’; and a postcard/ Christmas card with printed message from the King and Queen £60-£80

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COL L ECTA B L ES

397. A letter believed to be in the hand of Clementine S. Churchill thanking the recipient for their contribution to the Aid to Russia in black ink, on 10 Downing Street letter headed paper, dated January 1942, double sided reading: Dear Madam, I send you my warmest thanks for your generous contribution to my ‘Aid to Russia’ fund. I have been deeply touched by the splendid response to my broad east appeal. Money has been pouring in, & the fund, as I expect you may have heard now stands at well over a Million Pounds. I only regret that it is impossible for me to reply adequately to every kind of letter that I receive. But believe me I am deeply appreciative of the gifts and letters that have reached me from you and thousands like you . Your contribution will enable the Red Cross to send off substantial supplies of the drugs & surgical equipment of which our Russian Allies are urgently in need. Yours sincerely Clementine S. Churchill, 18.5 x 24cm £150-£250

399. Two assorted postcard albums together with two Victorian photograph albums £80-£120

398. A painted lead figure of Mickey Mouse 1930s, the standing figure with hands on hips, moulded blue shorts, yellow shoes and neck tie, height 7.5cm £100-£150

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400. An autograph book with Beatles signatures all in the hand of Paul McCartney signed in blue biro, other signatures include Dusty Springfield, Gerry from the Pacemakers, Cliff Richard, Adam Faith, Billie Davis, Bruce Forsyth etc £400-£500

401. A pin fire revolver mid-late 19th century, 5mm with ivory handle, width 12.5cm £60-£80 402. A Blick portable typewriter American, 1890s, with non-standard keyboard, indelible ink roller, contained within a wooden travel case, width 33cm £200-£300

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COL L ECTA B L ES

403. A brass hilted French cavalry troopers sword Continental, mid to late 19th century, length 99cm £100-£150

404. A British Artillery officers sword possibly late 19th century, by Wilkinson, length 103cm £60-£80

405. A felt Bicorn hat contained within a fitted tin case with gilt lettering reading F. Cartwright R.N, length 38cm £300-£500

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COL L ECTA B L ES

406. A late 19th century mandolin with inlaid mother of pearl, tortoiseshell and ivory forming a butterfly motif, marquetry floral motif to the side, and the reverse with strips of rosewood veneer, with ivory tuning keys, length 60.5cm £80-£120

407. A 19th century Louis Lachenal rosewood concertina with label reading Louis Lachenal Patent Concertina Manufacturer, London, with 24 keys, pierced fret-work and silvered metal inlaid flower scrolls, green leather tooled bellows decorated with patterned paper labels, contained within a rosewood hexagonal case with brass carrying handle, height 17.5cm £200-£300

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TERMS & CONDITIONS

IMPORTANT INFORMATION FOR BIDDERS AND BUYERS Each auction is prepared in advance and is on public view at the saleroom for one day before the sale, and the morning of the sale. No passes or appointments are required.

CONDITIONS OF BUSINESS

PAYMENT

All lots are offered subject to Catherine Southon Auctioneers & Valuers Ltd’s Conditions of Business.

Payment is due in sterling immediately after the sale and before purchases can be released. Payment in person can be made in the saleroom on the day of the auction. After this, payments must be made by post, card transactions by telephone or electronic transfer to our bank. Catherine Southon Auctioneers & Valuers Ltd welcomes the following methods of payment:

ESTIMATES AND RESERVES Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may be higher or lower than the range of figures given and there are no predetermined starting prices. Estimates may be subject to revision. Published estimates are exclusive of buyer’s premium and VAT. All lots are subject to reserves. The reserve price is never higher than the low pre-sale estimate. BUYER’S PREMIUM AND VAT A buyer’s premium of 18% is applicable to all the lots in this sale. The buyer’s premium is inclusive of VAT at the current standard rate (20%). Lots are normally offered for sale under the auctioneers margin scheme and VAT is payable on the buyer’s premium by all buyers.

CREDIT/DEBIT CARD We are pleased to accept major Credit Cards, for which a surcharge will be made of 3% of the transaction total. This is to cover the charge made to us by the bank. (Unfortunately we are unable to accept American Express). There is no charge for payments by Debit Card. STERLING BANKER’S DRAFT RO BUILDING SOCIETY CHEQUE We are pleased to accept a Sterling Banker’s Draft or a Building Society cheque drawn on a recognised UK bank or building society.

Lots marked with a dagger † will be offered under normal UK VAT rules and VAT will be charged on both the hammer price and the buyer’s premium.

STERLING CHEQUE OR CASH

PRE-SALE EXHIBITION

Cash payments will not be accepted above the amount of £6,000.

All auctions are on public view the day before the sale and on the morning of the sale. CONDITION REPORTS All prospective bidders are encouraged to attend the pre-sale exhibition and view the lots in person. If this is not possible, we will be pleased to provide a brief condition report where practical. All condition reports are provided in good faith. Buyers are reminded that it is their responsibility to satisfy themselves of the condition of lots. All weights and measurements are approximate only. Please refer to Conditions of Business for further information.

Cheques are not acceptable tender unless agreed in advance by Catherine Southon Auctioneers & Valuers L td.

ELECTRONIC AND WIRE TRANSFERS Wire transfers can be made directly to our bank: National Westminster Bank plc 33 High Street West Wickham Kent BR4 0WH Sort Code: 60-23-22

BIDDING IN PERSON

Account Number: 79995810

To bid with us you must register to obtain a bidding number. You will be asked to provide proof of identity. All lots sold will be invoiced in the name and address in which the paddle has been registered and will not and cannot be transferred to other names or addresses. If you instruct an agent to bid on your behalf, you will need to provide a letter of authority to this effect.

Account Name: Catherine Southon Auctioneers & Valuers Ltd

ABSENTEE & TELEPHONE BIDDING

PLEASE NOTE THAT THE FULL AMOUNT OWED MUST BE TRANSFERRED. CATHERINE SOUTON AUCTIONEERS & VALUERS LTD WILL NOT ACCEPT TRANSFER CHARGES. ALL BANK TRANSFER/COMMISSION CHARGES MUST BE PAID BY THE BUYER

Catherine Southon Auctioneers & Valuers Ltd is pleased to execute bids on behalf of clients unable to attend the sale in person. All bids should be submitted in writing and in good time, no later than 4.00pm on the day prior to the sale. No absentee or telephone bidding requests will be accepted without a landline telephone number. Lots will be purchased as cheaply as possible (subject to other bids received, reserves and competition in the saleroom). It will be possible to arrange auction room telephone bidding, but subject always to the availability of lines and staffing. These services are offered free of charge and are subject to our Conditions of Business.

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IBAN: GB47 NWBK 6023 2279 9958 10 Swift Code: NWBKGB2L BIC: NWBK GB 2L

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TERMS & CONDITIONS

CONDITIONS OF BUSINESS FOR SELLERS The Conditions of Business for Sellers govern all aspects of the consignment, report, holding and sale of Property by Catherine Southon Auctioneers & Valuers Ltd and the Conditions of Business for Buyers, as printed in sale catalogues and available from Catherine Southon Auctioneers & Valuers Ltd upon request. Catherine Southon Auctioneers & Valuers Ltd act as agent for Sellers. Conditions of Business for Buyers and/or Sellers may be amended by additional terms printed in the sale catalogue and/or by notices posted up in the saleroom or announced by the auctioneer. DEFINITIONS “Seller” is the owner of the Property, their agent, executors or the person in possession of the Property (as appropriate). “The Company” means Catherine Southon Auctioneers & Valuers Ltd, Lygon House, 50 London Road, Bromley, BR1 3RA, Company registration number “Seller’s Commission” is the commission The Company charges Sellers of Property. “Expenses” are The Company’s expenses, fees and charges relating to the Property, including legal expenses, insurance charges, illustration fees, administration fees, customs duties, shipping and packing costs and any other expenses and VAT on these amounts. “Buyer’s Premium” is the commission The Company charges Buyers of Property. “Hammer Price” is the highest bid for the Property accepted by the auctioneer. “Reserve Price” is the minimum Hammer Price at which the Property may be sold, as agreed between the Seller and The Company. “Net Sale Proceeds” are the proceeds of sale actually received by The Company, less Seller’s Commission, Buyer’s Premium and Expenses. “Property” means any item or items of any kind accepted by The Company with a view to its or their sale at auction. “Buyer” means the bidder (including a commission bidder) whom The Company has accepted by the fall of the auctioneer’s hammer. “Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description. The Seller’s Commission, Hammer Price, Buyer’s Premium and all Expenses are subject to VAT, where applicable.

1. SELLER’S WARRANTIES (a) The Seller warrants to The Company and the Buyer that:(i) the Seller is the owner of the Property or is properly authorised to sell it;

Company’s standard rates. The Company reserves the right to pay out of its commissions a fee to any third party introducing Sellers or Property to it. (f) Sellers are prohibited from bidding on their own Property.

3. WITHDRAWAL OF PROPERTY (a) If the Seller withdraws any Property from sale after their written agreement to sell it, The Company may charge the Seller 50% of the Seller’s Commission and Buyer’s Premium that The Company would have received had the Property sold at its mid estimate, plus all Expenses (the “Withdrawal Fee”). (b) The Company may withdraw any Property from sale without liability for any of the following reasons:- if (i) it reasonably believes that the authenticity or attribution is questionable; (ii) it reasonably believes that the Seller’s Warranties or other Conditions of Business have been breached; (iii) there is a competing ownership claim or lien over the Property; (iv) the Property does not have all licences and permits required by law, including those required under the Convention on the International Trade in Endangered Species (CITES); (v) the condition of the Property has deteriorated since consignment; (vi) the auction has been postponed for any reason. (c) If the Property is withdrawn for any of reasons 3(b)(ii), or (iii) the Seller shall pay the Withdrawal Fee, as per Condition 3(a). If withdrawn for any other reason, the Property shall be returned to the Seller at the Seller’s expense.

4. EXCLUSION OF LIABILITY (a) The Company shall not be liable for any errors or omissions in any written or oral information provided to Sellers or for acts or omissions relating to the conduct of the auction or any other matter relating to the sale of Property, whether negligent or otherwise, subject always to Condition 4(c). (b) Without prejudice to Condition 4(a), any claim against The Company shall be limited to the Net Sale Proceeds for the relevant Property. The Company shall not in any circumstances be liable for any indirect or consequential losses. (c) The Company’s liability to the Seller in respect of death or personal injury caused by The Company’s negligent acts or omissions shall not be excluded or limited.

(ii) the Seller shall transfer possession and good title in the Property to the Buyer, free from any third party claims;

5. LOSS OR DAMAGE TO PROPERTY

(iii) the Seller has provided all relevant information about the ownership, condition, authenticity, attribution, provenance and import/export history of the Property;

(a) Unless otherwise agreed in writing, The Company will assume the risk of loss or damage to Property received from the Seller until:-

(iv) there are no copyright or other restrictions on The Company’s rights to produce and publish images of the Property.

(i) risk passes to the Buyer; or

(b) The Seller will indemnify The Company, its directors, employees, officers and Buyers of the Property against all losses and damages resulting from a breach of any of these warranties or other Conditions of Business. The Company may cancel, rescind or postpone sales of Property where it reasonably believes that there has been or may be a breach of these warranties or any other Conditions of Business by the Seller.

(iii) 6 months after receipt of the Property by The Company, if not consigned for sale.

2. SALE PREPARATION (a) The Company shall have sole discretion as to how Property is described, illustrated and marketed, and the date, venue and conduct of the sale. (b) All oral or written estimates, appraisals and reports are statements of opinion only, and may not be relied upon as a prediction of the sale price and may be revised from time to time by The Company. The Company is not responsible for error of description (made either orally or in any catalogue) or for the genuineness or authenticity of any lot. (c) The Company may, without obligation, consult with third party experts and carry out such other research for the Property as it deems necessary. The Company may transfer possession of the Property to such third parties and shall not be responsible for the acts and omissions of such third parties. (d) The Company shall have the absolute right to produce and publish images of any Property consigned for sale and will retain copyright in any such images it produces. (e) The Company will charge a Buyer’s Premium on the sale of the Property at The

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(ii) if unsold, 30 days after the sale or when released to the Seller (whichever is earlier); or (b) If damage or loss occurs whilst the Property is at the risk of The Company, the maximum amount of The Company’s liability shall be: (i) the Hammer Price of the Property, if sold; (ii) the Reserve Price of the Property or as otherwise stated on the Property Receipt, if unsold; or (iii) the mid estimate, if not offered for sale (or The Company’s reasonable estimate of auction value where there are no pre-sale estimates); less Seller’s Commission and Expenses. (c) The Company will not be liable for any loss or damage caused by:- (i) normal wear and tear, gradual deterioration or inherent vice or defect; (ii) errors in processing; (iii) war or radioactive contamination.

6. VAT If any Property is an asset of the Seller’s business, the Seller must notify The Company on delivery of the Property to The Company, whether or not he is registered for VAT purposes and if so, his registered number and whether or not he intends to operate the VAT Used Goods Scheme covering amongst other goods, works of art and antiques.

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TERMS & CONDITIONS 7. POST AUCTION SALES

re-sale plus all relevant Expenses.

If any Property fails to sell at auction, The Company shall be entitled for a period of 35 days after the auction to sell the Property privately for no less than the Reserve Price (unless otherwise agreed with the Seller) and on the terms of these Conditions of Business.

(c) If the Seller deposits the Property with The Company for more than 1 year and neither collects or consigns it for sale, The Company shall be entitled to sell such Property at a future sale conducted by The Company or elsewhere, with estimates and reserves at The Company’s discretion, after giving the Seller 60 days written notice sent to the Seller’s last known address.

8. PAYMENT OF NET SALE PROCEEDS (a) Subject in all cases to prior receipt of cleared funds by The Company and subject to rescission of the sale under Condition 10, 35 days after the sale date or 5 working days after receipt of cleared funds from the Buyer (whichever is later), The Company shall send the Seller the Net Sale Proceeds in pounds sterling, less any other amounts owed by the Seller to The Company. (b) The Company shall not be obliged to check the ability of Buyers to pay for Property and shall have absolute discretion whether to use any of the rights and remedies against defaulting Buyers contained in the Conditions of Business for Buyers.

9. UNSOLD/ UNCOLLECTED PROPERTY (a) The Company will advise Sellers whether or not their Property has sold. Unsold Property may either:(i) be reconsigned for sale; or (ii) be collected by the Seller, in which case a Reduced Commission of 50% of the Seller’s Commission may be payable calculated as if the Property sold for its Reserve Price (where applicable), plus relevant Expenses. (b) If the Seller does not reconsign or collect the Property within 60 days of the auction as per Condition 8(a) (i) or (ii) above, The Company shall be released from any duty of bailment and may in its sole discretion be entitled to:-

10. RESCISSION OF SALES The Company may rescind the sale where it reasonably believes that the Property is a Deliberate Forgery, in which case The Company shall send the Seller a notice of such rescission. The Seller agrees to return to The Company the Net Sale Proceeds received from the sale of such Property together with any additional Expenses incurred by The Company. The Company will return the Property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented from doing so for reasons beyond The Company’s control.

11. DATA PROTECTION (a) The Company will use information supplied by Sellers or otherwise obtained lawfully by The Company for the provision of auction related services, client administration, marketing and as otherwise required by law. (b) By agreeing to these Conditions of Business, the Seller agrees to the processing of their personal information and to the disclosure of such information to third parties worldwide for the purposes outlined in Condition 11(a).

12. MISCELLANEOUS

(i) transfer the Property to independent storage at the Seller’s expense; or

(a) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect.

(ii) re-offer the Property at auction for no less than 50% of the original Reserve Price agreed with the Seller (where applicable), and subject to the Seller’s Commission on the

b) These Conditions of Business shall be interpreted in accordance with English Law under the exclusive jurisdiction of the English Courts, in favour of The Company.

CONDITIONS OF BUSINESS FOR BUYERS 1. INTRODUCTION

3. EXAMINATION OF LOTS

(a) The contractual relationship of Catherine Southon Auctioneers & Valuers Ltd and Sellers with prospective Buyers is governed by:

(a) THE COMPANYs knowledge of lots is partly dependent on information provided by the Seller and THE COMPANY is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions.

(i) these Conditions of Business for Buyers; (ii) the Conditions of Business for Sellers displayed in the saleroom and available from Catherine Southon Auctioneers & Valuers Ltd; (iii) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement. (b) As auctioneer, Catherine Southon Auctioneers & Valuers Ltd acts as agent for the Seller. Occasionally, Catherine Southon Auctioneers & Valuers Ltd may own or have a financial interest in a lot.

2. DEFINITIONS “Bidder” is any person making, attempting or considering making a bid, including Buyers; “Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent; “Seller” is the person offering a lot for sale, including their agent, or executors; “THE COMPANY” means Catherine Southon Auctioneers & Valuers Ltd, registered office: Lygon House, 50 London Road, Bromley BR1 3RA. Company Registration number: 08020183; “Buyer’s Expenses” are any costs or expenses due to Catherine Southon Auctioneers & Valuers Ltd from the Buyer; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the current rate of 18% (inc VAT); “Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price; “Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses; “Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot. The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable.

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(b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of THE COMPANY’s opinion and not representations of fact. Each lot is sold by the Seller with any and all errors of description, faults and imperfections. All weights and measurements are approximate and should not be relied upon as fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at THE COMPANY’s absolute discretion.

4. EXCLUSIONS AND LIMITATIONS OF LIABILITY TO BUYERS (a) THE COMPANY shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit. (b) Subject to Condition 4(a), neither THE COMPANY nor the Seller: (i) is liable for any errors or omissions in any oral or written information provided to Bidders by THE COMPANY, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by THE COMPANY in connection with the conduct of auctions or for any matter relating to the sale of any lot. (c) Without prejudice to Condition 4(b), any claim against THE COMPANY and/ or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither THE COMPANY nor the Seller shall be liable for any indirect or consequential losses. (d) Nothing in Condition 4 shall exclude or limit the liability of THE COMPANY or the Seller for death or personal injury caused by the negligent acts or omissions of THE COMPANY or the Seller.

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REGISTERED OFFICE

Lygon House, 50 London Road, Bromley BR1 3RA Tel: 07596 332 978 www.catherinesouthon.co.uk


TERMS & CONDITIONS 5. BIDDING AT AUCTION (a) THE COMPANY has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as THE COMPANY requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case THE COMPANY’s prior and express consent must be obtained). (b) THE COMPANY advises Bidders to attend the auction, but THE COMPANY will endeavour to execute absentee written bids provided that they are, in THE COMPANY’s opinion, received in sufficient time and in legible form. (c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to THE COMPANY’s other commitments; THE COMPANY is therefore not liable for failure to execute such bids. Telephone bidding may be recorded.

6. IMPORT, EXPORT AND COPYRIGHT RESTRICTIONS THE COMPANY and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES).

(g) Exercise a lien over any Buyer’s Property in THE COMPANY’s possession, applying the sale proceeds to any amounts owed by the Buyer to THE COMPANY. THE COMPANY shall give the Buyer 14 days written notice before exercising such lien; (h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs; (i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings.

10. FAILURE TO COLLECT PURCHASES (a) If the Buyer pays the Purchase Price but does not collect the lot within 10 working days of the auction, the lot will be stored at the Buyer’s expense and risk at THE COMPANY’s premises or in independent storage. (b) If a lot is paid for but uncollected within 1 month of the auction, following 60 days written notice to the Buyer, THE COMPANY will re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion. The sale proceeds, less all THE COMPANY’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction.

11. DATA PROTECTION 7. CONDUCT OF THE AUCTION (a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary.(b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable. (c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer. (d) Any post-auction sale of lots shall incorporate these Conditions of Business.

8. PAYMENT AND COLLECTION (a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”). (b) Title in a lot will not pass to the Buyer until THE COMPANY has received the Purchase Price in cleared funds. THE COMPANY will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the Purchase Price, as above. (c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a). (d) The Buyer must arrange collection of lots immediately after the sale on the day of the auction, or until 12noon on the day after the auction; failing this, only on prior agreement, a mutually convenient day agreed by The Company and the Buyer. Purchased lots are at the Buyer’s risk from the earlier of (i) collection or release to a nominated carrier (ii) 5 working days after the auction. Until risk passes, THE COMPANY will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. THE COMPANY’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers. (e) All packing and handling of lots is at the Buyer’s risk. THE COMPANY will not be liable for any acts or omissions of third party packers or shippers.

9. REMEDIES FOR NON-PAYMENT Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, THE COMPANY may in its sole discretion exercise 1 or more of the following remedies:(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense; (b) cancel the sale of the lot; (c) set off any amounts owed to the Buyer by THE COMPANY against any amounts owed to THE COMPANY by the Buyer for the lot; (d) reject future bids from the Buyer; (e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds; (f) re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion, in which case the Buyer will be liable for any shortfall between the original Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale;

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(a) THE COMPANY will use information supplied by Bidders or otherwise obtained lawfully by THE COMPANY for the provision of auction related services, client administration, marketing and as otherwise required by law. (b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties worldwide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i).

12. MISCELLANEOUS (a) All images of lots, catalogue descriptions and all other materials produced by THE COMPANY are the copyright of THE COMPANY. (b) These Conditions of Business are not assignable by any Buyer without THE COMPANY’s prior written consent, but are binding on Bidders’ successors, assigns and representatives. (c) The materials listed in Condition 1(a) set out the entire agreement between the parties. (d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect. (e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of THE COMPANY.

13. ARTISTS’ RESALE RIGHTS From 14th February 2006 all UK art market professionals (which includes, but is not limited to; auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000 – the UK sterling equivalent will fluctuate in line with prevailing exchange rates, for an estimate of the current UK sterling equivalent, please refer to the front of this catalogue. It is entirely the responsibility of the buyer to acquaint himself with the actual EURO to UK Sterling exchange rate on the day of the sale in this regard. The actual qualifying threshold will be calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on www.dacs.org.uk. All items in this catalogue that are marked with ‡ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all relevant invoices, and must be paid before items can be cleared. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneer. The royalty charge that will be applied to qualifying items which achieve a hammer price of more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling equivalent of EURO 50,000 is 4% payable by the buyer. For qualifying items that sell for more than the UK sterling equivalent of EURO 50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges and threshold levels, please see www. dacs.org.uk. There is no VAT payable on this royalty charge. For all questions relating the regulations regarding Droit de Suite royalty charges, please see www.dacs.org.uk, telephone +44 (0) 845 410 3410, or email arr@dacs.org.uk.

C o n t a c t u s o n 075 9 6 3 3 2 978


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