Sy. 4796 - Liza Lim - Extinction Events And Dawn Chorus by Ricordi

Liza Lim

Extinction Events and Dawn Chorus Twelve

Partitur2018Musicians CopyrightbyG.Ricordi&Co./Forperusalonly

For

29 April 2018, Klangforum Wien with Sophie Schaßeitner (violin solo), conducted by Peter Rundel, at Wittenertage für neue Kammermusik

Work commissioned for Klangforum Wien by Wittenertage für Neue Kammermusik and with the support of the APRA AMCOS Art Music Fund (Australia)

Premiere performances:

Also 7 May 2018, Mozart Saal, Wiener Konzerthaus, Vienna GmbH - Tutti i diritti

riservati Version 30.06.2022 Sy. ISMN4796/01979-0-2042-4796-7 CopyrightbyG.Ricordi&Co./Forperusalonly

Microphone used to reinforce sound when playing at the back of the hall and in Movement IV (duo with snare drum) plus gigantic sheet (preferably 1m x 2m or larger) of extremely noisy cellophane

Medium Spring Drum, one end open or hole at side for wa-wa effect Bass drum played with heavy brush, surface prepared with sizzle

lowest string is re-tuned

Violoncello

In Movement V, 4th string is prepared by tying rosined cotton string to it (pulled to create friction effect)

Duration: c. 38 minutes

IAnthropogenic debris12’Page 1 IIRetrograde inversion7’ Page 51 IIIAutocorrect 4’+Page 76 IVTransmission 3’ Page 95 VDawn Chorus 11’ Page 98 III CopyrightbyG.Ricordi&Co./Forperusalonly

2 Whoopee Cushions or noisy bellows

ClarinetOboe in Bb (also Bass Clarinet in Bb)

CD or aluminum foil pizza plate used as mute (buzz effect); straight mute

Violin (solo part)

4th string is retuned down to E-ßat in Movement III Superball used in Movement V

Instrumentationsections

Contrabassoon (or Contraforte) needs low A and a home-made extension to play a low F0 Horn

Piano 2 Ebows

2 China Cymbals (small, large) scraped on skin of Bass Drum Snare Drum; with Waldteufel head (ie: drum head replaced with skin pierced with string attached to rosined stick) Rasp and 2 drumsticks also required

Bassoon (also Contrabassoon)

Straight mute; Harmon mute

Score is in C

Flute (also Piccolo)

CD or aluminum foil pizza plate used as mute (buzz effect)

Tenor-bass trombone

lowest string is re-tuned

In Movement V, 4th string is prepared by tying rosined cotton string to it (pulled to create friction effect)

Microphone attached at wrist to reinforce sound of low Waldteufel & Whoopee cushions in Movement I; Snare Drum in Movement IV

Percussion

Low VibraphoneClaxon (with mallets & bow)

Double Bass

Dedicated to Ensemble Klangforum Wien

Work is in 5

2 Waldteufels (medium & low)

Loud Ratchet

2 Timpani mallets also needed for Movement V; plus pedal weight

Trumpet in C

At the end of Movement V, 4th string is further retuned down an octave Superball used in Movement V

Movement I: Violinist plays at the back of the hall in the Þrst part, later moving into position with the ensemble Movement IV: Table for violin and snare drum with small desk lamp Movement V:This is potentially played in dim light (‘as if underwater at dawn’)

12 Kazoos (played by all musicians in Movement V

AmpliÞcation

In general, a very malleable and vocal, expressive approach to the music is required with distinct yet ßuid transformations between normal and various altered sounds, e.g. multiphonics as a result of underblown sounds in the wind; half valve and pedal sounds in the brass; string multiphonics at non-harmonic nodes.

Repeats

Violin needs dpa/radio microphone for reinforcement when playing at back of hall and in Movement IV

Violoncello may also need some light ampliÞcation

Various repeat signs are found throughout the piece, in some cases with nested or overlapping repeat brackets. In the case of a repeat that is fully bracketed by another repeated section, the enclosed repeat is played twice on each iteration. In the case of more complex interlaced repeats, each bracket is played twice without being triggered again on any further passes. Dynamics such as crescendi and diminuendi that extend across and beyond a repeated section apply to the entire passage of repeated material, ie: the dynamic does not ‘reset’ on the repeat.

There is movement of musicians with Waldteufels and Trombone in Movement V

In Movement I, all musicians except Violinist play these; Clarinetist plays High Waldteufel; Double Bassist plays low one; in Movement V, all musicians play these in various combinations

Cellophane 1 gigantic sheet (preferably 1m x 2m), extremely noisy

Staging Suggestions

Percussionist has microphone attached at wrist to reinforce sound of low Waldteufel and Whoopee Cushions in Movement I and Snare Drum in Movement IV

In the Violin (solo part), repeats are numbered to clarify the order in which they occur

Extra percussion needed

11 Waldteufels

3 Windwands played by Violin, Percussion and Piano in Movement V

Other Performance Notes

The number of repeats given indicate the total number of repetitions

IV CopyrightbyG.Ricordi&Co./Forperusalonly

Work commissioned for Klangforum Wien by Wittenertage für Neue Kammermusik & with the support of the APRA AMCOS Art Music Fund (Australia).

Herakleitos

The fairest order in the world is a heap of random sweepings

How with this rage shall beauty hold a plea? – Shakespeare, Sonnet No. 65

There is the uncanny dawn chorus of the Þsh-life that populates an endangered Australian coral reef.

Timothy Morton, Realist Magic

V CopyrightbyG.Ricordi&Co./Forperusalonly

Dedicated to Ensemble Klangforum Wien

Time breathes out an improbable hope.

Every aesthetic trace, every footprint of an object, sparkles with absence. Sensual things are elegies to the disappearance of objects.

Vast conglomerations of plastic trash circulate in Þve gyres in the worldÕs ocean currents and are ground into toxic fragments that sediment on remote islands and within the Þsh we eat. Our every-day rubbish shelters hermit crabs even as acid waters dissolve their former shell habitations. Albatrosses scoop up meals of plastic packaging to feed their chicks that then choke and starve as they ingest this colourful non-food.

Like this plastic waste, all time and its traces are with us still, albeit in residual and pulverised states. I have made a music out of heterogeneous relics of the past Ð a coarse sampling of Ôextinction eventsÕ ranging from the spectral echoes of a creaking 19th century in piano music Ôon an overgrown pathÕ (Jan‡ček), to a faulty transcription of a recording of the last mating call ever heard of the now extinct Kauai OÕo bird, to tracings of a star map that captured the Chinese southern night sky in the 9th century. These time-traces rub against each other in ever-degraded cycles. Fleeting repetitions are pulsations of disappearance and point to the uncertainties of human memory and its collapse in abject forgetting.

Programme note

Liza Lim: Extinction Events and Dawn Chorus (2017)

There is broken grandeur and there are attempts to sing.

CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ For Twelve Musicians I Anthropogenic Debris Liza Lim Extinction Events And Dawn Chorus Clarinet(alsoFlutePiccolo)OboeinB b (also Bass Clarinet in Bb) Bassoon (also Tenor-BassTrumpetContrabassoon)HorninFinCTrombonePercussionPianoViolinVioloncelloDoubleBass q=40 accel. pp mp mf pp mp mf pp p q=40 accel. 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 & & & ‹ Bass Clarinet in Bb bisbig. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 ? & > ’ half valve ord. h.v.3 7 7 & > ’ half valve ord.3 7 7 ? ∑ ∑ / & ∑ ∑ ? [ with] Ebow use middle pedal to lift damper & ∑ ∑ ? ∑ ∑ ? ‹ ∑ ∑ ‰ � œ J ≈ � j œ j � j ™ œ œ O O O ™ ‰‰ O � j œ j � j œ œ O O O j œ Dedicated to Ensemble Klangforum Wien Sy. 4796/01 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.PnoVln.Vc.Db. q=50 3 mf mp mf mf mp mf p mf p mp ff q=50 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 & ∑ ∑ ∑ & ∑ ∑ ∑ & ‹ ç t. slap Æ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > 3 33 ? ∑ ∑ ∑ & ord. ∑ ∑ & > ∑ 3 ? half valve sound (match trumpet) > ord. vib.~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 33 / ∑ (ampliﬁed) Low Waldteufel grainy texture & ? & ? ? ‹ ∑ ∑ ∑ œ r ≈ � œ J œ R ≈ æ æ æ æ æ æ æ æ æJ æ æ æJ ‰‰Œ ˙ œ ™ ‰ œ ‰Œ œµ j œ j ‰ŒÓ ÓŒŒ O J O œ J ˙ œ J ‰‰ŒÓ ˙w I - Anthropogenic Debris Sy. 4796/01 2 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.PnoVln.Vc.Db. 6 fpp ë mf f fpp ë fpp ë mf ë ff mf f ff 6 4 5 4 4 4 6 4 5 4 4 4 6 4 5 4 4 4 6 4 5 4 4 4 6 4 5 4 4 4 6 4 5 4 4 4 6 4 5 4 4 4 6 4 5 4 4 4 6 4 5 4 4 4 6 4 5 4 4 4 6 4 5 4 4 4 6 4 5 4 4 4 6 4 5 4 4 4 & ∑ ∑ ∑ & ∑ ∑ ∑ & ‹ ? & ∑ ∑ h.v.ord. & half valve > h.v.ord. 3 3 ? h.v. ord. / (Low Waldteufel) "pops" > > catch > & ∑ ∑ ∑ ? & ? M h. sulMpont. IV > ord. ∑ ? ‹ ∑ ∑ ∑ O œw ∑ O O O O O O O O j ‰ŒÓ O œw O œ w ˙ ˙ r ‰ ≈ r ‰Œ w œ j ‰ ŒŒ w ~ b œ O b ™ ™ ‰ œ O b O O O J ‰Ó I - Anthropogenic Debris Sy. 4796/01 3 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ Fl. Ob. B. Cl. Bsn. Hn. Tpt. Tbn. Perc. Pno Vln. Vc. Db. 9 mf ppë f f mf ë p gliss. mp ë mf fmf mf mp ff ff mf (Ped ad lib.) 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 & ∑ ∑ & ∑ ∑ & ‹ ∑ ∑ ? & 7 & ? # > > 73 3 / ∑ ∑ & > bb 7 7 7 3 3 7 ? # ? [ ] & ? ∑ ∑ ? ‹ ∑ ∑ œ œ ™ j œ r ‰ ŒÓ œ R ‰ ™ œ  j œ J œ œ œ œ œ œ ™ œ œ J ≈‰Œ œ  j œ J ≈ Æ œ J œ Æ œ J œ œ œ œ Æ œ œ ™ J œ œ œ Œ œ œ œ œ I - Anthropogenic Debris Sy. 4796/01 4 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 11 f ff (Ob.) mf mf ë mf mf ë ff mf ff f (Ped ad lib.) & ∑ ∑ & 7 77 & ‹ ? & 3 ∑ 3 3 & > 3 ? 33 3 / (Low Waldteufel) & # > > > > 3 b # b # 3 9 7 7 7 9 ? � j ?[ ] & ? ∑ ∑ ? ‹ ∑ ∑ Ó œ œ œ ‰≈ŒÓ ‰‰ j j œ# r ≈Œ ‰‰ j ‰‰ J J R ≈Œ ˙ ˙ Ó œ œ œ œ œ œ ™ œ œ œ œ j œœnb œ æ æ æ œ ™ J ≈ œœ œ Æ J œœ œ œnb œ œ Œ œ œ œ œ œ œ œ œ œ œ œ œ I - Anthropogenic Debris Sy. 4796/01 5 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 13 ff ff ff mf f f (Ped ad lib.) ff & ∑ & > 3 3 7 3 3 & ‹ ∑ ? ∑ & ∑ & h.v. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? / (Low Waldteufel) catch > & > 7 # n > n #n# # > > > > 3 3 3 9 9 9 7 ? ?[ ] & ∑ ? ? ‹ pizz. 3 > >> 3 7 Œ œb œµ œ œ œµ œµ œµ œ R ‰ ™ Ó œ J ‰ Œ Ó ‰ œ r œ œ œ œ # # œ œ œ œb ≈ œ œ œ# # œ œb ‰≈ œ #nœœ œ œ œ œ œ œ œ œ œœ œ#œ n œ œ œ#œœ œœ#n ‰ œ J � j œ j œ I - Anthropogenic Debris Sy. 4796/01 6 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 14 f f sfz mf f mf f mf ffmf (Ped ad lib.) & ∑ ∑ 3 4 & > 7 7 7 7 3 4 & ‹ ç tongue slap 7 Ÿ 7 7 3 4 ? ∑ ∑ 3 4 & ∑ 3 4 & 7 ∑ 7 3 4 ? ∑ ∑ 3 4 / ∑ ∑ 3 4 & ∑ remove Ebow 3 œ4 ? Ÿ~~~~~~~~~~~~~~~~~~~~~~ 7 3 4 ? [ ] & ∑ ∑ 3 4 ? ∑ ∑ 3 4 ? ‹ > ∑ 3 4 œ r œµ œµ œB ˙ œ œµ œµ œ œµ œ œ œ r œ œ j œ œ œµ œ ˙ œ j œ æ æ æ æ æ æ œ æ æ æ ™ R Œ ™ Ó æ æ æ #œ œ œ ™ j œ ™ œ j œ ŒÓ œ Œ I - Anthropogenic Debris Sy. 4796/01 7 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ ° ¢ ™ ™ ° ¢ ™ ™ ° ¢ ™ ° ¢ ° ¢ ™B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. Meno mosso 3x (in total)16 mp mp f ë mp mf ë ff mf f mf Meno mosso 3x (in total) ppp f ë 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 & ∑ U ∑ ™î ü 3∑ 4 & (1st time only) 3 ™î U ∑ 3∑ 4 & ‹ (1st time only) 3 î U ∑ 3∑ 4 ? ∑ U ∑ ™î † 3∑ 4 & (1st time only) 3 ™î ü U ∑ 3∑ 4 & > 7 í ° ord. î ü h.v. ord. > 3 7 3 3 3 4 ? ∑ U ∑ ™î † 3∑ 4 / (Low Waldteufel) continuous sound (twist string) í ™ ¢ † increase tension to create "pop" "pop" > ™î † > 3 3 4 & U î ü 3 4 ? U î † 3 4 & ∑ U ∑ î ü 3∑ 4 ? MIV î M U M M3 4 ? ‹ ∑ U ∑ ™î † 3∑ 4 R ≈ŒŒŒ œ r ≈ŒŒŒ œ r ≈‰‰ŒŒ � O j � O j O O O ™ œ œ J ˙ ˙b ˙ œ œ r ≈ Œ œ J œ J ˙ ˙ O O O O ˙b ™î ü I - Anthropogenic Debris Sy. 4796/01 8 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 19 mf ë ff ë mp (mp) f mp mf ë ff mpë 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 & ∑ ∑ & ∑ ∑ & ‹ ∑ ∑ ? & ∑ ∑ & mp h. valve ord. 7 mf h.v. ord. 7 3 3 9 ? ∑ ∑ / > > > 33 & ∑ ∑ ? ∑ ∑ & ∑ ∑ ? mp M IV sempre & M M M 7 M M j 7 ? ‹ ∑ ∑ & ‹ œb R ‰ J œ œ O Oµ œ œµ œ œ ˙ J œ ≈ œ ≈ œ r ‰‰ Œ œ ˙ ™ œ O œb J ‰ O ™ ˙ J O J œ O ˙ O œ I - Anthropogenic Debris Sy. 4796/01 9 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ Fl. Ob. B. Cl. Bsn. Hn. Tpt. Tbn. Perc. Pno. Vln. Vc. Db. f mf q=50 21 mf mf p, mf mf mp f mf f ø f mf q=50 f ff mp f ff mp & > underblow 3 ord underblow ord 7 underblow G µ ord. underblow G 3 µ 3 & ∑ ∑ & ‹ ∑ ∑ ? ∑ ∑ & half valve > ord. h.v. > 3 ord. & > 7 split tone Ÿ ? 7 3 / (Waldteufel) > & – l.v.Æ b #b Æ b# > 3 3 7 ? & ∑ ∑ & IV > o o > o o 7 M o o ? o M 3 o & ‹ III arco o M o o M 3 o ? ‹ ˙µ œ œ œ µ œ˜ œ œ œ œ ˜˜ J œ ™ J æ æ æ œµ  œµ j œ œœ œ µ œµ œ œœ œ µ O œ j O˜ ˙˜  j œµ œ œ ™ œ n#œ J œ #œ œ #œ œ #œ J ‰Ó ˙ œ  œµ j œ j æ æ æ œµ  j œµ œ œ˜ ˙ œ œ œ R ‰ Ó R ‰ ŒŒ‰ œ œ R ≈ œ œ œ œ œ œ j œ ‰ œ œœ # # J ##œœ #œœ æ æ æ œ œ œ œ O R ‰ ™ Œ œ O˜ œ R ‰ Œ I - Anthropogenic Debris Sy. 4796/01 10 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. mf f 23 f mp mf mp mf mp mf mp mp mf f mf mf f mff & ord. Æ & ∑ Æ Æ & ‹ ? & > half valve Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 ord. > h.v. > 3 3 3 & split > 3 ? half valve > ord. 3 / & mf 3 # 7 # > Æ 3 7 7 7 7 7 ? 3 3 & ? II > 7 > > 3 ? ‹ ∑ M M 7 M æ æ æœŒÓ Ó Œ R ≈ œµ J Œ R ≈ œµ R ≈ œ˜ J ˙ O j j ≈ J Ó Œ O j œ #œ J ˙ #˙ œ j ‰ j O J œ #œœ J ‰‰ ˙ œ œœ œ## œ nbœ œ œ ‰ r œ œn#œœ ™ J ≈ œ J œnœ œ œ œ # œœ#n œœ#n ‰ R j r ≈≈ œ J Œ J ‰‰Ó œ ‰Œ œ œ œ # Œ O œbb � bœ j O œbb � #œ j �Oj œbb J �Oj œbb J O œbb � j O œbb O œbb O œbb R ‰ ™ O ##œ O ##œ O œ # O œ # O R ™ I - Anthropogenic Debris Sy. 4796/01 11 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. mp 25 pp mf mp f mp mp mf mp mf ff mf (mf) mp mf mf ë ff mp 7 4 9 4 7 4 9 4 7 4 9 4 7 4 9 4 7 4 9 4 7 4 9 4 7 4 9 4 7 4 9 4 7 4 9 4 7 4 9 4 7 4 9 4 7 4 9 4 7 4 9 4 & alternate underblow/ord. for unstable sound ord. underblow & & ‹ ? B > underblow G# ? & 3 3 & ? / Waldteufel ¯ wa-wa with hand + Æ & irreg. trem. > 3 ? & ? > > 7 ? ‹ M ∑ wµ œµ ‰Œ∑ � j J ‰Œ œ ˙ ‰Œ∑ œ #œ J O O O ‰Œ∑ ‰ ‰Œ∑ Œ ‰ œ J œ œ ™ œ œ ≈ Œ Ó ‰ Œ Æ Æ œ J œ æ æ æ˙b ™ ˙˙ #b˙ æ æ æ ™ œ O ##œ O ##œ O œbb O œbb � œ O n j O ˙bb O œbb ™ J ≈ŒŒ∑ O œ # ™ ‰Ó I - Anthropogenic Debris Sy. 4796/01 12 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ ° ¢ ™ ° ¢ ™ ™ ° ¢ ° ¢ ™ ™ ° ¢ ™ ™ ™ ü † ™ ü † ™ ™ ü † ü † ™ ™ ü † ™ ™ ™B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. q=40 accel. q=69 rall. q=50 27 mf f mf f ff f mf (mf ) ° ø mp ø f ø ø ø q=40 accel. q=69 rall. q=50 9 4 3 4 9 4 3 4 9 4 3 4 9 4 3 4 9 4 3 4 9 4 3 4 9 4 3 4 9 4 3 4 9 4 3 4 9 4 3 4 9 4 3 4 9 4 3 4 9 4 3 4 & & & ‹ ? í underblowM ord î Ÿ~~~~~~~ Ÿ~~~~~~~~~~~~~~~ 3 Ÿ~~~~~~~~~~~~~ 3 3 7 7 7 7 & í ™î 7 ﬂz. > 77 3 7 & ? / í Æ 3 î 37 & í ™ > ™î > b Ÿ~~~~~~~~~~~~ 3 7 7 œ ? í ™ ™î 3 # # b n n b 7 7 7 & ? ? ‹ Ó ™ Ó ™ Ó ™ Ó Ó Ó Ó Ó Ó J œ J � j œ œµ ‰ œ ≈ œ œ æ æ æ ˙ O j j r ‰ æ æ æ ™ æ æ æ œ æ œ æ æ æ œb ‰Œ Ó Ó Ó œ J ‰‰ ŒŒ œ ‰ Ó œbœ #œœ œ J œ nœ œ œ r ‰ ™ Œ ŒŒ ŒŒ nœœ œ œ j æ æ æ œ œ œ œ œ œ œ œ I - Anthropogenic Debris Sy. 4796/01 13 CopyrightbyG.Ricordi&Co./Forperusalonly

> O ° ¢ ° ¢ { ° ¢ ° ¢ ™ ™ ° ¢ ™ ° ¢ ™ ° ¢ ° ¢ ™ ™ ü † ™ ™ ü † ™ ü † ™ ü † ü † ™ ™B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. accel. 28 mp f mf f mf f ë ff mf mp mf ø accel. mf f mp mf ë ff mf f mp 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 & ∑ ∑ & ∑ ∑ & ‹ ? underblow F# ord. - C Munderblow MMMM M 3 ord. -BM 7 7 & ∑ ∑ & ? ∑ ∑ / Medium Spring Drum ¯ cup hand over end of open tube for wa-wa eﬀect + > > –l.v. 3 3 & ﬁnger on string O ? 5 5 5 5 & ∑ ∑ ? b Ÿ~~~~~~~~~~~~~~~~~~ ? ‹ Mbring out complex, rich timbre M M 7 3 M M > M 3 œ ˙ œ œ # œ˜ œ J œµ œ µ™ j ŒŒ œ œ J œ œ œ œ J œ R ‰ ™ Œ Ó O O O O æ æ æ æ æ æ r œb œb œb Œ ˙ O œ œ bO œ O œ # O œ # O œ # O œ # O œ # ‰Œ‰ O œ # O œ # R ≈ æ æ æ œ I - Anthropogenic Debris Sy. 4796/01 14 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. q=66 30 f mf f mf f ff ø mf ø ff ff q=66 mf ff mf ff mf 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 & ∑ & ∑ & ‹ ? ord. B underblow D 3 f 3 3 & & ? ∑ / Pedal Bass Drum brush head + sizzle > Spring Drum ¯ + 3 & Æ Æ Æ ? 3 ø 3 ø 3 7 & ? h. sul pont. > 3 > > >> “” 3 7 7 ? ‹ IV >> > 7 M 7 œ œ b J J ≈ ˙ ˙ ˙ #˙ œ œ œ #œ ‰ ˙ Œ œ ˙ O Œ O O Œ J ‰‰ œ œ J ‰‰ bœœ J ‰‰Œ j œ œB œ œµ O OB Oµ ˙ O œ œ œ OB ™ ‰Œ œ O˜ I - Anthropogenic Debris Sy. 4796/01 15 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 31 f f f mf mf mf (mf) mf mf f sfz mf f ff sfz ° ø sfz f ff 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 & ∑ ∑ & ∑ ∑ & ‹ ∑ tongue slap ç Æ ç Æ 3 B ord. > 3 > ? & + o CD mute 3 o 3 + > 3 & > > ? 3 3 (Pedal) / > 3 strike spring with stick > – l.v. & – l.v. ? –3 & ∑ ∑ ? ff ord. b + ++ 7 > 3 ? ‹ M Œ j ‰ œb j Ó œ ‰Œ Œ w � j œ j œ ˙ ‰ œ œ œ j œ œ ˙ #˙ ™ Œ ˙ #˙ ™ � œ j œ J æ æ æ J ‰‰ŒÓ æ æ æ œ ˙ Œ Œ‰ œ œ ‰Œ Œ Œ ˙ æ æ æ œ œ J ‰Œ O œ b b ŒŒ œ j ‰Œ Œ ˙ ‰ œb r � j O � j œ O˜ ™ œ O˜ ™ œ O˜ r ‰ Œ I - Anthropogenic Debris Sy. 4796/01 16 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. mp 33 f mpë mp mp mp mfmp mfë mp mf 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 & > 7 7 4 4 ½ & 3 3 3 4 4 ½ & ‹ µ & R 3 µ & 3 o 4 4 ½ ? > 3 ∑ 4B 4 ½ & o + o + o + 4∑ 4 ½ & CD mute + > 3 4 4 ½ ? ∑ 3 3 7 4 4 ½ / ∑ 4∑ 4 ½ & 4 4 ½ ? ø –Æ 3 ø ø 3 ø 3 ø 3 4 4 ½ & ∑ 4∑ 4 ½ ? h. sul pont. > > > 7 >b + 3 b + ord. 4 4 ½ O ? ‹ ∑ 4∑ 4 ½ Œ Œ≈ J Œ æ æ æ J œ ™ ˙ œ œ ≈ŒŒ ŒŒ ˙ ˙ # ,s Œ œ œ b µ ss œ œ b µ Œ ˙ ˙ # œ œ b µ œ œ j ‰‰Œ æ æ æ ™ ‰Ó œ #œ œ œ œ œ j æ æ æ œ œ œ œ œn œµ œ œ œµ œ œ˜ Œ œœ OOn b # n j ‰‰Œ œb œb œ #œ j œb œ œb œn O j œ œ œ bO I - Anthropogenic Debris Sy. 4796/01 17 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. ff mf ff q=5035 mf (mp) mf f mf f mf f mf ff f mf mf ff ff ff q=50 ff mf ff f 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 & ord. > ∑ 3 & > ∑ & ‹ > ∑ B ? 3 & ( )o > ? ped. > 3 & & > ? ped. > 3 & ? > Æ ped. > 33 7 3 / (B.D.) – l.v. > & ? Æ 3 f M lightly dampen string > >>> 3 5 5 5 & ∑ ∑ ? > ∑ 7 ? ‹ h. sul pont. ord. > 3 ˙ æ æ æ œ˜ ‰ŒŒ ™ œB ™ ‰Œ ˙ ŒŒŒ ˙ œ˜ ŒŒ ˙b œb r ≈ r ≈ r ≈Œ ˙ ˜™ ˙b œb j ‰‰Œ ˙b œb j ‰‰Œ ˙ œ j ‰ � œµ j œ j � œµ j œ œ Œ ˙b œb r ≈ æ æ æ j 7 ˙ ŒŒ‰ œ j ˙ œ O# n j ‰‰ŒŒŒ O œ b b O R O O ¿ ¿ ¿ ¿ ¿ O R ≈ŒŒ � œ j œB œ˜ ŒŒÓ Œ ™ j I - Anthropogenic Debris Sy. 4796/01 18 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. mf ff accel. q=56 37 mp mf mp mf f mp mf f ë mf accel. q=56 ff ff & > > > > ∑ 7 & ∑ ∑ & ‹ ç tongue slap çç ççç 3 çççç çççç çççç ord. 37 3 7 ? & + > > 3 o + 3 > & > + > 3 o + 3 + o ? > 3 > 3 > 3 / ∑ 3 & ? & strong bow pressure on string highly distorted/granulated noise with intermittent sharp attacks like an oracle Violinist in Position 1 (back of hall) > ø > ø >> > > ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ ? ∑ ∑ ? ‹ j h. sul pont. > >> > 3 3 3 æ æ æ œ˜ œµ j ‰Ó Œ ‰ œb r ≈ ≈ ≈ ≈ ≈ ≈ ™ ‰ œb ™ ™ ‰ œ ˜™ œ˜ j œ˜ j œ˜ œ˜ r ‰ œ˜ j æ æ æ r ≈ œ œ˜J œ˜J œ˜ œ˜R ‰ œ r ≈ æ æ æ œ � j œ � œ j ‰ œ œ ˙ wµ œ œ O j ‰Ó O � œµ j æ æ æ � œ j I - Anthropogenic Debris Sy. 4796/01 19 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 39 mp mf f mf f f mp f p f mf f ff sfz 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 & ∑ ∑ & ∑ & ‹ ç t. slap ççççç > ord.3 ? 3 & > o + o + o 3 + o > 3 & 3 + oo ? 3 3 ? ∑ 33 / & ? ∑ ∑ & ∏∏∏ > >> > > > ? ∑ ∑ ? ‹ ( ) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ pizz » 3 Œ Œ‰ j r ‰ � æ æ æ R ‰ æ æ æ œ œ J ŒÓ Œ œ œ ‰ŒŒ œµ j œµ j æ æ æ æ æ æ œ j ‰‰ œ j æ æ æ œ ‰Ó wµ ˙ œµ œµ Œ œ j ŒÓ I - Anthropogenic Debris Sy. 4796/01 20 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 41 mf ff ë fff ff f ff fff ë fff ppë f ë fff 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 & ∑ ∑ & M M chaotic Ÿ & ‹ çççççç çç 3 M smorzatoharmonics > 33 ? & ( )o bellcuivréup! 3 3 ? > 3 > 3 > 3 3 & ∑ ? > > > bellcuivréup! 3 3 / & ? ∑ ∑ & ∏∏∏∏∏ sim. ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ ? ∑ ∑ ? ‹ ∑ ∑ j œ œ j ‰ŒÓ œb œb œb œb œb ‰ ˙ ™ j ‰‰ŒÓ j œ œ j œ œµ r ≈ŒÓ ‰ œb œb r ≈ œb œb r ≈ œb r ≈ŒŒ œb j ≈‰‰ œb j Œ œ J œ œ J ‰‰ŒÓ wµ I - Anthropogenic Debris Sy. 4796/01 21 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 43 f ff ff fff 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 & ∑ ∑ ∑ & ∑ ∑ ∑ & ‹ ? ∑ ∑ ∑ & ∑ ∑ ∑ & ∑ ∑ ∑ ? ∑ ∑ ∑ / Large China Cymbal Cymbals, held vertically scrape on surface of Bass Drum Small Hand Cymbal — l.v. – l.v. & ? ∑ ∑ ∑ & ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ ? ∑ ∑ ∑ ? ‹ ∑ ∑ ∑ ˙ ™ ˙ ™ Ó œ œ J ‰Œ ‰ wµ I - Anthropogenic Debris Sy. 4796/01 22 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 46 f f f fff sfz pp mf f 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 & ∑ ∑ ∑ & ∑ ∑ ∑ & ‹ / High Waldteufel spin ? & ∑ ∑ ∑ & ∑ ∑ ∑ ? ∑ ∑ ∑ / (Lge. Ch. Cym.) (Sm. Hand Cym.) 3 3 3 — l.v. & ∑ ∑ ∑ ? ∑ ∑ ∑ & ord. ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ al tallone > > >> 3 7 7 7 ? arcoM M M M M ? ‹ ∑ ∑ ∑ / w ˙ Ó œ œ œ ˙ ˙ œ ˙ ˙ Œ ˙ œ œ ˙ œ ‰ ˙ ™ œ J ˙ Œ œ ˙ µ™ œ œ œµ œ˜ œ ™ œµ Œ j œµ œµ ™ ŒÓ O ™ O ˙b O ™ O ˙b ~ I - Anthropogenic Debris Sy. 4796/01 23 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢(H.Ob.Fl.Cl.Wald.)Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db.(L.Wald) 49 mf ff mf mf mf mf f mf ff mf 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 & ∑ ∑ ∑ & / 3 > > 3 > > > ' & 3 7 7 ? & (senza sord.)half valve > & half valve > ? half valve > / ff 3 vertical scrape 3 > –l.v.3 & ∑ ∑ ∑ ? ∑ ∑ ∑ & ∑ ∑ ∑ ? M M M j > j separate bows M > > > > mf3 / Low Waldteufel (spin) ∑ ˙ œ œ r ≈ ‰ ≈ œ r œ r ≈ Œ Ó œ j ‰ œ ™ j ≈ œ œ œ œ œ œ œ œ œ j ‰ Ó ÓŒ O ~ ~ ÓŒ ~# ~# ÓŒ ~# ~# ˙ w Œ ˙ ŒŒ œ J ‰Œ ‰ œ Ó œ œ j œ œ œ ˙ Œ O O O ˙b O O J O Œ Œ ‰ œ j ˙ œ j ‰ Œ I - Anthropogenic Debris Sy. 4796/01 24 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢(L.Perc.Tbn.Tpt.Bsn.Ob.Fl.Cl.Hn.Pno.Vln.Vc.Db.Wald) 52 mp mf f mf ë ff gl.gl. gl. mp mf mf f mf f 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 & ∑ ∑ ∑ & ∑ ∑ ∑ & ? ∑ ∑ ∑ & > & 7 >> 3 ? > 3 / to Medium Waldteufel & ? & ∑ grainy b 7 ? To Waldteufel ∑ ∑ ∑ / > ∑ ∑ O O ‰Œ O O r ‰ ŒŒ O ‰Ó O O O O O j O j ≈Œ ‰Œ O ™ O O ™ O Oµ ‰ ˙ œ œ Œ‰ œ r œbœ J œ œ J œ œ œ œ œ œ j ‰ I - Anthropogenic Debris Sy. 4796/01 25 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ Fl. Ob. B. Cl. Bsn. Hn. Tpt. Tbn. Perc. Pno. Vln. Vc. Db. (L. Wald) mf mp mf pp 55 mf mp mf mp mf mp mf mf pp f mf mp pp 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 & underblow Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ to Piccolo 7 & 7 & ‹ 7 ∑ ? 7 & & 3 ? > 3 ? ord. h.v. 7 / & ∑ ∑ ? ∑ ∑ & ˜ 7 ˜ + n# 77 7 7 7 ? / ∑ ∑ Œ œµ œµ ™ œ µ™ œB œµ ‰Ó Œ œµ œµ R Œ Ó æ æ æ œ œ r Œ ™ æ æ æ R Œ ŒŒ ˙ O O ‰Ó O ‰‰ r ‰ ŒÓ j r Œ œ Œ œ j ≈ œ j œ R ‰ œ r œ œ œ œ r œ ˙ ˙ I - Anthropogenic Debris Sy. 4796/01 26 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ Picc. Ob. B. Cl. Bsn. Hn. Tpt. Tbn. Perc. Pno. Vln. Vc. Db. (L. Wald) Più mosso 57 mf mp mf ë ppmf Più mosso mp 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 & ∑ & ∑ & ‹ ∑ ? & ∑ ? ∑ ? To Waldteufel / Medium Waldteufel ¯ + > + +7 & ∑ ? ∑ & ff grainy ﬂautando 7 ff grainy h. sul pont. > > 7 7 7 7 ? ∑ / [ ] background radiation continuous but textured sound with violin, ad lib. 'wa-wa' eﬀects Œ œ œ œ ™ œ œ œ œ œ ≈ œ ≈  œµ j œ ≈ œ˜ Oµ  j œµ œµ œ œ˜ œ µ™ œ˜  œµ j œ ˜™ j ≈ Oµ Oµ O˜ Oµ O˜ O O w I - Anthropogenic Debris Sy. 4796/01 27 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ Picc. Ob. B. Cl. Bsn. Hn. Tpt. Tbn. Perc. Pno. Vln. Vc. Db. (L. Wald) attacca58 f f fff sfz sfz attacca ë 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 & ∑ ∑ & & ‹ ? ∑ ∑ & ? ? / (Med. Waldteufel) + o 7 77 3 7 & ? & ord. 3 h. sul pont. brutal b# 7 ˜ > 3 3 b 7 7 ? ∑ ∑ / ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ spin ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ œ ≈ œ ≈ œ ™ œ œ œ œ j œ ™ j æ æ æ œ œ ™ j œ œ œ œ ™ w O œ ˙ O ˙ O ‰ œœ œ Œ œ R œ J œµœ j œ œ œ œ r ‰ œ˜ ‰Ó w ˙ ˙ I - Anthropogenic Debris Sy. 4796/01 28 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ ° ¢AllPicc.OthersPerc.Vln.Db.(L.Wald) mf sfz fff f mp fff sfz 61 62 í ° ¢ q=56 & ‹ Piccolo o o e.g. > sim. / (catch) join in with others spinning ad lib. Cellophane sheet is noisily passed over the top of the musicians to the percussionist ∑ U arrange cellophane on stand U ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ 60 U Violinist drags very large (2x3m) sheet of noisy cellophane from back of hall to stage making very loud and textured thundersheet sound (cellophane can also be "worn:, e.g. as a train that can be detached) Violin begins when percussion is mfmf / (catch) join in with others ad lib. ∑ U ∑ U Œ œ œ œ R œ œ œ R r r œ R œ œ R œ r œ j ‰ œ j ‰ All other musicians also spin and catch Waldteufels triggering each other in turn í ° ¢ diagonal(husky)bow I - Anthropogenic Debris Sy. 4796/01 29 CopyrightbyG.Ricordi&Co./Forperusalonly

M M ° ¢ ° ¢ ° ¢ ° ¢ (H.Picc.Cl.Wald.)Perc.Vln. mf q=56 [ pp > mf ] mf f ppë mp q=56 ¢ ° ¢ ™ ° ¢ ü † ™ ü † ™ ü † (H.Picc.Cl.Wald.)Perc.Vln. ’65 (mf) x3 ppp ff fff fff f ppp x3 ’ 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 6 4 6 4 6 4 4 4 6 4 6 4 4 4 6 4 6 4 4 4 6 4 & ‹ place "bird calls" inside bars ’ slapTongue ’ / ∑ HighslowWaldteufelgeigercounter sound (one 'pop' every 3 seconds) ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ 63 5 4 ½ / rustle cellophone vary dynamic shaping against violin part 5 4 ½ & ord. 3 slow fast Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (separate bows) > # 7 7 7 7 7 7 7 7 5 4 ½ & ‹ ∑ U ½8 4 / U ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ ½8 4 / U ½8 4 & b Ÿ~~~~~~~~~~~ í M î í ™ 3 > ° í ¢ Ÿ î ü ™î † 3.2.1.grainy> 3 3 U 3 3 3 3 3 ½8 4 w ‰ œ O œ œ O Oµ œ µ™ ‰ œ Ob n œ j ‰ œ œ œ J œ R œ œ r ‰ œ˜ œµ œ œ œ Œ J œ œ bœ j œ O O # #∏∏∏∏∏∏∏∏ #œ j œ œ œ #∏∏∏∏∏ O O O O O ˙ œ O ˙ Ob n œ w w = I - Anthropogenic Debris Sy. 4796/01 30 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ ° ¢ ° ¢ { ° ¢ (H.Picc.Cl.Wald.) f q=56 68 (H.Picc.Ob.Cl.Wald.) mp f mf 69 mp f mf (H.Picc.Ob.Cl.Wald.) f 70 f (H.Picc.Ob.Cl.Wald.)Hn.Pno. pp mf ë f q=69 71 mf f ff mf f mf 4 4 4 4 4 4 5 4 4 4 5 4 4 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 & ‹ > o 5 breathy pure o o > o 7 7 7 8 4 ½ / sim.8 4 ½ & ‹ 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > 37 & 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ / & ‹ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 Æ > o > o 7 7 7 & Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 3 / accel rate of 'pops' ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ & ‹ o vib. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > o 7 & Ÿ 3 > 7 / to Clarinet & & > > & ? ∑ 7 œb ≈ŒŒ æ æ æ œ˜ � œµ j œ˜ œ˜ œ ‰ � œµ œ œ˜ œ œ œµ œ œ œµ ™ œ˜ œ˜ ™ œ˜ ˙˜ œ � œµ j œµ J œ R æ æ æ œ ‰ œ˜ ˙˜ œ J � œµ j œµJ œ˜ œ � œµ j œµ J � œ˜ j æ æ æ œ œ œ œb œµ ≈ œµ œ œ˜ œ œ œ œ˜ J Œ Œ ˙b ˙b œ ˜™ � œµ j �œj˜ œ œµ œµ Ó ™ Œ œµ J œµ j œ œ œ æ æ æ œ ™ ‰ Œ Ó Ó ™ ˙ œ O œ Ó Œ œ œ # Œ = = = I - Anthropogenic Debris Sy. 4796/01 31 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ Picc. Ob. Cl. Bsn. Hn. Tpt. Tbn. Perc. Pno. Vln. Vc. Db. mf mp mf p 73 mf mp mf p mf mp ë f mp mp mf mp & ‹ > > & & Clarinet in B b 3 ? & & ∑ ∑ ? ∑ ∑ / ∑ ∑ & > 3 > ∑ 3 ? > > > > > 3 > 7 7 & ∑ ∑ ? ? ‹ ∑ ∑ ˙ ˙µ ˙ œ œ œ µ™ ˙ ˙ Œ ˙ œµ œ œ æ æ æ œ Œ ˙ r ‰ ŒÓ Œ  j ™ œ j Œ œ œ n # œ ™ œ#œ œnœ œ œ œ bœ bœ ‰ œ ™ œ bœ ˙ ˙ I - Anthropogenic Debris Sy. 4796/01 32 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ Picc. Ob. Cl. Bsn. Hn. Tpt. Tbn. Perc. Pno. Vln. Vc. Db. mf f 75 mf f f mf f mp f mf ff ë mp mp f f mf mf mf ff f gl. & ‹ > > > 33 3 3 3 3 7 7 & > > 3 3 7 3 9 & ∑ > 3 93 ? underblow 3 3 ord. > 9 3 & ∑ ∑ & > h. valve ord. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 gl. 3 ? ∑ ∑ / ∑ ∑ & # 3 3 7 Æ 9 3 3 ? & ∑ ∑ ? > M M > 9 3 ? ‹ ∑ ∑ æ æ æ œ˜ œ œ œµ œ˜  j ≈ œ J œ œ œµ œ˜ R J Œ œ œµ œ˜ œ J œ œb œ œ ˙ Œ œ œ œ J œ œ J œ œ ˙ Œ œ œ ™ œ œ ‰Œ ˙ O O œ j œ œ j œ ™ j ≈ œb œ œ Œ  œ j J œ œ b n œ œ b # œ #œ œ œ ‰  ™œJ œ œ j ‰Œ Ó ˙ O œ # O œ # œ œ œ œ Œ I - Anthropogenic Debris Sy. 4796/01 33 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Perc.Tbn.Picc.Ob.Cl.Bsn.Hn.Tpt.Pno.Vln.Vc.Db. mf 77 mf p mf p mf mf mf mf (mf) f mf p mf p mf mf p 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 & ‹ 3 to Flute ∑ & & & Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑ ? underblow Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ & half valve 3 ∑ & > 3 > > 3 3 ? 3 / & >7 3 3 ? ∑ ∑ & ∑ M M MM 3 ? M M MM 3 ? ‹ M M M MM 3 œ µ™ œ˜J R ≈‰‰ œ µ™ � j ‰Ó ‰Ó Ó Œ œ œ œµ O r ≈‰‰ œ j O O O O œ ™ R ≈‰‰ � j Œ ≈ œ œ œ œ œ œ œ œ Ob œ Ob œ Oµ j ˙ Oµ œ O b œ O b œ bO j ˙ bO œ O œ # O œ # R ‰ O œ # O œ # œ Oµ j ˙ Oµ I - Anthropogenic Debris Sy. 4796/01 34 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Perc.Tbn.Tpt.Bsn.Ob.Fl.Cl.Hn.Pno.Vln.Vc.Db. f 79 mf pp mf pp f mf f f mf mp mf mp mf 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 & underblow ord. 7 7 & 7 7 & ∑ ? ord. 7 & & ord. > 7 3 7 ? / ∑ & 7 œ# œ ? 3 œ & > 7 7 ? M M M ? ‹ IIIM M > 7 M M M Ó ‰ ™ œ œ œµ œµ R œµ Ó ‰ ™ œ µ™ œ R œ œ œ œ œ œ œ œ ‰ Ó ˙ ˙ œn œ œb O O O O O ˙ ˙ œ œn ‰ œ œ œ œ œ œ œb ™ œ œn œb œ œ ‰ œ œ œ œ œ œ œ Œ Œ œ bO œ O b œ O b O ™ j Onœ œ I - Anthropogenic Debris Sy. 4796/01 35 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Perc.Tbn.Tpt.Bsn.Ob.Fl.Cl.Hn.Pno.Vln.Vc.Db. 80 mf mp mf mp mf mp mf f mf mf mf ff sfz mf ff f mp f & 7 underblow ord.bisbig. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 & 7 & ∑ ∑ ? ∑ ∑ & ord. 3 & ord. > ? 3 3 > 3 3 3 / Medium Waldteufel >> > 3 & ? ∑ 3 & 3 ˜ + > 3 ? M h. sul pont. ord.M 3 h. sul pont.7 ? ‹ M IV œ œ œµ œµ œ˜ æ æ æ ˙˜ ˙˜ œ œµ ‰Ó œ œ œµ œ µ™ J ≈ŒÓ O œ j ˙ r ≈‰‰Œ ˙B j ˙µ œ J œ ≈‰ œ ‰ � œµ j J ≈ � œ œj J œµR ≈‰‰Ó Ó œ œ œ œ œ œ j œœœbœbb ™ Ó œœœnœ n ŒŒ Ó œ œ j ˙ Ó j œ ˙ J œµ #œ æ æ æ #˙ œ O b ™ j ™ j Oµ ŒŒ œ ™ ‰ ˙ œ O˜ æ æ æ O˜ ˙ ™ I - Anthropogenic Debris Sy. 4796/01 36 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Perc.Tbn.Tpt.Bsn.Ob.Fl.Cl.Hn.Pno.Vln.Vc.Db. mf allargando 82 mp mf mf mp pp mf mp pp mf mp pp mf sfzallargando mp f ë pp mf mp f ë pp mf 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 & 3 ∑ & & > breathy ord. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? & h.v. ord. h.v. & h.v. ord. h.v. ? h.v. ord. h.v. / 3 ∑ & ∑ ∑ ? ∑ ∑ & ## ˜ > 7 > 7 7 7 7 3 Ÿ~~~~~~~~~~~~~~~ ? ord. ? ‹ ord. ˙B œB ‰Œ ˙B œB ‰Œ ˙B ˙B O ˙ OB ˙µ ™ O ˙ ˙ µ™ œ ‰ ŒŒ ‰ œ œ #œ œ œ œ r œ ‰Œ #O ™ r œ œb ≈#O ™ j ≈ r O œ œ œµ œ˜ œ˜ œµ ‰ O œ ˙ bO ™ #O#˙ ˙ nO ™ ˙ OBB ˙ ™ ˙ ˙ ™ ˙ O I - Anthropogenic Debris Sy. 4796/01 37 CopyrightbyG.Ricordi&Co./Forperusalonly

j ° ¢ ° ¢ { ° ¢Perc.Tbn.Tpt.Bsn.Ob.Fl.Cl.Hn.Pno.Vln.Vc.Db. q=50 84 ff f mf f f mf f f mf f mf f f ff q=50 ff f f ff f 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 & ∑ ∑ ∑ & >>> > 77 & ∑ ∑ ? & > ord. h.v. & > ord. h.v. ? > > > / ∑ rasp articulate rhythm with rasp on stick on snare (friction eﬀect) Snare Drum (snares oﬀ) > >>> > 7 snarerasp on7 & ∑ ∑ ∑ ? ∑ ∑ & Ÿ <>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑ ? IV 3 > 3 ? ‹ > 3 > > > h. sul pont. > 3 œB œB ™ œB œB œB œB j ‰ œµ œB j œB r ≈Œ O r ≈ ˙µ Oµ œ O r ≈ O ˙ œ œ œ J O œ œ œ œ œ œ œ œ j ‰ ŒŒ œ Œ‰ œ O b ™ O O r ‰ ™ œ# � j O OBB j œ OBb O r ‰ � œ j œ j œ � j �jj œ œ O j œ O œ O œ O œ ™ � œ j œ œ �jj I - Anthropogenic Debris Sy. 4796/01 38 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Perc.Tbn.Tpt.Bsn.Ob.Fl.Cl.Hn.Pno.Vln.Vc.Db. 87 mf mf ff gl. 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 & ∑ ∑ & > squeezed soundord. 3 3 & ∑ ∑ ? & 3 ∑ & (with Oboe) ord. 3 ? h.v. / (S.D.) 3 > 3 7 & ∑ ∑ ? 3 –l.v. >> & ? 3 ? ‹ ord. 3 œ j æ æ æ æ æ æ œ j � œµ j Oµ œ r ≈Œ œ O j O j ˙ O œ j œ ˙ œ œ j œ œ œ œ ˙ œ O b j œœ OO bb O œb O œœ OO b œœ OOn b # n bœœ # n œ ™ œb J æ æ æ æ æ æ œ J æ æ æ O ˙ # Œ ™ æ æ æ ˙ œ ˙ I - Anthropogenic Debris Sy. 4796/01 39 CopyrightbyG.Ricordi&Co./Forperusalonly

[ ] ° ¢ ° ¢ { ° ¢Perc.Tbn.Tpt.Bsn.Ob.Fl.Cl.Hn.Pno.Vln.Vc.Db. f 89 ff f mf p mf p f f ° mf fff mf 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 & ∑ > > 77 & >> 3 > 7 & ? ∑ ∑ & + > & > ? ord. / (S.D.) snares oﬀ ∑ & ∑ ∑ ? place Ebow on string & ? ? ‹ ˙˜ œ˜ œ ˜™ œ˜ œ˜ œ˜ œ˜ œ˜ � œµ j ˙ µ™ ‰ œ B™ Œ ‰ j Œ ‰ œb j ‰ ™ Œ w œ œ j ≈ŒÓ œ ‰ Œ w ˙ œ w w œ œ j ≈ŒÓ I - Anthropogenic Debris Sy. 4796/01 40 CopyrightbyG.Ricordi&Co./Forperusalonly

[ ] ° ¢ ° ¢ { ° ¢Perc.Tbn.Tpt.Bsn.Ob.Fl.Cl.Hn.Pno.Vln.Vc.Db. 91 f mf mp mf f mf mf f ë p mf ë f pë mf ff ff mf f mf f & 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ bisbig. Ÿ~~~~~~~~~~~~~~~~~ & > 7 7 & Æ 7 7 ˜ 77 ? & & > > 7 7 7 ? / Drum Sticks 7 & ∑ ∑ ? & 33 3 ? >> > 7 > 77 ? ‹ h. sul pont. >>> > 7 œ˜ ˙µ œ˜ æ æ æ ‰ ™ œµ R ˙ µ™ œ˜ æ æ æ œ˜ � œ˜ � j œ œµ œµ œµ ˙µ œ˜ œ œ œµ œµ ˙µ æ æ æ œ˜ œ˜ � œµ j � œµ j œ ˜™ J œ˜ œµ œµ œ˜ R œ ˜™ � j œ˜ � j œ˜ � j œ˜ � j J œ œ˜ œ œµ œµ œ µ™ ‰ œB œB œ ≈Ó Ó Œ œ œ œ œ œ œ œ æ æ æ œ ‰ ŒŒ ‰ œ r æ æ æ œ ‰ w œ œ O œ œ œµ œµ œ˜ œ˜ r ≈‰‰ŒÓ ˙ œ � œµ j œ˜ œ˜ œ ‰ œ I - Anthropogenic Debris Sy. 4796/01 41 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Perc.Tbn.Tpt.Bsn.Ob.Fl.Cl.Hn.Pno.Vln.Vc.Db. 93 mf f mf f mp & 7 Æ 7 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ (separate notes)Ÿ~~~~~~~~~~~~~~ 7 7 & 7 > > Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 7 & 7 ∑ ? > & > & ∑ ∑ ? / ∑ ∑ & ∑ ∑ ? [ place] Ebow on string & ? 7 ? ‹ ∑ œ µ™ J œµ œµ J ≈ œµ œµ œµ œµ œ ™ œB � œµœµ J ≈ œµ œ œµ J œ ˜™ ≈‰ � œµ œµ œ˜ œµ œµ ‰≈ œ µ™ � j œµ œ µ™ J œ ˜™ ≈Œ w ˙µ w ˙µ ˙ ˙ ˙ œ œ˜ ≈Œ æ æ æ œ æ æ æ r ‰ I - Anthropogenic Debris Sy. 4796/01 42 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Perc.Tbn.Tpt.Bsn.Ob.Fl.Cl.Hn.Pno.Vln.Vc.Db. 95 mp pp mp pp mp mp pp pp pp mp mp pp 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 & 7 ∑ 7 & 7 ∑ 7 7 & 7 7 to Bass Clarinet & ‹7 7 ? & & ∑ ∑ ? / & ∑ ∑ ? & ? ∑ ord. h. sul pont. ? ‹ ord. œ µ™ œµR œµ ‰ ™ Ó œ œ R œ œµ J œ µ™ J ≈‰≈Œ œ ˜™ R œ �œ#j J œ J œµ œµ R Œ ‰Ó ˙ ˙ w# j ‰ŒÓ ™ w œ ‰Ó nw ˙ ˙ Œ œ ˙ ˙ ™ I - Anthropogenic Debris Sy. 4796/01 43 CopyrightbyG.Ricordi&Co./Forperusalonly

[ ] [ ] [ ] ° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 10" 10" 10" 97 mf fff mf mf fff mf mf fff mp mf fff 10" 10" 10" fff fff 10 4 4 4 10 4 4 4 10 4 4 4 10 4 4 4 10 4 4 4 10 4 4 4 10 4 4 4 10 4 4 4 10 4 4 4 10 4 4 4 10 4 4 4 10 4 4 4 10 4 4 4 & ∑ ∑ ∑ U & ∑ ∑ ∑ U & ‹ bring out rich multiphonics / harmonics on B Bass Clarinet ? bring out rich multiphonics / harmonics on B & ∑ ∑ ∑ U & ∑ ∑ ∑ U ? (q = 60) / Ratchet ∑ U & U ? & U ? vary bowing patterns; bring out rich harmonics ? ‹ vary bowing patterns; bring out rich harmonics w w w Œ∑ œ œ œ œ œ œ œ œ œ œ œ œ ˙ bw w w I - Anthropogenic Debris Sy. 4796/01 44 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. q=56 100 f mf p mf p f ë ff f ë ff f fmf f ff ff f ë ff ff sfz q=56 f ff f 4 4 5 4 6 4 4 4 5 4 6 4 4 4 5 4 6 4 4 4 5 4 6 4 4 4 5 4 6 4 4 4 5 4 6 4 4 4 5 4 6 4 4 4 5 4 6 4 4 4 5 4 6 4 4 4 5 4 6 4 4 4 5 4 6 4 4 4 5 4 6 4 4 4 5 4 6 4 & ∑ ∑ & > > 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑ & ‹ ? ∑ & > cuivré > 3 > 3 & > > 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? > harmonic 'rip' > 7 7 / Friction Cymbals scrape edge on bass drum –> > 3 — l.v. — l.v. > 3 –l.v. & ∑ ∑ ? l.v. –Ebowremovefrom Bb ∑ & > ∑ 3 ? ord. h. sul pont. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ord.7 ? ‹ ord. � œ œj J œ � œ j œ œµ ‰Œ æ æ æ ˙ œ r ‰ Œ ˙ œ r ‰ Œ ˙ ™ j ≈ ˙ ™ j ≈Ó Œ � œ œj J œ œ œµ æ æ æ j œ � œ j œ ™ œµ Œ Ó œµ J œ J œ Œ Ó ˙ œ r ‰ Œ œ wn Œ ˙ ˙ œ œ œ œ bœ ∏∏∏∏∏∏∏∏∏∏™ œ œµ œµ #œœ ##œœ ≈ œ œ j œ œµ œ œ w w œ I - Anthropogenic Debris Sy. 4796/01 45 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 102 mp ë ff sfz mp mp mf ff mp f mp ff mf ff f mp mp 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 & ∑ ∑ & & ‹ 3 3 ? & half valve ord. & ∑ ? 3 / –l.v. –l.v. & ? — l.v. remove Ebow from B ∑ & ∑ ∑ ? h. sul pont. 3 ? ‹ ∑ Ó ™ j æ æ æ j œ r ≈‰‰‰ Ó Ó ™ wb ˙# ‰ŒŒ J œ œ Œ Œ ˙ ˙ œ ˙ Ó ˙ ∑ œ ˙ œ j œ ™ ∑ I - Anthropogenic Debris Sy. 4796/01 46 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ Fl. Ob. B. Cl. Bsn. Hn. Tpt. Tbn. Perc. Pno. Vln. Vc. Db. 104 mp ff p ff p f mf mf mp & ∑ ∑ ∑ & ∑ ∑ ∑ & ‹ > 3 ? & ∑ & ∑ ∑ ∑ ? 3 / Spring Drum 3 & ? ∑ ∑ ∑ & ∑ ∑ ∑ ? ∑ ∑ ∑ ? ‹ ∑ ∑ ∑ æ æ æ œ j œ ˙ Œ Ó wb w œ ™ œµ j ˙µ œµ w Ó ˙ œ ˙ ™ Œ I - Anthropogenic Debris Sy. 4796/01 47 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ Fl. Ob. B. Cl. Bsn. Hn. Tpt. Tbn. Perc. Pno. Vln. Vc. Db. mf f q=50 107 mf f mf mf f mf f mf mf f mf f gl. f mf ë f pë q=50 mf f ff & ∑ ∑ 3 & ∑ ∑ 3 3 & ‹ ∑ ∑ 3 3 ? ∑ ∑ underblow & ? split tone or sing 3 & ∑ ∑ (Pedal) ? 3 Ÿ~~~~~~~~~~ Ÿ3 ? split tone 3 4 > III III 3 /∑ ∑ Snare Drum ∑ 3 & ∑ ∑ ∑ ∑ ? & ∑ ∑ ∑ ∑ ? M 3 3 h. sul pont. > > > 3 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~7 ? ‹ ∑ ∑ ∑ ∑ Ó ˙ œ J œB œB œ ‰ ˙B œB J œ œ œ R ≈‰‰Œ Ó ˙µ œµ œ œµJ œ R ≈‰‰Œ ˙µ œµ ‰Ó Ó‰ œ w ˙ œ j œ ™ j b˙ Ó Œ j œ j œ œ j ˙bw b bw bœ j œ œ b b˙ ™ œ œ æ æ æ œ Ó w ~bn ˙b œ œ b œ œ b œ œ b bœ j bœ Œ‰ O ‰ œb I - Anthropogenic Debris Sy. 4796/01 48 CopyrightbyG.Ricordi&Co./Forperusalonly

M M ° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 111 ff sfz p mp ff sfz p fff mp mffff ff sfz pp f sfz ff pp ff f sfz ff pp 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 & ∑ ∑ ∑ & ∑ ∑ ∑ & ‹ ? -Ab 3 fff Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? 3 ? > 3 Ÿ ? 3 / & ? ∑ ∑ ∑ & ? ord. Ÿ~~~~~~~~~~~~~~~~ 3 ? ‹ IV h. sul pont. > >> > ord. 73 j ‰Œ b˙ ™ Œ bw j ‰‰ŒÓ j ‰Œ bœ ‰Ó r ≈‰‰ŒÓ j ‰Œ ™ J ‰‰ŒÓ O j ‰‰ŒÓ I - Anthropogenic Debris Sy. 4796/01 49 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 114 f fff mf & ∑ ∑ ∑ & & ‹ ∑ ∑ ∑ ? ? ∑ ∑ ∑ ? Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > U3 3 ? ∑ ∑ ∑ / (Spring Drum) > ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ ∑ ∑ & ∑ ∑ ∑ ? ∑ ∑ ∑ & ∑ ∑ ∑ ? ? ‹ ∑ ∑ ∑ œ ™ œ ˙ ™ ˙ ‰ŒÓ ˙ Œ I - Anthropogenic Debris Sy. 4796/01 50 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ ° ¢ II Retrograde Inversion Trumpet in C mf f mf mp Rubato 1 Tpt. mf mp 3 Tbn.Tpt.Hn. mf q=50 (or slightly slower) 5 mp ë mf mpë mf Tbn.Tpt.Hn. f mf f 7 f Tbn.Tpt.Hn. mp f q=56 (più mosso) 8 mf f f p 4 4 6 4 6 4 7 4 6 4 7 4 6 4 7 4 6 4 6 4 6 4 6 4 7 4 6 4 7 4 6 4 7 4 ? with lyric abandon > > half-valve ord. 3 7 7 ? ’Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ & 3 3 3 3 3 & > + ° í ™ ¢ í ° o > ü ™î † ™î ü > > 3 ∑ ? 3 7 & ∑ U wait for Horn f > half valve ? ° í ™ ¢ ¯ muteHarmon + ü ™î † ¯ + 3 3 wait for Horn U ? ° í ¢ + í o î ü î † > > > & í î 7 7 7 7 7 8 4 ½ & U 8 4 ½ ? ∑ U 8 4 ½ & ° í ¢ mf í î ü î † U & ° í ¢ í î ü î † U ? ° í ¢ 3x ralltotaloneach repeat ü î † U œ j œ ™ O ≈ œ R œ R œ œ ≈ œ œ OO O O R ≈ œ œ œB ˙B � œ j œ œ O O O œ ™ ≈ � j œ œ ˙ � j J Œ O O O � O j O j O œ J œ O O O O œ œ œ œ j r ‰ Œ ∑ œ œ r ‰ œ˜ r ‰ œ˜ r ‰ œB r ≈ œ˜ œ˜ œ˜ ‰ œ œ˜ œ˜ œµ œ œµ œµ œ œB œB � j ≈ 7 = = = = I - Anthropogenic Debris Sy. 4796/01 51 CopyrightbyG.Ricordi&Co./Forperusalonly

3 3 ° ¢ ° ¢ { ° ¢ Fl. Ob. B. Cl. Bsn. Hn. Tpt. Tbn. Perc. Pno. Vln. Vc. Db. mf f ë mp 9 mp f mpë pp ff o mf p sfz mf f sfz mf f f mf mf f p mf f p mf f p 7 4 5 4 7 4 5 4 7 4 5 4 7 4 5 4 7 4 5 4 7 4 5 4 7 4 5 4 7 4 5 4 7 4 5 4 7 4 5 4 7 4 5 4 7 4 5 4 7 4 5 4 & ∑ > > > > 7 > > embouchure gliss. underblow > 73 7 3 3 4 ½ & ∑ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 3 4 ½ & ‹ ∑ 3 4 ½ ? ∑ ∑ 3 4 ½ & + > half valve o ’ > + > o 3 3 4 ½ & ∑ half valve Ÿ~~~~~~~~~~~~~ 33 3 4 ½ ? ∑ senza sord. half valve Ÿ 33 3 4 ½ / 3 4 ½ & ∑ > 3 4 ½ ? 3 4 ½ & ∑ M > 3 M gl. 3 4 ½ ? ∑ > Mgl. 3 4 ½ ? ‹ ∑ > Mgl. 3 4 ½ æ æ æ œµ J  j  j œ œ œ æ æ æ œ æ æ æ J ‰ ™ œb J Œ Œ ‰ œ ™  œ j  œ j O j O ‰Ó O J Oµ ‰Ó œ œ œ œ J œ Œ O #˙ O #œ O #˙ Œ ˙ bO b˙ Œ O#˙ O#˙ 3 I - Anthropogenic Debris II - Retrograde Inversion Sy. 4796/01 52 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ ° ¢ ™ ™ ° ¢ ™ ° ¢ ° ¢ ° ¢ ™ ™ ™ Fl. Ob. B. Cl. Bsn. Hn. Tpt. Tbn. Perc. Pno. Vln. Vc. Db. ff sfz mf 11 sfz ff mp mf sfz ff ppë sfz ff mf mf ff ff sfz ff ff sfz f sfz ff ff sfz ff sfz 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 & ∑ U underblow 3 3 4 ½ 5 4 ½ & ∑ U 3 3 4 ½ 5 4 ½ & ‹ U 3 3 4 ½ 5 4 ½ ? U 3 4 ½ 5 4 ½ & ° í ¢ í ° > ü î † ™î ü ord. > 3 3 3 7 3 4 ½ 5 4 ½ & ∑ U > 3 3 3 4 ½ 5 4 ½ ? U 3 4 ½ 5 4 ½ / ∑ U ∑ 3 4 ½ 5 4 ½ & U >> 33 3 4 ½ 5 4 ½ ? ∑ U 3∑ 4 ½ 5 4 ½ & ∑ U distort 3 3 4 ½ 5 4 ½ ? ∑ U 3 4 ½ 5 4 ½ ? ‹ ∑ U 3 4 ½ 5 4 ½ Œ ™ œ R ≈≈ œb J Œ œ  j ‰ŒÓ ˙ J œ J R ‰ Œ R ‰ ŒÓ  œ j œ œ O ™ j  œ j  j Œ ≈Œ Œ  j  j Œ ≈Œ Œ R ‰ ŒÓ œ Ó Œ œ R ‰ Œ œ œ J œ# Œ ™  œ j ‰ŒÓ Œ ™ R ‰ ™ ŒÓ Œ œ R ‰ ŒÓ I - Anthropogenic Debris II - Retrograde Inversion Sy. 4796/01 53 CopyrightbyG.Ricordi&Co./Forperusalonly

7 7 7 M 7 ° ¢ ° ¢ { ° ¢ ü † ™ ™ ™ ü † ™ ™ ü † ™ ü † ü † ™ ™ Fl. Ob. B. Cl. Bsn. Hn. Tpt. Tbn. Perc. Pno. Vln. Vc. Db. pp f pp 13 pp mp mp mf f mf mf f mf mf mf ff mp f f mf 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 & > underblow ord. ∑ 3 & 3 ∑ & ‹ l l 3 ? 2nd time only underblow 3 ord. 77 & > 3 ord. ? > & 7 3 7 7 7 & f > 3 > 3 7 3 ? / ∑ ∑ & b #b 37 7 ? ∑ ∑ & ord. > 7 > 3 7 7 ? > ∑ ? ‹ > œb J ≈ J Œ Œ R Œ Œ œb œ J ˙ w# R œ œb R Œ ŒÓ r ≈ O O O O ™ j O O O O O O ™ ŒŒ œ r ≈ O O O ‰‰‰ j ‰ŒŒ R ‰ ŒÓ œ R ‰ Œ‰ R ≈Ó œb œ œ œ b ™ œ œ j œ j œ Œ ŒŒ æ æ æ œ œb j œ œ œ ™ œ œ ˙ œ œ Ob ˙ Ob R ‰ ™ œ ŒÓ œb R ‰ ŒÓ œ R ‰ Œ‰ œb R ≈Ó I - Anthropogenic Debris II - Retrograde Inversion Sy. 4796/01 54 CopyrightbyG.Ricordi&Co./Forperusalonly

7 M M M ° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. q=8415 mf mf f p mf mf mf ° mf p q=84 mf p f mf 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 & ∑ ∑ & ∑ > > > & ‹ R 3 R > > > > > 7 > 37 ? underblow / more diﬀuse Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ & > > > & > > > ? ∑ > > > / & # Æ b l.v. > 3 7 ? — –∑ & ? 3 ∑ ? ‹ ∑ > > ‰ r ≈‰ œµ r ≈Œ r ‰ ,, ss œ œ b µ™ J œ˜ œ˜ æ æ æ œµ j ≈ æ æ æ �jj � œ j Œ Ó ‰ r ≈‰ œµ r ≈Œ r ‰ ‰ r ≈‰ œ˜ r ≈Œ œµR ‰ ‰ R ≈‰ œµ R ≈Œ R ‰ ™ œ œœ œ œ œ œ ˙ œ œ œ œ ##œœ ˙ ˙ Œ œ œ œ b b∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ ˙ Ob Œ œ bO b˙ œ O˜b Œ œµ R ‰ Œ Œ R ‰ ˙ ˙ # I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 55 CopyrightbyG.Ricordi&Co./Forperusalonly

7 ( ) ( ) M M M MM ° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 17 mf mf mp mp f mf f mf ë ff mf ë ff mf f & ∑ ∑ & > > > & ‹ ? ∑ ∑ & > > > > > & > > > > > > ? > / & Æ í ™ ™î ∑ 7 œ ? í ™ ™î ∑ 7 3 3 œ & > ? M ? ‹ IIIII (II) 3 3 ‰ œ˜ œµ œµ œ œB œ˜ œ R ‰ ‰ œµR ≈‰ œ˜R ≈Œ œ R ‰ Œ œ œ # ‰ œ œµ œ r ‰ ™ Œ r ‰ ™ ‰ œ r ≈‰ œ r ≈Œ œ r ‰ ™ ‰ œ˜ œµ œµ œ Œ R ‰ ‰ R ≈‰ R ≈Œ R ‰ R ‰ Œ Ó œ œœ#n R œ œ œ R ≈‰‰≈‰ œ œ ™ æ æ æ œ ≈ O˜ œ œ O˜ O˜ j ≈ŒÓ Œ O #˙ O œ˜ O œ˜ J ≈ŒÓ R ‰ Œ Œ O O œ œ I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 56 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. rall.19 ff mf ff mf gl. gl. mf gl. gl. mf f rall. f ff & ∑ ∑ & Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Æ 3 & ‹ > 3 3 ? ∑ ∑ & 3 3 3 3 & 3 half valve > 3 > 3 > 3 > 3 3 3 3 ? ∑ 3 / ∑ ∑ & re-sync again ∑ ∑ ? ∑ ∑ & ÆÆ Æ 3 Æ Æ 3 3 ? & Æ Æ Æ Æ ? ‹ 3 3 h. sul pont. > 3 3 3 ‰Ó Œ≈ œb R ‰‰Ó œ˜ ‰Ó Œ‰‰ j œ æ æ æ œ j ‰ œ j ‰ œ j ‰ œ j ‰ œ j ‰ œ j ‰ œ j ‰ œ j ‰ œ j ‰ œ j ‰ œ j ‰ œ j ‰ J ≈ J ‰ œ ‰‰ œ ‰‰ œ ‰ ‰ Œ � O j Œ ‰‰ œ˜J ‰‰ œ˜J Œ œ˜J ‰‰‰ œ˜R ≈Œ ‰ œ˜R ≈Œ Œ ‰ œ R ≈Œ ‰ œ R ≈Œ œ R ‰ ‰ œ R ≈Œ O O Oµ ≈‰ œ œ j ‰‰ I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 57 CopyrightbyG.Ricordi&Co./Forperusalonly

3 M M M ° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. q=6621 ( ff ) f mf f f f f q=66 f 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 & ∑ ∑ & ∑ ∑ & ‹ > > > 33 3 ? ord. > 3 3 3 & ? > & & > > ? 3 3 3 3 / ∑ ∑ & ? ∑ ∑ & ÆÆ 3 ∑ & ÆÆ 3 ? ∑ ? ‹ M > > 3 3 œ œb r ‰ ™ Œ œb œ j ≈ � œ œbj j Œ � œ œbj ™ j ≈Œ �jj ‰‰ r ‰ ‰‰ j j œ � j ‰‰ œb j ŒÓ ‰ O j ‰ j ‰‰ j œ# ‰‰ j J � O j ‰ � j J � O j ‰ � j J � O j Œ � O j Œ � O j ‰ � j J � j ‰ J � j ‰ŒÓ œ ‰ŒÓ Œ O œ # æ æ æ œ j Œ O œ # æ æ æ œ j I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 58 CopyrightbyG.Ricordi&Co./Forperusalonly

3 M M ° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 23 mf mf mf mf f mp f mf ff mf mf ë ff sfz 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 & ∑ ∑ & & ‹ ? underblow ord. 3 & ord. & ord. > 3 ? ord. / 2 Woopee Cushions > 3 "trem" & ∑ ∑ ? & 3 3 heavy distortpressure ? IV sulmoltopont. ord. 3 ? ‹ ‰‰ j ŒŒÓ œ# ™ ˙ ™ ™ ˙ O œ ‰ œ ˙ ˙ 7 œ œ R ‰ ŒŒ ™ œb j æ æ æ � j j � j Œ ¿ ™ ¿ ™ ¿ j ≈ŒŒÓ ˙ Ob b æ æ æ œ œbb ™ œ œbb J ˙ w ~b œ j ≈ŒŒÓ I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 59 CopyrightbyG.Ricordi&Co./Forperusalonly

3 ° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 25 ff sfz f mp mf mf mp gl. mf f mf mp mf mp mf mf ff 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 & ∑ ∑ & Æ & ‹ ç tongue slap 3 ∑ ? > Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 3 > Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 33 3 & 3 & 3 33 ? 3 Ÿ~~~~~~~~~~~~~~~~~~~ / Woopee Cushion 3 > & ? ∑ ∑ & 3 3 3 3 ? 3 h. sul pont. 3 ord. h. sul pont. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 ? ‹ h. sul pont. 3 ord. h. sul pont. 3 Œ≈ œb R ‰Ó j ‰‰Œ ˙ œ J ‰Ó J ˙ œ J ‰‰ Ó ˙ œ ˙ œ ‰‰ œ j Ó Œ œ œbb ‰‰ œ œ œ œ œ œO j ˙ Œ‰ œ ˙ ˙ œ ˙ I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 60 CopyrightbyG.Ricordi&Co./Forperusalonly

MM MM ° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. mf 27 mf f mf mf f f mf mf mf (mf) f ff mf mf mf mf 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 & ﬂz. > bisbig. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 7 7 & 3 & ‹ > 3 ? > > 3 3 & 3 3 & > 37 7 ? 3 / Low Claxon (Woopee) > & ∑ ∑ ? & > 3 7 ? Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ M >> 3 3 ? ‹ 3 M M Œ Œ œ œ œ˜ æ æ æ æ æ æ æ æ æ œ˜ œ œµ œ œ˜ œ œ Œ Œ œ J ‰ Œ æ æ æ ‰ œ ‰ œ Œ Œ æ æ æ ‰ æ æ æ ‰Œ Œ æ æ æ œµ ≈ œµ ≈ œ˜ ‰ r ≈ œb œb œn œ œ œ œ ‰‰ æ æ æ œµ r ≈ œµ ‰ œ˜ Œ ‰‰ œ J J ‰Œ Œ œ œ R ≈ œ R ≈≈ œ œ ≈ œ œ ‰‰ œ œ œ R Œ œb œb œn œ œ œ O# æ æ æ ˙ O# œ O# œ O œ O# b j j j œ ‰Œ œ œ œ j œ I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 61 CopyrightbyG.Ricordi&Co./Forperusalonly

3 ° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. mf ff 29 mf mp mf f ff f ff f ff f f ff ff ff ff 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 & ∑ U Wait for Brass / Piano & ∑ U & ‹ 3 ∑ U ? 3 ∑ U & í ° > ™î ü > 3 U & í ™ > ™î > 3 U3 ? í ™ > ™î > 3 U / í ™ > > ™î U & í # > > U3 3 ? í ¢ ™î † 3 U & M M U Wait for Brass / Piano ? M M U ? ‹ M M U æ æ æ œµ æ æ æ Œ œ Œ Œ j ‰‰Œ Œ J œ R ‰ Œ Œ≈ œ r ‰Œ ≈‰ ™ Œ œµ ‰ŒŒ Œ≈ œ˜ r ‰‰‰ j œ r œ j ‰ œ˜ j ‰ŒŒ Œ≈ R ‰Œ ≈‰ Œ ≈ œ R ‰‰ŒŒ Œ œ ≈ ≈ œ œ œ Œ ≈‰ Œ Œ ŒŒ Œ≈‰ ™ ‰‰ j œ œ # r œ œ # œ œ æ æ æ œ œ œ œœ#n ‰ŒŒ Œ≈‰ Œ Œ Œ ŒŒ ™ j ™ j œ O# ˙ O# j œ Ob b j œ Ob b ˙ Ob b J J œ ˙ I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 62 CopyrightbyG.Ricordi&Co./Forperusalonly

Re-sync. 3 ° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. ff p 31 ff p ff pp ff pp ff ff ff f ff sfz mp mf ff mp f mf mp 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 & > & > & ‹ tongue slap ç > ? > & > & > ∑ ? > / ∑ ∑ & > withdampenedﬁnger 3 3 ? & 3 h. sul pont. 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? j jj j 33 ? ‹ 3 ∑ Ó œ˜ R ‰ ™ Œ Ó ‰ œ µ™ œ˜ R ‰ Œ ‰ Ó œ r ‰ ™ Œ Ó ‰ œ R ‰ Œ ‰ ™ Ó r ‰ Œ Ó œ˜R ‰ ™ Œ R ‰ Œ Ó Œ j j œ œ˜ On˙ O˜ œb œµ œµ O O O O O j ‰‰ ˙ ™ j ‰‰ I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 63 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢B.Ob.Fl.Cl.Bsn.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. mp 33 mp mf mp mf mf f mf mp mf f mf & & & ‹ 3 To Clarinet in Bb & ? & ∑ ∑ & ∑ ∑ ? / ∑ (Woopee) (Claxon) 3 3 3 & slow fast release ﬁnger ? & ? > ? ‹ ∑ ˙ µ™ œµ ˙µ ˙µ œµ ˙µ œµ ˙ œ æ æ æ j æ æ æ j ‰‰Œ j ˙ Œ Ó œ ‰‰ ≈ œ≈ œ œŒ œ r œ œ œ œ æ æ æ Y# æ æ æ æ æ æ æ æ æ Ó Œ œµ ˙ µ™ œµ Œ O œµ µ™ ™ O n#œ J O œµµ Œ œ I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 64 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Perc.Tbn.Tpt.Bsn.Ob.Fl.Cl.Hn.Pno.Vln.Vc.Db. mf ff 35 mf ff mf ff ff ff mf ff sfz mf ff mf mf ff & > underblow 3 ord. 3 3 & fuzzy timbre 3 & 3 ? tongue slap ç ç ç > ç ç > 3 ∑ & ∑ ∑ & ∑ ∑ ? / (2 Woopees) 3 > 3 & ∑ ∑ ? ∑ ∑ & tonescratch 3 M sulmoltotasto ord. >3 ? > >> > 3 ? ‹ M M IVIII 3 œ æ æ æ œµ œ˜ œµ œµJ œµ œµ œµ œ � œµ j ‰ŒÓ ˙µ œ � j œµ œB � j Ó Œ � j � j œµ j ŒÓ œ œ œ œ œ j œ Œ Œ œ Œ Œ œ Ó œ œ ˙ 7 œ œ J œ ˙µ œµ œµ ‰ O O b b ˙ #n˙ ™ O œ ‰ ˙ ™ œ O Obb J O Obb Œ I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 65 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Perc.Tbn.Tpt.Bsn.Ob.Fl.Cl.Hn.Pno.Vln.Vc.Db. mf 37 mf mf gliss. gliss. mf mf ff mf ff p mf ff & ∑ & ord. 3 & ? ∑ ∑ & ∑ ∑ & 33 ? / > 3 33 & ∑ ∑ ? ∑ ∑ & M sulmoltotasto M 3 3 7 ? ? ‹ ∑ ∑ Œ‰ œB J ˙B Œ‰ œ œµ ˙µ ™ œ J ˙ � œ Œ‰ œ ˜™ œµ ‰ Œ Œ‰ œ œµ œµ œ œµJ œµ r ‰ œ ˙ Œ Œ 7 ˙ œ J ‰‰ ˙ ™ Œ œ j 7 œ œ r ≈ Œ O O b b bO ˙ œ Ob œ Ob b j œµ œ œµ œ˜ œ˜ œµ I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 66 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Perc.Tbn.Tpt.Bsn.Ob.Fl.Cl.Hn.Pno.Vln.Vc.Db. 39 f f f ( ff ) mf f ff mf f & & ∑ & ∑ ∑ ? ∑ ∑ & ∑ & ∑ > 3 ? ∑ / > > & ∑ ∑ ? & >> > > M M MM 3 7 7 ? > > j diagonal bow 3 33 7 ? ‹ ∑ ∑ ˙B œB œ œ µ™ œ ™ ‰Ó ˙ œ œµ Œ‰ O j O O Œ‰ œ œ Œ‰ O J O O œ œ ™ œ J Œ œ J œ 7 œ 7 œ ‰‰ Œ œ 7 œ œ Ob n bœ j œµ œ˜ œ˜ œn O ‰ œ œ œ O# œ O# j œ ‰ O œbb � œ O j œ O � bœ j œµ œ O O O œ Ob b ˙ O# b œ Ob b ˙ O# b I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 67 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Perc.Tbn.Tpt.Bsn.Ob.Fl.Cl.Hn.Pno.Vln.Vc.Db. 41 ff ff ff f ff & ∑ ∑ & ∑ ∑ & ∑ ∑ ? & half valve > flabby half valve > Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 3 3 & > half valve > > flabby half valve/pedal tone 3 3 3 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? > low flabby pedal notes 3 3 / > >> & ∑ ∑ ? ∑ ∑ & M sim. 3 ? M sim. 3 ? ‹ M O O O O œ O O ˙ O O Oµ O Oµ œ œ O Œ O O O J O ™ O J Œ ‰ O J J ˙ æ æ æ O æ æ æ æ æ æ æ æ æ æ æ æ ‰ œ 7 œ ‰ œ œ œ œ 7 œ œ œ œ œ œ J ‰Ó œ O# œ O# œ O# j ‰ œ O# b œ O# b œ O# b j ‰ w ˙ œ ‰ I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 68 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Perc.Tbn.Tpt.Bsn.Ob.Fl.Cl.Hn.Pno.Vln.Vc.Db. ff 43 ff gl. ff gl. ff f mf f & ∑ & ∑ & ∑ ? ∑ & > > 3 3 3 & Ÿ <>~~~~~~~~~~~~~~~~~ ? half valve 3 (pedal)3 3 ? / ∑ ∑ & ∑ ∑ ? & ∑ ∑ ? ∑ ∑ ? ‹ ∑ ∑ ‰ ™ œ R ŒŒ‰ ™ œ R ‰ ™ œb R R ‰ ™ Œ‰ ™ R ‰ œ R R ‰ Œ‰ œ R ‰ r ŒŒ‰ r O O ‰ O j ‰≈ j œ j O ≈ ˙ æ æ æ O j‰ŒŒ ‰ æ æ æ j æ æ æ œb ‰ œb j Œ‰ j I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 69 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Perc.Tbn.Tpt.Bsn.Ob.Fl.Cl.Hn.Pno.Vln.Vc.Db. 45 ff fff & ∑ ∑ ∑ & ∑ ∑ & To Bass Clarinet ? ‹ ∑ ∑ ? To Contrabassoon ? ‹ ∑ ∑ & ? Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ half valve ord. > > > 3 ? >> 3 3 ∑ 3 / ∑ ∑ ∑ & ∑ ∑ ∑ ? & ∑ ∑ ∑ ? > > > M 3 M > Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ h. sul pont. Ÿ7 7 7 ? ‹ ∑ ∑ ∑ R ≈‰ŒÓ � œ œjB ŒÓ r ‰ ŒÓ ˙ œ œ Œ O ˙ œ j ‰Œ œ œ œ ‰Ó œ œ j ‰‰ O œ j œ bO œ O b œ œ œ ™ œ Ob b œ Ob b j I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 70 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ Fl. Ob. B. Cl. Cbsn. Hn. Tpt. Tbn. Perc. Pno. Vln. Vc. Db. 48 fff sfz f f f f ff ff mf & ∑ ∑ ∑ & ∑ ∑ ∑ ? ‹ ∑ Ÿ~~~~~~~~~~~~~ 7 tongue slap ç ç ∑ 3 3 ? ‹ ∑ ∑ ∑ & ? Ÿ~~~~~~~~~~~~~~~~~~ > 3 Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 “‘ ? ∑ > 3 > / ∑ ∑ ∑ & ? & ∑ ∑ ∑ ? "grunting" Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~ Ÿ~~~~~~~~~ Ÿ~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~~~~ ? ‹ ∑ diagonal bow j œ œ œ œ ≈  œ j ‰ ˙ ˙ ˙ Œ ˙ Œ ˙ œ j ‰‰ œ œ j œ j ‰ œb œb œb Œ O œ b O œ b œ œ O œ œ O œ I - Anthropogenic Debris II - Retrograde Inversion Sy. 4796/01 71 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 51 f ff f ff mf ff & ∑ ∑ ∑ & ∑ ∑ ∑ ? ‹ ∑ ∑ ∑ ? ‹ & ∑ ∑ ∑ ? Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 “ <> ? > 3 > > 3 / ∑ ∑ ∑ & ? ∑ ∑ ∑ & ? Ÿ~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ ? ‹ ˙ Œ ˙ Œ ˙ Œ ˙ œ j ‰‰ œ œ j œ j ‰ ˙ œ j ‰‰ Œ O œ b O œ b œ œ O œ œ O œ Œ O œ b O œ b œ I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 72 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 54 mf ff mf mf ff mf ff f ff mf ff mf & ∑ ∑ ∑ & ? ‹ ∑ ∑ ∑ ? ‹ Contrabassoon 3 ∑ 3 & ∑ ∑ ∑ ? Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 “ <> Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 ? > > 3 > / ∑ ∑ ∑ & ? ∑ ∑ ∑ & ? Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ~~~~~~~~~~ Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~ ? ‹ ˙ j ‰‰ ˙ j ‰‰ ˙ Œ ˙ Œ ˙ Œ œ ™ œ j œ j ‰ ˙ œ j ‰‰ œ ™ œ j œ j ‰ œb œ O œ œ O œ Œ O œ b O œ b œ œ O œ œ O œ I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 73 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Perc.Pno.Vln.Vc.Db. 57 f ff f ff mp ff ff f ff f ff 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 & ∑ ∑ & ∑ ∑ ? ‹ ∑ ∑ ? ‹ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ 3 7 & ∑ ∑ ? ∑ > “‘ ? > > 3 / & ∑ ∑ ? ∑ ∑ & ∑ ∑ ? Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 separate bows keep same ﬁnger distance > > &7 ? ‹ > > > 7 7 7 � j™ Œ œ œ œ œ œ œ œb œ ‰Œ Œ œ œ œ j ‰‰ œb œ œ œ œ œ ˙ bO œ O œ œ O œ O O O œ O O œ 7 I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 74 CopyrightbyG.Ricordi&Co./Forperusalonly

3 3 ° ¢ Db.Vc. mf mp 59 Vc. f 61 Vc. fff 62 Vc. ë mf 63 Vc. p o 64 Vln. pppp mp ë mf pppp q = 50 q = 66 65 Vln. mf pp 67 Vln. f ppp mpmf ff ppë 69 Vln. mp mf mp ff pppë 71 5 4 7 4 5 4 7 4 7 4 4 4 4 4 6 4 6 4 10 4 3 4 3 4 5 4 & keep same ﬁnger distance for harmonics > ? III 3 II 3 3 3 3 3 3 ? ‹ keep same ﬁnger distance for harmonics > ? ∑ ? > IV ## ##b > 3 ## ##b > 3 b 3 # 3 3 3 3 3 3 3 ? scrapeIV ° í ¢ h. sul pont. x12 ü î † 3 3 9 15 4 ? ord. j h. sul pont. j ord. 9 9 9 9 ? ° í ¢ x12 ü î † sul tasto Violin bar 65 starts 9 & ° í ™ ¢ # x6 3 ü ™î † ° í ™ ¢# ü ™î † ° í ™ ¢ x8 ü ™î † > 3 3 & IVIII IIIII III IV > II n # ° í ¢ # > ü î † ° í ¢ n# ü î † 3 9 3 7 4 16 4 & ° í ¢ ü î † x8 ° í ¢ x8 ü ™î † Ÿ~~~~~~~ 3 Ÿ~~~~~~~~~~~~~~ h. sul pont. M Ÿ 16 4 12 4 & (h. sul pont.) > >> > > più mosso >> >> 3 3 3 3 7 12 4 O ˙bb Ó ‰ ‰ ‰ #œ œ J ‰ #œ œ J ‰‰ #œ œ J ‰ #œ œ J ‰ #œ œ J ‰ #œ œ ‰ ˙ O Ó ‰ #œ œ œO ‰ œ œO ‰ œ #œ œ œO ‰ œ œO ‰ œ #œ œ ‰ œ j œ œ œ œ œ O O O œb O O O Oµ O Oµ O Oµ Oµ OB Oµ OB O œµ œB œ œb œb œµ œ œB œ œn œB œµ œµ œB œ œn œB œ œB œµ œµ œB œµ œB œµ œn œB œµ œB œ œ œ ≈ œ œ ≈ œ O O O œ œ O O O O O O #O O O #O O O O O O O O O O O O O O œ œœ œµ œ œ œ œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ O O n O O## O Onn O O## O Onn O O## O #O O O #O O O #O O O #O O O # O O O O # O O O O # O O O O # O O œ O ˙ O ˙b œœb œ O O ‰® œ œµ œ œ œ œB œ O O O O O O O O O O O O O O O O O O O ŒŒ = = = = = = = = I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 75 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ AutocorrectIII Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. pp q=50 1 pp mp pp mp mf mp mf ppmp q=50 mf pp mf mf pp mf 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 4 4 6 4 4 4 & ∑ ∑ 3 & & ‹ Bass Clarinet in Bb ? ‹ > 3 & & ? ∑ ∑ ∑ & ∑ ∑ ∑ & > ? ∑ ∑ ∑ & o 3 ? ∑ > ? ‹ ∑ > ˙ œ œ J œ w w w w ˙b J ˙b Ó Œ œ œ œ B B œB ˙B w ˙ O ##œ w ˙ œ O I - Anthropogenic DebrisII - Retrograde Inversion Sy. 4796/01 76 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. f mf 4 f mf pp mf pp mf mf mf mf sfz f (pedal ad lib.) ff mf f mf mp mf f ff mp f & & & ‹ > ? ‹ > & ? > & > ? 3 3 & # > > & 3 œ œ ? œ & > > > ? 3 ? ‹ > œ œB œ œB œ œ œB œ# œ œ œ œB œ ˙ ˙ ™ œ œ œ œ œ œ œB œ œB ˙B ˙ B™ œ ˙ ˙ w ‰ ˙ w Ó ˙ w Ó œ ˙ œœœ##œ œ œ œ œ# œ ˙ œ œ œ œ œ Ó Œ œ œ ŒÓ ˙ œ œ œ æ æ æ ˙ Ó ® œB œ œB œ œB œ œB œ œ œ B™ œB œB ˙B ˙B æ æ æ O ##˙ O ##˙ O ##˙ O ##œ O ##˙ ˙ ˙ w I - Anthropogenic DebrisII - Retrograde InversionIII -Sy.Autocorrect4796/01 77 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. mf mf 6 mp mf pp mp mf pp mp mf pp mf mp mf pp mp mf f f mf pf f pp mf mp 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 & Ÿ~~~~~~~~~~~~~~~~~~~~~ > > 3 & > 3 3 & ‹ 33 ? ‹ 3 ? &3 3 & 3 ? B' B' 3 & > > & > 3 # # 3 9 ? ∑ ∑ & > ? & poco sul pont. 3 ? ‹ > 3 œ œ œ œB ˙B œB æ æ æ œ œ œ œ œ ˙ œ J œ ˙ œ J ‰‰ ˙ ™ ŒÓ œ j j ‰‰ œ ™ ‰Ó Ó J œ ˙ œ œ œ œB œ œ r ‰ R ≈‰‰ŒÓ Œ œB J ˙B ˙ œ ‰Œ Œ Œ‰ J ˙ æ æ æ œ œ œ œ œ œ œ#œœ œ œ J œ œ æ æ æ ˙ œ œ œ œ # œ #œ œ œ œ # œ œ ™ œb œ ™ œœb œ ˙B ™ œB ˙B ™ œ œ œb œB œ œB œ œB œB œ œ # O ##œ ‰Ó Ó Œ‰ œ˜ œ˜ œ ‰ J œ œ œ œB œB R ‰ I - Anthropogenic DebrisII - Retrograde InversionIII -Sy.Autocorrect4796/0178 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. f 8 f f f mf mf mf ff f f 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 & > > & > > & ‹ > ? ‹ & & ? > & > & # # 3 > ? & > > & ? ‹ 3 œ œ œ œ# œ œ œ œ œB œB œµ œ œ˜ œ œ˜ œ ˙ Œ j J ≈ œ J æ æ æ œœ#n œ Œ Œ œ J œ œ ™ � œ J œ œ œ œ# œµ œ œ# œµ œµ œ œµ œµ œµ œ œ œµ œ˜ ™ œ˜ œ˜ œ˜ œ˜ Œ j J ‰‰ I - Anthropogenic DebrisII - Retrograde InversionIII -Sy.Autocorrect4796/01 79 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. ff 9 mf f ff mp mf mp mp f mp ë ff ff ff ff mf ff 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 6 4 5 4 & > > > & > > > Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ & ‹ 3 ? ‹ 3 & & ? 3 & & ? # # 9 & > > 9 & ? ‹ > œ˜ œµ œ œµ œµ œ œµ œµ œ œµ œ˜ œ œ œµ œµ œ ‰ ™ ™ œ œ ‰Œ Œ Ó ™ œ œ j œ œ œ Œ Œ j Œ Ó œ Œ Œ Œ œ œ œ œ œµJ ™ J æ æ æ œ ‰Œ œ œ œ œ œ æ æ æ œ ™ œ œ œ j œ œ # œ œ œ œ b œ œ œ œ b œ #œ œ œ n œ œ œ œ ˙ œ œ œ œ œ œµ œ œµ œ œ œµ œ œ œµ œ œ J æ æ æ ™ œ˜ œµ œ œµ œ œµR ‰ ‰ r œ œ œ œ œ œ œ æ æ æ œ œ R ≈Œ I - Anthropogenic DebrisII - Retrograde InversionIII -Sy.Autocorrect4796/0180 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. f ff 10 f f mf mp mf 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 5 4 3 4 & ∑ ∑ ∑ ∑ 3 & 3 & ‹ ∑ ∑ ? ‹ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ & ? ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ? & & ? ‹ ∑ ∑ ∑ ∑ ∑ ˙˜ ˙˜ œ ˜™ œ˜J ˙˜ œ˜ J Œ Œ Œ œ ˙µ ˙ ˙ ˙µ ™ ˙µ ™ ˙µ ˙µ ˙˜ ™ œ˜ J œ wb w w b b Œ I - Anthropogenic DebrisII - Retrograde InversionIII -Sy.Autocorrect4796/01 81 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. f q=84 15 f f f f mf f mf f f mf ff q=84 mf ff mf ff 3 4 6 4 3 4 6 4 3 4 6 4 3 4 6 4 3 4 6 4 3 4 6 4 3 4 6 4 3 4 6 4 3 4 6 4 3 4 6 4 3 4 6 4 3 4 6 4 3 4 6 4 & ∑ > & > & ‹ ∑ > ? ‹ ∑ > & & ? ∑ ∑ & > & ∑ > ? ∑ > & ∑ > & > ? ‹ ∑ > œ œ ˜™ œ˜ œ œµ œ œµ œ œµ œµ ‰ŒŒ œ œ ˜™ œµ œ˜ œ ŒŒ œ j ŒŒ Œ œ œ œ ŒŒ J ‰Ó ˙ œ J ‰Ó Œ œ œœ ŒŒ ‰ œ R ™ œ ŒŒ ‰ œ œ œ## J œ œ œ Œ Ó Œ ‰ ™ œ œ µb R ˙ ˙ µb Œ ‰ œ R ˙ Œ ‰ r I - Anthropogenic DebrisII - Retrograde InversionIII -Sy.Autocorrect4796/0182 CopyrightbyG.Ricordi&Co./Forperusalonly

j j ° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. molto rall. q=40 17 f mp mf mp molto rall. q=40 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 & ∑ ∑ & ∑ ∑ & ‹ ∑ ∑ ? ‹ ∑ ∑ & & ∑ ∑ ? ∑ ∑ & & ? & "tuning" > b 3 sul tasto ’ 7 & ∑ ∑ ? ? ‹ ∑ ∑ ‰ œ œ µb ™ œ œbb œ œbb � œ j ‰ œ œ µb ™ � œ j œ œ µ µ™ ™ œ #nœ œ œ œ ‰ œ œ µ™ œµ œ˜ j œ œ˜ # nœ ‰ I - Anthropogenic DebrisII - Retrograde InversionIII -Sy.Autocorrect4796/01 83 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. mp q=84 19 mp mf mp q=84 mp mf 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 & ∑ & ∑ & ‹ ∑ ? ‹ ∑ ∑ & & ∑ ∑ ? ∑ ∑ & > & ? & ∑ ∑ ? ? ‹ ∑ ∑ ‰ ™ œ R œ œµ œ˜ œ œµ œµ ≈ Œ œ œ œµ Ó Œ ‰ j Œ ‰ œ œ j ™ ‰ Œ‰ œ J œ J ™ J I - Anthropogenic DebrisII - Retrograde InversionIII -Sy.Autocorrect4796/0184 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. f mp mf 21 mf mf mf mf & > Ÿ o Ÿ o & > & ‹ > ? ‹ & ∑ ∑ & ? & — l.v. & ? ∑ ∑ & 3 ? > 3 ? ‹ ∑ ∑ ≈ œµ œµ œ œ˜ ™ ≈ J ≈ ™ J œ# J ≈ œ œµ œµ œµ œ œ˜ œ µ™ œµ œ œ ˜™ œ˜ r ‰ Œ œ ˜™ œ˜ œ˜ ŒÓ œ œb# œ J œ æ æ æ œ# œ œ œ µ œ œ µ # œ œ˜˜ œ œ# œ˜ œ œ œ ˙ œ I - Anthropogenic DebrisII - Retrograde InversionIII -Sy.Autocorrect4796/01 85 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ ° ¢ ™ ™ ™ ° ¢ ™ ° ¢ ° ¢ ™ ° ¢ ™ ™Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. sub. ff f Più mosso 23 sub. ff f f ff mf f ff ff sfz f Più mosso ff & > > 33 3 3 3 3 3 3 & > 3 3 3 3 & ‹ > > 3 > 3 ? ‹ ∑ ∑ & 33 & ∑ ∑ ? & & Æ 3 3 3 ? ∑ & ∑ ∑ ? > ? ‹ ∑ ∑ œ# œµ œµ œ œµ œ œ˜ œµ œ œ œµ œ œ˜ œµ œ œ œµ œ œµ œ œ˜ œ œ œµ œ œ˜ œµ œµ œµ ≈ œ# œµ œ œ˜ œµ œ œ j œ œ œ ™ œµ Ó Œ æ æ æ œ# ™ œ˜ œ˜ œ œ r ≈‰‰Œ Ó Œ œ œœ #œ œ ŒÓ œ œ œ œ œ œ œ œ œ œ ≈Œ Œ œ œ œ Œ œ R ‰ ŒÓ Ó Œ ‰ J I - Anthropogenic DebrisII - Retrograde InversionIII -Sy.Autocorrect4796/0186 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ ü † ™ ™ ü † ü † ü † ™ ü † ™ ™Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. q=50 25 mp ff ë mf ff mf f ff mp mf ff mp mf ff mp mf ff mf f ff mf f q=50 ë mf f ff f mf mf f ff 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 & ∑ ∑ ∑ & ∑ & ‹ ∑ 3 ? ‹ 3 & ∑ & ? & – l.v.3 3 & ? ∑ ∑ ∑ & ˜ ’ # irreg. Ÿ~~~~~~~~~~~~~~ 3 ? ’ 3 ? ‹ ∑ 3 ˙µ œµR ≈ œ µ™ wb ˙ w ≈ œ œ ™ œ œ œ ˙ ‰ œ ˜™ Ó ‰ w Ó ‰ w æ æ æ ˙ œ œ œ œ# œ œ w w œ ™ œ J œ œ ˙ œ# œ œ J œ ™ j ≈ œ œ˜ œ˜J œ œbn œ œ # æ æ æ œ œ w œ œ œ J ŒŒŒ ≈ œ œ œ œ w I - Anthropogenic DebrisII - Retrograde InversionIII -Sy.Autocorrect4796/01 87 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. rall. q=40 dolce 28 mp rall. q=40 dolce mp 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 & ∑ ∑ ∑ & & ‹ ? ‹ ∑ ∑ ∑ & & ∑ ∑ ∑ ? ∑ ∑ ∑ & ∑ ∑ ∑ & ∑ ∑ ∑ ? & 3 7 µµ 7 ˜µ ? ? ‹ ∑ ∑ J œµ œ œ µ µ™ J œœ œ œµ # µ œ œ ™ J œ˜ œ œ r ‰ ™ w w ‰ ™ I - Anthropogenic DebrisII - Retrograde InversionIII -Sy.Autocorrect4796/0188 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ Fl. Ob. B. Cl. Cbsn. Hn. Tpt. Tbn. Vib. Pno. Vln. Vc. Db. pp poss. mp ( q=40) 31 pp poss. mp pp poss. mp pp poss. mp pp pp pp mf f p f ( q=40) pp mf mp pp mp & 3 & & ‹ 3 ? ‹ 3 & & ∑ ∑ ? & bowed 3 b – l.v. & ∑ ∑ ∑ ? & ? molto sul pont. h. sul pont. > 3 ? ‹ change bows ad lib. w ˙ J ‰‰Œ ˙ œµ wµ wµ w˜ ˙˜ œ˜ ˙ œ ‰Œ w ˙ œ ˙ w w˜ ˙˜ Ó Œ‰ œ ˙˙ Ó w œ ‰Œ œ ˙ Œ œ œ˜# œ˜ J ˙ ˜™ ˙ ˜™ Œ w w w I - Anthropogenic Debris II - Retrograde Inversion III - Autocorrect Sy. 4796/01 89 CopyrightbyG.Ricordi&Co./Forperusalonly

— — ° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. 34 mp mp mp pp pp ( f ) mf f mf mp & > ∑ & > 3 & ‹ ∑ 3 ? ‹ > & & ? 3 3 & – l.v. l.v. 3 l.v. & ∑ ∑ ∑ ? & ∑ 3 ? ∑ ∑ ∑ ? ‹ > change bows ad lib. wµ œµ ‰Ó œµ J œ˜ ˙˜ œ#w ˜ œ˜ ‰Ó ‰ œ ˙ w w w w ˙ ˜™ œ˜ w˜ ˙ ˜™ Œ ˙ w w# ‰ŒŒ w# Œ ‰Ó ‰ œ ˙ w w w w I - Anthropogenic DebrisII - Retrograde InversionIII -Sy.Autocorrect4796/0190 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢ Fl. Ob. B. Cl. Cbsn. Hn. Tpt. Tbn. Vib. Pno. Vln. Vc. Db. p mp 37 gl. p mp p gl. mp mp mf f mf pë & ∑ ∑ & ∑ ∑ 3 & ‹ ? ‹ ∑ ∑ ∑ & ∑ ∑ 3 & 3 ? 3 & l.v. & ∑ ∑ ∑ ? ∑ ∑ ∑ & 3 ? ∑ ∑ ∑ ? ‹ l M l 7 ˙B ˙ œ ˙ œµ œµ j ˙ œµ œµ j w w˜ ˙ œ w Ó‰ œ œ # œ œ # R ‰ ŒÓ w w œ ‰ŒÓ ˙ ˙ ˙ ˙ ˙ O O j I - Anthropogenic Debris II - Retrograde Inversion III - Autocorrect Sy. 4796/01 91 CopyrightbyG.Ricordi&Co./Forperusalonly

l ° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. 40 mp mf mpë mp mp mf mp & 3 ∑ ∑ & ∑ & ‹ B' 3 ? ‹ & 3 & ? & ∑ ∑ –l.v. & ∑ ∑ ∑ ? & ∑ ∑ ∑ ? ? ‹ > M III > IV > 7 retune string7 7 ˙ œ J ‰‰Œ wB œB ‰Ó Ó ˙B œB œ œB œ œB œB Œ‰ j wb wb œµ ≈ œ˜ ˙˜ ™ w˜ œ˜ ‰ŒÓ œ˜ ‰Ó ˙ ˙ w ™ œ J ™ Œ O O œ œ j œ j O ˙ I - Anthropogenic DebrisII - Retrograde InversionIII -Sy.Autocorrect4796/0192 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. 43 pp mf pp mf mf mf pp mp ff mf ff & ∑ ∑ ∑ & ∑ ∑ ∑ & ‹ 3 3 ? ‹ & 3 3 (stopped) + > & ∑ ∑ straight mute > ? 3 ∑ straight mute > & –— l.v. & ∑ ∑ ∑ ? & ∑ ∑ ∑ ? h. sul pont. M > ? ‹ sonorous multiphonic M M M M M 3 ˙˜ œ O b œ O b j wb wb w ~b b œ œ ŒÓ Ó Œ Ó Œ œ ‰ŒÓ Ó Œ Œ ˙b˙ Œ wb œ O b œ œ O b j œ O b ˙ O# b ™ ˙ O b œ O b I - Anthropogenic DebrisII - Retrograde InversionIII -Sy.Autocorrect4796/01 93 CopyrightbyG.Ricordi&Co./Forperusalonly

M ° ¢ ° ¢ { ° ¢Cbsn.B.Ob.Fl.Cl.Hn.Tpt.Tbn.Vib.Pno.Vln.Vc.Db. 46 mfmp o mf pp o mp o mp o pp o o ppf ë ¯ & ∑ ∑ ∑ & ∑ ∑ ∑ & ‹ 3 ? ‹ & ∑ & 3 ∑ ? & ∑ ∑ ∑ & ? & ? M > M > ∑ ? ‹ M M h. sul pont. > ord. 3 3 æ æ æ œb j wb wb wb ™ ‰Ó ˙˜ ˙˜ w˜ ˙ œ ˙ w ‰Ó ˙ O b ˙ O˜ b ˙ O˜ b ˙ O b œ O b œ O b j œ O b j œb I - Anthropogenic DebrisII - Retrograde InversionIII -Sy.Autocorrect4796/0194 CopyrightbyG.Ricordi&Co./Forperusalonly

Suggested staging

Violin: "rehearse" playing repeated brackets between 3-5 times. On each repeat, vary speed - sometimes very slow, then 'a tempo'. Check "tuning" at any time.

Violinist and percussionist sit side by side at a table lit by a small desk lamp with music in front of them.

Tuning:Twistrosined

✶ numbers clarify the order of repeated sections Play violin part conﬁdently without repeats. Recreate phrasing and gestures of violin using a combination of twisted friction eﬀects and bow.

The Snare Drum is prepared like a large Waldteufel - the usual drumhead is replaced with a drum skin pierced with a string (ﬁshing line) attached to a rosined stick.

(Percussion) A Music Desk (Violin)Lamp short U / / =

° ¢ TransmissionIV DrumViolinSnareS.D. 2

stick to create sustained sound

Bow the string with thin rasp to more clearly articulate the phrases

U Sy. 4796/01 95 CopyrightbyG.Ricordi&Co./Forperusalonly

before, each repeat 3-5 times "rehearse" then play "a tempo". Also, ad lib. checking/rehearsing boxed areas - insert silences and tuning rituals at these points on occasion. "Tuning" is : short U / = = S.D. rehearses beginning of violin solo from Bar 3; violinist interrupts to demonstrate how to play the trill note or other part of phrase; S.D. responds by imitating and then continues to play the rest of the phrase U

Violin and Snare Drum duo plays in rhythmic unison with violin, imitating violin as closely as possible

Snare

CB Sy. 4796/01 IV - Transmission96 CopyrightbyG.Ricordi&Co./Forperusalonly

(withS.Vln.D.Vln.) 4 +Vln.S.D. q=50 rubato

3 Vln.solo ppp mp dim. q=50 x5 x10 Vln.solo pppp o 8 5 4 4 &4 Remain in tempo, gradually make the sound more and more depleted (erase the sound) í ° b # # b ° í ™ ¢ # î ü IIIII ü ™î † 7 3 3 3 3 3 3 3 & í ° ° í ™ ¢ # í ° occasionally introduce small hesitations ü ™î † 3 î ü 3 x20 î ü U Percussion: Turn desk lamp oﬀ, leaving performance space in darkness long œ œ œ œ œ œ œ œ œ œ œ œ˜ œ œ œ œ˜ œ œ œb œ œ j œ œ œ œ œ b œ œ # j ≈ŒÓ œ œ ≈ œ j œ œ ≈ œ J D Sy. 4796/01 IV - Transmission 97 CopyrightbyG.Ricordi&Co./Forperusalonly

Listen

1'20" / Kazoos ensemble cuts oﬀ with barrage of spinning

(Ensemble members also have Waldteufels) musicians: improvise a melody in unison on kazoos intently - sound is fragile - pitch slides or steps towards unison Waldteufels

Waldteufels U 1'40" 20" 2'00" 20" / = = Sy. 4796/01 98 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ { ° ¢ ° ¢ V Dawn Chorus (Windwand(Windwand(WindwandPercussion1)Piano2)Violin3) mp mp mp All, (Perc.Perc.includingPno.Vln(Kazoos)3WindwandsPno.Vln.) A 2 mf p (Perc.3(Waldteufels)EnsembleWindwandsPno.Vln.) ff 3 mf f / U playWindwandstanding1 Performed in dim light (as if at dawn, underwater) (each system = 40 seconds) 40" / play Windwandstanding2 / U play Windwandstanding3

All

° ¢ ° ¢ ° ¢ ° ¢ ° ¢ (Fl.WaldteufelEnsembleOb.Cl.Bsn.Vc.Cb.)3Windwands(Perc.Pno.Vln.) B 4 (Fl.WaldteufelEnsembleOb.Cl.Bsn.Vc.Cb.)Hn."fishcall"Tpt."fishcall"Tbn."fishcall"3Windwands(Perc.Pno.Vln.) C 9 12 f f mp f f f (Fl.WaldteufelEnsembleOb.Cl.Bsn.Vc.Cb.)Hn.Tpt.Tbn.3Windwands(Perc.Pno.Vln.) 13 Blocks of sound are intense and as sharply delineated as possible U U U (2'00) 2'1010" 2'4030" 6" 4" 3'00 10" / Vary speed of spin, cycling from slow to fast before settling on a steady drone at 2'40 U U U (3'00) (3'20)20" (3'40)20" 20" 4'00 4'20 20" ? U ? ç tongue perc. > repeat ad lib. with rests9 ? Ÿ~~~~~~~~~~~~~~~~~~~~~~ 3 Ÿ~~~~~ ' 3 '' 3 repeat ad lib. with rests3 ? sing (F) + play 3 repeat ad lib. with rests / Ens. U (4'20) 4'40 20" 5'00 20" ? sim. ? sim. ? sim. / œ ™ O R ≈≈Ó œ j ‰ r ≈≈ œ r ‰ œ r ŒŒŒ œ j ≈ æ æ æ œ O b œb j ‰ j Œ ™ æ æ æ ŒŒ œ j ‰‰ œ j Œ ™ = = Sy. 4796/01 V - Dawn Chorus 99 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ ° ¢(Perc.3(Fl.WaldteufelEnsembleOb.Cl.Vc.Cb.)Cbsn.Hn.Tpt.Tbn.WindwandsPno.Vln.) D 15 mp mf mp mp mp Ens. U U U U U (5'00) 2" 3" 1" 7" 1" 2" 3" 1" 7" 5" ? ‹ ? ? ? sing/play / w ~ wb w wb w ~ b wb Sy. 4796/01 V - Dawn Chorus100 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ ° ¢ {(Fl.WaldteufelEnsembleOb.Cl.Vc.Cb.)Cbsn.Hn.Tpt.Tbn.Pno. 25 26 27 f ff ffff ë pp mf f fff mf f fff mf ff ffff ë pp mf ° ffff U U 25" 6'00 5" 10" ? ‹ ? sing/play U ? U ∑ ? sing/play ? trem. on string with mallets To Piano To Waldteufel O ~ ~w w ~ w w ~ b w ~b b wb æ æ æ wb Sy. 4796/01 V - Dawn Chorus 101 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ ° ¢ ° ¢ ° ¢ ° ¢ ° ¢ ° ¢ ° ¢ Hn.(Fl.WaldteufelEnsembleOb.Cl.Tpt.Perc.Pno.Vln.)Cbsn.Cb. mf fff E 28 29 E Cbsn.Tbn.Vc.Cb. (Vc. Db.) (Tbn.) F 30 31 Cbsn.Tbn.Vc.Cb. f mp mf 32 (Cbsn.) 3 4 3 4 3 4 3 4 Musicians, spinning Waldteufels, move towards audience, dispersing through the hall uneven stop of spinning (6'10) 6'4030" 6'50 ? ‹ U ? ‹ U 30" ? ‹ (6'50) 7'00 7'45" ? U Trombone, moving to back of the hall "Fish Call", as before (bar 9) + low tongue slaps : >>> ? Vc. + Cb Develop "Fish Call" texture like previous brass section at 3'00 > 5'00, comprising abrupt "grunts" mixed with longer sustained tones. Vary the texture from sparse to suddenly very active followed by silence. Friction eﬀects pulling cotton thread tied to lowest string + superball -rub on wood, along string, bounce on string ? ‹ Friction eﬀects pulling cotton thread tied to lowest string + superball -rub on wood, along string, bounce on string ? ‹ ç q=50 tongue slap ç 3 çç çç ' ç ' ç ' poco 3 3 3 U ë ¯ U3 3 3 3 8'00 8'15 ? U ? ? ‹ � ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ wb wb œb j ‰‰ j œb Œ‰‰ œb j ‰‰ j ˙ � j æ æ æ ˙ œ j ‰‰ � j œ ˙ O b = = Sy. 4796/01 V - Dawn Chorus102 CopyrightbyG.Ricordi&Co./Forperusalonly

° ¢ ° ¢ ° ¢ ° ¢ ° ¢ ° ¢ ° ¢ ° ¢ ° ¢ ° ¢ ° ¢ Cbsn.Tbn.Vc. pp gliss. pp gliss. q=40G 33 (Vc.) mp f ë pp Cbsn.Vc.Cb. mp pp ppp 36 mp pp pp mp mp Cbsn.Vc. pp o 38 ë ¯ Cbsn.Vc. ppppp pp 40 ppp mp ë mf ë ë f ë pp pp ë ff Cbsn.Vc. pp mf p pp o pp o 42 ë ff mpp o pp o 3 4 9 4 4 4 6 4 3 4 9 4 4 4 6 4 3 4 9 4 4 4 6 4 6 4 8 4 6 4 8 4 6 4 8 4 8 4 7 4 8 4 7 4 7 4 7 4 12 4 6 4 12 4 6 4 ? ‹ fragileslow (highest pitch trill possible) fast Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? ∑ ∑ ∑ ? ∑ use tuning pegs to change pitch > 3 ∑ ? ‹ 3 ? > 3 3 3 ? ‹ superball on wood ? ‹ Add low F0 extension to instrument ∑ ? lowest tone (Bb if possible, or F) U ﬁx peg in position ? ‹ ∑ ? ( ) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( ) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? ‹ 3 UU ? ( ) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ ( ) Ÿ~~~~~~~~~~~~~~~~~~~~~ 3 UU3 ˙ œ w œ œ j ˙ ŒŒ j ŒÓ ‰ œ œ ‰ Œ wb œb ˙b ˙ ˙ ∑ Ó ∑ Œ ˙ ˙ ˙ ˙ w ∑ œ ŒŒŒ œ ‰Œ ˙ œ œ ˙ ˙ ˙ O O ˙ O Œ‰ œ œ œ ‰Ó Ó w w w Ó œ ˙ ˙ O O ˙O ˙w ˙w w = = = = Sy. 4796/01 V - Dawn Chorus 103 CopyrightbyG.Ricordi&Co./Forperusalonly