carlie teffeteller
interior design
portfolio
c a r l i e teffeteller EDUCATION
WORK EXPERIENCE
Bachelor of Science in Interior Design // 3.62/4.00 GPA Accredited by the Council for Interior Design Accreditation Mississippi State University, Starkville, MS Graduation: August 2019
P&ID Revision Assistant // Tronox Hamilton, MS - Summer '17 & '18
Revised P&ID's using AutoCAD
Scanned drawings onto office network
Associates in Business 3.44/4.00 GPA East Mississippi Community College Mayhew, MS Graduation: May 2016
Assisted with lunch & learn on AutoCAD basics
Contacted vendors
RELATED COURSES
Worked under accounts receivable and payable
Arranged and filed client information
Supervised incoming and outgoing mail
Answered phones from clients in accounts payable
TECHNOLOGY
3D CAD AutoCAD Digital Design
TECHNICAL Design I & II Drawing I Environments for Special Needs History of Interiors I & II Interior Design Studio I & II Hand Rendering Hand Drafting Color & Lighting for Interiors Integrated Lighting Solutions Professional Practice Construction and Detailing Furniture Design Interior Materials & Treatments
Office Assistant // Southern Ionics West Point, MS - Summer 2015
Office Assistant // Clay County Chancery Clerk's Office West Point, MS - Summer 2014
Filed and organized court cases
Converted files to an online computer system
Answered phones
Helped public with passports
Front Desk and Cleaner // Core 24/7 Fitness Center Columbus, MS - Summer 2012
Greeted members and potential members
Signed new members up
Toured potential members around center
Cleaned and managed facility
CONTACT 662.570.5158 ..... .....carlie.teff@gmail.com HONORS + AWARDS + CERTIFICATIONS https://carlieteff.wixsite.com/mysite PO Box 1472 Third Place, Collaborative Brasfield and Gorrie Competition // 2018 West Point, MS 39773 Honorable Mention, Color & Lighting Portable Lamp Competition // 2017..........West New Student Spotlight, ASID Student Career Day - Commercial // 2017 OSHA Certification // 2016 CPR/First Aid Certified // 2016 Phi Theta Kappa Member // 2015 - Present EMCC Beauty Review Top 10 // 2015 Toyota-Haley Barbour Scholar // 2014 - Present
COMPUTER SKILLS Revit t Illustrator
r
Photoshop InDesign AutoCAD SketchUp
VOLUNTEER + ACTIVITIES Member, ASID Student Chapter // 2016 - Present Participant, Brain Injuries Awareness Walk Participant, Alzheimer's Awareness Walk Helper, Vacation Bible School Decorator, West Point Public Library for Christmas Host, foster dogs for the Aberdeen Anima l Shelter Ringer, Salvation Army Bell for Christmas Tutor, English Volunteer, West Point-Clay County Animal Shelter Volunteer, YMCA Camp-Pratt Clean Up
Rhino o Microsoft Office
08 26 36 44 60 68 72 76
hospitality healthcare interdisciplinary corporate retail detail drawing integrated lighting product design
hospitality
08
Hotel Penrose, located in Philadelphia, includes two restaurants, a bar, and a day spa. The design of Hotel Penrose is inspired by the idea of a paradox , something that is both true and untrue at the same time, a self-contradiction. To convey this idea visually, the palette for the entire hotel is high contrast and each area is inspired by two contradicting sets of ideas. The end result is a unique, contemporary hotel that feels both exciting and historic and welcomes guests from all walks of life.
HOTEL PENROSE
Rendered Floor Plan
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LOBBY
1
1 Lobby
3 Black Cat Bar
2 The Gold-Bug
4 Impressions
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3
Software: Revit, AutoCAD, Adobe Photoshop, Illustrator
Responsibilities: bar and restaurant concept, layout, and design
LOBBY
Custom book light designed for The Gold-Bug to bring color and light into the space in a visually interesting way.
Edgar Allan Poe spent a number of years living in Philadelphia, where a wide array of his works were written. The Gold-Bug Restaurant, named after one of Poe’s stories, acts as a contrast to the Black Cat Bar. It is furnished in such a way as to mimic the personal study of an author during Poe’s lifetime. Varied seating styles convey the idea of a “collected” interior, and wood tones used throughout provide warmth and texture.
RESTAURANT
BANQUETTE SEATING
Traditional cast iron detailing designed to contrast with the more contemporary look of booths.
CUSTOM BOOTHS
The inspiration and design for the bar stems from Edgar Allan Poe's first work written while he was in Philadelphia. It has materials and finishes that reflect the advancements made during the Industrial Revolution. The wall behind the bar, which features planters and an exposed irrigation system, and cast-iron detailing on the booths are reminiscent of industrialization.
Planters have an irrigation system that keeps the herbs watered.
BAR
Inspired by the Philadelphia Mint, the spa plays upon the contrast between raw materials and manmade creations. Metallic tones combined with airy textiles create an environment that embodies luxury and provides guests with a positive and memorable spa experience.
SPA
SPA LOBBY
NUMBER NAME
HOTEL PENROSE
600
McARTHUR
ROOM TYPE BREAKDOWN
BRAILLE 25%
Each room type is named after an architect of one of Philadelphia’s many historic structures, including City Hall and the Fisher Fine Arts Library
Rendered Floor Plan
McCARTHUR SUITE
17%
180 Rooms Total 17%
STANDARD
8%
STRICKLAND SUITE
JUNIOR
FURNESS ROOM
DOUBLE QUEEN
LeBRUN ROOM 33%
DOUBLE FULL
NOTMAN ROOM
KING
McARTHUR SUITE A
B
McARTHUR SUITE C
B O LD SC HEM E D
E
F
A Area Rug B Fabric Bench C Fabric Sofa
D Area Rug E Fabric Bench F Fabric Sofa
NOVEL SCHEME G
H
I
SO P HI STI C ATED SC HEM E
G Area Rug H Fabric Bench I Fabric Sofa
ESCHER Bar & Grill
M.C. Escher’s popular work depicting a set of impossible stairs inspires the design of the ESCHER Rooftop Bar & Grill. Bold lines and geometric forms are used throughout the space to create a dynamic and exciting environment for hotel guests and residents of Philadelphia. The high contrast color scheme found in the public areas of the lobby continues through to the rooftop, creating a dynamic and energizing space.
Living way-finding wall immediately off elevator
Rendered Floor Plan
VIP LOUNGE
Skyline partition at VIP Lounge
BAR
SEATING
Custom fire pit for pool area
POOL
手勢 gesture
GENERAL DINING
GESTURE is located in Taiwan’s capital city of Taipei. GESTURE is inspired by the unique system of connections between the people of Taiwan. Whether it be as business partners, family, or lovers these relationships are an integral part of every person’s life, and sharing a meal together is the best way to ensure that these bonds remain strong. Though built upon age old traditions within Taiwanese society, these connections do not require age old atmosphere. Thus, GESTURE is a perfect blend of the old and the new, combining the respected concepts of openness and connection with the modern ideas of clean, bold lines and environmentally sustainable materials.
Source: https://www.leo.co.uk Correctly utilizing naturalrole lightin the business Food plays a large design ininan office environment culture Taiwan, in part because dinners couldbusiness improve productivity by at and with representatives Philips Day-Brite least 8% customers aid in developing networks. Pendalyte 12 Inch LED
Group Project Okholm Lighting GREN Chandelier
Software: Revit, AutoCAD, Adobe Photoshop, Illustrator
Phillips Axolight Skin Suspension Light Recessed Can
Delray Lighting Industrial Luma
Fall 2017
Responsibilities: bar and restaurant concept, layout, and design 10’ A.F.F.
An acoustical ceiling material covers the ceiling over the10’ A.F.F. general dining area.
Color Coded Plan
E
18 X 36
18 X 60
18 X 60
C OOK ING 15'-0"
W AR E WAS HING
1'-0"
24 X 72
24 X 72
18 X 72
18 X 30
UP
18 X 30 R R
18 X 72
18 X 72
15’11” A.F.F.
18 X 42
10’ A.F.F.
18 X 36
18 X 48
18 X 60
P IC K -UP
10’ A.F.F.
F IC E OF OFFICE
C OOLE R
24 X 60
24 X 48 C
10’ A.F.F. 15’11” A.F.F.
The large party dining area is surrounded by sliding panels.
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MEZZANINE DINING SERVER STATIONS
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GENERAL DINING LARGE PARTY DINING
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LARGE PARTY DINING
The bar offers different seating and bar counter heights to make it accessible. Back-lit LED panels give the bar ambient lighting.
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Rendered Floor Plan
BAR 1 General Dining
6 Men’s Restroom
2 Large Party Dining
7 Women’s Restroom
3 Bar
8 Mezzanine Dining
4 Hostess & Waiting
9 Circulation
5 Outside Dining
10 Server Stations
Transparent 3Form partitions divide booths, and allow for light to be transferred throughout the space.
BOOTHS
Copper pipes surround the general dining area and provide visual separation from those looking down from the mezzanine.
BOOTH ELEVATION
MEZZANINE ELEVATION
The mezzanine seats 42 and has a view that looks down on the street below.
healthcare
26
WELLNESS CLINIC
RECEPTION
Seattle has always been the leader when it comes to “new.” It is a place that is constantly on the forefront of new methods and ways to maintain a connected city. New public transit routes are being created around the city in order to give the people more connectivity and improved ways of traveling. NEXT is incorporating the admirable traits of the “City of Goodwill” into the foundation of its newest location. Support of the patients can be seen throughout the entire space, but more specifically in the lifestyle and fitness center. The future and technology of Seattle is constantly improving in new ways. NEXT is equipped to provide patients with a space that will support them and provide them with an environment that is able to grow with the changing city.
Individual Project
Spring 2018
Software: Revit, AutoCAD, Adobe Photoshop, Illustrator
Different types of flooring help with wayfinding into the medical office
EMPLOYEE STORAGE WORKCAFE EXAM ROOMS SHARED OFFICES MASSAGE ROOMS PHONE/QUIET ROOMS RECEPTION/WAITING ACUPUNCTURE CONSULT ROOMS RESOURCE ROOM LAUNDRY UNISEX WASHROOM MOTHERS ROOM MEDIUM CONFERENCE LARGE CONFERENCE WORKSPACE
Color Coded Plan
Custom wood gridded wall/ceiling imitates a Seattle book store and brings warmth to the space
1 Reception/Waiting 2 Exam Rooms 3 Massage Rooms 4 Acupuncture 5 Consult Rooms 6 Unisex Washrooms 7 Laundry 8 Resource Room 9 Large Conference 10 Medium Conference 11 Mother’s Room 12 Work Space 13 Phone/Quiet Room 14 Shared Office 15 WorkCafe
WORKCAFE
Plants throughout the clinic help purify the air.
Rendered Floor Plan
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The waiting room is tucked away behind reception in order to allow patients privacy in the clinic.
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Carpet is located in spaces that users may be on their feet for an extended amount of time.
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L8
EUX SERIES EXIT LIGHT
SURE-LITES EUX6R
LED,
TASK, EMERGENCY
L9
SEL 60 EMERGENCY LIGHT
SURE-LITE SEL60R4
LED
EMERGENCY
EXAM
LEGEND:
LEGEND:
PENDANT LIGHT PENDANT LIGHT
RECESSED CAN
RECESSED CAN
GENERAL LIGHTING PENDANT GENERAL LIGHTING PENDANT
ACCENT PENDANT
ACCENT PENDANT
L1
L2
L3
L4
COVE LIGHTING
L5
COVE LIGHTING
WALL MOUNT LIGHT
L6
L7
L8
WALL MOUNT LIGHT
GENERA
SUSPENDED SUSPENDEDLINEAR LINEAR
1. GENERA A.F.F.
2. WOOD 14’-6” A.F.
EXIT LIGHT EXIT LIGHT
L9
3. GRID CE
EMERGENCY LIGHT EMERGENCY LIGHT
L2
L1
L4
L5
L7
MEDIUM CONFERENCE MEDIUM CONFERENCE
L8
L3
L6
L9
4. CEILING START 9’-
UNISEX WASHROOM
RESOURCE ROOM
UNISEX WASHROOM
MOTHER’S ROOM
LAYERS/ SWITCHING
NUMBER ENDANT LAMP
MW-TC-28
G SYSTEM 0WH
LED, 3500K, 4000 NOMINAL LUMENS
EMPLOYEE STORAGE
ACCENT, DIMMING - 0-10V
WORKCAFE SHARED OFFICE
GENERAL, DIMMABLE
LED, 3500K
EXAM
NT, ALP-72
NT, ALP-52-72-92
2-00-J1
LED, 3000K, GENERAL, FORWARD OR REVERSE PHASE 1300 LUMENS 120V ONLY LED, 4000K 2000 LUMENS
SHARED PHONE OFFICE ROOM
MEDIUM CONF.
ACCENT, DIMMING - 0-10V
QUIET ROOM
LED, 3500K ACCENT 1. GENERAL CEILINGS ARE 10’-5” 1300 LUMENS
EXAM
EXAM
EXAM
EXAM
EXAM
MASSAGE
EXAM
GENERAL, ACCENT LED, 3500K 2. WOOD PLANK CEILINGS ARE
14’-6” A.F.F.
-T1-56-STD-W
OPEN WORKSTATION
EXAM
GENERAL NOTES: A.F.F.
BZ-LC2-UNV-
Reflected Ceiling Plan
LARGE CONF.
EXAM
LED, 3500K GENERAL 3. GRID CEILING IS 11’-6” A.F.F. 4500 LUMENS
LED,
ACUPUNCTURE
4. CEILINGS ABOVE WORKSPACE STARTTASK, 9’-0”EMERGENCY A.F.F.
EXAM
RECEPTION/ WAITING
EMERGENCY
LED
MASSAGE
LEGEND:
CONSULT CONSULT
UNISEX WASHROOM
LAUNDRY RESOURCE ROOM
RESOURCE ROOM
PENDANT LIGHT CODE L1 L2 L3 L4
L5
SYMBOL
DESCRIPTION
RECESSED CAN MANUF./MODEL NUMBER
142 FABRIQUE DRUM PENDANT LUMINAIRE
SHAPER 142-30-P15-L5/827-UNV-MW-TC-28
4-INCH LED RECESSED HOUSING
HALO, H4 LED LIGHTING SYSTEM GEN 2, ELG406940WH
LEGACY 749 SMALL SCALE DECORATIVE PENDANT DOWNLIGHT
L4
146 SERIES TALL CYLINDRICAL SHADE
L5
LC32 ARCHITECTURAL LCOVE
L6
LANTERRA 9004-W1
L9 L7
IRIDIUM i2WAVESTREAM
L8
EUX SERIES EXIT LIGHT
L9
SEL 60 EMERGENCY LIGHT
LAMP LED, 3500K,
4000 NOMINAL GENERAL LIGHTING PENDANT
ACCENT PENDANT SHAPER PENDANT, 749-5-P-L2/927-UNV-ALP-72
COVE LIGHTING
SHAPER PENDANT, 146-28-3FCL-L3/835-UNV-ALP-52-72-92
WALL MOUNT LIGHT AMETRIX, LC-1-27K-1C-UNV-12-00-J1
LUMENS
LED, 3500K
ACCENT, DIMMING - 0-10V
MOTHER’S ROOM
EMPLOYEE STORAGE
WORKCAFE LARGE CONF.
GENERAL, DIMMABLE
EXAM LED, 3000K, GENERAL, FORWARD OR REVERSE PHASE 1300 LUMENS 120V ONLY LED, 4000K 2000 LUMENS LED, 3500K 1300 LUMENS
SUSPENDED LINEAR
LUMIERE 9004-W2-RI-LED4080-F-F-BZ-LC2-UNVWRR-
LAYERS/ SWITCHING
UNISEX WASHROOM
LED, 3500K
EXIT LIGHT
CORELITE LED, 3500K I2-WS-3L35-1D-UNV-AC48-T1-56-STD-W 4500 LUMENS -ES
EMERGENCY LIGHT
SHARED OFFICE
SHARED OFFICE
MEDIUM CONF.
ACCENT, DIMMING - 0-10V
EXAM
GENERAL NOTES:
EXAM
EXAM
EXAM
EXAM
ACCENT
EXAM
1. GENERAL CEILINGS ARE 10’-5” A.F.F.
GENERAL, ACCENT
2. WOOD PLANK CEILINGS ARE 14’-6” A.F.F.
EXAM
GENERAL
3. GRID CEILING IS 11’-6” A.F.F. 4. CEILINGS ABOVE WORKSPACE START 9’-0” A.F.F.
SURE-LITES EUX6R
LED,
TASK, EMERGENCY
SURE-LITE SEL60R4
LED
EMERGENCY
EXAM
LEGEND:
RECEPTION/ WAITING
Ergonomic chairs allow
different postures that adds to physical wellbeing.
Murals of different parts of Seattle can be seen in the open workspace.
OPEN OFFICE
air that provides ergonomic efits to people of various sizes working in different postures s to physical wellbeing.
The diffe ceiling p space se and enc and colla on the he
The different curvature heights of the open workspace ceiling provide separation in the open space.
air that provides ergonomic fits to people of various sizes working in different postures to physical wellbeing.
The differen ceiling prov space see and enclos and collab on the heig
OPEN OFFICE SECTION
The work cafe provides employees with various levels of posture when sitting.
OPEN OFFICE SECTION
The work cafe provides employees with various levels of posture when sitting.
BAR SECTION
interdisciplinary
36
COBB INSTITUTE OF ARCHAEOLOGY
LOBBY
This design follows a motif of layers inspired by geology and archaeological excavation. From the inwardly tiered entrance, to the two story display drawing visitors to the museum downstairs, the goal is to achieve a reverent and inspiring space. The museum space has a flexible design layout and consideration for the younger museum visitor with interactive displays and activity areas.
3rd Place - 2018 Brasfield and Gorrie Student Design Competition Disciplines: architecture, interior design, building construction science, and graphic design
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The museum entrance has recessed display areas creating a defined walkway.
MUSEUM ENTRANCE
Division 23 5% $36,300.00 Division 22 2% $15,119.86
Division 14 8% $58,962.00
Division 26 3% $22,784.05 Division 23 5% $36,300.00
Division 22 2% $15,119.86
Division 14 8% $58,962.00
Division 21 >1% $200.00
Division 21 >1% $200.00
Division 12 19% $140,294.29
Division 12 19% $140,294.29
C
Division 31 >1% $160.00
Division 26 3% $22,784.05
Division 31 >1% Division $160.00
1 18% $138,423.89
Division 1 18% $138,423.89
Division 2 >1% $2,959.00
Division 2 >1% $2,959.00
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Division 5 1% Division 5 $6,260.551%
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$6,260.55
Ed i Estimated d
8 Division Division 8 9%9% $66,652.52 $66,652.52
Construction Cost
Division 3 >1%
Division 11 1% $4,590.00 Division 10 2% $15,027.00
Division$150.47 3 >1% $150.47
Division 11 1% $4,590.00 Division 10 2% $15,027.00
Division 7 >1% $1,917.60
Division 7 >1% $1,917.60
Division 9 33% $245,774.26
Division 9 33% $245,774.26
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Basement Level Floor Plan
INTERACTIVE ZONE
INTERACTIVE ZONE
Interactive displays provide information about the museum and artifacts to users.
Museum wayfinding
COBB INSTITUTE OF ARCHAEOLOGY
@cobbar
INTERN DIRECTOR R DR. EVAN PEACOCK
ANTHROPOLOGY & MIDDLE DEPARTMENT HEAD D DR. HSAIN ILAHIANE
107
BUSINESS COORDINATOR KATHY ELLIOTT
205
ADMIN ASSISTANT SHENIKA ROBERSON
BUSINESS MANAGER DEBBIE VICKERS
204
NORTH AMERICAN ARCHEOLOGY JEFFERY ALVERY DEREK ANDERSON KEITH BACA ALAN KARGES
202 202 202 202
DR. JIMMY HARDIN DR. DAVID HOFFMAN DR. KATE MCCLELLAN DR. MILENA MELO DR. SHANE MILLER DR. ANNA OSTERHOLTZ DR. EVAN PEACOCK DR. KAREN G WILLIAMS
8
MAXIMUM OCCURPANCY
168
PERSONS 4
DIG ZONE
This two story canoe display creates a lightwell into the children’s dig zone from the first floor.
5
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AREA OF REFUGE 6
EXPLORE
E EAST
DISCOVER
rchaeology
2
2
Classrooms 201-210
Museum Entrance
1
MUSEUM Movable display cases allow for the museum layout to be changed as needed.
corporate
44
The connection of all of the company’s global firms is the concept of NEXT’s new location in Denver. The same way spiders have a connection of webs, companies have different locations that form one. The different webs reflect the individual, traditional, and collaborative workspaces in NEXT.
commercial real estate firm
DENVER
CONNECTION
FUNNEL "funnel like” web for a spider to hide private, individual workspace for employees to work in a quiet environmen t
sPIRAL orb
WEB
multi we b
“classic” spider web for catching pre y
many spiders with multiple webs overtaking entire trees
traditional assigned workspaces
social and collaborative workspaces
ATIC E
B
OURCE E
DENT E
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RESOURCE ZONE
RESIDENT ZONE
MEETING ZONE
TING E
AL
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SOCIAL ZONE
Color Coded Floor Plan
DIG ZONE
Glass panels used throughout allows some separation while keeping a visual connection that opens up the space.
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5 3
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1 Reception/Waiting 8
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1 2 Reception/Waiting Large Conference 2 Large Conference
3 Medium Conference
4 Small Conference
Phone/Quiet Phone/Quiet RoomRoom 5 5
4
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4 Small Conference
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RoomRoom Wellness 6 6Wellness Private Office Office 7 7Shared Shared Private
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VR/Client Zone
9 10 Connect Zone
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Connect Zone Work Cafe 1110
7
14
12
Resource Center 1211 Work Cafe
9
12
14 Outdoor Patio #2
7
9
Outdoor Patio #1 1312 Resource Center
3
13 Outdoor Patio #1
14 Outdoor Patio #2
2
1
8 7
1
13
3
8
8
7
Rendered Floor Plan
13
This conference room was designed to have the maximum amount of natural light.
LARGE CONFERENCE
Source: https://www.leo.co.u Source: https://www.leo.co.uk
Correctly utilizing natural light Correctly natural light design in an officeutilizing environment design in an office could improve productivity environment by at could improve productivity by at least 8%
Philips Day-Brite Philips Day-Brite Pendalyte 12 Inch LED
least 8%
Pendalyte 12 Inch LED
Okholm Lighting Okholm Lighting GREN Chandelier GREN Chandelier
Delray Lighting
Phillips
Axolight Skin
Phillips Delray Lighting Skin Industrial Luma Axolight Suspension Light Recessed Can Industrial Luma Suspension Light Recessed Can
10’ A.F.F. 10’ A.F.F.10’ A.F.F. 10’ A.F.F.
10’ A.F.F.
10’ A.F.F.
15’11” A.F.F.
15’11” A.F.F.
10’ A.F.F.
10’ A.F.F. 10’ A.F.F.
10’ A.F.F.
15’11” A.F.F.
15’11” A.F.F.
9’ A.F.F.
9’ A.F.F.
15’11” A.F.F. 14’5”A.F.F.
15’11” A.F.F. 14’5”A.F.F. 10’11” A.F.F.
10’ A.F.F. 10’ A.F.F.
10’11” A.F.F.
10’ A.F.F. 10’ A.F.F.
10’ A.F.F.
This conference room was designed to have the maximum amount of natural light.
ence room was o have the maximum natural light.
10’ A.F.F.
Reflected Ceiling Plan
15’11” A.F.F.
15’11” A.F.F.
Elevation of collaborative workspace shown in rendering below.
WORKCAFE
OPEN WORKSPACE
COLLABORATIVE SPACE
Sliding panels with dry erase boards for collaboration.
sway Women’s Active-wear
LOBBY
Sway is a women’s active-wear company located in Los Angeles, California. It was founded on the idea of inspiring women of all sizes and ages to get active and create a healthier life, physically and mentally. The company’s values and goals are incorporated in the design of the call center by reflecting the curves and lines of a women’s body throughout the space.
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h e m i r r o r e d Twhael l sm i r r o r e d w a l l s MANAGER DIRECT. ADM. ASST. DIRECT. ert odt hr ew l sa ADM. ASST. MANAGER edaelwn t r lal sn caet ot hf e e n t r a n c e o f MANAGER FILES MANAGER FILES MANAGER DIRECT. ADM. ASST. MANAGER aw n c e o f DIRECT. ADM. ASST. MANAGER MANAGER MANAGER FILES nea t rslalpsnacceeoifs ut hsee ds p a c e i s u s e d MANAGERMANAGER MANAGER MANAGER MANAGER FILES MANAGER MANAGER icesp u s e d DIRECT. ADM. ASST. MANAGER MANAGER d yp r o m o t e b o d yMANAGER MANAGER eor iofsmuost e db ot o MANAGER MANAGER MANAGER MANAGER MANAGER FILES MANAGER MANAGER MANAGER MANAGER i rb vryiot yrdeyd t o wuap sl leosrssi t i v i t MANAGER CORP uo eoi tdid osbstm y t o MANAGER uMANAGER s eMANAGER r sMANAGER MANAGER MANAGER MANAGER MANAGER ofetydht uy s e r s CORP MANAGER DIRECT. ADM. ASST. MANAGER DIRECT. ht oee u CORP MANAGER e nstspr e aarncscee. ooff t hMANAGER e spa ce. MANAGER MANAGER FILES DIRECT. MANAGER DIRECT. TEST ecspeesa.rpcsaec. e i s u s e d MANAGER CORP DIRECT. MANAGER TEST DIRECT.MANAGER MANAGER TEST
p r o m o t e b o dDIRECT. yMANAGER DIRECT. s i t i v i t y t oDIRECT. users the space.
CORP DIRECT.
RM. COMMON RM. TEST DIRECT. COMMON MANAGER ADM. PROF. COMMON RM. ADM. PROF. AREA COMMON CORPAREAPROF. RM. TEST ADM. ASST. AREA TRAINING ADM. COMMON AREA DIRECT. ASST. PROF. PROF. PROF. RM. ASST. ROOM PROF. TRAINING ROOM ASST. TESTAREA SATELLITE ADM. SATELLITE PROF. AND SATELLITE AND ROOM SATELLITE PROF. DIRECT. SATELLITE AND TRAINING ROOM CLOSET SATELLITE ASST. ADM. CLOSET CLOSET SATELLITE AND SATELLITE ADM. RM. ADM.COMMONCLOSET PROF. CLOSET TRAINING PROF. ADM. PROF. ROOM CLOSET TRAINING PROF. ASST. ASST. AREA SATELLITE CLOSET AND ASST. ADM. SATELLITE CLOSET TRAINING TRAINING PROF. ASST. SUPPLIES TRAINING SUPPLIES PROF. PROF. ASST. CLOSET ADM. ROOM CLOSET SUPPLIES SATELLITE AND SATELLITE TRAINING SUPPLIES PROF. ASST. INTV. INTV. CLOSET ADM. CLOSET SUPPLIES MECH./ INTV.TELE./D RM. MECH./ TELE./D RM. TRAINING PROF. INTV. ASST. MECH./ TELE./D ELEC. RM. ATA ELEC. ATA SUPPLIES MECH./ TELE./D RM. BENCH TEST BREAK INTV. BENCH TEST BREAK ELEC. ATA BENCH TEST BREAK RESTRM ELEC. RESTRM ATA INTV. MECH./ TELE./D ROOM LIBRARY INTV. BREAK RM. RESTRM RM. ROOM LIBRARY BENCH TEST RM. INTV.RESTRM RESTRM RESTRM INTV. RM. ROOM RM. LIBRARY RESTRM ELEC. MECH./ TELE./D RESTRM ATA INTV. RM. LIBRARYBREAK RM. ROOM BENCH TEST RM. RM. ELEC. ATAINTV. RM. RESTRM RESTRM RM. ROOM BREAK BENCH TEST LIBRARY RESTRM RESTRM INTV. RM. VEND./ RM. ROOM VEND./ LIBRARY MEETING MEETING MEETING MEETING VEND./ RM. VEND./CONT. CONT. VEND./CONT. CONT. VEND./ PROF. MEETING MEETING PROF. RM. RM. RM. VEND./CONT. RM. CONT. MEETING MEETING PROF. PROF. VEND./CONT. PROF. CONT. RM. RM. VEND./ PROF. PROF. MEETING RM. MEETING RM. VEND./CONT. PROF. CONT. VEND./ MEETING MEETING PROF. RM. RM. CONT. MANAGER VEND./CONT. MANAGER PROF. RM. PROF. Nooks around RM. MANAGER PROF. MANAGER t h MANAGER e space MANAGER MANAGER MANAGER a l l o w f o r qMANAGER uick ADM. CORP DIRECT. MANAG- MANAGER ADM. MANAGER ADM. CORP DIRECT. ADM. MANAG-MEETIN MANAGER MANAGER MANAGER MEETING MANAGER MANAGER MEETIN MEETING ADM. ADM. CORP DIRECT. MANAG- MANAGER ASST. DIRECT. ER ASST. cMANAGER o l l a b o r a t i o n s MANAGER ASST. DIRECT. ER ADM. ADM. CORP DIRECT. MANAG- MANAGER MEETIN ASST. MEETING G RM. RM. MANAGER G RM. RM. ASST. MANAGER MANAGER ASST. DIRECT. ER MEETIN MANAGER MANAGER MANAGER MEETING MANAGER MANAGER ASST. ASST.MANAGER MANAGER DIRECT. ER MANAG-ADM. MANAGER G RM. RM. ADM. CORP DIRECT. MANAGER ADM. ADM. CORP MANAGDIRECT. MANAGERMEETIN G MEETIN RM. RM. MANAGERMANAGER MANAGER MEETING MEETING ASST. ASST. DIRECT. MANAGER ASST. ASST. DIRECT. ER ER MANAGER G RM. RM. G RM. RM. MANAGERMANAGER MANAGER MANAGER MANAGER MANAGER TRAINING MANAGER TRAINING
Nooks ar N o oNkoso a k sr ot hauernodsupnadc N o ot hkest hsaepr oasucpneadlcl oe w f o r l oawlcl oef owr fcqoour li lq cakubi o t h e asl p c kr a l oaorbl lo a l l ocwo l fc qarubai o ct i rkoant iso n s collaborations
1st Level Floor Plan
LOBBY LOBBY LOBBY LOBBY
LOBBY
LOBBY
Differences in ceiling height define the circulation around the sale agents.
SALES AREA
BREAK ROOM
To b r e a k u p t h e l o n g , v a s t i n t e r i o r- a n d p r o m o t e a sense of connection and belonging across the wide space
Source: https://www.steelcase.com
Individual seats provide a change in posture and privacy for agents
AGENTS
RAISED HUB SALES SUPER. SATELLITE RM.
ADMIN. SYST. ASST. CO. PROF.
NURSES ST.
RESOURCE RM.
MECH./ELEC.
SCHED. MED. CONF.
RESTRM. RESTRM.
LOCKER ROOM
SALES SUPER.
TELE./DATA
SCHED. SYST. ADMIN. CO.
VENDING
COACHING
COACHING
COACHING
COACHING COACHING COACHING
LG. CONF.
DIRECTOR
The large conference has windows in order to take advantage of the natural light while in meetings.
FILES MANAGER
ASST. SATELLITE RM.
MANAGER
2nd Level Floor Plan
NURSES ST. BREAK ROOM
Cree 6” Adjustable Downlight
Sona Suspended Linear Light
1st Level Reflected Ceiling Plan OPEN TOOPEN TO ABOVE ABOVE
Ceiling Ceiling height height is is 11’11’ A.F.F. A.F.F. throughthroughoutout level level 1 except 1 except for for atrium. atrium.
Axolight Bell Axolight U-light Pendant Pendant
Cree 6” Adjustable Downlight
Sona Suspende Linear Ligh
ed ht
Cree 6” Adjustable Downlight
Axolight Bell Axolight U-light Pendant Pendant
Sona Suspended Linear Light
Axolight Bell Axolight U-light Pendant Pendant
Ceiling Ceiling height height is 10’ is 10’ A.F.F. A.F.F. around around perimeter perimeter of sales of sales agents. agents.
2nd Level Reflected Ceiling Plan OPEN TO ABOVE
Ceiling height is 11’ A.F.F. throughout level 1 except for atrium.
Ceiling height is 11’ Ceiling height is 11’ A.F.F. in center A.F.F. in center of of sales area. sales area.
retail
60
Toronto is the location Hoya’s flagship retail store.retail Succulent plants are Torontofor is the location for Hoya’s flagship store. Succulent plants are the inspiration for the The warmth and vibrancy associated with associated nature and succulents contrasts with the harsh the inspiration forspace. the space. The warmth and vibrancy with Canadian winter. This warmth will provide an inviting space for individuals. nature and succulents contrasts with the harsh Canadian winter. This warmth provides an inviting space for individuals. Toronto is the location for Hoya’s flagship retail store. Succulent plants are the inspiration for the space. The warmth and vibrancy associated with nature and succulents contrasts with the harsh Canadian winter. This warmth will provide an inviting space for individuals.
1 Show Window 2 Eye wear 3 Hats 4 Scarves 5 Gloves 6 Belts 7 Watch Caseline
se 8 Fine Jewelry Case
lin 9 Fragrance Caselin
10 Wallets Caseline 11 Stock 12 Receiving 13 Cash-wrap
om 14 Women’s Restroom
15 Handbags 16 Elevator Lobby 17 Vestibule
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12 12
12 1 1Show Window Show Window 2 2Eye wear
w Window wear
12
4 4Scarves Scarves 13 11 5 5Gloves Gloves
s
rves
Eye wear 3 3Hats Hats
13 13
13
11 11
14
11
Stock 11 11 grance Caseline 8 line ne Stock8 Receiving lets Caseline 12 12 Receiving
ck
7
2 vator Lobby
tibule 1
5
2
15
5 5
8
4 4
9
10
2
1 1
16
17 17 12
1st Level Floor Plan 1
17
16
16 16
2
2 Fur Fitting Room
2
7 7
Watches Men’s Watches 71 Furs 9 9Men’s
1
10 Men’s Briefcases Fragrance 8 Men’s 10
9 Men’s Watches
12 12
2nd Level Floor Plan
1 1Women’s Outerwear Women’s Outerwear 2 2Fur Fitting Room Fitting Room Women’s Fur Outerwear Restroom 3 3Men’s Men’s Restroom Fur Fitting Room 4 4Stock Stock Men’s Men’s Cigar Lounge 5 Restroom Cigar Lounge 5 Men’s Stock 6 6Luggage Luggage
5 Men’s 7 Cigar FursLounge 7Furs Fragrance 8 8Men’s 6 Luggage Men’s Fragrance
9 9
Briefcases 10 910 Men’s 10 11 Men’s Accessories 11 Men’s Outerwear 12 11
3 4
7
11
12
2 2
8 Men’s Fragrance 1
10 11
1 Women’s Outerwear
6 Luggage 8 8 Furs 7
8
3 3 2 2
1
5 Men’s Cigar Lounge
6
7
6
6 6
5 5
3 Men’s Restroom 6 6 4 Stock
15 15
7 7
3 17
5
8 8
omom Women’s Restroom 14 14 Women’s 6 Restroom eiving 5 Handbags 15 15 Handbags sh-wrap 5 m 4 16 16 Elevator Lobby Elevator Lobby om men’s Restroom 4 17 17 Vestibule Vestibule ndbags 3
3
3
9 9
15
3 3
4
10 10
Cash-wrap 13 13 7 Cash-wrap
6
4 4
14 4
6 6Belts Belts Caseline 7 7Watch Watch Caseline s 10 Caseline seline Jewelry 8 8Fine seline Fine Jewelry Caseline 10 ch Caseline 9 Fragrance Caseline line line Caseline 9 Fragrance 9 seline e Jewelry 9Caseline Wallets Caseline 10 eline 10 Wallets Caseline
ves
14 14
Men’s Briefcases
11 Men’s Accessories
1
Men’s Accessories Watches 9 Men’s 11 Men’s Outerwear 12 12 Men’s Outerwear
10 Men’s Briefcases
11 Men’s Accessories 12 Men’s Outerwear
The staircase is inspired by spiral staircases often found in large greenhouses.
ENTRANCE
The bricks, wood, and concrete columns are raw materials that could be found in a greenhouse with succulents.
HANDBAGS ELEVATION
Greenery can be found throughout the space to reiterate the concept of nature.
SECOND LEVEL
SECOND LEVEL
The glass storefront allows an abundance of The glass natural light to storefront allows enter the space. an abundance
of natural light to enter the space.
This wall of live plants adds life and warmth to the space.
MEN’S CIGAR LOUNGE
FURS
The furs are hung on flower pot hangers.
detail drawings
68
detail drawings
detail drawings
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54
integrated lighting
72
integrated lighting detail drawings
This lighting design features various elements of lighting that enhance different areas of the building. This lighting design of the Walker Engineering building is designed with the intent of keeping existing elements in the building while enhancing it’s features through the new design.
Responsibilities: renderings, lighting legend, drawing plans
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Lighting LEGEND
460
FOOTCANDLES - 1/8” = 1’0”
30’8”
51’8”
16’
4’11”
34 79.6
2
50.3
65.5
14’ A.F.F.
SSYMBOL QUAN. DESCR. LAMPING MANUFACTURER/NUMBER SYMB 6” ADJUSTABLE DOWNLIGHT CREE 42WLED 32 15.3” X 16.8” S-DL6-A-42L42W, 2740LUMENS
Reflected Ceiling Plan 11’ A.F.F.
Notes: Building: Walker Engineering Space Typology: Lobby & Corridor Date of Analysis: 4/12/18 Time of Analysis: 11 AM Primary Function: Circulation Secondary Function: Classroom
31’
Ceiling mounted EXIT SIGN WITH emergency lights 3.4WlED 24” X 11”
2
ARCHIPRODUCTS formula PLUS 4
6
SPRINKLER
7
Return AIR
7
SUPPLY AIR
4X24WLED DIMMABLE
COOPER AP70RWHDHSQ ARCHIPRODUCTS S/B1618
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NUMBER
LUMENS
URER/NUMBER
CREE 2L42W, 2740LUMENS
COOPER 0RWHDHSQ
HIPRODUCTS S/B1618
CORRIDOR VIEW
LOBBY VIEW
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CLAY MODEL
RECESSED WALL VIEW
CLAY MODEL
product design
76
Spiralis thelamp Latinis word The des Spiralis is the Latin word for spiraling The design is of this inspiredfor byspiraling the spiral shape that can be found throughout natural world. The spiral shape is natural thatthe can be found throughout Spiralis is the Latin word for spiraling Thethe design of wor this one that is discretely incorporated in nature and the everyday lives of individuals. in nature the world. everyday that can beincorporated found throughout the and natural Thelive sp Spiralisspirals is themake Latinisword forelement spiraling The design of this lamp The pattern that the continuing another of design that spirals make is another element of design th incorporated in nature and the everyday lives of individ inspired Spiralis. The curved line be of the spiralthroughout creates a movement that adds to The spiral sh that can found the natural world. creates a movement that adds to the overall spirals make is another element of design that inspired the overall design. incorporated in nature and the everyday lives of individuals.
creates a movement that adds to the overall design. spirals make is another element of design that inspired Spira creates a movement that adds to the overall design.
CONCEPTUAL DRAWINGS CONCEPTUAL DRAWINGS
CONCEPTUAL DRAWINGS
LAMPING SPECIFICATIONS LAMPING LAMPINGSPECIFICATIONS SPECIFICATIONS Lamp: LED Strip Light
Life: 25,000
Lamp: Strip Life:Life: 25,000 Lamp:LED LED StripLight Light 25,000 Wattage: 36 Lumens: 800 Wattage: 36 Lumens: 800 Wattage:Color 36 Temperature: 3000 Power Lumens: 800 Plug-in Source: Color Temperature: 3000 Power Source: Plug-in
Color Temperature: 3000 Power Source: Plug-in
ign of this lamp is inspired by the spiral shape nspired by the spiral shape Mention - Curtis Stout d. The spiral shapeHonorable is one that is discretely e is one that is discretely of individuals. ThePortable pattern thatLamp the continuing Competition e pattern that the continuing at inspired Spiralis. The curved line of the spiral The curved line of the spiral design. spiraling The design of this lamp is inspired by the spiral shape
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ut the natural world. The spiral shape is one that is discretely he everyday lives of individuals. The pattern that the continuing ment of design that inspired Spiralis. The curved line of the spiral ds to the overall design.
STOP VIEW
1'-9"
1'-9"
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FRONT VIEWFRONT VIEW
TOP VIEW
FRONT VIEW
TOP VIEW
1'-4"
1'-4"
1'-9"
1'-4"
3/4"
1'-10"
3/4" 1'-10"
1'-10"
3/4"
3/4"
SIDE VIEW
SIDE VIEW SIDE VIEW
NS
e: 25,000 mens: 800 e: Plug-in
6-1/2"
6-1/2"
1'-9"
1'-9"
1'-9"
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6-1/2"
3/4"
Sculpt
Asymmetrical designs can be found in nature as well as art. The goal for Sculpt is to create a chair that has asymmetrical elements that envelops individuals who sit in it.
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g
Shop Drawings
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Model
CONTACT 662.570.5158 carlie.teff@gmail.com PO Box 1472 West Point, MS 39773
thank you