Upholstery plays an integral role in the form and function of furniture. Whether it’s the stitching used along a seam, or the tufting selected for a backrest, each practical technique adds to the detailing that defines the personality of a piece. Our family of designers each developed their own relationship to upholstery. Børge Mogensen and Kaare Klint favoured saddle leather on a chair’s seat so that it could be easily tightened as the leather stretched naturally over time. Others focused their attentions on ornamental stitching and decorative trims. This skilled work requires patience, discipline, and a deep understanding of materials. Some of our historic designs – including Hans J. Wegner’s Mama Bear Chair and many of Kaare Klint’s pieces – have specific features that demand areas to be completely hand-stitched. In addition, every one of our upholstered designs is supported by a solid wood frame to provide the best possible foundation.
DOUBLE STITCHING Known for the way he made stitching a decorative detail, Kaare Klint’s KK47000 Safari Chair features lines of double-stitching along the leather upholstery.
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