Can Fu_Portfolio 2016 by Can Fu_Portfolio 2016

C.F.

ARCHITECTURE PORTFOLIO

ARCHITECTURE

PORTFOLIO

BY CAN FU 2016

8 2016

20 2015

32 2014

40 2015

52 2016

60 2013

68 2014

72 2015

78 2013

88 2015

90 2010

ARCHITECTURE

PROJECTS 8-49

OBJECTS CONTAINERS WORLDS 2016 World Trade Cener Tower In Downtown Los Angeles, CA

Penn Design 704 Tom Wiscombe Studio//Can Fu+Hua Yang This semester we mainly focus on explore architecture as world through radical interiority. Our point of departure will be Machado and el-Khoury’s concept of “hollow monoliths“, where the solidity of a monolith seems to be undermined by its emptiness. Architecture, of course, can never be actually empty, so it will be the task of the studio to use combinations of poche, nested objects, and extrusions from new grounds. Rather than presuming an architectural ontology where buildings exterior expression (posture, shaper, contextural linkages, social function) is primary, we attempt to create architecture which inverts that implied hierarchy. Some of the repercussions of this inversion are that architecture might tend to deflect semiotic readings through exterior muteness, and create its own internal density, language, sacale, and even physics on its interior. Interiors could begin to contain objects and formations that might ordinarily be encoutered on the earthen surface we refer to as ‘land‘, but in strange juxtapositions, awkward orientations, and improbable scales. With the design strategy of applying three entites: Figure, Liner and Shell, to create a interior world totally losing the gravity and normal orientations. Architecture, in this way, becomes a container for a new, nested world, served from land, from World.

8 1 OBJECTS CONTAINERS WORLDS

10 1 OBJECTS CONTAINERS WORLDS

Dragon Cut (Left) & Building Section Cut_Major Conference and Trading Space (Right)

12 1 OBJECTS CONTAINERS WORLDS

Site Plan & Conference Space Plan

14 1 OBJECTS CONTAINERS WORLDS

Circulation & Space Figure Diagram

16 1 OBJECTS CONTAINERS WORLDS

Physical Model Photos

18 1 OBJECTS CONTAINERS WORLDS

Auditorium_Detail of Physical Model Interior

BLURING ADJACENT 2015 Auction House and Galleries in Chelsea New York City

Penn Design 602 Hina Jamelle Studio//Angela Huang + Can Fu The concept of the auction houses has changed since the invention of the internet, and use of digital technology. Hence the traditional auction houses are replaced with “cyber auction rooms” that all the bidding and showing are through the web, and the large auditorium type of auction rooms are replaced with smaller auction rooms combined with gallery and rretreat spaces that are specifically for the high-end clients. In this case, auction is not about trading, it becomes a performance and a show. The organic façade pieces continue to the interior and serves as the purpose of circulation, structure, and artificial lighting. Reinventing the traditional organization of an auction house, just like the continuous facade, there are obvious start and end of a program or space. The auction room shifts the program to gallery space through undulated ramps and the smaller gallery spaces fading into an open space and becomes a café with open seatings.

20 2 BLURING ADJACENT

GALLERY SPACE

AUCTION ROOM

GALLERY SPACE

BALCONY

OFFICE

2'-7"

SEMINAR ROOMS

EXHIBITION HALL

OFFICE

EXHIBITION HALL

UNDERGROUND PARKING ENTRY

RESTORATION SPACE

22 2 BLURING ADJACENT

MAINTENANCE

LOBBY

ROOF DRAIN

12” THK CUSTOM MADE GLASS FIBER REINFORCED POLYMER PANEL COATED W/ FIRE RETARDANT RESIN WATERPROOFING MEMBRANE SERVICE ZONE

ROOF DETAIL STEEL LINTEL CAST INTO GFRP RIGID INSULATION BATT INSULATION VENT

ANCHOR BOLT SLIP JOINT SERVICE/ INSTALLATION ACCESS

TYP. FACADE DETAIL LOW IRON DOUBLE GLAZED GLASS

MIN 36” HEIGHT

2% MIN

WATERPROOFING MEMBRANE DRAIN CONCRETE SLAB

BALCONY DETAIL

HANDRAIL INTERIOR FINISH RECESSED LIGHT GYP. CEILING

CONCRETE REBAR

MEZZANINE DETAIL

TWO WAY WAFFLE SLAB 3’X3’ EXPOSED COFFER

3’ 24” THK

TYP, FLOOR DETAIL

Blurring Adjacent // Auction House and Gallry // Can Fu+ Angela Huang // 2015 Spring 23

24 2 BLURING ADJACENT

Auditorium Level Floor Plan

Ground Floor Plan

26 2 BLURING ADJACENT

25'-11 1/2"

18'-7 1/4

18'-

15'-11"

" 1/4

'-7

'-1 0

1/2

'-1

3/4

28'-5

1/4"

OPEN TO BELOW

40'-0

24”THK CONCRETE W/ 3’X3’ WAFFLE SLAB

'-1

'-0

1/2

/4"

26'-5

1/4"

24'-1

0 3/4"

Structure Floor Plan

28 2 BLURING ADJACENT

30 2 BLURING ADJACENT

Paper Model Photos

SHIFTING HYBRIDS 2014 Transformation for A New Hotel & Residential Building in Tribeca, NYC

Penn Design 601 Hwina Jamelle Studio//Angela Huang + Can Fu With the use of particular parameter and technique concepts like degree of curvature, crease and shifting, the apartment-hotel hybrid is developed to a series of building systems for both facade and interior, such as window frames, ceilings, stairs, furnishing and partition walls, etc. The hybrid with interesting geometric form and layered facade quality are formed due to the buildings system which reveal the techniques and geometry form derived from parameters set up previously. Similarly, the projectsâ&#x20AC;&#x2122; units aggregation following the interlocking logic as well, which allows puzzle-like space formed for the interior space, concave and convex layered surface quality happened for the facade. In addition, the puzzle formation create various units type and size, which allow the space be applied for multiple function and programs, such as hotel space, studio and suites and shared central public space, like a system of dining space.

32 3 SHIFTING HYBRIDS

--- 5TH FLOOR PLAN

RESTAURANTS

--- GROUND FLOOR PLAN

34 3 SHIFTING HYBRIDS

APARTMENT

--- 8TH FLOOR PLAN

HOTEL

APARTMENT

UNITS A + B PARA/

Degree of Curvature Shifting of Program&Structure Crease

SYSTEM/

Windows&Sill Partition Walls Furnishing

36 3 SHIFTING HYBRIDS

38 3 SHIFTING HYBRIDS

CELLULAR NESTING 2015 Cultural Complex Center For Golden Orange International Film Festival In Antalya, Turkey

Penn Design 701 Sulan Kolatan Studio//Can Fu + Grace Kim Home to the Golden Orange Film Festival, the annual International event, Antalya is located on active geological formation featuring rich underground ecosystem. Start with the Grasshopper script technique of Minimal Surface Cell Formation to produce the base cell space for the program. In addition, inspired from cave ecosystem, the project explores the duality that exist in the cave formation. Three major categories to focus for the design of the theater are form, mass, and materials. The connectivity of long tunnels and series of chambers observed inside of the cave are translated into the interior of the theater. The outside, inside, and in-between spaces of two different minimal surfaces that are nested together, creating moments of inversions that interweave various programs together. The soft and hard materials not only contribute in functional role such as acoustic control and structural support but also challenges the idea of integration of sustainability into the design. The formation of the theater are populated in various scales throughout the site as landscape, providing inhabitable spaces for both flora and fauna while functioning as public park with strong emphasis on the bike-ride system.

40 4 CELLULAR NESTING

TION

THEATER GROUND FLOOR PLAN _Lower Theater VIP Seating Area _Perfromance Stage _Orchestra _500 Seats _Cafe Area

Site Plan with Landscape Design

Nesting Cell Formation and Program Diagram

TUNNEL (CIRCULATION)

CHAMBER

POND

ANIMAL HABITATION

CHAMBER (THEATRE)

TUNNEL (CIRCULATION)

ORIGINAL CELL PLAN PROGRAM DIAGRAM

SKYLIGHT

THEATER SECOND FLOOR PLAN

_Upper Theater Seating Area _Perfromance Stage _Orchestra _2000 Seats

MODIFIED CELL SECTION PROGRAM DIAGRAM

42 4 CELLULAR NESTING

OUTDOOR THEATRE SEATING

SCREEN

CHAMBER (THEATRE)

STAGE ORCHESTRA

UNDERGROUND BIKE PATH

TUNNEL (CIRCULATION)

3D Print Physcial Model Photos with Landscape Design

44 4 CELLULAR NESTING

CIRCULATION PATTERN 2014 Urban Forces Formation of Automotive Research & Exhibition Center in Philadelphia, PA

Penn Design 502 Eduardo Rega Studio//Can Fu The urban composition developed based on a series of research and mappings of visible and invisible urban forces, which are traffic, residents and wind. Through analyzing the actions performed by these urban forces on the site, including traffic flow, surveillance of residents and wind pollution movement, a functioning combination form and space is finally established. It is really interesting to investigate the transformation of these 3 forces to the actual building form, functional space and circulation. The automotive center was divided into 3 major functional zones based on the space variation created by the circulation path. The basement with large open space of building is divided as the parking and museum zone. Then the upper level is used for research labs and auditorium. And the tower part is for offices and classrooms. As the circulation leading the visitors and cars going through the building, related space with program function is created by these pathways. Different path circulations leading to different functional space.

46 5 CIRCULATION PATTERN

48 5 CIRCULATION PATTERN

FABRICATION 36-42 DIGITAL

PARAFICTIONAL OBJECT 2015 Golden Lamp Inovation Process In Penn Design Upper Gallery

Penn Design Arch 703 Kutan Ayata Studio//Can Fu + Lu Han In Contemporary art, one of the most relevant practices for architecture can be found under the loose heading of Parafiction. Architecture has much in common with parafictional art practices, which is multi-medium and the most “real“ of any art, it is constantly engaged in questions of context, and it is a specific object or scenario that inserts itself into the constantly changing conditions of reality. This representation and innovation process of the object (extracted from the classical still life paintings) is attempt to explore the aesthetics of realism for the objects in a different context. In this project, through redesign the golden bottle taken from Dutch painting Banquet Still Life by Adriaen Can Utrech, 1644 , bring the new relations between objects themselves in certain scenario, aesthetic relations of color, texture, materiality, luminosity, and reflectivity. The “new” golden bottle will seek to blend in, but not to hide. In the meantime, the transformation of the bottle’s form bring new function the “new“ object produced, it become a golden lamp to blend in the original scenario again. The estrangement of context is a crucial aspect of realism, where a shift allows one to see the familiar in new terms as doubt overtakes assumed certainties; doubt which can manifest materially, formally, programmatically, and ultimately architecturally.

52 6 PARAFICTIONAL OBJECT

Original Golden Bottle in Dutch Painting

Golden Lamp Design Evolutionary Process

54 6 PARAFICTIONAL OBJECT

TOP/Original Painting Banquet Still Life Adriaen Can Utrech, 1644 oil on canvas current location: Rijksmuseum Amsterdam

56 6 PARAFICTIONAL OBJECT

BOTTOM/ Fictional Painting Banquet Still Life 2016 The test of the environmental effect with substituing the innovated golden lamp in the painting

58 6 PARAFICTIONAL OBJECT

LINE TO SURFACE 2013 Cocooning Simulation Research Arylic Powder Material 3D Printing Test

Penn Design 501 Simon Kim Studio//Can Fu This project start with studying the process of cocooning, to get a better understand of its structure formation, which starts from simple large structure and then developed to a more dense netwroks. Density creates beauty, but always start from simple structure or outline. Second step is to set up a Grasshopper Script based on the geometric relationship between points and lines derived from cocooning process. The code developed a line structure with the randomly growing lines but still connecting among the triangular points. To continue the study of line connection and rotation, but focusing more on the irregular way of line connecting and random trigonometry. Through studying the structure of cocoon, the modules with more irregular form and random structure were derived from the same structure theory. It is called the Structure Hyperplasia. Third step is to develop the line structure space produced from computer coding to the curvature surface space with the application of Maya technique. This step bring the project to a advanced level which derived from cocooning but successfully complete the transformation of the line to the occupied space and explore the possibility of spacial function of lines.

60 7 LINE TO SURFACE

Material Study of Cocooning Process (top photos) Grasshopper Script Simulation of Cocooning (bottom diagram)

noillivaP gnideerB 1 B / margaiD cigoL repohssarG

62 7 LINE TO SRUFACE

uF naC

:maet ngised miK nomiS :rotanidrooC smelliW elleinaD :rotcurtsni ,3102 llaF seidutS lausiV 125 hcrA ngiseDnneP

7M 8M

4M 5M 6M

1 elu d o M 2M 3M

Points Logic Diagram --- Point to Line63

Imagining Space Section Drawing

r: Danielle Willems Coordinator: Simon Kim

64 7 LINE TO SURFACE

design team: Can Fu

Base Trignometry Module Aggregation Diagram

66 7 LINE TO SURFACE

7 .1

BRANCHING ELEGANCE 2014 Modular Aggregation Design for Color 3D Pringting Test

68 7 BRANCHING ELEGANCE

Module Branching Development Process and Aggregation Diagram

70 7 BRANCHING ELEGANCE

MINIMAL SURFACE 2015 Sun Shading Entrance Wall for 2015 International Architecture Biennale in Antalya, Turkey

Penn Design 701 Sulan Kolatan Studio//Can Fu +Grace Kim + Hannibal Newsom (TA) This Parametric Wall was designed as a Sun Shading Device for 2015 Antalya International Architecture Biennale in Turkey. As the topic of this Biennale is the Parametric Modernism, this Sun Shading Wall was assembled at the Entrance of Exhibition to bring people to a world full of digital fabrication applied in the architectural field. Take people to reconsider the role of digital technique in the architectural design. In order to fulfill the sun shading function, we explored the grasshopper script of Minimal Surface to control the opening size of each aggregation cell. In this way, the light going through the wall will be controlled with different intensity at various angle. In addition, the wall was designed as the dual layer of two cell combination to create more interesting shadow pattern when the light going through. In terms of the actual wall fabrication part, as it is fabricated in the state and transferred to Turkey, we chose FDM plastic material to 3d print the single cell and reassembled all the cell modules in Turkey, In this way, the shading wall was light and easily assembled.

72 8 MINIMAL SURFACE

CELL VARIATION (TopM, BtmM)

CELL VARIATION (TopLR, BackLR)

2 SURFACE CELL

74 8 MINIMAL SURFACE

Dual-Layer Cell Wall Assembling Process 75

FDM 3D Printing Modules Photos

76 8 MINIMAL SURFACE

CAMOUFLAGE 2013/08 High-design Bird Blind Heron Pond Avian Observatory in Riverlands Confluence, 301 Riverlands, West Alton, Mo

WashingtonU Sam Fox School of Design/ Digital Fabrication Ken Tracy&Andrew Colopy Studio //Group Work of 20 Students (Design&Construction)

Winner of 2014 Architizer A+Awards (In the Student Design/Build Project category, which is voted on by a jury of professionals.)

This High-design Bird Blind --- Avian Observatory was a collaborating work designed and constructed together by students from Andrew Colopy’s “Studio Confluence” and Ken Tracy’s Digital Fabrication class. The purpose of this digital fabrication project was to design, fabricate, and build an avian observatory at Riverlands in collaboration with the Audubon Center at Riverlands and the Rivers Project Office of the U.S. Army Corps of Engineers. The observatory is a giant brown cocoon with the form inspired from Ghery’s Deconstructive taxonomies. Through lots of research on the birds’ living habits and optesthesia distinguish ability, the panel pattern design is based on the think of Inverse Camouflage, in order to blend the building with surrounding environment and avoid interrupting birds’ behavior. Accord to CRYPSIS theory, we chose the Disruptive/Dazzling Patterning for the panel pattern&color design, which can blend the observers’ opening on installation from the background with Hi-contrast Pattern. Photo Credits to WUSTL Photos

78 9 CAMOUFLAGE

Youtube Video Link of Contruction Process: https://www.youtube.com/watch?v=sHD6hgTQPEk

Panel Disruptive Pattern Openings & Color Design

COLOR

LEGEND

Section Cut /Structure Revit Details 3"

1 1/2"

LEGEND

2x3 Aluminum Angle Richilite Exterior Panel 2x2 Blockiung to support Purlin by Gutter 5/8" High Corrugated Panel

2x4 Aluminum Angle

0.1"Folded Aluminum Frame

3" High Aluminum Gutter CNC Edged Purlin

A3.01

2x8 Cedar Beam

Branching Taxonomies / Various Form Testing

A3.01

Horizontal Plastic Closure Strip 2x8 Cedar Column

LEGEND

2 A4.04

Reference Part A6.02 CLIENT

Reference Part A6.02

CLIENT AUDUBON SOCIETY AUDUBON CENTER AT RIVERLANDS 301 RIVERLANDS WAY

WESTALTON, MO 63386 CROSS SECTION AT CANTILEVER CONTACT: PATRICIA HAGEN, EXECUTIVE DIRECTOR 1/2"=1'-0"

CROSS SECTION 1/2"=1'-0"

AUDUBON SOCIETY AUDUBON CENTER AT RIVERLANDS 301 RIVERLANDS WAY WESTALTON, MO 63386

1 3/4"

US ARMY CORPS OF ENGINEERS RIVERS PROJECTS OFFICE 301 RIVERLANDS WAY WEST ALTON, MO 63386

CONTACT: PATRICIA HAGEN, EXECUTIVE DIRECTOR

DESIGN TEAM

0 3/4"

1/16" Perfoerated Aluminum Panel

1 1/2"

1 3/4" 0 3/4"

2 5/8"

1 1/2" 1 3/4"

CONTACT: CHARLIE DEUTSCH, TECHNICAL DIRECTOR

0 1/4"

1 3/4"

0 1/4"

0 3/4"

STUDENTS NIKE CAO, JINA KIM, YU RONG, HAO WU, DAVID ORNDORFF, YAO XIA, WASSEF DABBOUSSI, YILONG WANG, NASH WATERS, YU XIN, HAOSHENG ZHANG

2x4 Long Blocking for Beam Connection

STUDIO CONFLUENCE INSTRUCTORS ANDREW COLOPY, KEN TRACY

2x6Joist

Joist Hanger

A3.01

US ARMY CORPS OF ENGINEERS RIVERS PROJECTS OFFICE 301 RIVERLANDS WAY WEST ALTON, MO 63386

0.1"Horizontal Folded Aluminum Frame

CLIENT SCALE

6"=1'-0"

CROSS SECTION AT CANTILEVER 1/2"=1'-0"

DRAWN BY

HAO WU 1/16" Perfoerated Aluminum Panel

CROSS SECTION 1/2"=1'-0"

AUDUBON SOCIETY AUDUBON CENTER AT RIVERLANDS 301 RIVERLANDS WAY WESTALTON, MO 63386

PROJECT

AVIAN OBSERVATORY AUDUBON CENTER AT RIVERLANDS WEST ALTON, MO

CONTACT: PATRICIA HAGEN, EXECUTIVE DIRECTOR

TYP. SECTION AT PANEL ATTACHMENT AT ROOF (WEST SIDE) 6"=1'-0"

A4.06

TYP. SECTION AT PANEL ATTACHMENT AT ROOF (EAST SIDE) 6"=1'-0"

CONTACT: CHARLIE DEUTSCH, TECHNICAL DIRECTOR

US ARMY CORPS OF ENGINEERS RIVERS PROJECTS OFFICE 301 RIVERLANDS WAY WEST ALTON, MO 63386

Typ. Roof Panel_Section

CONTACT: CHARLIE DEUTSCH, TECHNICAL DIRECTOR

DESIGN TEAM

LEGEND

DESIGN TEAM

STUDIO CONFLUENCE

#4 BAR, 12" O.C, (TRANSVERSE) #5 BAR, 10" O.C, (LONGITUDINAL)

STUDENTS NIKE CAO, JINA KIM, YU RONG, HAO WU, DAVID ORNDORFF, YAO XIA, WASSEF DABBOUSSI, YILONG WANG, NASH WATERS, YU XIN, HAOSHENG ZHANG

1 1/2"

#5 BAR, 10" O.C, (LONGITUDINAL)

RETURN #5 BAR, TYP

1 1/2"

INSTRUCTORS ANDREW COLOPY, KEN TRACY

STUDIO CONFLUENCE

INSTRUCTORS ANDREW COLOPY, KEN TRACY

#4 BAR, 12" O.C, (TRANSVERSE)

1 1/2

6 1/8"

CORROSION RESISTANT: COATED REBAR CHAIRS: WHERE UNDERSIDE OF CANTILEVER SLAB IS EXPOSED TO VIEW.

DRAWN BY

1 A4.05

YAO XIA, YU XIN PROJECT

STUDENTS NIKE CAO, JINA KIM, YU RONG, HAO WU, DAVID ORNDORFF, YAO XIA, WASSEF DABBOUSSI, YILONG WANG, NASH WATERS, YU XIN, HAOSHENG ZHANG

SCALE

1/2"=1'-0"

#4 BAR, 12" O.C, BOTH DIRECTIONS 3" COVERAGE BELOW

#4 BAR. 12" O.C, #4 BAR, 12" O.C, (BOTH DIRECTION) MAINTAIN 3" CONCRETE COVERAGE LAPPED 12" AT CANTILEVER

CLIENT

AVIAN OBSERVATORY AUDUBON CENTER AT RIVERLANDS WEST ALTON, MO

Concrete Foundation Plan Ancor Layout

AUDUBON SOCIETY AUDUBON CENTER AT RIVERLANDS 301 RIVERLANDS WAY WESTALTON, MO 63386

#4 BAR. 12" O.C, #4 BAR, 12" O.C, (BOTH DIRECTION) MAINTAIN 3" CONCRETE COVERAGE LAPPED 12" AT CANTILEVER

8'-0 3/16" VARIES

6 1/8

CORROSION RESISTANT: COATED REBAR CHAIRS: WHERE UNDERSIDE OF CANTILEVER SLAB IS EXPOSED TO VIEW.

21'-5 5/16" VARIES

Appox. 48 inches of Strcutural Fill Above Scarified Exst Grade -6 inch lifts compacted o at least 95 percent modified Proctor and 2,000 PSF bearing capacity assumed

1 1/

RETURN #5 BAR, TYP

#4 BAR, 12" O.C, BOTH DIRECTIONS 3" COVERAGE BELOW

SLAB DETAIL SECTION CONTACT: PATRICIA HAGEN, 1/2"=1'-0"

EXECUTIVE DIRECTOR

LONGITUDINAL SECTION 1/2"=1'-0"

SCALE

1/2"=1'-0"

A2.01

DRAWN BY 1

US ARMY CORPS OF ENGINEERS RIVERS PROJECTS OFFICE 301 RIVERLANDS WAY WEST ALTON, MO 63386

YAO XIA, YU XIN PROJECT

A4.05

CONTACT: CHARLIE DEUTSCH, TECHNICAL DIRECTOR

21'-5 5/16" VARIES

DESIGN TEAM

8'-0 3/16" VARIES

STUDIO CONFLUENCE INSTRUCTORS ANDREW COLOPY, KEN TRACY STUDENTS NIKE CAO, JINA KIM, YU RONG, HAO WU, DAVID ORNDORFF, YAO XIA, WASSEF DABBOUSSI, YILONG WANG, NASH WATERS, YU XIN, HAOSHENG ZHANG

SCALE

1"=1'-0"

ELEVATION 7 1"=1'-0"

DRAWN BY

NIKE CAO PROJECT

Appox. 48 inches of Strcutural Fill Above Scarified Exst Grade -6 inch lifts compacted o at least 95 percent modified Proctor and 2,000 PSF bearing capacity assumed

AVIAN OBSERVATORY AUDUBON CENTER AT RIVERLANDS WEST ALTON, MO

Concrete Foundation Plan Ancor Layout

AVIAN OBSERVATORY AUDUBON CENTER AT RIVERLANDS WEST ALTON, MO

Elevation

80 9 CAMOUFLAGE

SLAB DETAIL SECTION 1/2"=1'-0"

A5.03

LONGITUDINAL SECTION 1/2"=1'-0"

A2.01

RICHLITE -1/4” thickness -Weather/UV Resistant -Recycled/Recyclable -Colors:

R50 1/4”

Chocolate Glacier 1/4”

Hybrid Sheet A R50

1/32” 1/16”

Chocolate Glacier

1/16”

1/4”

1/16” 1/32” R50

Hybrid Sheet B

CLIENT

Chocolate Glacier

1/32” 1/16”

R50

1/16”

1/4”

1/16”

AUDUBON SOCIETY AUDUBON CENTER AT RIVERLANDS 301 RIVERLANDS WAY WEST ALTON, MO 63386

1/32” Chocolate Glacier

ALUMINUM -Alloy 5052 -.100” thickness -Highly water and weather resistant -Light Weight

CONTACT: PATRICIA HAGEN, EXECUTIVE DIRECTOR

US ARMY CORPS OF ENGINEERS RIVERS PROJECTS OFFICE 301 RIVERLANDS WAY WEST ALTON, MO 63386 CONTACT: CHARLIE DEUTSCH, TECHNICAL DIRECTOR DESIGN TEAM

PERFORATED ALUMINUM -.06” thickness Ͳϭͬϰ͟ ŚŽůĞƐ͕ ǁŝƚŚ ϯͬϴ͟ Žƌ ϭͬϮ͟ ƐƚĂŐŐĞƌĞĚ ƉĂƩĞƌŶ ͲKďƐĐƵƌĞƐ ĂůƵŵŝŶƵŵ ĨƌĂŵŝŶŐ͕ ŚŝŶƚƐ Ăƚ ƉĂƩĞƌŶ ŽĨ ƌŝĐŚůŝƚĞ -Covers walls and ceiling Ͳ&ŝůƚĞƌƐ ĂŶĚ ƐŽŌĞŶƐ ŝŶƚĞƌŝŽƌ ůŝŐŚƚ

STUDIO CONFLUENCE INSTRUCTORS ANDREW COLOPY & KEN TRACY STUDENTS NIKE CAO, JINA KIM, YU RONG, HAO WU, DAVID ORNDORFF, YAO XIA, WASSEF DABBOUSSI, YILONG WANG, NASH WATERS, YU XIN, HAOSHENG ZHANG

1/16” = 1’-0”

SHEET METAL SCREWS -1/8” diameter -Security headtype preferable -Color matched from Richlite

ALUMINUM RIVETS

FINAL: JINA KIM, YU XIN INITIAL: NIKE CAO, HAO WU, WASSEF DABBOUSSI,YILONG WANG

AVIAN OBSERVATORY AUDUBON CENTER AT RIVERLANDS WEST ALTON, MO

1 -3/16” diameter, 1/4” grip range Ͳ&Žƌ ƐĞĐƵƌŝƚǇ ĂŶĚ ĞĂƐĞ ŽĨ ĐŽŶƐƚƌƵĐƟŽŶ

PANEL MOCK UP

A4.07 Panel Structure & Fabrication/Construction Process

“Consealment by some means that alters or obscures the appearance: Drab plumage provides the bird with camouflage against predators.” “Disruptive/Dazzling Pattern: Hi-contrast pattern bends from the background in order to obfuscates an object’s size, form, speed and range” Panoroma of Avian Observatory Interior View&Gradual-change of Openings (bottom)

82 9 CAMOUFLAGE

Photo Credits to WUSTL Photos

84 9 CAMOUFLAGE

DRAWING&PAINTING 80-84 ARTWORK

DIGITAL DRAWING 2015 Real Environment Simulation Maya Animation Scene Clips

Penn Design FNAR366 Advanced Modeling Studio//Can Fu

88 1 DIGITAL DRAWING

PAINTINGS&DRAWINGS 2009-2011 Oil Painting/ Gouache&Pastel/Water Color/ Pen Drawing/ Charcoal Figure Sketches UWashington Painting Major Projects

90 2 PAINTINGS&DRAWINGS

REVIT DOCS E

Revit Construction Drawings for Philadelphia Town Office Building Penn Design Construction

ROOF 105' - 0"

Level 10 95' - 0"

Level 9 85' - 0"

Level 2 10' - 0"

Level 9 85' - 0"

Level 8 75' - 0"

Level 1 2 10' 0' - 0"

Level 8 75' - 0"

Level 7 65' - 0"

Level Level 12 0'10' - 0" - 0"

Level 7 65' - 0"

Level 6 55' - 0"

Level 1 0' - 0"

Level 6 55' - 0"

Level 5 45' - 0"

Level 4 35' - 0"

1 A401-1

Level 3 25' - 0"

Level 2-2 19' - 5 3/16" Level 2 15' - 0" Level 1-2 8' - 9" Level 1 0' - 0"

ARCH532 CONTRUCTION TECHNOLOGY II / 14SP

Level 2 15' - 0" Level 2 10' - 0"

Level 1-2 8' - 9"

Level 1 0' - 0"

B1 -12' - 0"

B2 -24' - 0"

B3 -36' - 0"

ARCH 532

Philadelphia Offic Building Sections-2

Section EW-S 3/32" = 1'-0"

Section NS-E 3/32" = 1'-0"

532.

Project Number Date

Ca Che

Drawn By Checked By

A202

Scale

3/32" =

A Rectangular Duct

Level 2 9 85' - 0" 10'

W-Wide Flange W18X76

ROOF 105' - 0" Level 4 35' - 0"

10' - 0"

Level 6 55' - 0"

Basic Wall Generic - 8" Masonry

Level 1 8 2 75' 10' 0' - 0"

ARCH532 CONTRUCTION TECHNOLOGY II / 14SP

10' - 0"

Level 5 45' - 0"

Level 2 9 85' - 0" 10'

10' - 0"

Level 4 35' - 0"

10' - 0"

Basic Roof Insulation on Metal Deck-EPDM

Level 1 8 2 75' 10' 0' - 0"

Curtain Wall Storefront

2 A501

5' - 6 13/16"

10' - 0"

Level 3 25' - 0"

Level 2-2 19' - 5 3/16"

Rhomboid east west solar shade

ARCH532 CONTRUCTION TECHNOLOGY II / 14SP

10' - 0"

W-Wide Flange W18X76

Level 10 95' - 0"

Basic Roof Insulation on Meta Deck -EPDM

Level 3 25' - 0"

Rhomboid Curatin Panle

Level 1 7 2 65' 10' 0' - 0"

Level 2-2 19' - 5 3/16"

Structural Beam System

Rectangular Mullion 2.5" X 5" rectangular

Level 2 15' - 0"

4' - 5 3/16"

Level 1 7 2 65' 10' 0' - 0"

Rectangular Mullion 2.5" X5" rectangular

10' - 0"

Level 2 15' - 0"

Level 1 6 55' 0' - 0"

6' - 3"

Floor 4" LW Concrete on 2" Metal Deck 2

ARCH 532

Level 1 6 55' 0' - 0"

Level 1-2 8' - 9"

ARCH 5

Philadelphia Buildin

Level 1-2 8' - 9"

Philadelphia Office Building

Partial Wall S

Detailed Sections

Project Number Date Drawn By

Project Number

Drawn By

Checked By

Scale

532.2014 0425 Can Fu Checker

Checked By

Callout of Section EW-N with atrium 1/2" = 1'-0"

A402

1/4" = 1'-0"

Scale

YIN

6" Grass Geotext Tile Drainage Membrane Layer 1" Sand 3/4" Bitumen high Density Board 3/4" EPDM Membrane Roofing 2" Thermal Barriers Moisture Barriers 3/4" Plywood Sheating 9-1/4" Dimension Lumber 1/2" Gypsum Wall Board

YIN

1' - 4 1/2"

Level 3 Rear 21' - 0" 4" Exterior Brick Masonry 1 1/2" Air Cavity 1 1/2" Rigid Insulation 8" Concrete Masonry Block 6 Mil Vapor Barrier 1/2" Metal Furring 3/4" Interior Finish Gypsum Board

5' - 6" 1' - 9"

SIYUAN

0' - 9"

1' - 4 1/2"

4" Exterior Brick Masonry 1 1/2" Air Cavity 1 1/2" Rigid Insulation 8" Concrete Masonry Block 6 Mil Vapor Barrier 1/2" Metal Furring 3/4" Interior Finish Gypsum Board

Bond Beam

Level 3 23' - 6"

8"x8"x16" Concrete Bond Beam

Steel Angle

1-1/4" Clapboard Siding 3/4" Wood furring 3/4" Wood Sheating Plywood 5-1/2" Wood Stud Layer 3/4" Gypsum Wall board

L6"x6"x1/2" Steel Angle

PennDesign University of Pennsylvania

PennDesign

1" Anchor Bolt

University of Pennsylvania

Arch531 Construction Technology

2"x10" Nominal Cut Lumber Section

Rowlock Sill 15" Slope

2 1/2" Rigid Insulation

96" x 72" Fixed Window 3

2 A201

Level 1 2' - 0"

0' - 11"

Flasing Drip Edge Under Sill

ADD201

A501

Callout of Detailed Section EW-S with window 1/2" = 1'-0"

6' - 0"

Date

Detailed Callout Section EW-S with window 1/4" = 1'-0"

5/2/2014 3:49:32 PM

Metal Wall Ties Vertically Spaced @16" O.C.

5-1/2" Insulation

PennDesign

Project Number Date Drawn By Checked By 2

Callout of Green Roof at Skylight 1 1/2" = 1'-0"

Callout of Cantilevered Roof And Floor Framing 1 1/2" = 1'-0"

4" Exterior Brick Masonry Construction 1 1/2" Air Cavity 1 1/2" Rigid Insulation 8" Concrete Masonry Block 6 Mil Vapor Barrier 1/2" Metal Furring 3/4" Interior Finish Gypsum Board Project Number

Issue Date Siyuan Yin Checker

ADD502

1 1/2" = 1'-0"

Wood Blocking 4" Exterior Brick Masonry 1 1/2" Air Cavity 1 1/2" Rigid Insulation 8" Concrete Masonry Block 6 Mil Vapor Barrier 1/2" Metal Furring 3/4" Interior Finish Gypsum Board

Insulation Filling 2"x10" Roof Framing

Typical Wall Call Out Details

Metal Coping 2"x14" Wood Nailer

Level 3 23' - 6"

PennDesign Construction

Project Number Date Drawn By

Callout of Second Floor Framing and Wall 3 1 1/2" = 1'-0"

Scale

92 PS REVIT DOCS

Level 2 Rear 11' - 0"

9" Insulation 4" Exterior Brick Masonry 1 1/2" Air Cavity 1 1/2" Rigid Insulation 8" Concrete Masonry Block 6 Mil Vapor Barrier 1/2" Metal Furring 3/4" Interior Finish Gypsum Board

Callout ofl Ground and Foundation Wall 1 1/2" = 1'-0"

Level 2 13' - 6"

11/25/2013 11:22:21 AM

0' - 11"

Level 2 13' - 6"

Pine Street Additional House

2' - 10"

Callout of Window Head and Sill Detail 1 1/2" = 1'-0"

2' - 0"

1' - 9"

Level 3 23' - 6"

1' - 9"

0' - 10"

GROUND 0' - 0"

0' - 11"

8' - 0"

10' - 0"

2x8 Wood Blocking

Typical Wall Call Out Details

6' - 0"

8'x6' Chrome Frame Skyline 1" Insulated Glass

2' - 5"

0' - 10"

Pine Street Additional House

Flashing w. Weep Hole @ 2' O.C. TYP

Checked By Callout of Parapet Detail 4 1 1/2" = 1'-0" Scale

Project Number Issue Date Siyuan Yin Checker

ADD501

1 1/2" = 1'-0"

ARCH532 CONTRUCTION TECHNOLOGY II / 14SP

final inte 12" = 1'-0"

ARCH532 CONTRUCTION TECHNOLOGY II / 14SP

3D View 11_ex 12" = 1'-0"

Exterior View 1

Exterior View 2

ARCH 532 Philadelphia Office Building

Date Drawn By Checked By

ARCH 532

3D View 12_ex 2 12" = 1'-0"

Scale

A003

532.2014 0425 Can Fu Checker

12" = 1'-0"

5/2/2014 3:44:12 PM

Exterior Renderings Project Number

Philadelphia Office Building

Date Drawn By Checked By

Scale

A001

532.2014 0425 Can Fu Checker

5/2/2014 3:40:23 PM

Exterior Views Project Number

Projec Date

Drawn

Check

3D View 19_1 exfinal 12" = 1'-0"

ARCH532 CONTRUCTION TECHNOLOGY II / 14SP

Scale

Exterior View 1

PRODUCED BY AN AUTODESK STUDENT PRODUCT

Exterior View 2

ARCH 532 Philadelphia Office Building

Drawn By Checked By

A001

Scale Copy (2) of southern facade

ARCH532 CONTRUCTION TECHNOLOGY II / 14SP

532.2014 0425 Can Fu Checker

ARCH532 CONTRUCTION TECHNOLOGY II / 14SP

Date

5/2/2014 3:40:23 PM

Exterior Views Project Number

ARCH 532

Philadelphia Offi Building

ARCH 532 Philadelphia Office Building

Interior Renderin

High Performance Facade Date Drawn By Checked By

southern facade Scale

A007

532.2014 0425 Can Fu Checker

12" = 1'-0"

Project Number Date

5/2/2014 3:44:33 PM

Project Number

Drawn By Checked By

3D View 17_inte pes 12" = 1'-0"

3D View 16_1 inte pe 12" = 1'-0" Scale

A004

PRODUCED BY AN AUTODESK STUDENT PRODUCT

ARCH 431/531: Construction Technology 1

PRODUCED BY AN AUTODESK STUDENT PRODUCT

Philadelphia Rowhome Addition

CANFUDESIGN

110713

Date

Can Fu

Drawn by

12" = 1'-0"

Scale

Interior View

12/15/2013 6:34:42 PM

ADD002

PRODUCED BY AN AUTODESK STUDENT PRODUCT

12"

PRODUCED BY AN AUTODESK STUDENT PRODUCT

THE END

2016.07

CAN FU University of Pennsylvania School of Design M. Arch 2016 +1 3145021308 canfu@alumni.design. upenn.edu canfu@live.com