Cadogan Hall Zurich International Orchestra Series 2015-16 PRESENTS
I N A S S O C I AT I O N W I T H I M G A RT I S TS
Welcome to Cadogan Hall’s ninth Zurich International Orchestra Series 2015-16. This season Cadogan Hall presents 12 international orchestras performing 16 concerts with some renowned conductors and notable soloists. Some old friends visit the hall again – Basel Symphony Orchestra, Dresden Philharmonic Orchestra , Brussels Philharmonic and Moscow State Symphony Orchestra are returning with strong programmes including Holst The Planets, Rachmaninov Piano Concerto No. 1, Mahler Symphony No. 4 and Beethoven Symphony No. 3. First-time visitors to Cadogan Hall include Flanders Symphony Orchestra, Orchestra della Svizzera Italiana, Oslo Philharmonic Orchestra, Dallas Symphony Orchestra and Bruckner Orchester Linz. On 26 October Mariinsky Orchestra with Conductor Valery Gergiev will allow Cadogan Hall’s audience a first chance to see the Gold Medallists of the 2015 International Tchaikovsky Competition performing live in London.
Cadogan Hall Zurich International Orchestra Series 2015-16 PRESENTS
IN ASSOCIATION WITH IMG ARTISTS
2015 24 September
2016 Page 4-5
Basel Symphony Orchestra Ravel/Stravinsky 28 September
Page 4-5
Basel Symphony Orchestra Mozart/Holst 5 October
Page 6-7
Dresden Philharmonic Orchestra Wagner/Rachmaninov/Brahms 26 October
Page 8-9
Mariinsky Orchestra Page 10-11
Brussels Philharmonic Page 12-13
Flanders Symphony Orchestra Debussy/Elgar/Ibert 5 November
Page 12-13
Flanders Symphony Orchestra Lesueur/Schoenberg/Beethoven/Berlioz 23 November
Page 14-15
Prague Symphony Orchestra Beethoven/Dvořák 18 December
Polish National Radio Symphony Orchestra John Adams/Chopin/Beethoven 10 March
Page 20-21
Oslo Philharmonic Orchestra Grieg/Tchaikovsky/Shostakovich 9 April
Page 22-23
Dallas Symphony Orchestra Beethoven/Mozart/Strauss 21 April
Page 24-25
Mozart/Bruckner 22 April
Page 24-25
Bruckner Orchester Linz
Strauss/Mahler 4 November
Page 18-19
Bruckner Orchester Linz
Tchaikovsky 30 October
16 February
Page 16-17
Orchestra Svizzera Italiano Provofiev/Tchaikovsky/Mendelssohn
Beethoven/Philip Glass 12 May
Page 26-27
Moscow State Symphony Orchestra Prokofiev/Rachmaninov 27 May
Brussels Philharmonic Fauré/Schumann/Franck
Page 28-29
Basel Symphony Orchestra Dennis Russell Davies C O N D U C T O R Thursday 24 September 2015, 7.30pm
Alice Sara Ott P I A N O Les Six M A R R I A G E A T T H E E I F F E L T O W E R Ravel P I A N O C O N C E R T O I N G M A J O R Stravinsky T H E R I T E O F S P R I N G Monday 28 September 2015, 7.30pm
Elisabeth Leonskaya P I A N O Mozart P I A N O C O N C E R T O Holst T H E P L A N E T S
N O . 9 I N E F L A T, K . 2 7 1
We are delighted to welcome Basel Symphony Orchestra and its Chief Conductor Dennis Russell Davies. German-Japanese pianist Alice Sara Ott, whose album The Chopin Project reached the top of the international classical music charts in 2015, joins orchestra and conductor in the first of two concerts, to give a performance of Ravel’s playful and serene Piano Concerto in G major. The concert culminates with Stravinsky’s landmark The Rite of Spring. One of the most celebrated pianists of our time, Elisabeth Leonskaya joins the orchestra for its second concert, playing Mozart’s Piano Concerto No. 9. The evening finishes with a performance of Holst’s largest orchestral work – a suite of seven unique movements, named after all of the planets apart from Pluto, undiscovered at the time of its composition. TICKETS: £45
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PA G E 4 – 5
Monday 5 October 2015, 7.30pm
Dresden Philharmonic Orchestra Michael Sanderling C O N D U C T O R Andrei Korobeinikov P I A N O Wagner O V E R T U R E T O D I E M E I S T E R S I N G E R Rachmaninov P I A N O C O N C E R T O N O . 1 Brahms S Y M P H O N Y N O . 4
VON NÜRNBERG
This evening of music begins with the overture to Wagner’s opera Die Meistersinger von Nürnberg, one of Wagner’s most lyrical and uplifting works. This sunny composition is followed by a performance of Rachmaninov’s romantic Piano Concerto No. 1, played by award-winning Russian pianist Andrei Korobeinikov, made up of weighty piano chords, heart-wrenching tunes and sumptuous orchestral accompaniment. The orchestra concludes with Brahms’ Symphony No. 4, whose rich orchestral colours and triumphant climax are a fitting finale, described by many as being the most original and powerful movement he ever wrote.
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PA G E 6 – 7
Monday 26 October 2015, 7.30pm
Mariinsky Orchestra Valery Gergiev conducts the winners of the 2015 International Tchaikovsky Competition
Valery Gergiev C O N D U C T O R Tchaikovsky R E P E R T O I R E
TO BE CONFIRMED
The Mariinsky Orchestra, founded in 1783 in St Petersburg, is one of the oldest musical institutions in Russia. Under its current Artistic and General Director Valery Gergiev, the orchestra has become one of the leading symphony orchestras in Russia and one of the top orchestras in the world. The International Tchaikovsky Competition, first held more than 50 years ago, is one of the major events in the international music community. The competition gives the brightest and best young pianists, violinists, cellists and singers a chance to be noticed by the international professional community and the general public, launching many glittering musical careers. Previous winners have included Van Cliburn, Vladimir Ashkenazy, Peter Donohoe, Denis Matsuev, Gidon Kramer, Mario Brunello, Deborah Voigt, Victoria Mullova and, most recently in 2011, Daniil Trifonov. The 2015 Tchaikovsky Competition will take place between 15 June and 3 July, 2015 in Moscow and St Petersburg and all rounds of the competition will be streamed live on the internet reaching a global audience. Over 600 applications were received by artists from 45 countries. The winners are guaranteed an international tour with Gergiev and this evening’s concert gives Cadogan Hall’s audience a first chance to see the Gold Medallists of the 2015 competition performing live in London. Full soloist and programme details for this concert are to be confirmed after the XV International Tchaikovsky Competition winners are announced.
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PA G E 8 – 9
Friday 30 October 2015, 7.30pm
Brussels Philharmonic Yoel Levi C O N D U C T O R Susan Gritton S O P R A N O R. Strauss F O U R L A S T S O N G S Mahler S Y M P H O N Y N O . 4 Brussels Philharmonic, joined by the former Music Director of Atlanta Symphony Orchestra, Yoel Levi and soprano Susan Gritton, give a performance of Strauss’ Four Last Songs. The piece, often quoted as his epitaph, is full of orchestral colour, radiant lyricism and Strauss’ life-long love affair with the soprano voice. Susan Gritton, former principal singer at English National Opera is one of the finest singers of her generation and is acclaimed for her versatility in many roles. To end the evening, the orchestra plays Mahler’s ebullient Symphony No. 4. The symphony, described as Mahler’s sunniest, is full of expressive orchestral detail and glorious melodies.
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PA G E 1 0 – 1 1
Flanders Symphony Orchestra Jan Latham-Koenig C O N D U C T O R Wednesday 4 November 2015, 7.30pm
Simon Callow N A R R A T O R Debussy B E R C E U S E H É R O Ï Q U E Elgar C A R I L L O N Ibert T H E B A L L A D O F R E A D I N G G A O L Richard Blackford I N F L A N D E R S F I E L D S Piet Swerts T H E H A R M O N I U M O F T H E T A L B O T H O U S E Elgar S O S P I R I Elgar P O M P A N D C I R C U M S T A N C E M A R C H E S N O S . 3 & 4 Thursday 5 November 2015, 7.30pm
Mark Bebbington P I A N O Gavin Carr B A R I T O N E Bournemouth Symphony Chorus J.F. Lesueur C O R O N A T I O N M U S I C F O R N A P O L E O N Schoenberg O D E T O N A P O L E O N B O N A P A R T E , O P. 4 1 Beethoven W E L L I N G T O N S S I E G , ( W E L L I N G T O N ’ S V I C T O R Y ) , Berlioz T H E F I F T H O F M A Y , O P. 6 Beethoven C H O R A L F A N T A S Y , O P. 8 0
O P. 9 1
Flanders Symphony Orchestra, one of Belgium’s most distinguished orchestras, under its Music Director Jan Latham-Koenig, presents two unique programmes weaving music, poetry and human responses to the realities of war. The first two pieces by Debussy and Elgar were written as contributions to King Albert’s Book published in Britain by The Telegraph, as Debussy put it ‘an homage to so much patient suffering’ after the German invasion of Belgium in World War 1. Ibert’s three-movement symphony based on Oscar Wilde’s poem (narrated by Simon Callow, subject to availability), captures the brutal beauty of his meditations on life in gaol and his reflections on morality, the death penalty and the penal system. Composers Richard Blackford and Piet Swerts have been commissioned by the orchestra to write music inspired by war atrocities in Flanders – John McCrae’s In Flanders Field is the inspiration for Richard Blackford’s new work. Piet Swerts writes, ‘I knew that the power of music could evoke and transcend this drama’ and the concert ends with the positivity of Elgar’s Pomp and Circumstance Marches. The second concert presents music written for or about Napoleon and is a chronological journey through his life with positive and negative artistic responses to him. Schoenberg’s setting of Byron’s powerful poem, written in 1942 when another tyranny held sway over Europe, pours scorn on the idea of achieving ambition at the cost of other people’s lives. The final piece, Beethoven’s Choral Fantasy, could be seen as an affirmation of universal human values and their ability to triumph over adversity. Written by Christoph Kuffner, the text proclaims in its concluding measures, ‘When love and power unite, God’s grace descends on all mankind’.
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PA G E 1 2 – 1 3
Monday 23 November 2015, 7.30pm
Prague Symphony Orchestra Pietari Inkinen C O N D U C T O R Chloë Hanslip V I O L I N Smetana M Á V L A S T – S A R K A Beethoven V I O L I N C O N C E R T O Dvořák S Y M P H O N Y N O . 9 ( F R O M
THE NEW WORLD)
Founded in 1934 the official Prague Symphony Orchestra celebrated its 80th anniversary in 2014. Tonight it is led by newly appointed and highly acclaimed Chief Conductor Pietari Inkinen, Music Director of the New Zealand Symphony Orchestra and Principal Guest Conductor of the Japan Philharmonic Orchestra. We welcome back BRIT Award-winning Chloë Hanslip to our series who reviewers said ‘gave a wonderful blend of ice and fire’ and played with ‘glorious swoops and luscious timbre’ when she appeared at Cadogan Hall with Bern Symphony Orchestra in April 2015. Chloë plays Beethoven’s only Violin Concerto, lauded as a masterpiece of tenderness and serenity. To end the evening, the orchestra plays one of the most popular symphonies of all time – Dvořák’s Symphony No. 9, From the New World.
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PA G E 1 4 – 1 5
Friday 18 December 2015, 7.30pm
Orchestra della Svizzera Italiana Vladimir Ashkenazy C O N D U C T O R Alexey Stadler C E L L O Prokofiev S Y M P H O N Y N O . 1 ( C L A S S I C A L ) Tchaikovsky R O C O C O V A R I A T I O N S Mendelssohn S Y M P H O N Y N O . 4 ( I T A L I A N ) Founded in Lugano, Switzerland, in 1935 this evening’s orchestra played a crucial role in the region’s musical development, helping to establish important festivals in Lugano, Locarno and Ascona from the 1940s. Vladimir Ashkenazy is the orchestra’s Principal Guest Conductor as well as being one of the most famous and most revered pianists and conductors in the world. Tonight the orchestra performs Prokofiev’s Classical Symphony and Tchaikovsky’s Rococo Variations, renowned as one of the most brilliant virtuoso display pieces in orchestral literature and utterly romantic in style. After the interval the orchestra performs Mendelssohn’s Symphony No. 4, otherwise known as the Italian Symphony because of its evocation of Italy. It blends two lively folk dance styles which are both abundantly energetic, bordering on frenetic. Mendelssohn described the piece as ‘the jolliest piece I have so far written… and the most mature thing I have ever done’.
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PA G E 1 6 – 1 7
Tuesday 16 February 2016, 7.30pm
Polish National Radio Symphony Orchestra Alexander Liebreich C O N D U C T O R Nikolai Demidenko P I A N O John Adams T H E C H A I R M A N D A N C E S Chopin P I A N O C O N C E R T O N O . 1 Beethoven S Y M P H O N Y N O . 3 ( E R O I C A ) Considered to be the leading Polish orchestra the Polish National Radio Symphony Orchestra begins the evening with John Adams’ The Chairman Dances. The piece, which has been called a foxtrot for orchestra, with its jazz inflections, chugging rhythms and colourful orchestration evokes the swooning romanticism of Hollywood. The award-winning pianist Nikolai Demidenko joins the orchestra for Chopin’s Piano Concerto No. 1 whose opening theme, presented through the sound of singing violins, is full of spirit and flourishes. The middle movement is described by Chopin as ‘romance-like and melancholic’ and ‘should give the impression of a pleasant glance at a place where a thousand fond memories come to mind’.
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PA G E 1 8 – 1 9
Thursday 10 March 2016, 7.30pm
Oslo Philharmonic Orchestra Vasily Petrenko C O N D U C T O R Henning Kraggerud V I O L I N Grieg L Y R I C
S U I T E – E X C E R P T S ( N O RW E G I A N M A RC H ,
N O C T U R N E , M A R C H O F T H E D WA R V E S )
Tchaikovsky V I O L I N C O N C E R T O Shostakovich S Y M P H O N Y N O . 5 The Oslo Philharmonic is one of the best orchestras in Europe. Founded in 1919 the orchestra has had many renowned musical directors, including Mariss Jansons, André Previn and Jukka-Pekka Saraste. This evening the orchestra is conducted by their current Chief Conductor Vasily Petrenko. Oslo-born violin virtuoso Henning Kraggerud performs Tchaikovsky’s popular but demanding Violin Concerto and this is followed after the interval by Shostakovich’s emotional Symphony No. 5. ‘Petrenko inspired the orchestra to go well beyond its normal megawatt virtuosity… Seldom has the trajectory to the hollow triumph of the final pages been more exactingly plotted, or more excitingly conveyed. The orchestra gave Petrenko everything he asked for, and more.’ (Chicago Tribune) ‘The remarkable young Norwegian violinist Henning Kraggerud gave a fresh, stimulating performance of Tchaikovsky’s Violin Concerto… Kraggerud’s playing gripped the attention through its subtle blend of tenderness and virtuosity.’ (The Telegraph)
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PA G E 2 0 – 2 1
Saturday 9 April 2016, 7.30pm
Dallas Symphony Orchestra Jaap van Zweden C O N D U C T O R Imogen Cooper P I A N O Beethoven S Y M P H O N Y N O . 5 Mozart P I A N O C O N C E R T O N O . 2 4 I N C R. Strauss D E R R O S E N K A V A L I E R S U I T E
MINOR, K. 491
Dallas Symphony performances conducted by Jaap van Zweden are regularly hailed by the Dallas Morning News as ‘exhilarating’, ‘revelatory’, ‘intensely dramatic’ and ‘as electrifying as you’ll hear anywhere’. The Dallas Symphony Orchestra has released more than 30 CD recordings, toured Europe five times and performed in Asia, Mexico, Washington D.C. and in New York’s Carnegie Hall. Music Director Jaap van Zweden was named Musical America Conductor of the Year 2012 in recognition of his critically acclaimed work as Music Director of the Dallas Symphony. The orchestra is joined by piano virtuoso Imogen Cooper to give a performance of Mozart’s Piano Concerto No. 24. Imogen Cooper has established a reputation as one of the finest interpreters of the Classical repertoire earning consistently high praise from critics. ‘She is an outstanding artist, one of the finest pianists now playing. Go, listen, and wonder how many better pianists there are alive in this country, or anywhere.’ (Daily Telegraph) To end the evening the orchestra performs the Suite from Strauss’ opera Der Rosenkavalier, translated as ‘The Cavalier of the Rose’. The Suite opens just as the opera does, with bellowing horns and glowing strings, followed by shimmering chords played by flutes, solo violins, harps, and celesta.
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PA G E 2 2 – 2 3
Bruckner Orchester Linz Dennis Russell Davies C O N D U C T O R Thursday 21 April 2016, 7.30pm
Melvyn Tan P I A N O Gluck-Wagner O V E R T U R E T O I P H I G É N I E E N A U L I D E Mozart P I A N O C O N C E R T O N O . 2 3 I N A M A J O R , K . 4 8 8 Bruckner S Y M P H O N Y N O . 6 Friday 22 April 2016, 7.30pm
Ingolf Wunder P I A N O Beethoven O V E R T U R E T O K I N G S T E P H A N , Beethoven P I A N O C O N C E R T O N O . 4 Philip Glass S Y M P H O N Y N O . 9
O P. 1 1 7
The Bruckner Orchester Linz is an Austrian orchestra based in Linz. It is especially associated with the music of Linz-Land native Anton Bruckner and for the first of two concerts this season the orchestra performs Bruckner’s Symphony No. 6- a dramatic and dynamic symphony containing some of his most beautiful music. On 21 April, pianist Melvyn Tan joins the orchestra for a performance of Mozart’s Piano Concerto No. 23. This popular concerto is adored for the poise and beauty of its first movement, its passionate and expressive slow middle movement in the rare key of F sharp minor (Mozart’s only piece composed in this key) and the impulsive wit and bold variations of its finale. The second concert showcases two of Beethoven’s works, the first written as a commemorative work to King Stephen I. The orchestra is joined by Ingolf Wunder, hailed as one of the world’s most exciting pianists since his success at the coveted Warsaw International Chopin Competition, for a performance of Beethoven’s Piano Concerto No. 4.
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PA G E 2 4 – 2 5
Thursday 12 May 2016, 7.30pm
Moscow State Symphony Orchestra Pavel Kogan C O N D U C T O R John Lill P I A N O Stephen Johnson B E H E M O T H D A N C E S Prokofiev P I A N O C O N C E R T O N O . 3 Rachmaninov S Y M P H O N Y N O . 2 For almost seven decades, the Moscow State Symphony Orchestra has been recognised as one of the foremost interpreters of the classic Russian composers. Tonight’s Russian themed concert is led by Chief Conductor Pavel Kogan. The concert begins with Stephen Johnson’s short suite based on a character from The Master and Margarita, a classic novel by the Russian author Mikhail Bulgakov. We welcome back John Lill CBE after a successful series of Beethoven Piano Sonatas at Cadogan Hall, for which he was highly commended by critics. Tonight he joins the orchestra to give a performance of Prokofiev’s Piano Concerto No. 3, one of his most popular works – an energetic masterpiece laced with biting wit, romantic interludes and a fiery solo part. The orchestra finishes with Rachmaninov’s hauntingly beautiful and hopeful Symphony No. 2, an outpouring of passionate emotion into an inexhaustible stream of gorgeous melodies.
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PA G E 2 6 – 2 7
Friday 27 May 2016, 7.30pm
Brussels Philharmonic Hervé Niquet C O N D U C T O R Barry Douglas P I A N O Fauré M A S Q U E S E T B E R G A M A S Q U E S Schumann P I A N O C O N C E R T O Franck S Y M P H O N Y I N D M I N O R The Brussels Philharmonic joins us for its second concert of this 2015-16 series, conducted by the much admired Hervé Niquet, who has achieved success as a conductor, composer and singer. The award-winning pianist Barry Douglas joins the orchestra for Schumann’s joyful and melodic Piano Concerto. Barry Douglas has established a major international career since winning the Gold Medal at the 1986 Tchaikovsky International Piano Competition and gives concerts with the world’s leading orchestras. Franck’s rarely performed and only symphony concludes the evening’s music. ‘Douglas superbly draws out the contrasts within each piece, bringing out their individual character... his tone is a deep velvet cushion, the legatos full of affection and the rhythms galvanised with great energy.’ (BBC Music Magazine)
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PA G E 2 8 – 2 9
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Getting to Cadogan Hall The easiest way to travel to Cadogan Hall is by public transport. Located two minutes’ walk from Sloane Square tube, served by District and Circle lines, just one stop from Victoria station which has both mainline and additional tube connections. SLOANE SQUARE UNDERGROUND TWO MINUTES’ WALK Upon exiting Sloane Square Station, turn immediately right, passing the Royal Court Theatre. (You will see Cadogan Hall’s tower immediately before you). Cross over Cliveden Place and walk up Sedding Street to the Hall. BUS Sloane Street one minute’s walk
TAXI RANK Sloane Square one minute’s walk Taxis are numerous in the area and there is a taxi rank located on Sloane Square opposite the underground station. PARKING A limited number of bays are available on Sloane Terrace, Wilbraham Place and Sedding Street after 6.30pm.
Frequent bus services stop in Sloane Square and neighbouring streets including King’s Road, Sloane Street and Lower Sloane Street. Bus services include numbers 11, 19, 22, 137, 8 pt 211, 319, 360 and C1.
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Cadogan Hall Sloane Terrace, London SW1X 9DQ Box Office: 020 7730 4500 www.cadoganhall.com/zios